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Over Yonder
Songs like
Over Yonder (feat. Matt Stell)
by
Lathan Warlick
Based on a tempo of (+/- 10%) and a similar genre
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David Morris
F350 Freestyle
122 bpm • D# min • 01:58 • -5db
54% Popularity • 96% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Lathan Warlick
Over Yonder
122 bpm • F Maj • 02:02 • -4.33db
39% Popularity • 81% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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nobigdyl.
STIX
121 bpm • C# Maj • 01:59 • -6.22db
52% Popularity • 91% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Steven Malcolm
Ain't Playin'
123 bpm • C Maj • 03:43 • -6.27db
35% Popularity • 87% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Lecrae
WILDIN
121 bpm • C# min • 03:03 • -8.25db
45% Popularity • 80% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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Bryann Trejo
Love 'Em Anyways
121 bpm • A# min • 04:31 • -4.58db
32% Popularity • 81% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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David Morris
Dutton Ranch Freestyle
122 bpm • E Maj • 02:23 • -5.85db
66% Popularity • 83% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Lathan Warlick
Needa Blessing
121 bpm • C# Maj • 03:58 • -5.04db
21% Popularity • 84% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Loza Alexander
Dear-America
123 bpm • F# Maj • 04:03 • -8.13db
11% Popularity • 42% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Granger Smith
That’s Why I Love Dirt Roads
120 bpm • F Maj • 02:37 • -7.83db
38% Popularity • 68% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Adriel Cruz
Bad Kid Great God
120 bpm • A# min • 02:36 • -7.88db
36% Popularity • 69% Danceability • 63% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
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Cypress Spring
Lost Count
124 bpm • B Maj • 03:06 • -3.69db
34% Popularity • 77% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Canon
Colossal
120 bpm • G# Maj • 03:33 • -7.46db
36% Popularity • 96% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Bizzle
Fill My Cup
120 bpm • C# Maj • 03:42 • -5db
33% Popularity • 79% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Shepherd
BREAK THE RULES (Pt.1)
124 bpm • D Maj • 04:07 • -4.35db
36% Popularity • 70% Danceability • 89% Energy • 82% Liveness
0% Instrumentalness • 36% Positiveness
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Lathan Warlick
Flex
124 bpm • B Maj • 02:23 • -8.1db
30% Popularity • 96% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Jamie Ray
COWBOY GANGSTA
124 bpm • G Maj • 02:14 • -7.48db
43% Popularity • 95% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Zee
King Coming Back
124 bpm • B min • 03:34 • -7.22db
27% Popularity • 90% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Kamban
Got To Go
120 bpm • D Maj • 04:04 • -10db
22% Popularity • 75% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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indie tribe
TEAM
120 bpm • F# min • 02:34 • -6.57db
41% Popularity • 77% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Triple Thr33
Eyez to the Sky
120 bpm • G min • 03:36 • -8.96db
24% Popularity • 86% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Lathan Warlick
How We Livin
120 bpm • A min • 03:20 • -4.26db
16% Popularity • 80% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Hueston
What You Waiting On
120 bpm • F min • 02:38 • -7.67db
58% Popularity • 72% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Jamie Ray
DO-SI-DO
120 bpm • G Maj • 02:42 • -5.25db
26% Popularity • 86% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Marty
The One With My Friends
120 bpm • C# Maj • 05:33 • -5db
47% Popularity • 80% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Trip Lee
Supernatural
125 bpm • D# min • 02:20 • -8db
51% Popularity • 80% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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Michael Davis
Nothing Else Satisfies
125 bpm • G Maj • 04:25 • -3.48db
5% Popularity • 59% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Lathan Warlick
Kill It
120 bpm • A# min • 03:40 • -5.84db
22% Popularity • 73% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Wande
They Didn’t Know II
125 bpm • C# Maj • 02:58 • -8db
39% Popularity • 78% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Tedashii
Home
125 bpm • D# Maj • 03:55 • -6.73db
44% Popularity • 69% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Andy Mineo
OT OD (sketch).mp3
125 bpm • C# Maj • 01:37 • -9db
42% Popularity • 95% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Charlie Farley
Fire
125 bpm • C# Maj • 03:12 • -5.69db
45% Popularity • 77% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Aha Gazelle
Sinful
125 bpm • A# min • 02:56 • -6db
41% Popularity • 80% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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Lathan Warlick
Let You Go
124 bpm • C# min • 03:34 • -6.76db
18% Popularity • 57% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Nicky Gracious
Wake Me Up
125 bpm • B Maj • 04:10 • -4.36db
20% Popularity • 74% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Young Bro
4 Barz
126 bpm • A# min • 02:30 • -8.95db
31% Popularity • 92% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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808 BEEZY
Runnin' With God
126 bpm • G# Maj • 02:25 • -6.56db
48% Popularity • 90% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Bizzle
Smoke Free
126 bpm • C# Maj • 04:19 • -5.74db
36% Popularity • 82% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Blake Whiteley
Wait For It
126 bpm • B min • 02:13 • -5.9db
28% Popularity • 77% Danceability • 90% Energy • 25% Liveness
1% Instrumentalness • 13% Positiveness
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Lathan Warlick
I Kno
125 bpm • A Maj • 03:24 • -10.41db
15% Popularity • 83% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Demun Jones
Hold Our Own
126 bpm • F# Maj • 02:32 • -5.03db
43% Popularity • 77% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Camo Brian
Already Famous
126 bpm • G min • 02:53 • -5.46db
33% Popularity • 83% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Canon
The Warm Up
118 bpm • A# min • 03:08 • -7.44db
31% Popularity • 88% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Bubba Sparxxx
Hill Billy
118 bpm • F# min • 03:33 • -5.95db
32% Popularity • 97% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Tedashii
VICTORY LAP
118 bpm • C# Maj • 02:54 • -6.44db
42% Popularity • 94% Danceability • 62% Energy • 84% Liveness
0% Instrumentalness • 75% Positiveness
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Lathan Warlick
Done Witchu Yet
125 bpm • A# min • 03:54 • -7.7db
18% Popularity • 71% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Bryann Trejo
Remember Me
127 bpm • C# Maj • 03:12 • -3.61db
29% Popularity • 86% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Struggle Jennings
My Only Enemy
128 bpm • C# Maj • 03:17 • -5.61db
59% Popularity • 71% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Social Club Misfits
Rendezvous
128 bpm • C Maj • 03:18 • -4.2db
28% Popularity • 75% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Aha Gazelle
No Limit
128 bpm • F min • 02:09 • -6.24db
46% Popularity • 84% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Blake Whiteley
Cheap Entertainment
128 bpm • D# Maj • 03:03 • -7.64db
17% Popularity • 90% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Lathan Warlick
For the Summer
126 bpm • F# min • 03:59 • -6.34db
16% Popularity • 79% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Bryann Trejo
Standing in Agreement
118 bpm • A Maj • 02:44 • -3.44db
27% Popularity • 78% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Hulvey
Can’t Tell It All (Remix)
128 bpm • D Maj • 03:11 • -8db
62% Popularity • 84% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Von Won
Pain and Praise
128 bpm • A# min • 02:19 • -7.95db
30% Popularity • 82% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Zee
Sensei
128 bpm • A# min • 03:00 • -6.52db
18% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Tedashii
Get Out My Way
128 bpm • G# Maj • 03:28 • -5.73db
52% Popularity • 72% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Lathan Warlick
Like a Shooter
128 bpm • E min • 03:30 • -4.22db
17% Popularity • 78% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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GODINA
WE THE FRINGE
128 bpm • G# min • 02:03 • -7.96db
13% Popularity • 90% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Nicky Gracious
If I Died
128 bpm • B min • 05:16 • -4.95db
21% Popularity • 60% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Scootie Wop
VERT MUSIC
116 bpm • G# min • 05:09 • -5.84db
32% Popularity • 83% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Jay Webb
Yee-Haw
115 bpm • E Maj • 02:07 • -7db
59% Popularity • 68% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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KB
Undefeated
130 bpm • A# min • 04:14 • -6db
43% Popularity • 50% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Lathan Warlick
Holy
116 bpm • G# min • 02:51 • -5.98db
35% Popularity • 59% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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David Morris
Wasteland Dreams
130 bpm • D min • 02:14 • -6.1db
42% Popularity • 84% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Noah Brown
Time
130 bpm • A# min • 02:27 • -10db
35% Popularity • 92% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Hog Mob
Reload
130 bpm • C# min • 05:28 • -11.41db
20% Popularity • 89% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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FLAME
He Delivers
130 bpm • C# Maj • 03:06 • -6.49db
36% Popularity • 89% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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KB
100
130 bpm • C Maj • 03:39 • -3.44db
44% Popularity • 66% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Social Club Misfits
Who That Is
130 bpm • C# Maj • 02:24 • -3db
34% Popularity • 75% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Lathan Warlick
To Die For
115 bpm • C# Maj • 03:05 • -5.6db
23% Popularity • 83% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Bizzle
Primo
130 bpm • F# min • 03:15 • -4.83db
32% Popularity • 82% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Demun Jones
My People
130 bpm • C# min • 02:47 • -6db
42% Popularity • 74% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Jelly Roll
Life
130 bpm • B Maj • 04:14 • -6.99db
59% Popularity • 77% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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KB
Not Today Satan
130 bpm • C# Maj • 04:06 • -3.38db
51% Popularity • 82% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Dax
Dear Alcohol
130 bpm • C# Maj • 03:08 • -9db
59% Popularity • 82% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Lathan Warlick
It's Ok To Cry
115 bpm • A# Maj • 02:32 • -7.21db
33% Popularity • 87% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Bryann Trejo
I Love You
130 bpm • D# min • 04:30 • -2.82db
29% Popularity • 74% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Jo Tyler
Friday
130 bpm • D Maj • 03:26 • -7.51db
23% Popularity • 82% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Jamie Ray
OUT THE MUD
130 bpm • G min • 02:27 • -8.52db
24% Popularity • 95% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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WHATUPRG
Courtside
130 bpm • B Maj • 00:51 • -6.48db
43% Popularity • 89% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Mike Teezy
Big Problem
130 bpm • G# Maj • 03:18 • -4.3db
27% Popularity • 79% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Lathan Warlick
Too Much to Lose
130 bpm • D Maj • 02:44 • -4.43db
22% Popularity • 89% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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808 BEEZY
Butterfly Vibes
130 bpm • C# min • 02:21 • -7.46db
29% Popularity • 73% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Jon Keith
David
130 bpm • C min • 03:23 • -6.42db
39% Popularity • 84% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Nicky Gracious
Sinner Saved
130 bpm • C# Maj • 04:16 • -4.6db
27% Popularity • 88% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Coleman Lane
Ashamed
114 bpm • G min • 02:48 • -7.19db
38% Popularity • 67% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Pishko
Steppin' on the devil
113 bpm • A# min • 02:15 • -9.04db
39% Popularity • 84% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Lathan Warlick
Work
130 bpm • C# Maj • 04:00 • -9.02db
21% Popularity • 87% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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808 BEEZY
Fire Emoji 6
114 bpm • C# min • 02:04 • -6.16db
27% Popularity • 85% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Blake Whiteley
SCARS LIKE TATTOOS
132 bpm • C# Maj • 03:01 • -9.24db
15% Popularity • 87% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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RAY G
Islands
113 bpm • D# min • 03:10 • -9.69db
21% Popularity • 84% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Mitch Darrell
Chop It Up, Pt. 2
132 bpm • C# Maj • 02:46 • -10.44db
28% Popularity • 83% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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KB
Graves
132 bpm • F# min • 04:20 • -4.8db
49% Popularity • 80% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Lathan Warlick
My Dawgs
131 bpm • C Maj • 02:25 • -4.01db
32% Popularity • 79% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Bizzle
Set It Off
132 bpm • G# Maj • 02:32 • -5.74db
31% Popularity • 80% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 90% Positiveness
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808 BEEZY
Fire Emoji 2
132 bpm • F min • 02:18 • -8.68db
32% Popularity • 85% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Ty Brasel
The Power +
132 bpm • G Maj • 03:27 • -6db
41% Popularity • 83% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Raw - B
Champagne Ford
112 bpm • C Maj • 01:46 • -6.78db
37% Popularity • 80% Danceability • 66% Energy • 74% Liveness
0% Instrumentalness • 66% Positiveness
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Overtime
Hunger in My Stomach
133 bpm • D# min • 04:43 • -6.71db
54% Popularity • 58% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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Over Yonder