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O for a Thousand Tongues to Sing
Songs like
O for a Thousand Tongues to Sing
by
Choir of Keble College, Oxford
Based on a tempo of (+/- 10%) and a similar genre
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Sergei Glagolev
Thy Bridal Chamber
133 bpm • E min • 03:58 • -27.37db
9% Popularity • 18% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Psalm 150 "O Praise God in His Holiness"
133 bpm • C Maj • 01:59 • -19db
11% Popularity • 24% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Thomas Tallis
Magnificat (1)
133 bpm • C Maj • 10:18 • -27.68db
0% Popularity • 20% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Basilica of the National Shrine of the Immaculate Conception Choir
Christus vincit
133 bpm • G Maj • 03:47 • -20.07db
18% Popularity • 22% Danceability • 19% Energy • 8% Liveness
55% Instrumentalness • 11% Positiveness
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The Redeemer Choir Austin Texas
Jesus Lives and So Shall I (JESUS, MEINE...
133 bpm • C Maj • 02:43 • -15.81db
10% Popularity • 16% Danceability • 27% Energy • 8% Liveness
32% Instrumentalness • 30% Positiveness
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John Blow
Salvator mundi
133 bpm • D Maj • 03:57 • -21.47db
8% Popularity • 22% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Prima Luce
Immaculate Mary
133 bpm • G Maj • 03:48 • -22.42db
11% Popularity • 20% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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John Newton
Glorious Things of Thee are Spoken
133 bpm • D Maj • 03:11 • -17.23db
8% Popularity • 23% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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William H. Harris
Holy Is the True Light
133 bpm • D min • 01:53 • -29.54db
0% Popularity • 18% Danceability • 5% Energy • 12% Liveness
59% Instrumentalness • 3% Positiveness
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Laura Hawley
In Song: III. In Song
134 bpm • F Maj • 01:56 • -17.81db
8% Popularity • 18% Danceability • 12% Energy • 15% Liveness
86% Instrumentalness • 5% Positiveness
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Fernand Laloux
Tantum ergo
134 bpm • E min • 02:01 • -31.69db
11% Popularity • 18% Danceability • 3% Energy • 8% Liveness
62% Instrumentalness • 7% Positiveness
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The Daily Service Singers
And Can It Be
134 bpm • G Maj • 04:02 • -18db
11% Popularity • 29% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 29% Positiveness
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Laestadian Lutheran Church
Alleluia! Sing to Jesus! SHZ 340
132 bpm • D# Maj • 03:54 • -14.81db
14% Popularity • 18% Danceability • 24% Energy • 11% Liveness
69% Instrumentalness • 8% Positiveness
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Jane Hawes
North Port - the Fifth Word
132 bpm • A min • 02:32 • -19.59db
1% Popularity • 24% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Hylton Stewart
Psalm 13
134 bpm • F Maj • 02:56 • -34.94db
12% Popularity • 15% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 6% Positiveness
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Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
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Ruth Krusemark
Loving Lamb
132 bpm • D min • 03:23 • -22.4db
11% Popularity • 23% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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Blackburn Cathedral Choir
Brewer: Nunc Dimittis in D
135 bpm • D Maj • 03:07 • -25db
13% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Methodist Central Hall Choir, Westminster
Wesley: Lo! He Comes with Clouds Descend...
131 bpm • G Maj • 01:01 • -24db
27% Popularity • 17% Danceability • 8% Energy • 45% Liveness
5% Instrumentalness • 44% Positiveness
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Charles Villiers Stanford
Nunc Dimittis in B-Flat
135 bpm • A# Maj • 03:21 • -29db
10% Popularity • 15% Danceability • 3% Energy • 12% Liveness
58% Instrumentalness • 5% Positiveness
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Ä’riks EÅ¡envalds
Merton College Service (2013): I. Magnif...
131 bpm • E min • 03:39 • -20.38db
7% Popularity • 22% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Kammerchor Wilhelmshaven
Herr, mach meine Seele wahrhaftig und tr...
131 bpm • E Maj • 04:40 • -25.12db
11% Popularity • 17% Danceability • 8% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
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Maurice Duruflé
Requiem, Op. 9: VII. Lux æterna
131 bpm • A# Maj • 03:52 • -28.71db
9% Popularity • 16% Danceability • 2% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
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Bode Afolabi
Fun Mi n' iwa Mimo
131 bpm • G Maj • 01:49 • -14db
18% Popularity • 18% Danceability • 23% Energy • 21% Liveness
95% Instrumentalness • 24% Positiveness
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Easter Hymns Band
It Is a Thing Most Wonderful
135 bpm • G# Maj • 02:22 • -14.78db
20% Popularity • 20% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 13% Positiveness
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Cantores 'Regina Caeli'
Creator Of The Stars
131 bpm • C Maj • 02:01 • -27.25db
10% Popularity • 29% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Herbert Sumsion
Magnificat and Nunc Dimittis in A: Nunc ...
130 bpm • F# min • 03:09 • -21.33db
8% Popularity • 16% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Seuralaulu
Taivaassa minulla on sinut (Siionin laul...
130 bpm • C min • 03:01 • -19.28db
8% Popularity • 18% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Ken Naylor
Coe Fen "How Shall I Sing That Majesty"
130 bpm • C min • 04:10 • -21db
11% Popularity • 16% Danceability • 15% Energy • 16% Liveness
79% Instrumentalness • 9% Positiveness
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The Wartburg Choir
I Will Not Leave You Comfortless
136 bpm • A Maj • 01:41 • -19db
10% Popularity • 20% Danceability • 22% Energy • 10% Liveness
97% Instrumentalness • 28% Positiveness
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Archangel Voices
Eis polla ~ Priest Georgi Izvekov
130 bpm • A# Maj • 01:24 • -23.19db
10% Popularity • 20% Danceability • 4% Energy • 9% Liveness
57% Instrumentalness • 4% Positiveness
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Bode Afolabi
O Fun Mi L' edidi
130 bpm • F Maj • 02:07 • -17.16db
18% Popularity • 23% Danceability • 14% Energy • 26% Liveness
6% Instrumentalness • 16% Positiveness
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George Thomas Smart
Wiltshire "Through All the Changing Scen...
130 bpm • A# Maj • 03:25 • -27.37db
14% Popularity • 16% Danceability • 5% Energy • 12% Liveness
14% Instrumentalness • 11% Positiveness
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Rowland H. Prichard
Hyfrydol "Alleluia! Sing to Jesus"
130 bpm • F Maj • 04:11 • -20db
17% Popularity • 19% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
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Matthew Martin
O Oriens
136 bpm • G min • 06:42 • -24.34db
0% Popularity • 15% Danceability • 12% Energy • 13% Liveness
43% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
O Sacred Head, Surrounded
136 bpm • C Maj • 02:19 • -11db
27% Popularity • 22% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Kammerchor Wilhelmshaven
Gottes grenzenlose Liebe
130 bpm • D# Maj • 04:17 • -20.78db
10% Popularity • 16% Danceability • 12% Energy • 11% Liveness
45% Instrumentalness • 8% Positiveness
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Crown & Covenant
Unless the Lord Has Been There (Psalm 12...
137 bpm • F Maj • 01:57 • -20.35db
15% Popularity • 23% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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The Philippine Madrigal Singers
As a Little Child
137 bpm • D# Maj • 04:35 • -16db
12% Popularity • 24% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part II, The Ex...
129 bpm • E min • 02:40 • -30db
14% Popularity • 19% Danceability • 2% Energy • 14% Liveness
2% Instrumentalness • 3% Positiveness
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The Concordia Choir
Pilgrim's Chorus
137 bpm • A Maj • 04:03 • -27.64db
16% Popularity • 15% Danceability • 6% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Hope Singers
God of Mercy
138 bpm • D Maj • 02:21 • -18.96db
13% Popularity • 16% Danceability • 18% Energy • 19% Liveness
34% Instrumentalness • 3% Positiveness
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The Tehillah Ensemble
And Can It Be?
138 bpm • F# Maj • 05:02 • -22.51db
8% Popularity • 17% Danceability • 11% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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The Redeemer Choir Austin Texas
Glorious Things of Thee Are Spoken (AUST...
138 bpm • D# Maj • 03:06 • -14.64db
14% Popularity • 15% Danceability • 28% Energy • 22% Liveness
62% Instrumentalness • 43% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
Be Thou My Vision
138 bpm • D# Maj • 03:08 • -24.9db
31% Popularity • 15% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 19% Positiveness
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Methodist Central Hall Choir, Westminster
Wesley: What Shall I Do My God to Love (...
128 bpm • A Maj • 00:47 • -22.12db
19% Popularity • 16% Danceability • 12% Energy • 26% Liveness
91% Instrumentalness • 31% Positiveness
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Henry Francis Lyte
Abide With Me
138 bpm • D# Maj • 04:09 • -17.43db
8% Popularity • 18% Danceability • 24% Energy • 17% Liveness
3% Instrumentalness • 7% Positiveness
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Laestadian Lutheran Church
The Lord's My Shepherd SHZ 371b
128 bpm • G Maj • 03:05 • -22.86db
13% Popularity • 20% Danceability • 20% Energy • 17% Liveness
96% Instrumentalness • 13% Positiveness
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Hans Leo Hassler
Cantate Domino canticum novum
128 bpm • D Maj • 01:39 • -19.4db
28% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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MÃ¥rten Jansson
Missa Popularis: V. Agnus Dei
139 bpm • B min • 06:28 • -22.1db
8% Popularity • 15% Danceability • 8% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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Tapestry Chamber Singers
Love the Lord
127 bpm • D# Maj • 01:56 • -23.38db
10% Popularity • 26% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 24% Positiveness
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Mike Dixon
3 Love Songs: No. 1. To Love and be Belo...
139 bpm • A# Maj • 02:57 • -23.04db
10% Popularity • 21% Danceability • 10% Energy • 26% Liveness
15% Instrumentalness • 9% Positiveness
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Stephanie Martin
Psalm 100, Genevan Psalter
139 bpm • G Maj • 02:51 • -11.46db
9% Popularity • 21% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Christopher Walker
Lord, We Adore You
139 bpm • F min • 02:32 • -21.44db
10% Popularity • 16% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Edgar Thomas Cook
Magnificat in G Major
127 bpm • C Maj • 03:31 • -29.37db
0% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Peter Hurford
Psalm 117 "O Praise the Lord, All Ye Hea...
127 bpm • E Maj • 01:10 • -15db
14% Popularity • 25% Danceability • 26% Energy • 12% Liveness
16% Instrumentalness • 8% Positiveness
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The Paul Leddington Wright Singers
Stay Here
127 bpm • F Maj • 03:36 • -22.01db
15% Popularity • 21% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Philip Stopford
Keble Missa brevis: II. Sanctus - III. B...
127 bpm • A# Maj • 02:23 • -21.8db
1% Popularity • 21% Danceability • 8% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Benedictines of Mary, Queen of Apostles
O Lord I Am Not Worthy
140 bpm • C Maj • 01:36 • -20.52db
37% Popularity • 24% Danceability • 10% Energy • 14% Liveness
49% Instrumentalness • 14% Positiveness
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Dominican Friars of the Province of Ireland
Dominican Magnificat
127 bpm • C# Maj • 04:37 • -19.01db
13% Popularity • 17% Danceability • 21% Energy • 8% Liveness
15% Instrumentalness • 7% Positiveness
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St. Thomas Choir Of Men And Boys
Psalm 136: O Give Thanks Untothe Lord (L...
140 bpm • A Maj • 05:47 • -29.42db
7% Popularity • 19% Danceability • 9% Energy • 10% Liveness
12% Instrumentalness • 7% Positiveness
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Charles Villiers Stanford
Psalm 14
127 bpm • D min • 04:10 • -30.45db
10% Popularity • 18% Danceability • 7% Energy • 15% Liveness
9% Instrumentalness • 10% Positiveness
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William Crotch
Psalm 41 "Blessed Is He That Considereth...
126 bpm • G# Maj • 03:50 • -28db
9% Popularity • 25% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
126 bpm • A Maj • 05:14 • -24.12db
12% Popularity • 21% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
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Metropolitan Boys Choir
Children Of The Heavenly Father
126 bpm • D Maj • 01:33 • -19.92db
17% Popularity • 24% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Blackburn Cathedral Choir
Lord For the Years
126 bpm • C Maj • 04:12 • -22.46db
13% Popularity • 17% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Traditional
Christus vincit - Arr. Martin Baker
141 bpm • B min • 02:24 • -16.37db
5% Popularity • 20% Danceability • 23% Energy • 10% Liveness
30% Instrumentalness • 12% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
The God Of Abraham Praise
125 bpm • A# Maj • 03:29 • -25.91db
19% Popularity • 20% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Laestadian Lutheran Church
Jesus, Oh, Remember Me SHZ 440
125 bpm • A min • 04:34 • -21.46db
15% Popularity • 17% Danceability • 8% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
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Shawn Kirchner
Angel Band
125 bpm • G Maj • 05:53 • -19.62db
8% Popularity • 20% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
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Bernadette Farrell
We Will Rise
124 bpm • A Maj • 05:10 • -14.26db
8% Popularity • 44% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Margaret Rizza
Jesus, You Are the Way
143 bpm • E Maj • 03:27 • -22.58db
10% Popularity • 23% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Matthew Martin
O magnum mysterium
125 bpm • B Maj • 04:18 • -27.01db
0% Popularity • 18% Danceability • 5% Energy • 15% Liveness
97% Instrumentalness • 3% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
All Creatures Of Our God And King
143 bpm • D# Maj • 04:36 • -22.95db
27% Popularity • 16% Danceability • 8% Energy • 12% Liveness
3% Instrumentalness • 17% Positiveness
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Christopher Walker
Celtic Alleluia - Celtic Mass
124 bpm • G Maj • 01:52 • -9.61db
31% Popularity • 23% Danceability • 27% Energy • 20% Liveness
92% Instrumentalness • 28% Positiveness
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Five Creates
My Belief
123 bpm • G# Maj • 03:45 • -28.7db
22% Popularity • 24% Danceability • 4% Energy • 11% Liveness
18% Instrumentalness • 12% Positiveness
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The Biralee Blokes
How Can I Keep from Singing?
123 bpm • G# Maj • 03:37 • -20.95db
14% Popularity • 24% Danceability • 10% Energy • 26% Liveness
1% Instrumentalness • 17% Positiveness
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Philip Stopford
For the Beauty of the Earth (Version for...
143 bpm • G# Maj • 03:21 • -25.26db
14% Popularity • 19% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Richard Rodney Bennett
Lullaby Baby
124 bpm • E min • 03:33 • -24.07db
0% Popularity • 19% Danceability • 15% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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William Croft
Burial Sentences: II. I Know That My Red...
144 bpm • C min • 01:10 • -23.05db
20% Popularity • 18% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
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Pro Cantione Antiqua
Attende Domine
123 bpm • D# Maj • 03:33 • -27.18db
15% Popularity • 28% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Laestadian Lutheran Church
You Are My Savior, Jesus Christ SHZ 309
122 bpm • E Maj • 05:45 • -19.53db
17% Popularity • 17% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Gittan Glans
When Breathing like a Bird
120 bpm • D Maj • 01:57 • -23.06db
22% Popularity • 25% Danceability • 16% Energy • 12% Liveness
25% Instrumentalness • 22% Positiveness
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The Redeemer Choir Austin Texas
The Son of God Goes Forth to War (DORIAN...
121 bpm • B min • 02:21 • -16.18db
13% Popularity • 20% Danceability • 20% Energy • 16% Liveness
27% Instrumentalness • 23% Positiveness
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Owen Alstott
O Holy Mary
120 bpm • D min • 03:40 • -14.36db
8% Popularity • 22% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Methodist Central Hall Choir, Westminster
Wesley: And Can It Be That I Should Gain...
119 bpm • G Maj • 00:58 • -24.96db
22% Popularity • 22% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 47% Positiveness
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Melchior Teschner
All Glory, Laud and Honor
118 bpm • B Maj • 02:43 • -19.73db
32% Popularity • 28% Danceability • 14% Energy • 12% Liveness
43% Instrumentalness • 24% Positiveness
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Patrick Appleford
Lord Jesus Christ (Living Lord)
118 bpm • D Maj • 02:17 • -20.42db
8% Popularity • 25% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Lyle Stutzman
My God, How Endless
118 bpm • A# Maj • 01:54 • -26.81db
12% Popularity • 24% Danceability • 5% Energy • 10% Liveness
58% Instrumentalness • 6% Positiveness
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The Redeemer Choir Austin Texas
Humbly I Adore Thee (ADORO DEVOTE)
117 bpm • D Maj • 02:41 • -23.98db
9% Popularity • 17% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Jane Hawes
Home - the Third Word
116 bpm • A min • 00:53 • -14.29db
2% Popularity • 25% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Enrique Lacárcel Bautista
I Am in Need of Music - Bonus Track
116 bpm • A# Maj • 03:48 • -21.11db
13% Popularity • 27% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 5% Positiveness
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Plainchant
Psalm 148: O Praise the Lord of Heaven
116 bpm • G# Maj • 03:10 • -20.76db
8% Popularity • 30% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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The Coventry Singers
Now May He Who from the Dead
117 bpm • C Maj • 01:20 • -13.4db
15% Popularity • 26% Danceability • 27% Energy • 12% Liveness
86% Instrumentalness • 12% Positiveness
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Giovanni Croce
Laudans exultet gaudio per doppio coro, ...
116 bpm • F Maj • 03:17 • -18.34db
8% Popularity • 21% Danceability • 12% Energy • 14% Liveness
95% Instrumentalness • 9% Positiveness
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Benjamin Britten
A Hymn of St. Columba
115 bpm • A min • 01:59 • -19.48db
0% Popularity • 18% Danceability • 23% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
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Georg Friedrich Daumer
Sieh, Wie Ist Die Welle Klar
115 bpm • D# Maj • 01:03 • -29.24db
18% Popularity • 23% Danceability • 5% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
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William Walton
Set Me as a Seal Upon Thine Heart
154 bpm • C# Maj • 03:24 • -29.53db
0% Popularity • 14% Danceability • 6% Energy • 10% Liveness
15% Instrumentalness • 3% Positiveness
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George Duffield
Stand up, Stand up for Jesus
114 bpm • A Maj • 02:42 • -15.35db
12% Popularity • 27% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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O for a Thousand Tongues to Sing