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Oysters in My Pocket
Songs like
Oysters in My Pocket
by
Royel Otis
Based on a tempo of (+/- 10%) and a similar genre
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The Moss
Insomnia
168 bpm • B Maj • 03:12 • -5.78db
57% Popularity • 54% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Vampire Weekend
Gen-X Cops
168 bpm • F Maj • 03:47 • -5.21db
58% Popularity • 52% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Royel Otis
Oysters In My Pocket
168 bpm • F# min • 02:42 • -4.97db
73% Popularity • 60% Danceability • 92% Energy • 17% Liveness
80% Instrumentalness • 61% Positiveness
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STRFKR
Holding On
168 bpm • F min • 03:11 • -5.42db
54% Popularity • 53% Danceability • 84% Energy • 64% Liveness
24% Instrumentalness • 85% Positiveness
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Men I Trust
Billie Toppy
169 bpm • G Maj • 03:15 • -11db
62% Popularity • 68% Danceability • 68% Energy • 11% Liveness
82% Instrumentalness • 62% Positiveness
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Surf Trash
Wrong or Right
168 bpm • A# Maj • 02:43 • -4.18db
56% Popularity • 43% Danceability • 90% Energy • 21% Liveness
44% Instrumentalness • 60% Positiveness
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The Grogans
Hey Ma'am
170 bpm • D Maj • 02:39 • -4.66db
31% Popularity • 20% Danceability • 96% Energy • 16% Liveness
50% Instrumentalness • 37% Positiveness
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Noah Kahan
Homesick
170 bpm • F# Maj • 03:14 • -6.44db
77% Popularity • 46% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Del Water Gap
Cigarettes & Wine
166 bpm • C# Maj • 03:01 • -7.83db
62% Popularity • 41% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Husbands
Try Not to Worry
166 bpm • B Maj • 03:04 • -13.56db
47% Popularity • 29% Danceability • 57% Energy • 10% Liveness
68% Instrumentalness • 27% Positiveness
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The Moving Stills
Wabi Sabi
170 bpm • C# Maj • 03:07 • -8.57db
24% Popularity • 40% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Angie McMahon
Letting Go
170 bpm • A# Maj • 03:30 • -6.65db
56% Popularity • 48% Danceability • 75% Energy • 12% Liveness
1% Instrumentalness • 60% Positiveness
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Old Mervs
Sweetheart
170 bpm • A Maj • 03:04 • -5.48db
52% Popularity • 47% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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The Belair Lip Bombs
Stay Or Go
166 bpm • B Maj • 02:36 • -5.94db
36% Popularity • 36% Danceability • 90% Energy • 8% Liveness
1% Instrumentalness • 76% Positiveness
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Bjordan
Best Years
170 bpm • G min • 01:57 • -6.93db
41% Popularity • 57% Danceability • 85% Energy • 9% Liveness
81% Instrumentalness • 48% Positiveness
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Pacific Avenue
Someday Soon
166 bpm • C Maj • 04:37 • -7.52db
47% Popularity • 35% Danceability • 69% Energy • 11% Liveness
6% Instrumentalness • 29% Positiveness
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bby
hotline
165 bpm • F Maj • 02:17 • -5.47db
56% Popularity • 57% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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The Terrys
Troopy
165 bpm • A# Maj • 03:06 • -4.44db
40% Popularity • 42% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Cat Ryan
Rex Mundi
165 bpm • B min • 02:12 • -6.12db
33% Popularity • 62% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Great Gable
Best Friend
165 bpm • D min • 03:09 • -5.96db
40% Popularity • 48% Danceability • 84% Energy • 18% Liveness
1% Instrumentalness • 56% Positiveness
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J4eva
Medicine
165 bpm • G# min • 03:13 • -7db
44% Popularity • 48% Danceability • 88% Energy • 37% Liveness
82% Instrumentalness • 95% Positiveness
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Ashes To Amber
ALRIGHT
172 bpm • B Maj • 01:53 • -15db
62% Popularity • 62% Danceability • 41% Energy • 12% Liveness
11% Instrumentalness • 26% Positiveness
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Royel Otis
Going Kokomo
172 bpm • C Maj • 03:10 • -4.2db
61% Popularity • 45% Danceability • 94% Energy • 6% Liveness
3% Instrumentalness • 79% Positiveness
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The Snuts
Millionaires
172 bpm • B min • 03:00 • -4db
49% Popularity • 49% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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The Moving Stills
Best Friend
172 bpm • A# Maj • 02:57 • -4.88db
27% Popularity • 39% Danceability • 91% Energy • 5% Liveness
11% Instrumentalness • 74% Positiveness
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DICE
Stockholm
172 bpm • A Maj • 03:17 • -6.98db
48% Popularity • 38% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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The Vaccines
Lunar Eclipse
172 bpm • G Maj • 02:56 • -4.07db
52% Popularity • 39% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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flipturn
August
172 bpm • F# Maj • 04:21 • -4.3db
64% Popularity • 45% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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dayaway
hot blue summer - sped up
163 bpm • B Maj • 02:28 • -3.79db
38% Popularity • 50% Danceability • 89% Energy • 18% Liveness
41% Instrumentalness • 56% Positiveness
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JAWNY
adios
164 bpm • F# min • 03:23 • -5db
57% Popularity • 52% Danceability • 85% Energy • 57% Liveness
0% Instrumentalness • 44% Positiveness
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The Grogans
I Cannot Read Your Mind
173 bpm • F Maj • 02:54 • -4.33db
32% Popularity • 35% Danceability • 100% Energy • 44% Liveness
25% Instrumentalness • 68% Positiveness
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DICE
Super-Vision
173 bpm • A Maj • 03:08 • -5.99db
41% Popularity • 38% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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The Backseat Lovers
Kilby Girl
162 bpm • C# Maj • 04:42 • -9.97db
75% Popularity • 33% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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Beach Fossils
Down the Line
162 bpm • G Maj • 02:38 • -6.57db
64% Popularity • 62% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Bleachers
Me Before You
174 bpm • D Maj • 03:23 • -13.19db
58% Popularity • 52% Danceability • 46% Energy • 11% Liveness
33% Instrumentalness • 27% Positiveness
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Spacey Jane
One Bad Day
162 bpm • C Maj • 03:20 • -6.13db
59% Popularity • 47% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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The Moving Stills
Westside
162 bpm • D min • 02:54 • -6.06db
32% Popularity • 38% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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The Vaccines
Heartbreak Kid
162 bpm • C Maj • 03:00 • -3.37db
51% Popularity • 38% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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The Grogans
I'm Not Sure
162 bpm • C Maj • 02:26 • -3.98db
34% Popularity • 39% Danceability • 90% Energy • 23% Liveness
21% Instrumentalness • 64% Positiveness
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Vona Vella
Thought We Were Falling In Love
162 bpm • F# min • 02:41 • -6.87db
45% Popularity • 67% Danceability • 76% Energy • 33% Liveness
49% Instrumentalness • 97% Positiveness
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girl in red
Too Much
162 bpm • F min • 03:03 • -5.98db
73% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Pacific Avenue
Strawberry Daydream
162 bpm • G Maj • 03:07 • -3.39db
50% Popularity • 17% Danceability • 87% Energy • 74% Liveness
0% Instrumentalness • 36% Positiveness
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The Moving Stills
Better
162 bpm • F Maj • 03:01 • -7.5db
25% Popularity • 44% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Old Mervs
Leave That
174 bpm • A Maj • 03:20 • -6.32db
46% Popularity • 42% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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DICE
Reality
175 bpm • B Maj • 03:32 • -7db
45% Popularity • 37% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Spacey Jane
Good for You
175 bpm • C Maj • 02:54 • -5db
57% Popularity • 44% Danceability • 90% Energy • 16% Liveness
1% Instrumentalness • 93% Positiveness
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Teenage Dads
Teddy
175 bpm • A Maj • 02:59 • -3.25db
40% Popularity • 53% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Royel Otis
Foam
175 bpm • G# min • 03:05 • -6.15db
59% Popularity • 65% Danceability • 78% Energy • 12% Liveness
2% Instrumentalness • 94% Positiveness
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The Moving Stills
Volcano
175 bpm • E Maj • 03:31 • -7.74db
33% Popularity • 39% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Old Mervs
Be There
175 bpm • F# min • 02:55 • -5db
48% Popularity • 38% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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almost monday
life goes by
161 bpm • C# Maj • 02:33 • -5.1db
51% Popularity • 55% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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The Beaches
Edge of the Earth
160 bpm • C Maj • 02:40 • -4.74db
66% Popularity • 49% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Pacific Avenue
Something Good
176 bpm • E Maj • 04:24 • -6db
53% Popularity • 36% Danceability • 82% Energy • 9% Liveness
6% Instrumentalness • 37% Positiveness
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DOPE LEMON
Kimosabè
176 bpm • B min • 04:36 • -7.95db
57% Popularity • 64% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Everything Everything
Cold Reactor
160 bpm • G Maj • 03:51 • -6.08db
55% Popularity • 60% Danceability • 73% Energy • 13% Liveness
1% Instrumentalness • 81% Positiveness
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Sticky Fingers
Slow Soul
160 bpm • E min • 02:08 • -12.56db
51% Popularity • 51% Danceability • 70% Energy • 14% Liveness
55% Instrumentalness • 55% Positiveness
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Teen Jesus and the Jean Teasers
Salt
160 bpm • C Maj • 03:07 • -5.2db
48% Popularity • 53% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Velvet Trip
ELECTRIC DREAMS
160 bpm • G Maj • 03:35 • -7.63db
23% Popularity • 44% Danceability • 68% Energy • 35% Liveness
92% Instrumentalness • 58% Positiveness
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Wet Leg
Chaise Longue
160 bpm • G Maj • 03:16 • -6.57db
61% Popularity • 68% Danceability • 75% Energy • 14% Liveness
11% Instrumentalness • 94% Positiveness
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Bakar
All Night
160 bpm • G Maj • 03:28 • -5.75db
44% Popularity • 76% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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MOTO BANDIT
THIS IS THE DAY
160 bpm • C min • 04:15 • -4.18db
38% Popularity • 27% Danceability • 98% Energy • 7% Liveness
41% Instrumentalness • 11% Positiveness
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Hall Johnson
City Lights
160 bpm • G Maj • 02:44 • -6.94db
52% Popularity • 55% Danceability • 85% Energy • 26% Liveness
11% Instrumentalness • 92% Positiveness
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The Velvet Club
The Otherside
160 bpm • C Maj • 03:33 • -6.54db
21% Popularity • 34% Danceability • 94% Energy • 33% Liveness
2% Instrumentalness • 27% Positiveness
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Djo
End of Beginning
160 bpm • D Maj • 02:39 • -7.64db
98% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Teenage Dads
Hey, Diego!
159 bpm • A Maj • 03:14 • -3.48db
41% Popularity • 56% Danceability • 78% Energy • 21% Liveness
1% Instrumentalness • 89% Positiveness
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Wunderhorse
Teal
159 bpm • A Maj • 03:11 • -7.62db
50% Popularity • 44% Danceability • 88% Energy • 9% Liveness
2% Instrumentalness • 38% Positiveness
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BETWEEN FRIENDS
Pleasure delayer
177 bpm • C# Maj • 02:24 • -7.18db
53% Popularity • 38% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Royel Otis
IHYSM
178 bpm • C Maj • 03:10 • -6.06db
48% Popularity • 56% Danceability • 95% Energy • 10% Liveness
9% Instrumentalness • 93% Positiveness
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Dirty Nice
Shoes
158 bpm • D Maj • 03:06 • -3.64db
20% Popularity • 56% Danceability • 94% Energy • 11% Liveness
6% Instrumentalness • 79% Positiveness
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The Terrys
Our Paradise
158 bpm • B min • 03:04 • -5.15db
51% Popularity • 52% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
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Teenage Dads
Weaponz
158 bpm • D Maj • 02:29 • -3.26db
44% Popularity • 55% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Day Wave
As You Are
179 bpm • C Maj • 03:05 • -6.44db
45% Popularity • 50% Danceability • 76% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Krooked Kings
Good and Drunk
157 bpm • B Maj • 02:21 • -6.69db
40% Popularity • 54% Danceability • 88% Energy • 41% Liveness
0% Instrumentalness • 44% Positiveness
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Royel Otis
Warm Nights
158 bpm • G min • 03:31 • -8.1db
45% Popularity • 58% Danceability • 63% Energy • 33% Liveness
1% Instrumentalness • 53% Positiveness
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Great Gable
Hazy
157 bpm • D Maj • 04:04 • -6db
37% Popularity • 43% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Suki Waterhouse
To Love
157 bpm • D Maj • 03:56 • -4.45db
61% Popularity • 28% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Teenage Dads
Sunburnt
157 bpm • B Maj • 03:52 • -7.01db
46% Popularity • 53% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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The Moving Stills
The Lesson
180 bpm • G Maj • 03:17 • -6.64db
25% Popularity • 48% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Djo
Roddy
180 bpm • C Maj • 04:12 • -9db
70% Popularity • 56% Danceability • 52% Energy • 7% Liveness
3% Instrumentalness • 67% Positiveness
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Royel Otis
Kool Aid
158 bpm • B min • 03:36 • -3.6db
60% Popularity • 56% Danceability • 93% Energy • 9% Liveness
11% Instrumentalness • 79% Positiveness
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Lewis OfMan
Hey Lou
156 bpm • D# Maj • 03:40 • -6.05db
39% Popularity • 57% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Bleachers
Tiny Moves
156 bpm • A Maj • 03:48 • -8.26db
61% Popularity • 69% Danceability • 65% Energy • 15% Liveness
7% Instrumentalness • 91% Positiveness
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The Beaches
Blame Brett
156 bpm • C# min • 02:57 • -3.16db
70% Popularity • 47% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Husbands
Mexico
156 bpm • C Maj • 03:32 • -6.92db
49% Popularity • 58% Danceability • 84% Energy • 11% Liveness
66% Instrumentalness • 93% Positiveness
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Vona Vella
Ariel
155 bpm • E min • 03:11 • -7.22db
36% Popularity • 77% Danceability • 60% Energy • 10% Liveness
37% Instrumentalness • 83% Positiveness
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Arlo Mac
Ease My Mind
155 bpm • D Maj • 03:05 • -8.38db
56% Popularity • 52% Danceability • 73% Energy • 30% Liveness
11% Instrumentalness • 80% Positiveness
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The Grogans
Black
183 bpm • A min • 02:12 • -9.06db
52% Popularity • 36% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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dayaway
i wish
154 bpm • D# Maj • 03:04 • -3.83db
34% Popularity • 45% Danceability • 88% Energy • 30% Liveness
97% Instrumentalness • 66% Positiveness
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Royel Otis
Sonic Blue
183 bpm • G Maj • 03:17 • -5.7db
47% Popularity • 44% Danceability • 84% Energy • 13% Liveness
1% Instrumentalness • 39% Positiveness
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Husbands
Used To Surf
155 bpm • A# Maj • 03:09 • -6.47db
26% Popularity • 50% Danceability • 64% Energy • 23% Liveness
4% Instrumentalness • 34% Positiveness
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MOTO BANDIT
DAYLIGHT DOOM
154 bpm • C# Maj • 02:54 • -6.62db
52% Popularity • 62% Danceability • 90% Energy • 19% Liveness
92% Instrumentalness • 72% Positiveness
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Spacey Jane
Thrills
184 bpm • A Maj • 03:29 • -7.95db
51% Popularity • 39% Danceability • 93% Energy • 21% Liveness
5% Instrumentalness • 75% Positiveness
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Death by Denim
Cigarettes and Honey
184 bpm • D Maj • 03:05 • -5.29db
50% Popularity • 46% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Dehd
Bad Love
153 bpm • E Maj • 02:30 • -7.45db
53% Popularity • 62% Danceability • 77% Energy • 16% Liveness
2% Instrumentalness • 55% Positiveness
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The Backseat Lovers
Maple Syrup
153 bpm • D Maj • 04:03 • -9.7db
71% Popularity • 54% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
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Lime Cordiale
Robbery
153 bpm • D# min • 03:43 • -7.56db
63% Popularity • 68% Danceability • 75% Energy • 18% Liveness
10% Instrumentalness • 88% Positiveness
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Del Water Gap
All We Ever Do Is Talk
153 bpm • D Maj • 03:46 • -5.49db
61% Popularity • 47% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Paramore
C’est Comme Ça (Re: Wet Leg)
152 bpm • C Maj • 02:24 • -4.97db
52% Popularity • 63% Danceability • 76% Energy • 4% Liveness
78% Instrumentalness • 74% Positiveness
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Spacey Jane
Hardlight
152 bpm • B Maj • 03:33 • -4db
53% Popularity • 47% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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The Vaccines
Discount De Kooning (Last One Standing)
152 bpm • C Maj • 03:49 • -3.92db
52% Popularity • 41% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Oysters in My Pocket