Songs like Overture / Going Through the Motions by Buffy the Vampire Slayer Cast
Based on a tempo of (+/- 10%) and a similar genre
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Chameleon Circuit
Shipwrecked
90 bpm • B min • 03:23 • -10.22db
12% Popularity • 62% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 62% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Anthony Rapp
Z's Lament
90 bpm • G# Maj • 01:13 • -9.31db
21% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Jennifer Damiano
If The World Should End
90 bpm • A# Maj • 03:43 • -8.93db
24% Popularity • 41% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 41% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Laura Benanti
Model Behavior
90 bpm • G# Maj • 05:10 • -10.06db
28% Popularity • 74% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 74% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Gilles Chiasson
Will I?
90 bpm • F# Maj • 02:29 • -11.62db
33% Popularity • 36% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 36% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Roy Hamilton Orchestra
Looking Through Your Eyes, Pt. 2
89 bpm • A# Maj • 03:39 • -10.55db
28% Popularity • 18% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 18% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Madonna
Your Little Body's Slowly Breaking Down
91 bpm • B Maj • 01:24 • -16db
25% Popularity • 53% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 53% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Edward Sanders
Not While I'm Around
89 bpm • F Maj • 04:11 • -12db
26% Popularity • 32% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 32% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Carrie: The Musical Ensemble
In
91 bpm • E min • 04:30 • -5.88db
38% Popularity • 40% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 40% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Cast Of The Motion Picture Rent
Seasons of Love B
89 bpm • F Maj • 01:09 • -5.79db
40% Popularity • 58% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 58% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Laura Bell Bundy
Find My Way / Finale
89 bpm • G# Maj • 05:03 • -10db
43% Popularity • 45% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 45% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Nathan Fillion
Everyone's A Hero
92 bpm • G Maj • 02:45 • -7.67db
33% Popularity • 62% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 62% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Sara Ramirez
Find Your Grail - Original Broadway Cast...
92 bpm • E Maj • 03:26 • -3.96db
34% Popularity • 26% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 26% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Stephen Trask
Hedwig's Lament
88 bpm • E min • 01:45 • -15.21db
18% Popularity • 39% Danceability • 6% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 39% Danceability • 6% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
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Barrett Doss
If I Had My Time Again
92 bpm • B min • 04:59 • -6db
24% Popularity • 35% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 35% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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StarKid
Guys Like Potter
88 bpm • G# Maj • 03:21 • -8db
23% Popularity • 52% Danceability • 53% Energy • 75% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 52% Danceability • 53% Energy • 75% Liveness
0% Instrumentalness • 49% Positiveness
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Alan Cumming
Willkommen
92 bpm • F Maj • 07:31 • -9.76db
38% Popularity • 52% Danceability • 48% Energy • 96% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 52% Danceability • 48% Energy • 96% Liveness
0% Instrumentalness • 56% Positiveness
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Rosario Dawson
Goodbye Love
87 bpm • C min • 06:24 • -7db
42% Popularity • 36% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 36% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Kyra Da Costa
Big Spender
93 bpm • G Maj • 03:33 • -11.75db
17% Popularity • 59% Danceability • 15% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 59% Danceability • 15% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
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Reeve Carney
I Just Can't Walk Away (Say It Now)
93 bpm • B Maj • 03:23 • -7.36db
13% Popularity • 51% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 51% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Brian D'Arcy James
Build A Wall
87 bpm • F Maj • 02:40 • -6.16db
39% Popularity • 63% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 63% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Caissie Levy
Monster
93 bpm • C Maj • 03:42 • -6.92db
36% Popularity • 42% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 42% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Sara Ramirez
Diva's Lament (What Ever Happened To My ...
94 bpm • B min • 02:32 • -4.52db
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Anthony Rapp
Halloween
87 bpm • F min • 01:29 • -6.95db
38% Popularity • 45% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 45% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Tim Curry
I Can Make You a Man (Reprise)
86 bpm • A# Maj • 01:45 • -11.08db
42% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Tanner Cohen
Were the World Mine
86 bpm • B Maj • 04:45 • -8db
17% Popularity • 34% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 34% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Jonathan Pryce
You've Got To Pick A Pocket Or Two
94 bpm • G min • 03:05 • -16db
32% Popularity • 65% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 65% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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SMASH Cast
The 20th Century Fox Mambo (SMASH Cast V...
94 bpm • D Maj • 02:42 • -8.19db
32% Popularity • 53% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 53% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Helena Bonham Carter
The Worst Pies in London
94 bpm • F Maj • 02:23 • -10.99db
34% Popularity • 61% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 61% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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The Hollywood Symphony Orchestra and Voices
Looking Through Your Eyes
86 bpm • A# Maj • 03:40 • -14.45db
13% Popularity • 17% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
13% Popularity • 17% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Liz Callaway, Howard McGillin, David Zippel, Lex de Azevedo, Larry Bastian, Larry Schwartz
Far Longer Than Forever
86 bpm • C Maj • 02:24 • -18.73db
47% Popularity • 31% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
47% Popularity • 31% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Pocahontas
Where Do I Go From Here
95 bpm • G# Maj • 02:43 • -12db
34% Popularity • 38% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 38% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Daniel Radcliffe
Brotherhood Of Man
94 bpm • F min • 05:07 • -8.15db
31% Popularity • 58% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 58% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Hugh Jackman
The Confrontation
86 bpm • A# Maj • 01:54 • -11.05db
42% Popularity • 40% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 40% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Joseph Loduca
Melt Into Me / Let Go
85 bpm • D min • 02:27 • -14.45db
10% Popularity • 33% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 33% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Josie and the Pussycats
You Don't See Me
95 bpm • A Maj • 03:43 • -10.16db
29% Popularity • 52% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 52% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Emilie Autumn
Prick! Goes the Scorpion's Tale
95 bpm • C# Maj • 03:55 • -9db
26% Popularity • 64% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 64% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Suzanne Pleshette
My Lullaby
95 bpm • A# Maj • 02:54 • -11db
44% Popularity • 49% Danceability • 41% Energy • 58% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 49% Danceability • 41% Energy • 58% Liveness
0% Instrumentalness • 33% Positiveness
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John C. Reilly
Mister Cellophane
85 bpm • E Maj • 03:57 • -13.21db
32% Popularity • 45% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 45% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Daniel Huttlestone
Paris / Look Down
85 bpm • F min • 03:13 • -9.39db
42% Popularity • 46% Danceability • 55% Energy • 86% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 46% Danceability • 55% Energy • 86% Liveness
0% Instrumentalness • 60% Positiveness
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Colin O'Donoghue
Revenge Is Gonna Be Mine
85 bpm • A Maj • 02:34 • -5.82db
44% Popularity • 63% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
44% Popularity • 63% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Stephen Trask
In Your Arms Tonight
95 bpm • E Maj • 04:04 • -7.74db
23% Popularity • 58% Danceability • 60% Energy • 10% Liveness
13% Instrumentalness • 43% Positiveness
23% Popularity • 58% Danceability • 60% Energy • 10% Liveness
13% Instrumentalness • 43% Positiveness
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Christian Borle
Monks Chant / He Is Not Dead Yet - Origi...
95 bpm • D Maj • 02:51 • -6.82db
32% Popularity • 60% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 60% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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J. Robert Spencer
I Am the One
96 bpm • A Maj • 03:16 • -6.31db
38% Popularity • 54% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 54% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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StarKid
To Dance Again
85 bpm • G Maj • 04:31 • -7.86db
23% Popularity • 37% Danceability • 57% Energy • 62% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 37% Danceability • 57% Energy • 62% Liveness
0% Instrumentalness • 30% Positiveness
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Rachel Bloom
Jazz Fever
96 bpm • D Maj • 02:36 • -5.99db
17% Popularity • 71% Danceability • 52% Energy • 67% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 71% Danceability • 52% Energy • 67% Liveness
0% Instrumentalness • 41% Positiveness
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Terry Mann
Falcon in the Dive
96 bpm • C# min • 03:11 • -9db
31% Popularity • 49% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 49% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Lea Michele
The Guilty Ones - Original Broadway Cast...
96 bpm • F Maj • 03:31 • -12.96db
36% Popularity • 55% Danceability • 34% Energy • 17% Liveness
2% Instrumentalness • 42% Positiveness
36% Popularity • 55% Danceability • 34% Energy • 17% Liveness
2% Instrumentalness • 42% Positiveness
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Ellen Greene
Morning Has Broken
84 bpm • F Maj • 02:17 • -13db
15% Popularity • 32% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 32% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Alice Ripley
Who's Crazy / My Psychopharmacologist an...
96 bpm • G min • 05:02 • -12db
36% Popularity • 48% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 48% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Renée Zellweger
Funny Honey
84 bpm • G# Maj • 03:39 • -12.38db
30% Popularity • 35% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 35% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Laura Michelle Kelly
Alms Alms
84 bpm • F Maj • 01:16 • -12.54db
15% Popularity • 40% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 40% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
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Zach Braff
The Rant Song - Original Version
96 bpm • A Maj • 02:25 • -9.21db
22% Popularity • 71% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 71% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Terrence Mann
If I Can't Love Her
84 bpm • C Maj • 04:06 • -21db
43% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Reeve Carney
Rise Above 2
84 bpm • C min • 04:20 • -5.48db
18% Popularity • 22% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 22% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Dr. Henry Jekyll
Lost in the Darkness
83 bpm • C# min • 01:56 • -18db
29% Popularity • 35% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 35% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
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Tim Curry
Planet Schmanet Janet
97 bpm • D min • 01:39 • -5.66db
38% Popularity • 57% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 57% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Andrea Burns
I'm Not Afraid of Anything
84 bpm • A Maj • 04:37 • -12.52db
28% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Richard O'Brien
Science Fiction/Double Feature (Reprise)
83 bpm • A# Maj • 01:31 • -18.33db
40% Popularity • 36% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 36% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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StarKid
Different As Can Be
83 bpm • D Maj • 03:27 • -7.76db
21% Popularity • 40% Danceability • 52% Energy • 89% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 40% Danceability • 52% Energy • 89% Liveness
0% Instrumentalness • 36% Positiveness
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Jim Broadbent
The Show Must Go On - Original Film Vers...
83 bpm • B min • 03:04 • -7.53db
38% Popularity • 17% Danceability • 51% Energy • 38% Liveness
18% Instrumentalness • 12% Positiveness
38% Popularity • 17% Danceability • 51% Energy • 38% Liveness
18% Instrumentalness • 12% Positiveness
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Paul Ainsley, Ric Stoneback, Tom Alan Robbins, Lenny Wolpe, Sandy Duncan, David Zippel, Lex de Azevedo, Larry Bastian
Practice, Practice, Practice
83 bpm • C Maj • 02:23 • -18db
30% Popularity • 42% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 42% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Douglas Sills
Into the Fire
83 bpm • D Maj • 03:50 • -11db
27% Popularity • 35% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 35% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Sacha Baron Cohen
Master Of The House
83 bpm • D Maj • 04:48 • -13db
44% Popularity • 47% Danceability • 24% Energy • 72% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 47% Danceability • 24% Energy • 72% Liveness
0% Instrumentalness • 55% Positiveness
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Patrick Page
Pull The Trigger
98 bpm • G Maj • 04:01 • -6.18db
15% Popularity • 55% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 55% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Jeremy Jordan
Nobody Needs to Know
83 bpm • G# Maj • 07:07 • -11.79db
34% Popularity • 23% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 23% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
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Kate Shindle
The Mad Hatter
98 bpm • E min • 03:02 • -10.23db
39% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Adam Pascal
I Should Tell You
99 bpm • G Maj • 02:52 • -7.89db
40% Popularity • 32% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 32% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Allison Janney and Ensemble
Around Here
82 bpm • C Maj • 03:00 • -9db
37% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Zach Braff
Everything Comes Down To Poo - Original ...
82 bpm • D Maj • 02:10 • -7.84db
23% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Lucy Lawless
Little Child
82 bpm • A Maj • 03:16 • -19.05db
8% Popularity • 44% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 44% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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James Corden
Finale/Children Will Listen (Pt. 1)
99 bpm • D# min • 03:30 • -19.79db
36% Popularity • 29% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 29% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Gary Beach
Keep It Gay
82 bpm • C# Maj • 05:07 • -13.2db
33% Popularity • 53% Danceability • 44% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 53% Danceability • 44% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
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Alan Cumming
Reefer Madness
82 bpm • C min • 03:07 • -7db
21% Popularity • 33% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 33% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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SMASH Cast
They Just Keep Moving The Line (SMASH Ca...
82 bpm • B Maj • 02:56 • -6.49db
36% Popularity • 50% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 50% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Lea Michele
Whispering - Original Broadway Cast Reco...
81 bpm • E min • 03:35 • -16.06db
34% Popularity • 36% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
34% Popularity • 36% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Zina Goldrich
Taylor, the Latte Boy
99 bpm • A# Maj • 04:05 • -9.26db
32% Popularity • 48% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 48% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Joseph Loduca
We Can Work It Out
100 bpm • D Maj • 02:29 • -7.22db
10% Popularity • 35% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 35% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Tim Curry
Wild and Untamed Thing
100 bpm • F Maj • 01:52 • -4.72db
34% Popularity • 53% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
34% Popularity • 53% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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The Guild
Game on!
100 bpm • E min • 03:18 • -7.85db
17% Popularity • 82% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 82% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
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Crazy Ex-Girlfriend Cast
Don't Be A Lawyer
100 bpm • F# min • 02:35 • -4.25db
33% Popularity • 88% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 88% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Stephanie D'Abruzzo
Special
100 bpm • D# Maj • 02:36 • -9.32db
9% Popularity • 62% Danceability • 27% Energy • 68% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 62% Danceability • 27% Energy • 68% Liveness
0% Instrumentalness • 49% Positiveness
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Mel Brooks
Betrayed
80 bpm • A min • 04:26 • -9.7db
21% Popularity • 53% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 53% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Adam Pascal
Your Eyes
101 bpm • C Maj • 02:36 • -7db
38% Popularity • 39% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 39% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
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Natasha Richardson
Mein Herr
80 bpm • F# Maj • 04:18 • -9.96db
34% Popularity • 46% Danceability • 48% Energy • 98% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 46% Danceability • 48% Energy • 98% Liveness
0% Instrumentalness • 49% Positiveness
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Johnny Depp
By the Sea
80 bpm • A Maj • 02:19 • -12.34db
35% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Jeanna de Waal
The World According to Chris
80 bpm • G# Maj • 04:40 • -6.02db
39% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Felicia Day
Caring Hands
101 bpm • C Maj • 00:37 • -19.85db
31% Popularity • 55% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 55% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Carol Burnett
Little Girls
101 bpm • G# min • 03:12 • -15.57db
38% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Jessica Lowndes
In All My Dreams I Drown
80 bpm • A# min • 02:26 • -9.74db
34% Popularity • 60% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 60% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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Rachel Bloom
The Sexy Getting Ready Song
80 bpm • C# min • 02:27 • -13.8db
30% Popularity • 74% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 74% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Stephen Schwartz
Something Bad
101 bpm • C# Maj • 01:39 • -15.78db
35% Popularity • 55% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 55% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Jesse L. Martin
I'll Cover You - Reprise
80 bpm • B Maj • 03:39 • -7.34db
42% Popularity • 31% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 31% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Francesca Hayward
Beautiful Ghosts (Victoria’s Song)
80 bpm • E Maj • 02:50 • -13db
31% Popularity • 46% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 46% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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John Bolton
Paris Holds the Key (To Your Heart)
80 bpm • D Maj • 03:07 • -9.63db
44% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Neil Patrick Harris
If Only
79 bpm • C Maj • 02:35 • -9.5db
21% Popularity • 26% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 26% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Lea Michele
Mama Who Bore Me (Reprise) - Original Br...
102 bpm • E min • 01:15 • -5db
45% Popularity • 52% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 52% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Johnny Depp
Epiphany
102 bpm • F min • 03:16 • -9.23db
30% Popularity • 51% Danceability • 48% Energy • 47% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 51% Danceability • 48% Energy • 47% Liveness
0% Instrumentalness • 50% Positiveness
