Songs like Out Of The Cage by Jesus Santandreu
Based on a tempo of (+/- 10%) and a similar genre
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Jesus Santandreu
Out Of The Cage
150 bpm • A# Maj • 08:18 • -14.48db
0% Popularity • 44% Danceability • 36% Energy • 16% Liveness
38% Instrumentalness • 29% Positiveness
0% Popularity • 44% Danceability • 36% Energy • 16% Liveness
38% Instrumentalness • 29% Positiveness
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Giuseppe Millaci
Bad Fortune
149 bpm • C# Maj • 05:09 • -15.99db
21% Popularity • 38% Danceability • 30% Energy • 12% Liveness
94% Instrumentalness • 39% Positiveness
21% Popularity • 38% Danceability • 30% Energy • 12% Liveness
94% Instrumentalness • 39% Positiveness
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Lynne Arriale Trio
Soul
151 bpm • C min • 03:44 • -16.53db
11% Popularity • 41% Danceability • 30% Energy • 11% Liveness
80% Instrumentalness • 34% Positiveness
11% Popularity • 41% Danceability • 30% Energy • 11% Liveness
80% Instrumentalness • 34% Positiveness
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Vladimir Torres
Interlude 4 No Anticipes
149 bpm • D Maj • 04:59 • -12.74db
9% Popularity • 45% Danceability • 30% Energy • 12% Liveness
78% Instrumentalness • 23% Positiveness
9% Popularity • 45% Danceability • 30% Energy • 12% Liveness
78% Instrumentalness • 23% Positiveness
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Actual/Actual
V-V.
149 bpm • F# min • 04:54 • -14.89db
7% Popularity • 44% Danceability • 46% Energy • 37% Liveness
6% Instrumentalness • 40% Positiveness
7% Popularity • 44% Danceability • 46% Energy • 37% Liveness
6% Instrumentalness • 40% Positiveness
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Perico Sambeat
- PERICO & KENNY WHEELER TEMA 5 Part V �...
149 bpm • C Maj • 05:45 • -7.11db
7% Popularity • 39% Danceability • 50% Energy • 73% Liveness
26% Instrumentalness • 38% Positiveness
7% Popularity • 39% Danceability • 50% Energy • 73% Liveness
26% Instrumentalness • 38% Positiveness
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Michel Prandi Electrip Trio
Esquisse Part II
152 bpm • C Maj • 06:57 • -11.19db
12% Popularity • 40% Danceability • 46% Energy • 9% Liveness
54% Instrumentalness • 26% Positiveness
12% Popularity • 40% Danceability • 46% Energy • 9% Liveness
54% Instrumentalness • 26% Positiveness
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Benjamin Koppel
Die Dänen Raus
152 bpm • A# min • 01:47 • -7.4db
8% Popularity • 56% Danceability • 88% Energy • 9% Liveness
28% Instrumentalness • 72% Positiveness
8% Popularity • 56% Danceability • 88% Energy • 9% Liveness
28% Instrumentalness • 72% Positiveness
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Bruno D'Ambra
Top Geezer
152 bpm • A# Maj • 02:33 • -12.29db
11% Popularity • 45% Danceability • 58% Energy • 10% Liveness
37% Instrumentalness • 58% Positiveness
11% Popularity • 45% Danceability • 58% Energy • 10% Liveness
37% Instrumentalness • 58% Positiveness
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Jill McCarron
The Whisperer
152 bpm • C Maj • 06:00 • -10.13db
17% Popularity • 50% Danceability • 45% Energy • 9% Liveness
92% Instrumentalness • 45% Positiveness
17% Popularity • 50% Danceability • 45% Energy • 9% Liveness
92% Instrumentalness • 45% Positiveness
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Rui Hallvares Andrade Paes
Dansanta dansare dansar dansant
152 bpm • C Maj • 05:23 • -17.53db
14% Popularity • 38% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 49% Positiveness
14% Popularity • 38% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 49% Positiveness
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Francesca Tandoi
Bop Web
153 bpm • F min • 04:07 • -13.98db
14% Popularity • 35% Danceability • 48% Energy • 24% Liveness
91% Instrumentalness • 80% Positiveness
14% Popularity • 35% Danceability • 48% Energy • 24% Liveness
91% Instrumentalness • 80% Positiveness
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Max Ionata
You Must Believe in Spring
153 bpm • C Maj • 04:35 • -14.02db
15% Popularity • 47% Danceability • 21% Energy • 12% Liveness
4% Instrumentalness • 43% Positiveness
15% Popularity • 47% Danceability • 21% Energy • 12% Liveness
4% Instrumentalness • 43% Positiveness
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Emma Johnson's Gravy Boat
Fully Fledged
147 bpm • A# min • 06:01 • -11.65db
7% Popularity • 46% Danceability • 57% Energy • 6% Liveness
89% Instrumentalness • 52% Positiveness
7% Popularity • 46% Danceability • 57% Energy • 6% Liveness
89% Instrumentalness • 52% Positiveness
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Jesus Santandreu
Gor
154 bpm • G min • 05:09 • -7.51db
0% Popularity • 36% Danceability • 72% Energy • 8% Liveness
23% Instrumentalness • 74% Positiveness
0% Popularity • 36% Danceability • 72% Energy • 8% Liveness
23% Instrumentalness • 74% Positiveness
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Kálmán Oláh
Atlantis
154 bpm • F min • 07:51 • -12.61db
7% Popularity • 45% Danceability • 43% Energy • 15% Liveness
1% Instrumentalness • 37% Positiveness
7% Popularity • 45% Danceability • 43% Energy • 15% Liveness
1% Instrumentalness • 37% Positiveness
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Jill McCarron
The Jody Grind
146 bpm • F min • 04:59 • -8.96db
12% Popularity • 58% Danceability • 52% Energy • 13% Liveness
22% Instrumentalness • 77% Positiveness
12% Popularity • 58% Danceability • 52% Energy • 13% Liveness
22% Instrumentalness • 77% Positiveness
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Andrew Gould
Pull Up a Chair
146 bpm • C# Maj • 05:25 • -13.63db
18% Popularity • 58% Danceability • 18% Energy • 11% Liveness
12% Instrumentalness • 37% Positiveness
18% Popularity • 58% Danceability • 18% Energy • 11% Liveness
12% Instrumentalness • 37% Positiveness
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Yes! Trio
Fivin'
155 bpm • F min • 04:10 • -15.31db
19% Popularity • 63% Danceability • 32% Energy • 9% Liveness
84% Instrumentalness • 89% Positiveness
19% Popularity • 63% Danceability • 32% Energy • 9% Liveness
84% Instrumentalness • 89% Positiveness
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Fairly Wired
Skitter
154 bpm • C# Maj • 06:04 • -14.87db
12% Popularity • 40% Danceability • 49% Energy • 13% Liveness
85% Instrumentalness • 36% Positiveness
12% Popularity • 40% Danceability • 49% Energy • 13% Liveness
85% Instrumentalness • 36% Positiveness
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Jesus Santandreu
L.W. Dream
146 bpm • F Maj • 09:34 • -11.38db
0% Popularity • 45% Danceability • 42% Energy • 17% Liveness
89% Instrumentalness • 43% Positiveness
0% Popularity • 45% Danceability • 42% Energy • 17% Liveness
89% Instrumentalness • 43% Positiveness
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Sebastian Noelle
Kōan
155 bpm • D Maj • 06:52 • -11.1db
10% Popularity • 32% Danceability • 56% Energy • 10% Liveness
76% Instrumentalness • 44% Positiveness
10% Popularity • 32% Danceability • 56% Energy • 10% Liveness
76% Instrumentalness • 44% Positiveness
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David Sauzay
Carthage
145 bpm • F min • 06:40 • -8.72db
16% Popularity • 51% Danceability • 49% Energy • 9% Liveness
75% Instrumentalness • 58% Positiveness
16% Popularity • 51% Danceability • 49% Energy • 9% Liveness
75% Instrumentalness • 58% Positiveness
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Zé Eduardo
Realejo
155 bpm • A Maj • 04:05 • -20.04db
0% Popularity • 38% Danceability • 6% Energy • 13% Liveness
77% Instrumentalness • 36% Positiveness
0% Popularity • 38% Danceability • 6% Energy • 13% Liveness
77% Instrumentalness • 36% Positiveness
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Niels Lan Doky
Children's Song
145 bpm • C Maj • 06:28 • -23.75db
21% Popularity • 52% Danceability • 19% Energy • 97% Liveness
84% Instrumentalness • 30% Positiveness
21% Popularity • 52% Danceability • 19% Energy • 97% Liveness
84% Instrumentalness • 30% Positiveness
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Teemu Åkerblom Quartet
Gilman's Point
144 bpm • D Maj • 06:02 • -10.71db
7% Popularity • 39% Danceability • 31% Energy • 12% Liveness
52% Instrumentalness • 19% Positiveness
7% Popularity • 39% Danceability • 31% Energy • 12% Liveness
52% Instrumentalness • 19% Positiveness
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Nicole McCabe
Architect
144 bpm • C Maj • 07:14 • -8.78db
0% Popularity • 38% Danceability • 60% Energy • 11% Liveness
6% Instrumentalness • 38% Positiveness
0% Popularity • 38% Danceability • 60% Energy • 11% Liveness
6% Instrumentalness • 38% Positiveness
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Mátyás Szandai Quartet
Nine Pines
143 bpm • A Maj • 02:58 • -10.63db
17% Popularity • 40% Danceability • 57% Energy • 10% Liveness
58% Instrumentalness • 43% Positiveness
17% Popularity • 40% Danceability • 57% Energy • 10% Liveness
58% Instrumentalness • 43% Positiveness
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Ramon Valle
A Cuban Lost
144 bpm • A Maj • 05:37 • -12.89db
18% Popularity • 57% Danceability • 50% Energy • 16% Liveness
87% Instrumentalness • 76% Positiveness
18% Popularity • 57% Danceability • 50% Energy • 16% Liveness
87% Instrumentalness • 76% Positiveness
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Julieta Eugenio
Stay
158 bpm • A Maj • 07:40 • -11.26db
8% Popularity • 42% Danceability • 34% Energy • 11% Liveness
79% Instrumentalness • 56% Positiveness
8% Popularity • 42% Danceability • 34% Energy • 11% Liveness
79% Instrumentalness • 56% Positiveness
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Xavi Torres
QS 16 - Luz
143 bpm • A# Maj • 05:06 • -17.26db
8% Popularity • 33% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 42% Positiveness
8% Popularity • 33% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 42% Positiveness
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Nadav Assaf
The MockingBird
158 bpm • G# Maj • 06:35 • -9.93db
24% Popularity • 49% Danceability • 37% Energy • 12% Liveness
37% Instrumentalness • 31% Positiveness
24% Popularity • 49% Danceability • 37% Energy • 12% Liveness
37% Instrumentalness • 31% Positiveness
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Arne Torvik Trio
Geert
141 bpm • G# Maj • 06:41 • -13.83db
15% Popularity • 55% Danceability • 43% Energy • 11% Liveness
92% Instrumentalness • 45% Positiveness
15% Popularity • 55% Danceability • 43% Energy • 11% Liveness
92% Instrumentalness • 45% Positiveness
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QOW TRIO
High Noon
142 bpm • F Maj • 04:17 • -9.3db
8% Popularity • 43% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 43% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Tony Glausi
natalia
141 bpm • D Maj • 06:30 • -17.69db
12% Popularity • 38% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
12% Popularity • 38% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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David Whitman
Rear View
141 bpm • D min • 06:39 • -10.86db
8% Popularity • 45% Danceability • 50% Energy • 11% Liveness
65% Instrumentalness • 28% Positiveness
8% Popularity • 45% Danceability • 50% Energy • 11% Liveness
65% Instrumentalness • 28% Positiveness
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Martin Sasse
With You
141 bpm • D min • 04:20 • -13.63db
14% Popularity • 38% Danceability • 53% Energy • 11% Liveness
83% Instrumentalness • 60% Positiveness
14% Popularity • 38% Danceability • 53% Energy • 11% Liveness
83% Instrumentalness • 60% Positiveness
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Taylor Eigsti
Bad Sport Lobby
159 bpm • C# Maj • 02:45 • -15.4db
18% Popularity • 43% Danceability • 44% Energy • 20% Liveness
38% Instrumentalness • 67% Positiveness
18% Popularity • 43% Danceability • 44% Energy • 20% Liveness
38% Instrumentalness • 67% Positiveness
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Adam Ratner
Sun Streak
159 bpm • G# min • 07:15 • -10.79db
33% Popularity • 34% Danceability • 45% Energy • 13% Liveness
80% Instrumentalness • 23% Positiveness
33% Popularity • 34% Danceability • 45% Energy • 13% Liveness
80% Instrumentalness • 23% Positiveness
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Jean Vernheres
Haumea city
141 bpm • G# min • 05:31 • -16.05db
26% Popularity • 44% Danceability • 30% Energy • 21% Liveness
64% Instrumentalness • 19% Positiveness
26% Popularity • 44% Danceability • 30% Energy • 21% Liveness
64% Instrumentalness • 19% Positiveness
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Vladimir Torres
Baïna
160 bpm • A Maj • 06:21 • -13.28db
16% Popularity • 34% Danceability • 46% Energy • 34% Liveness
90% Instrumentalness • 26% Positiveness
16% Popularity • 34% Danceability • 46% Energy • 34% Liveness
90% Instrumentalness • 26% Positiveness
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ピアノジャズ 贅沢
BGM-リラックス
141 bpm • G Maj • 02:02 • -22.66db
21% Popularity • 67% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
21% Popularity • 67% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
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Stefano Di Battista
La vita è bella (Life Is Beautiful)
160 bpm • C min • 02:56 • -8.55db
33% Popularity • 45% Danceability • 55% Energy • 14% Liveness
79% Instrumentalness • 71% Positiveness
33% Popularity • 45% Danceability • 55% Energy • 14% Liveness
79% Instrumentalness • 71% Positiveness
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Kevin Sun
Onomatopoeia
141 bpm • F min • 03:49 • -13.1db
8% Popularity • 48% Danceability • 39% Energy • 11% Liveness
45% Instrumentalness • 81% Positiveness
8% Popularity • 48% Danceability • 39% Energy • 11% Liveness
45% Instrumentalness • 81% Positiveness
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Jun Iida
Forgotten Memories
140 bpm • G min • 06:30 • -13.55db
9% Popularity • 47% Danceability • 35% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
9% Popularity • 47% Danceability • 35% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
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Xavi Torres
QS 01 - Setmanes
140 bpm • F# Maj • 02:07 • -15.27db
17% Popularity • 48% Danceability • 36% Energy • 13% Liveness
86% Instrumentalness • 22% Positiveness
17% Popularity • 48% Danceability • 36% Energy • 13% Liveness
86% Instrumentalness • 22% Positiveness
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Klas Lindquist Nonet
Dream
140 bpm • C Maj • 04:12 • -10.17db
13% Popularity • 41% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
13% Popularity • 41% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
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Phil Slater
Heirloom
140 bpm • A min • 09:17 • -15.68db
9% Popularity • 48% Danceability • 29% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
9% Popularity • 48% Danceability • 29% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
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Rafal Sarnecki
Quantum Chromodynamics
140 bpm • E Maj • 05:50 • -14.44db
8% Popularity • 54% Danceability • 33% Energy • 8% Liveness
86% Instrumentalness • 33% Positiveness
8% Popularity • 54% Danceability • 33% Energy • 8% Liveness
86% Instrumentalness • 33% Positiveness
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Olli Virtanen
Three Dots And A Dash
140 bpm • C# Maj • 04:16 • -10.18db
11% Popularity • 32% Danceability • 60% Energy • 9% Liveness
11% Instrumentalness • 69% Positiveness
11% Popularity • 32% Danceability • 60% Energy • 9% Liveness
11% Instrumentalness • 69% Positiveness
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Vicente Espí Cuarteto
Ni Cien Ni Cientas
140 bpm • C# Maj • 06:55 • -9.98db
0% Popularity • 40% Danceability • 56% Energy • 11% Liveness
66% Instrumentalness • 38% Positiveness
0% Popularity • 40% Danceability • 56% Energy • 11% Liveness
66% Instrumentalness • 38% Positiveness
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Ed Partyka Jazz Orchestra
The Summer of My Discontent (The Summer ...
139 bpm • G# min • 09:56 • -12.03db
0% Popularity • 37% Danceability • 45% Energy • 43% Liveness
88% Instrumentalness • 18% Positiveness
0% Popularity • 37% Danceability • 45% Energy • 43% Liveness
88% Instrumentalness • 18% Positiveness
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Kaira
Weight of Scales
139 bpm • F# Maj • 09:47 • -10.96db
11% Popularity • 57% Danceability • 39% Energy • 11% Liveness
72% Instrumentalness • 35% Positiveness
11% Popularity • 57% Danceability • 39% Energy • 11% Liveness
72% Instrumentalness • 35% Positiveness
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Yoav Eshed
Sad Song For Happy Times
139 bpm • F Maj • 04:45 • -16.05db
16% Popularity • 40% Danceability • 40% Energy • 9% Liveness
91% Instrumentalness • 50% Positiveness
16% Popularity • 40% Danceability • 40% Energy • 9% Liveness
91% Instrumentalness • 50% Positiveness
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Cornelia Nilsson
Ninni / Motions
139 bpm • G# Maj • 05:05 • -13.39db
26% Popularity • 44% Danceability • 43% Energy • 12% Liveness
26% Instrumentalness • 12% Positiveness
26% Popularity • 44% Danceability • 43% Energy • 12% Liveness
26% Instrumentalness • 12% Positiveness
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Tobias Meinhart
White Bear
139 bpm • A min • 08:02 • -12.92db
8% Popularity • 45% Danceability • 45% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
8% Popularity • 45% Danceability • 45% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
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Henning Ullén
Molgan
138 bpm • F# Maj • 03:24 • -14.4db
16% Popularity • 46% Danceability • 32% Energy • 8% Liveness
48% Instrumentalness • 24% Positiveness
16% Popularity • 46% Danceability • 32% Energy • 8% Liveness
48% Instrumentalness • 24% Positiveness
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Vicente Espí Cuarteto
Espiral
138 bpm • C Maj • 07:35 • -9.15db
0% Popularity • 50% Danceability • 68% Energy • 22% Liveness
84% Instrumentalness • 55% Positiveness
0% Popularity • 50% Danceability • 68% Energy • 22% Liveness
84% Instrumentalness • 55% Positiveness
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Jeanfrançois Prins
Blue Note Mode
163 bpm • A# Maj • 05:56 • -8.55db
11% Popularity • 42% Danceability • 60% Energy • 12% Liveness
85% Instrumentalness • 51% Positiveness
11% Popularity • 42% Danceability • 60% Energy • 12% Liveness
85% Instrumentalness • 51% Positiveness
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Charles Lloyd
Cape to Cairo
138 bpm • A# min • 09:15 • -16.24db
39% Popularity • 38% Danceability • 28% Energy • 12% Liveness
24% Instrumentalness • 19% Positiveness
39% Popularity • 38% Danceability • 28% Energy • 12% Liveness
24% Instrumentalness • 19% Positiveness
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Jesus Santandreu
Una de tantes
138 bpm • F# Maj • 08:00 • -7.11db
0% Popularity • 57% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 57% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Erlend Skomsvoll Trio
Rimfrost
138 bpm • A min • 08:02 • -21.66db
13% Popularity • 56% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 48% Positiveness
13% Popularity • 56% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 48% Positiveness
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Santi DeBriano
Natural Causes
163 bpm • D Maj • 03:40 • -11.73db
13% Popularity • 48% Danceability • 56% Energy • 33% Liveness
3% Instrumentalness • 74% Positiveness
13% Popularity • 48% Danceability • 56% Energy • 33% Liveness
3% Instrumentalness • 74% Positiveness
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![Malcolm's Song (Theme for Malcolm) [feat. Antonio Ciacca Quintet] cover art](https://i.scdn.co/image/ab67616d00001e0250358acad24ff171bd271700)
Sweet Lu Olutosin
Malcolm's Song (Theme for Malcolm)
137 bpm • D Maj • 07:41 • -9.63db
30% Popularity • 56% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 56% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Chien Chien Lu
布朗熱變奏 Boulanger's Variation
164 bpm • C Maj • 07:44 • -9.92db
8% Popularity • 34% Danceability • 57% Energy • 10% Liveness
25% Instrumentalness • 53% Positiveness
8% Popularity • 34% Danceability • 57% Energy • 10% Liveness
25% Instrumentalness • 53% Positiveness
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David Maximiny
You Ain't My Baby
137 bpm • A# min • 02:45 • -13.11db
12% Popularity • 44% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
12% Popularity • 44% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
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Jesus Santandreu
Fluctux
137 bpm • A# min • 12:07 • -12.32db
0% Popularity • 47% Danceability • 43% Energy • 10% Liveness
75% Instrumentalness • 14% Positiveness
0% Popularity • 47% Danceability • 43% Energy • 10% Liveness
75% Instrumentalness • 14% Positiveness
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Kelly Green
Street Cleaning
137 bpm • G# Maj • 07:04 • -11.35db
28% Popularity • 46% Danceability • 40% Energy • 10% Liveness
19% Instrumentalness • 49% Positiveness
28% Popularity • 46% Danceability • 40% Energy • 10% Liveness
19% Instrumentalness • 49% Positiveness
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Lawrence Fields
New Season Blues
137 bpm • A# Maj • 06:39 • -15.37db
13% Popularity • 40% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 56% Positiveness
13% Popularity • 40% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 56% Positiveness
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Patrick Bartley Trio
Backdraft
164 bpm • D Maj • 04:29 • -9.5db
8% Popularity • 40% Danceability • 66% Energy • 8% Liveness
31% Instrumentalness • 58% Positiveness
8% Popularity • 40% Danceability • 66% Energy • 8% Liveness
31% Instrumentalness • 58% Positiveness
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Nicola Dal Bo Trio
2-3-7
137 bpm • D min • 05:43 • -13.42db
9% Popularity • 44% Danceability • 39% Energy • 12% Liveness
86% Instrumentalness • 63% Positiveness
9% Popularity • 44% Danceability • 39% Energy • 12% Liveness
86% Instrumentalness • 63% Positiveness
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Jim Snidero
You Go to My Head
136 bpm • C# Maj • 07:32 • -10.21db
12% Popularity • 57% Danceability • 28% Energy • 11% Liveness
56% Instrumentalness • 45% Positiveness
12% Popularity • 57% Danceability • 28% Energy • 11% Liveness
56% Instrumentalness • 45% Positiveness
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Jesus Santandreu
Conter amunt
137 bpm • F Maj • 06:56 • -7.92db
0% Popularity • 50% Danceability • 69% Energy • 31% Liveness
27% Instrumentalness • 46% Positiveness
0% Popularity • 50% Danceability • 69% Energy • 31% Liveness
27% Instrumentalness • 46% Positiveness
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New 4
Arms Arms
136 bpm • C# Maj • 07:21 • -14.48db
13% Popularity • 49% Danceability • 25% Energy • 9% Liveness
87% Instrumentalness • 27% Positiveness
13% Popularity • 49% Danceability • 25% Energy • 9% Liveness
87% Instrumentalness • 27% Positiveness
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Peter Protschka
Song for My Parents - Live at Bird´s Ey...
166 bpm • B min • 08:39 • -10.11db
11% Popularity • 38% Danceability • 57% Energy • 59% Liveness
75% Instrumentalness • 46% Positiveness
11% Popularity • 38% Danceability • 57% Energy • 59% Liveness
75% Instrumentalness • 46% Positiveness
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Gabriele Bianchi
Wasting Time
166 bpm • F min • 05:59 • -10.92db
18% Popularity • 62% Danceability • 48% Energy • 15% Liveness
90% Instrumentalness • 64% Positiveness
18% Popularity • 62% Danceability • 48% Energy • 15% Liveness
90% Instrumentalness • 64% Positiveness
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Zé Eduardo
Bazaar
135 bpm • F min • 08:36 • -12.91db
0% Popularity • 50% Danceability • 30% Energy • 8% Liveness
85% Instrumentalness • 54% Positiveness
0% Popularity • 50% Danceability • 30% Energy • 8% Liveness
85% Instrumentalness • 54% Positiveness
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César Cardoso
Remember
135 bpm • C# Maj • 08:50 • -10.24db
9% Popularity • 47% Danceability • 48% Energy • 17% Liveness
80% Instrumentalness • 32% Positiveness
9% Popularity • 47% Danceability • 48% Energy • 17% Liveness
80% Instrumentalness • 32% Positiveness
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Jesus Santandreu
Beastiarium of the Lost Dark Matter: III...
137 bpm • C# Maj • 01:54 • -27.8db
0% Popularity • 48% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 48% Positiveness
0% Popularity • 48% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 48% Positiveness
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Nicole McCabe
Times Apart
135 bpm • B Maj • 08:16 • -8.88db
0% Popularity • 37% Danceability • 64% Energy • 29% Liveness
2% Instrumentalness • 18% Positiveness
0% Popularity • 37% Danceability • 64% Energy • 29% Liveness
2% Instrumentalness • 18% Positiveness
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Riley Mulherkar
Stardust
135 bpm • C# Maj • 06:15 • -17.09db
13% Popularity • 42% Danceability • 8% Energy • 39% Liveness
89% Instrumentalness • 18% Positiveness
13% Popularity • 42% Danceability • 8% Energy • 39% Liveness
89% Instrumentalness • 18% Positiveness
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John Nilsson
Tack
135 bpm • D# Maj • 06:32 • -16.46db
10% Popularity • 48% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 31% Positiveness
10% Popularity • 48% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 31% Positiveness
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Jazzy Boy
Jazz Is Life
135 bpm • A# min • 02:18 • -13.55db
18% Popularity • 57% Danceability • 72% Energy • 35% Liveness
83% Instrumentalness • 85% Positiveness
18% Popularity • 57% Danceability • 72% Energy • 35% Liveness
83% Instrumentalness • 85% Positiveness
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Black Art Jazz Collective
It's Alright
134 bpm • G Maj • 07:51 • -9.49db
9% Popularity • 57% Danceability • 41% Energy • 26% Liveness
94% Instrumentalness • 34% Positiveness
9% Popularity • 57% Danceability • 41% Energy • 26% Liveness
94% Instrumentalness • 34% Positiveness
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Jesus Santandreu
Sound Colors
137 bpm • C Maj • 08:13 • -11.99db
0% Popularity • 45% Danceability • 39% Energy • 13% Liveness
73% Instrumentalness • 33% Positiveness
0% Popularity • 45% Danceability • 39% Energy • 13% Liveness
73% Instrumentalness • 33% Positiveness
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Gregg Kallor
There's a Rhythm
134 bpm • E Maj • 04:46 • -17.97db
11% Popularity • 43% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
11% Popularity • 43% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Armando Luongo
New Lands
167 bpm • F Maj • 05:18 • -13.81db
21% Popularity • 38% Danceability • 40% Energy • 6% Liveness
87% Instrumentalness • 44% Positiveness
21% Popularity • 38% Danceability • 40% Energy • 6% Liveness
87% Instrumentalness • 44% Positiveness
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Zé Eduardo Unit
Canto Moco
134 bpm • G Maj • 05:59 • -12.57db
0% Popularity • 69% Danceability • 32% Energy • 7% Liveness
22% Instrumentalness • 51% Positiveness
0% Popularity • 69% Danceability • 32% Energy • 7% Liveness
22% Instrumentalness • 51% Positiveness
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Ford Chambers
Stenisms - The Storm
134 bpm • A min • 09:34 • -10.56db
12% Popularity • 46% Danceability • 55% Energy • 87% Liveness
89% Instrumentalness • 20% Positiveness
12% Popularity • 46% Danceability • 55% Energy • 87% Liveness
89% Instrumentalness • 20% Positiveness
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Nicola Bottos
Down the Hill
134 bpm • B min • 06:18 • -19.09db
15% Popularity • 44% Danceability • 27% Energy • 11% Liveness
62% Instrumentalness • 20% Positiveness
15% Popularity • 44% Danceability • 27% Energy • 11% Liveness
62% Instrumentalness • 20% Positiveness
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Jesus Santandreu
Blue Interlude
166 bpm • F min • 01:44 • -27.45db
0% Popularity • 26% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
0% Popularity • 26% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Lage Lund
En La Orilla Del Mundo
134 bpm • B Maj • 06:28 • -16.8db
13% Popularity • 46% Danceability • 11% Energy • 9% Liveness
60% Instrumentalness • 13% Positiveness
13% Popularity • 46% Danceability • 11% Energy • 9% Liveness
60% Instrumentalness • 13% Positiveness
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Rodrigo Recabarren
Lazo
133 bpm • F min • 03:31 • -17.48db
18% Popularity • 39% Danceability • 21% Energy • 37% Liveness
93% Instrumentalness • 20% Positiveness
18% Popularity • 39% Danceability • 21% Energy • 37% Liveness
93% Instrumentalness • 20% Positiveness
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Michael Olivera
Moaning por Bulerías
133 bpm • F min • 06:07 • -17.72db
10% Popularity • 42% Danceability • 40% Energy • 8% Liveness
89% Instrumentalness • 74% Positiveness
10% Popularity • 42% Danceability • 40% Energy • 8% Liveness
89% Instrumentalness • 74% Positiveness
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New 4
Cold Springs
133 bpm • B Maj • 05:24 • -13.4db
4% Popularity • 42% Danceability • 33% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
4% Popularity • 42% Danceability • 33% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
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Douglas Brown
Slonimsky Made Me Do It
133 bpm • F min • 06:03 • -9.36db
10% Popularity • 38% Danceability • 52% Energy • 14% Liveness
70% Instrumentalness • 69% Positiveness
10% Popularity • 38% Danceability • 52% Energy • 14% Liveness
70% Instrumentalness • 69% Positiveness
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Wasted Generation
Mooncake
133 bpm • C# Maj • 04:33 • -10.76db
9% Popularity • 48% Danceability • 42% Energy • 11% Liveness
59% Instrumentalness • 46% Positiveness
9% Popularity • 48% Danceability • 42% Energy • 11% Liveness
59% Instrumentalness • 46% Positiveness
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Zé Eduardo
Prou
132 bpm • F min • 06:08 • -12.3db
0% Popularity • 40% Danceability • 41% Energy • 7% Liveness
84% Instrumentalness • 40% Positiveness
0% Popularity • 40% Danceability • 41% Energy • 7% Liveness
84% Instrumentalness • 40% Positiveness
