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Overcast
Songs like
Overcast
by
Hildur Guðnadóttir
Based on a tempo of (+/- 10%) and a similar genre
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Ben Frost
Unbreakable Silence
84 bpm • C# Maj • 03:36 • -18.15db
14% Popularity • 17% Danceability • 43% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Hildur Guðnadóttir
Whiten
84 bpm • C Maj • 04:51 • -17.85db
14% Popularity • 10% Danceability • 3% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
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Clint Mansell
At Eternity's Gate
84 bpm • A min • 03:40 • -19.19db
28% Popularity • 15% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
A Deal with Chaos
84 bpm • C min • 02:05 • -27.96db
36% Popularity • 11% Danceability • 9% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
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Lucy Railton
Women’s Center
84 bpm • G Maj • 02:27 • -23db
22% Popularity • 8% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Eluvium
After Nature
84 bpm • E Maj • 01:51 • -21.22db
32% Popularity • 9% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Ingram Marshall
Fog Tropes
84 bpm • A# Maj • 09:56 • -33db
14% Popularity • 8% Danceability • 6% Energy • 5% Liveness
97% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
Overcast
84 bpm • E min • 03:18 • -17.43db
24% Popularity • 9% Danceability • 14% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Clint Mansell
Stay with Me
84 bpm • G min • 03:36 • -21.93db
34% Popularity • 10% Danceability • 15% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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Bobby Krlic
The Blessing
84 bpm • C# Maj • 03:04 • -9db
26% Popularity • 18% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 2% Positiveness
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Jóhann Jóhannsson
The Burning Mountain
84 bpm • F Maj • 02:45 • -22.03db
28% Popularity • 18% Danceability • 7% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Michael A. Muller
Glyph II - Julia Kent Rework
84 bpm • A# min • 04:08 • -18.01db
16% Popularity • 19% Danceability • 19% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
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Sophie Hutchings
Between Earth And Sky
83 bpm • F# Maj • 07:44 • -21.17db
12% Popularity • 15% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Líður
84 bpm • D min • 02:46 • -24db
22% Popularity • 12% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Clint Mansell
Ghosts of Things to Come
84 bpm • D Maj • 01:33 • -27db
36% Popularity • 18% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Craig Armstrong
Hollow in the Ferns
85 bpm • D min • 03:38 • -17.3db
47% Popularity • 22% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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Jonny Greenwood
The Tailor of Fitzrovia
83 bpm • D# Maj • 02:30 • -20.68db
30% Popularity • 8% Danceability • 12% Energy • 27% Liveness
96% Instrumentalness • 5% Positiveness
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Ernst Reijseger
Child's Footprint
83 bpm • B min • 02:59 • -17.71db
16% Popularity • 8% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Sylvain Chauveau
Des Plumes Dans La Tête (Variation 2)
83 bpm • A min • 01:15 • -11.59db
36% Popularity • 14% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
12 Hours Before
84 bpm • C Maj • 02:31 • -20db
39% Popularity • 18% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Clint Mansell
The Sower With Setting Sun
85 bpm • G Maj • 04:47 • -17.24db
20% Popularity • 9% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Hauschka
Morgue
85 bpm • A min • 02:03 • -25.93db
8% Popularity • 8% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Yair Elazar Glotman
The Navigators
85 bpm • C# Maj • 08:08 • -21db
23% Popularity • 9% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
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Ernst Reijseger
Deep Cave
83 bpm • C Maj • 03:37 • -26.02db
16% Popularity • 20% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Sylvain Chauveau
Mineral
83 bpm • A min • 03:28 • -33.15db
27% Popularity • 48% Danceability • 0% Energy • 29% Liveness
87% Instrumentalness • 74% Positiveness
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Christina Vantzou
Homemade Mountains
85 bpm • C Maj • 03:43 • -19.36db
25% Popularity • 9% Danceability • 14% Energy • 23% Liveness
89% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
You
83 bpm • C Maj • 10:04 • -12.59db
7% Popularity • 13% Danceability • 17% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
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Library Tapes
Tristesse
83 bpm • A min • 03:01 • -15.61db
22% Popularity • 11% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Matthew Herbert
Thaumotrope
83 bpm • B Maj • 01:07 • -25.01db
31% Popularity • 9% Danceability • 15% Energy • 16% Liveness
84% Instrumentalness • 3% Positiveness
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Julia Kent
Ground
86 bpm • D min • 02:51 • -12.37db
19% Popularity • 10% Danceability • 34% Energy • 11% Liveness
71% Instrumentalness • 14% Positiveness
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Joep Beving
Morpheus' Dream
86 bpm • F min • 02:15 • -30db
46% Popularity • 28% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Brambles
To Speak Of Solitude
86 bpm • D# min • 04:21 • -25db
47% Popularity • 16% Danceability • 5% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Mark Korven
What Went We
82 bpm • G min • 01:58 • -23db
35% Popularity • 15% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
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Hildur Guðnadóttir
Ravine
82 bpm • B min • 02:01 • -25.79db
24% Popularity • 12% Danceability • 7% Energy • 10% Liveness
53% Instrumentalness • 3% Positiveness
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A Winged Victory for the Sullen
Requiem for the Static King, Pt. 1
86 bpm • B Maj • 02:45 • -22.13db
34% Popularity • 14% Danceability • 13% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
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Peter Broderick
Floating / Sinking
86 bpm • A min • 04:06 • -27.98db
34% Popularity • 18% Danceability • 7% Energy • 23% Liveness
75% Instrumentalness • 4% Positiveness
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Jonny Greenwood
Sandalwood II
82 bpm • C Maj • 03:42 • -15db
29% Popularity • 11% Danceability • 14% Energy • 20% Liveness
87% Instrumentalness • 4% Positiveness
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Angus MacRae
Gloaming
82 bpm • F min • 06:00 • -15.68db
31% Popularity • 8% Danceability • 30% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Joep Beving
Losar
82 bpm • F min • 03:41 • -29db
60% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Hildur Guðnadóttir
Bridge of Death
86 bpm • B min • 04:44 • -17.43db
34% Popularity • 15% Danceability • 37% Energy • 59% Liveness
90% Instrumentalness • 4% Positiveness
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Brian McBride
Toil Theme Part 3
86 bpm • C min • 02:27 • -22.02db
27% Popularity • 9% Danceability • 13% Energy • 13% Liveness
86% Instrumentalness • 3% Positiveness
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Yair Elazar Glotman
Prelude
86 bpm • G Maj • 02:35 • -29.69db
25% Popularity • 9% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Christina Vantzou
Your Changes Have Been Submitted
82 bpm • C Maj • 01:43 • -17.51db
36% Popularity • 22% Danceability • 24% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
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Library Tapes
The First Signs
82 bpm • G Maj • 01:45 • -15.63db
29% Popularity • 8% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Backfire
86 bpm • D# Maj • 01:12 • -20.76db
36% Popularity • 13% Danceability • 10% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
Clean Up
82 bpm • F# min • 01:41 • -16.88db
28% Popularity • 15% Danceability • 31% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
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Sebastian Plano
Honesty
82 bpm • C# min • 02:28 • -28db
32% Popularity • 29% Danceability • 7% Energy • 19% Liveness
94% Instrumentalness • 7% Positiveness
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Greg Haines
Sehnsucht
81 bpm • C Maj • 02:55 • -28.29db
18% Popularity • 37% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
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Clint Mansell
Xibalba
87 bpm • D min • 05:22 • -23.17db
33% Popularity • 9% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Library Tapes
Introduction II
87 bpm • A Maj • 02:16 • -18.06db
29% Popularity • 9% Danceability • 14% Energy • 35% Liveness
93% Instrumentalness • 4% Positiveness
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Balanescu Quartet
Seduction
87 bpm • A min • 01:46 • -25.72db
37% Popularity • 10% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
Birting
81 bpm • D Maj • 02:53 • -17.34db
16% Popularity • 8% Danceability • 15% Energy • 10% Liveness
77% Instrumentalness • 3% Positiveness
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Bersarin Quartett
Im Lichte des Anderen
87 bpm • C# min • 06:14 • -13.3db
20% Popularity • 12% Danceability • 41% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Sebastian Plano
Impetus
81 bpm • G# Maj • 07:46 • -14.54db
11% Popularity • 15% Danceability • 26% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Jonny Greenwood
Oil
81 bpm • C# min • 03:04 • -12.95db
16% Popularity • 17% Danceability • 28% Energy • 6% Liveness
5% Instrumentalness • 3% Positiveness
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Christina Vantzou
Adversary
81 bpm • A Maj • 07:35 • -20.03db
18% Popularity • 8% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Rafael Anton Irisarri
Moments Descend On My Windowpane
81 bpm • D Maj • 05:14 • -19.4db
34% Popularity • 24% Danceability • 17% Energy • 8% Liveness
82% Instrumentalness • 7% Positiveness
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Yair Elazar Glotman
Physical Description of the Last Human B...
81 bpm • C Maj • 04:36 • -27.25db
19% Popularity • 8% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Freya Arde
Life On Tape
81 bpm • A Maj • 02:15 • -29db
28% Popularity • 18% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
The Drowned World
81 bpm • C min • 02:20 • -20.24db
30% Popularity • 39% Danceability • 9% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
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Sebastian Plano
Prelude to a Soul
81 bpm • G min • 02:46 • -15.08db
37% Popularity • 16% Danceability • 22% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Cliff Martinez
Can I Sit Next to You
81 bpm • G min • 01:44 • -18.07db
32% Popularity • 9% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Joep Beving
Sol and Luna
88 bpm • G# Maj • 05:51 • -18.12db
29% Popularity • 25% Danceability • 6% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
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Ben Frost
Reyja
88 bpm • C# min • 05:05 • -25.08db
23% Popularity • 9% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Goldmund
The Hidden Observer
88 bpm • C# Maj • 01:57 • -25.7db
22% Popularity • 38% Danceability • 9% Energy • 10% Liveness
82% Instrumentalness • 23% Positiveness
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Jóhann Jóhannsson
A Pile of Dust
81 bpm • G# Maj • 04:51 • -18.03db
32% Popularity • 10% Danceability • 8% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Adam Hurst
Summoning
80 bpm • C min • 05:23 • -14.24db
28% Popularity • 14% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
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Daniel Hart
I Promise You Will Not Come To Harm
88 bpm • D Maj • 03:14 • -17.08db
23% Popularity • 37% Danceability • 17% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Marcus Fjellström
LM-118
80 bpm • F# Maj • 04:05 • -20.55db
19% Popularity • 13% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Am I Good Enough Now?
88 bpm • D min • 01:18 • -29.4db
49% Popularity • 14% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Bing & Ruth
Scrapes
80 bpm • C# Maj • 05:18 • -21db
22% Popularity • 9% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Elevation
80 bpm • G min • 05:57 • -18db
24% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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West Dylan Thordson
Casey Tells the Truth
80 bpm • C# Maj • 01:40 • -38db
38% Popularity • 27% Danceability • 0% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Library Tapes
Fragment II
80 bpm • F Maj • 04:00 • -21.32db
42% Popularity • 25% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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James Heather
Pathos
88 bpm • F min • 03:49 • -23db
40% Popularity • 20% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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William Basinski
Melancholia I
80 bpm • E Maj • 03:23 • -26db
31% Popularity • 45% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Greg Haines
183 Times
89 bpm • A# min • 09:08 • -16db
35% Popularity • 10% Danceability • 41% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
In Gray
80 bpm • A min • 03:20 • -16.96db
9% Popularity • 31% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
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West Dylan Thordson
Remember
89 bpm • B Maj • 01:49 • -26.47db
42% Popularity • 18% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
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Jóhann Jóhannsson
Escape
80 bpm • C Maj • 05:43 • -20.05db
16% Popularity • 10% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 2% Positiveness
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Hauschka
#304
79 bpm • C min • 06:09 • -22.74db
7% Popularity • 14% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Iskra String Quartet
Mother's Theme
89 bpm • C# min • 05:04 • -14.13db
13% Popularity • 13% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Harold Budd
Angela
79 bpm • G min • 01:46 • -23.17db
13% Popularity • 7% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
The Mustard Seed
80 bpm • G# min • 02:11 • -20db
34% Popularity • 9% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Clint Mansell
"We're Not Programs, GERTY, We're People...
89 bpm • C Maj • 05:10 • -22.73db
37% Popularity • 17% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Bing & Ruth
Police Police Police Police Police
79 bpm • C# min • 06:04 • -23db
20% Popularity • 15% Danceability • 15% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
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Jonny Greenwood
Henry Plainview
79 bpm • C# Maj • 04:13 • -19.97db
12% Popularity • 18% Danceability • 20% Energy • 15% Liveness
76% Instrumentalness • 3% Positiveness
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Julia Kent
Achieving Closure II
79 bpm • F# min • 02:05 • -22db
12% Popularity • 17% Danceability • 7% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Stars Of The Lid
Requiem String Melody
79 bpm • A# Maj • 02:46 • -28.28db
23% Popularity • 7% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Hildur Guðnadóttir
Líður - Chernobyl Version
88 bpm • D min • 02:48 • -25.69db
29% Popularity • 12% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Biosphere
Adagiati
90 bpm • C Maj • 01:51 • -30.43db
36% Popularity • 10% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Thomas Newman
Come Back to Us
79 bpm • G min • 05:39 • -30.22db
52% Popularity • 7% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Library Tapes
Introduction I
79 bpm • F# min • 02:33 • -18.88db
28% Popularity • 30% Danceability • 11% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Clint Mansell
The Last Man
79 bpm • D min • 06:09 • -25.37db
40% Popularity • 8% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Mike Lazarev
Dislodged
79 bpm • E min • 04:03 • -26.24db
30% Popularity • 23% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Hildur Guðnadóttir
Cana
79 bpm • C Maj • 01:39 • -32.29db
28% Popularity • 16% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Yair Elazar Glotman
Childhood / Land of the Young
90 bpm • F Maj • 05:35 • -23.45db
23% Popularity • 10% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Jóhann Jóhannsson
Flight from the City
90 bpm • A# Maj • 06:31 • -21.92db
51% Popularity • 13% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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From The Mouth of The Sun
Sitting in a Roofless Room
78 bpm • A min • 03:41 • -18.53db
11% Popularity • 8% Danceability • 17% Energy • 19% Liveness
94% Instrumentalness • 20% Positiveness
► Preview
Clint Mansell
Ghosts of a Future Lost
78 bpm • D Maj • 01:51 • -22db
25% Popularity • 18% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Overcast