Songs like Pace Is The Trick by Interpol
Based on a tempo of (+/- 10%) and a similar genre
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MGMT
The Youth
111 bpm • F Maj • 03:48 • -5.89db
52% Popularity • 48% Danceability • 80% Energy • 33% Liveness
1% Instrumentalness • 47% Positiveness
52% Popularity • 48% Danceability • 80% Energy • 33% Liveness
1% Instrumentalness • 47% Positiveness
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The Libertines
Music When The Lights Go Out
111 bpm • C Maj • 03:02 • -6db
54% Popularity • 42% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 42% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Interpol
Specialist - B-Side - 2012 Remaster
111 bpm • A min • 06:39 • -7.52db
45% Popularity • 35% Danceability • 84% Energy • 9% Liveness
4% Instrumentalness • 55% Positiveness
45% Popularity • 35% Danceability • 84% Energy • 9% Liveness
4% Instrumentalness • 55% Positiveness
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Pavement
Cut Your Hair
111 bpm • E min • 03:06 • -9.82db
58% Popularity • 47% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
58% Popularity • 47% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Pulp
Like A Friend
111 bpm • F Maj • 04:31 • -8.96db
46% Popularity • 30% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 30% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 34% Positiveness
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Arcade Fire
Reflektor
112 bpm • B min • 07:30 • -8.38db
55% Popularity • 58% Danceability • 72% Energy • 37% Liveness
1% Instrumentalness • 64% Positiveness
55% Popularity • 58% Danceability • 72% Energy • 37% Liveness
1% Instrumentalness • 64% Positiveness
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The Cribs
Things You Should Be Knowing
112 bpm • G Maj • 02:33 • -5db
29% Popularity • 37% Danceability • 93% Energy • 11% Liveness
2% Instrumentalness • 79% Positiveness
29% Popularity • 37% Danceability • 93% Energy • 11% Liveness
2% Instrumentalness • 79% Positiveness
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Julian Casablancas
Out of the Blue
112 bpm • G# Maj • 04:41 • -3db
43% Popularity • 45% Danceability • 89% Energy • 6% Liveness
94% Instrumentalness • 57% Positiveness
43% Popularity • 45% Danceability • 89% Energy • 6% Liveness
94% Instrumentalness • 57% Positiveness
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Interpol
Pace Is The Trick
111 bpm • D min • 04:37 • -5db
51% Popularity • 47% Danceability • 88% Energy • 16% Liveness
88% Instrumentalness • 30% Positiveness
51% Popularity • 47% Danceability • 88% Energy • 16% Liveness
88% Instrumentalness • 30% Positiveness
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Queens of the Stone Age
If I Had a Tail
112 bpm • B Maj • 04:55 • -6.6db
56% Popularity • 60% Danceability • 85% Energy • 66% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 60% Danceability • 85% Energy • 66% Liveness
0% Instrumentalness • 34% Positiveness
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Pixies
The Thing
110 bpm • C min • 01:58 • -9.05db
65% Popularity • 73% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
65% Popularity • 73% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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The Strokes
Why Are Sundays So Depressing
110 bpm • C Maj • 04:35 • -4.46db
66% Popularity • 58% Danceability • 71% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
66% Popularity • 58% Danceability • 71% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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The Last Shadow Puppets
Sweet Dreams, TN
112 bpm • B min • 03:56 • -7db
65% Popularity • 28% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
65% Popularity • 28% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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Franz Ferdinand
The Fallen
113 bpm • C Maj • 03:42 • -2.37db
48% Popularity • 49% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
48% Popularity • 49% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Interpol
Song Seven
110 bpm • B min • 04:52 • -3db
44% Popularity • 36% Danceability • 92% Energy • 11% Liveness
81% Instrumentalness • 50% Positiveness
44% Popularity • 36% Danceability • 92% Energy • 11% Liveness
81% Instrumentalness • 50% Positiveness
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The Smashing Pumpkins
Perfect
114 bpm • G Maj • 03:22 • -6.33db
60% Popularity • 64% Danceability • 91% Energy • 45% Liveness
65% Instrumentalness • 54% Positiveness
60% Popularity • 64% Danceability • 91% Energy • 45% Liveness
65% Instrumentalness • 54% Positiveness
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The Killers
Jenny Was A Friend Of Mine
114 bpm • B Maj • 04:03 • -5.61db
61% Popularity • 54% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 54% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Yeah Yeah Yeahs
Pin
108 bpm • G Maj • 02:00 • -4.83db
47% Popularity • 68% Danceability • 99% Energy • 15% Liveness
57% Instrumentalness • 77% Positiveness
47% Popularity • 68% Danceability • 99% Energy • 15% Liveness
57% Instrumentalness • 77% Positiveness
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The Last Shadow Puppets
Miracle Aligner
113 bpm • F# min • 04:05 • -9db
61% Popularity • 56% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
61% Popularity • 56% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Franz Ferdinand
The Dark Of The Matinée
114 bpm • F# min • 04:06 • -4.37db
59% Popularity • 45% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
59% Popularity • 45% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Interpol
Stella was a diver and she was always do...
114 bpm • F Maj • 06:27 • -6db
54% Popularity • 42% Danceability • 85% Energy • 20% Liveness
79% Instrumentalness • 44% Positiveness
54% Popularity • 42% Danceability • 85% Energy • 20% Liveness
79% Instrumentalness • 44% Positiveness
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Queens of the Stone Age
First It Giveth
107 bpm • F# Maj • 03:18 • -4.02db
58% Popularity • 46% Danceability • 96% Energy • 25% Liveness
11% Instrumentalness • 36% Positiveness
58% Popularity • 46% Danceability • 96% Energy • 25% Liveness
11% Instrumentalness • 36% Positiveness
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Ride
Vapour Trail - 2001 Remaster
108 bpm • E Maj • 04:17 • -5.68db
50% Popularity • 43% Danceability • 80% Energy • 9% Liveness
78% Instrumentalness • 43% Positiveness
50% Popularity • 43% Danceability • 80% Energy • 9% Liveness
78% Instrumentalness • 43% Positiveness
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Slowdive
No Longer Making Time
107 bpm • F# Maj • 05:48 • -7.6db
50% Popularity • 56% Danceability • 50% Energy • 8% Liveness
85% Instrumentalness • 52% Positiveness
50% Popularity • 56% Danceability • 50% Energy • 8% Liveness
85% Instrumentalness • 52% Positiveness
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The Voidz
Dare I Care
107 bpm • B min • 06:25 • -5.3db
39% Popularity • 23% Danceability • 92% Energy • 18% Liveness
8% Instrumentalness • 30% Positiveness
39% Popularity • 23% Danceability • 92% Energy • 18% Liveness
8% Instrumentalness • 30% Positiveness
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Pixies
Gigantic - 2007 Remaster
115 bpm • G Maj • 03:55 • -11.78db
56% Popularity • 39% Danceability • 69% Energy • 8% Liveness
30% Instrumentalness • 80% Positiveness
56% Popularity • 39% Danceability • 69% Energy • 8% Liveness
30% Instrumentalness • 80% Positiveness
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Interpol
The New
113 bpm • G Maj • 06:07 • -6.83db
50% Popularity • 35% Danceability • 81% Energy • 25% Liveness
85% Instrumentalness • 27% Positiveness
50% Popularity • 35% Danceability • 81% Energy • 25% Liveness
85% Instrumentalness • 27% Positiveness
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Arctic Monkeys
Crying Lightning
107 bpm • E min • 03:44 • -4.42db
71% Popularity • 50% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
71% Popularity • 50% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Arcade Fire
Afterlife
116 bpm • B Maj • 05:53 • -5.53db
56% Popularity • 64% Danceability • 87% Energy • 24% Liveness
5% Instrumentalness • 80% Positiveness
56% Popularity • 64% Danceability • 87% Energy • 24% Liveness
5% Instrumentalness • 80% Positiveness
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The Mars Volta
The Widow
106 bpm • A min • 05:50 • -6.06db
48% Popularity • 24% Danceability • 66% Energy • 28% Liveness
1% Instrumentalness • 11% Positiveness
48% Popularity • 24% Danceability • 66% Energy • 28% Liveness
1% Instrumentalness • 11% Positiveness
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The Kills
Tape Song
116 bpm • A Maj • 03:37 • -4db
41% Popularity • 98% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 98% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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Pixies
Bone Machine - 2007 Remaster
116 bpm • C Maj • 03:03 • -12.8db
53% Popularity • 63% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 63% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Interpol
Obstacle 2
116 bpm • D Maj • 03:47 • -5.6db
48% Popularity • 40% Danceability • 92% Energy • 37% Liveness
76% Instrumentalness • 50% Positiveness
48% Popularity • 40% Danceability • 92% Energy • 37% Liveness
76% Instrumentalness • 50% Positiveness
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Arctic Monkeys
My Propeller
116 bpm • A min • 03:25 • -6.76db
62% Popularity • 42% Danceability • 66% Energy • 23% Liveness
6% Instrumentalness • 69% Positiveness
62% Popularity • 42% Danceability • 66% Energy • 23% Liveness
6% Instrumentalness • 69% Positiveness
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The Strokes
What Ever Happened?
116 bpm • B Maj • 02:49 • -6.04db
65% Popularity • 55% Danceability • 60% Energy • 27% Liveness
74% Instrumentalness • 58% Positiveness
65% Popularity • 55% Danceability • 60% Energy • 27% Liveness
74% Instrumentalness • 58% Positiveness
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The Vines
Winning Days
106 bpm • C Maj • 03:33 • -5.03db
20% Popularity • 44% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 44% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Alex Turner
Piledriver waltz
106 bpm • C# Maj • 03:24 • -7.86db
60% Popularity • 53% Danceability • 75% Energy • 32% Liveness
61% Instrumentalness • 34% Positiveness
60% Popularity • 53% Danceability • 75% Energy • 32% Liveness
61% Instrumentalness • 34% Positiveness
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Pixies
Monkey Gone to Heaven
117 bpm • F# min • 02:55 • -10.64db
65% Popularity • 65% Danceability • 39% Energy • 27% Liveness
1% Instrumentalness • 57% Positiveness
65% Popularity • 65% Danceability • 39% Energy • 27% Liveness
1% Instrumentalness • 57% Positiveness
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Interpol
Leif Erikson
109 bpm • G Maj • 04:00 • -8db
55% Popularity • 52% Danceability • 74% Energy • 9% Liveness
58% Instrumentalness • 65% Positiveness
55% Popularity • 52% Danceability • 74% Energy • 9% Liveness
58% Instrumentalness • 65% Positiveness
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Queens of the Stone Age
I Sat by the Ocean
117 bpm • G# min • 03:55 • -4db
66% Popularity • 52% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
66% Popularity • 52% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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The Strokes
Automatic Stop
106 bpm • C# Maj • 03:27 • -6.11db
62% Popularity • 68% Danceability • 54% Energy • 10% Liveness
72% Instrumentalness • 91% Positiveness
62% Popularity • 68% Danceability • 54% Energy • 10% Liveness
72% Instrumentalness • 91% Positiveness
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Sonic Youth
100%
117 bpm • G Maj • 02:29 • -9.89db
48% Popularity • 45% Danceability • 88% Energy • 41% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 45% Danceability • 88% Energy • 41% Liveness
0% Instrumentalness • 40% Positiveness
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Black Rebel Motorcycle Club
Red Eyes And Tears
105 bpm • G# min • 04:00 • -5db
44% Popularity • 44% Danceability • 71% Energy • 12% Liveness
15% Instrumentalness • 11% Positiveness
44% Popularity • 44% Danceability • 71% Energy • 12% Liveness
15% Instrumentalness • 11% Positiveness
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Pixies
Ana
106 bpm • G# min • 02:09 • -14.32db
59% Popularity • 66% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
59% Popularity • 66% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
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Interpol
Toni
117 bpm • B min • 04:34 • -8db
50% Popularity • 67% Danceability • 68% Energy • 7% Liveness
68% Instrumentalness • 62% Positiveness
50% Popularity • 67% Danceability • 68% Energy • 7% Liveness
68% Instrumentalness • 62% Positiveness
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Doves
Kingdom Of Rust
105 bpm • G min • 05:11 • -9db
46% Popularity • 45% Danceability • 67% Energy • 8% Liveness
74% Instrumentalness • 44% Positiveness
46% Popularity • 45% Danceability • 67% Energy • 8% Liveness
74% Instrumentalness • 44% Positiveness
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The Strokes
Someday
106 bpm • A Maj • 03:03 • -7.48db
72% Popularity • 54% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
72% Popularity • 54% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Silversun Pickups
Kissing Families
117 bpm • C# min • 04:50 • -7.69db
47% Popularity • 60% Danceability • 67% Energy • 13% Liveness
43% Instrumentalness • 30% Positiveness
47% Popularity • 60% Danceability • 67% Energy • 13% Liveness
43% Instrumentalness • 30% Positiveness
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The Drums
What You Were
105 bpm • G Maj • 03:15 • -5.47db
55% Popularity • 62% Danceability • 83% Energy • 32% Liveness
50% Instrumentalness • 24% Positiveness
55% Popularity • 62% Danceability • 83% Energy • 32% Liveness
50% Instrumentalness • 24% Positiveness
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Sunny Day Real Estate
Faces In Disguise
105 bpm • A Maj • 06:02 • -7db
36% Popularity • 49% Danceability • 78% Energy • 8% Liveness
2% Instrumentalness • 26% Positiveness
36% Popularity • 49% Danceability • 78% Energy • 8% Liveness
2% Instrumentalness • 26% Positiveness
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Interpol
Stay In Touch
114 bpm • G Maj • 04:53 • -4.37db
42% Popularity • 48% Danceability • 79% Energy • 36% Liveness
90% Instrumentalness • 31% Positiveness
42% Popularity • 48% Danceability • 79% Energy • 36% Liveness
90% Instrumentalness • 31% Positiveness
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Black Rebel Motorcycle Club
Love Burns
118 bpm • A Maj • 04:05 • -5.1db
40% Popularity • 50% Danceability • 85% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
40% Popularity • 50% Danceability • 85% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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The Strokes
Machu Picchu
105 bpm • C# Maj • 03:29 • -5.29db
65% Popularity • 70% Danceability • 82% Energy • 6% Liveness
10% Instrumentalness • 87% Positiveness
65% Popularity • 70% Danceability • 82% Energy • 6% Liveness
10% Instrumentalness • 87% Positiveness
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Franz Ferdinand
No You Girls
105 bpm • D min • 03:43 • -4.1db
63% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
63% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Arcade Fire
The Suburbs
118 bpm • F# min • 05:15 • -6db
66% Popularity • 62% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
66% Popularity • 62% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
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White Lies
Unfinished Business
118 bpm • F# min • 04:18 • -4.73db
43% Popularity • 40% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
43% Popularity • 40% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Interpol
Stella was a diver and she was always do...
114 bpm • F Maj • 06:28 • -5.5db
40% Popularity • 42% Danceability • 84% Energy • 22% Liveness
81% Instrumentalness • 45% Positiveness
40% Popularity • 42% Danceability • 84% Energy • 22% Liveness
81% Instrumentalness • 45% Positiveness
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The Rapture
Get Myself Into It
118 bpm • C# Maj • 04:39 • -5db
38% Popularity • 74% Danceability • 85% Energy • 16% Liveness
4% Instrumentalness • 93% Positiveness
38% Popularity • 74% Danceability • 85% Energy • 16% Liveness
4% Instrumentalness • 93% Positiveness
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The Strokes
Last Nite
104 bpm • C Maj • 03:13 • -5.7db
75% Popularity • 62% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
75% Popularity • 62% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Franz Ferdinand
Take Me Out
105 bpm • E min • 03:57 • -8.82db
81% Popularity • 28% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
81% Popularity • 28% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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The Voidz
Leave It In My Dreams
119 bpm • E min • 03:59 • -4.7db
54% Popularity • 60% Danceability • 75% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
54% Popularity • 60% Danceability • 75% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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White Lies
Farewell To The Fairground
118 bpm • A Maj • 04:16 • -5.34db
55% Popularity • 52% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
55% Popularity • 52% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Interpol
Say Hello to the Angels - 2012 Remaster
104 bpm • A min • 04:28 • -6db
39% Popularity • 32% Danceability • 88% Energy • 9% Liveness
89% Instrumentalness • 27% Positiveness
39% Popularity • 32% Danceability • 88% Energy • 9% Liveness
89% Instrumentalness • 27% Positiveness
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The Kills
Black Balloon
119 bpm • G min • 03:50 • -7.12db
42% Popularity • 84% Danceability • 44% Energy • 7% Liveness
1% Instrumentalness • 19% Positiveness
42% Popularity • 84% Danceability • 44% Energy • 7% Liveness
1% Instrumentalness • 19% Positiveness
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Deerhunter
Never Stops
119 bpm • C Maj • 03:04 • -5db
31% Popularity • 52% Danceability • 82% Energy • 39% Liveness
64% Instrumentalness • 60% Positiveness
31% Popularity • 52% Danceability • 82% Energy • 39% Liveness
64% Instrumentalness • 60% Positiveness
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Franz Ferdinand
40'
104 bpm • G min • 03:24 • -9db
47% Popularity • 58% Danceability • 56% Energy • 13% Liveness
6% Instrumentalness • 62% Positiveness
47% Popularity • 58% Danceability • 56% Energy • 13% Liveness
6% Instrumentalness • 62% Positiveness
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TV On The Radio
Staring at the Sun
119 bpm • G# Maj • 04:01 • -8db
52% Popularity • 29% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
52% Popularity • 29% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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The Voidz
QYURRYUS
104 bpm • C# Maj • 02:52 • -4db
42% Popularity • 64% Danceability • 87% Energy • 8% Liveness
57% Instrumentalness • 60% Positiveness
42% Popularity • 64% Danceability • 87% Energy • 8% Liveness
57% Instrumentalness • 60% Positiveness
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Interpol
Narc
119 bpm • G Maj • 04:07 • -2.33db
57% Popularity • 56% Danceability • 88% Energy • 37% Liveness
63% Instrumentalness • 68% Positiveness
57% Popularity • 56% Danceability • 88% Energy • 37% Liveness
63% Instrumentalness • 68% Positiveness
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Julian Plenti
Fun That We Have
119 bpm • C Maj • 03:41 • -7.8db
22% Popularity • 47% Danceability • 61% Energy • 10% Liveness
37% Instrumentalness • 42% Positiveness
22% Popularity • 47% Danceability • 61% Energy • 10% Liveness
37% Instrumentalness • 42% Positiveness
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The Kills
Baby Says
120 bpm • C Maj • 04:28 • -5db
43% Popularity • 70% Danceability • 84% Energy • 23% Liveness
51% Instrumentalness • 52% Positiveness
43% Popularity • 70% Danceability • 84% Energy • 23% Liveness
51% Instrumentalness • 52% Positiveness
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Arctic Monkeys
Don't Sit Down 'Cause I've Moved Your Ch...
120 bpm • A Maj • 03:03 • -5.15db
61% Popularity • 43% Danceability • 91% Energy • 33% Liveness
28% Instrumentalness • 32% Positiveness
61% Popularity • 43% Danceability • 91% Energy • 33% Liveness
28% Instrumentalness • 32% Positiveness
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Radiohead
I Might Be Wrong
103 bpm • G min • 04:53 • -8.32db
58% Popularity • 60% Danceability • 74% Energy • 11% Liveness
79% Instrumentalness • 50% Positiveness
58% Popularity • 60% Danceability • 74% Energy • 11% Liveness
79% Instrumentalness • 50% Positiveness
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Yeah Yeah Yeahs
Maps
120 bpm • G Maj • 03:39 • -5.19db
70% Popularity • 50% Danceability • 94% Energy • 55% Liveness
32% Instrumentalness • 12% Positiveness
70% Popularity • 50% Danceability • 94% Energy • 55% Liveness
32% Instrumentalness • 12% Positiveness
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Interpol
Pioneer To The Falls
107 bpm • D Maj • 05:42 • -4.74db
55% Popularity • 46% Danceability • 74% Energy • 10% Liveness
13% Instrumentalness • 8% Positiveness
55% Popularity • 46% Danceability • 74% Energy • 10% Liveness
13% Instrumentalness • 8% Positiveness
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Arcade Fire
Neighborhood #3 (Power Out)
120 bpm • F Maj • 05:12 • -5.02db
48% Popularity • 52% Danceability • 95% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
48% Popularity • 52% Danceability • 95% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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TV On The Radio
Staring at the Sun
120 bpm • F min • 03:26 • -9.01db
39% Popularity • 35% Danceability • 59% Energy • 10% Liveness
29% Instrumentalness • 17% Positiveness
39% Popularity • 35% Danceability • 59% Energy • 10% Liveness
29% Instrumentalness • 17% Positiveness
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White Lies
Big TV
120 bpm • A# min • 05:27 • -6.18db
47% Popularity • 48% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
47% Popularity • 48% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Cure
The End Of The World
120 bpm • C Maj • 03:43 • -3.46db
50% Popularity • 68% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
50% Popularity • 68% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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Deerhunter
Agoraphobia
120 bpm • E Maj • 03:22 • -6.88db
42% Popularity • 58% Danceability • 94% Energy • 66% Liveness
82% Instrumentalness • 39% Positiveness
42% Popularity • 58% Danceability • 94% Energy • 66% Liveness
82% Instrumentalness • 39% Positiveness
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Interpol
Take You on a Cruise
118 bpm • D Maj • 04:54 • -2.94db
52% Popularity • 48% Danceability • 93% Energy • 11% Liveness
87% Instrumentalness • 35% Positiveness
52% Popularity • 48% Danceability • 93% Energy • 11% Liveness
87% Instrumentalness • 35% Positiveness
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Paul Banks
No Mistakes
120 bpm • E Maj • 03:52 • -5.47db
18% Popularity • 60% Danceability • 92% Energy • 14% Liveness
36% Instrumentalness • 28% Positiveness
18% Popularity • 60% Danceability • 92% Energy • 14% Liveness
36% Instrumentalness • 28% Positiveness
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The Voidz
Did My Best
120 bpm • C# min • 04:56 • -5db
51% Popularity • 53% Danceability • 79% Energy • 11% Liveness
89% Instrumentalness • 62% Positiveness
51% Popularity • 53% Danceability • 79% Energy • 11% Liveness
89% Instrumentalness • 62% Positiveness
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White Lies
Getting Even
102 bpm • G# Maj • 04:56 • -4.98db
44% Popularity • 50% Danceability • 91% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
44% Popularity • 50% Danceability • 91% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
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The Strokes
You Only Live Once
121 bpm • B Maj • 03:09 • -2.42db
73% Popularity • 63% Danceability • 91% Energy • 12% Liveness
59% Instrumentalness • 97% Positiveness
73% Popularity • 63% Danceability • 91% Energy • 12% Liveness
59% Instrumentalness • 97% Positiveness
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Tame Impala
It Is Not Meant To Be
102 bpm • C Maj • 05:21 • -4.68db
55% Popularity • 43% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 46% Positiveness
55% Popularity • 43% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 46% Positiveness
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Interpol
Say Hello to the Angels
103 bpm • A min • 04:28 • -5.65db
54% Popularity • 32% Danceability • 88% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
54% Popularity • 32% Danceability • 88% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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Radiohead
Where I End and You Begin
121 bpm • G# Maj • 04:29 • -7.86db
56% Popularity • 30% Danceability • 71% Energy • 14% Liveness
86% Instrumentalness • 48% Positiveness
56% Popularity • 30% Danceability • 71% Energy • 14% Liveness
86% Instrumentalness • 48% Positiveness
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The Voidz
Lazy Boy
101 bpm • G# Maj • 03:31 • -4db
44% Popularity • 62% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 62% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Thom Yorke
Black Swan
101 bpm • C Maj • 04:49 • -7.29db
55% Popularity • 62% Danceability • 80% Energy • 12% Liveness
76% Instrumentalness • 53% Positiveness
55% Popularity • 62% Danceability • 80% Energy • 12% Liveness
76% Instrumentalness • 53% Positiveness
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The Twilight Sad
The Wrong Car
122 bpm • G# min • 07:29 • -6.85db
20% Popularity • 57% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 57% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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The Cribs
Men's Needs
122 bpm • C# min • 03:15 • -2.26db
45% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Interpol
No I In Threesome
120 bpm • C Maj • 03:51 • -3.88db
57% Popularity • 47% Danceability • 91% Energy • 11% Liveness
5% Instrumentalness • 17% Positiveness
57% Popularity • 47% Danceability • 91% Energy • 11% Liveness
5% Instrumentalness • 17% Positiveness
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The Mars Volta
Televators
122 bpm • B min • 06:18 • -8.2db
42% Popularity • 31% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 31% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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MGMT
Flash Delirium
122 bpm • A min • 04:15 • -3.93db
46% Popularity • 57% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 57% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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The Walkmen
Little House of Savages
122 bpm • B Maj • 03:12 • -4.04db
33% Popularity • 36% Danceability • 92% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
33% Popularity • 36% Danceability • 92% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
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Klaxons
As Above So Below
123 bpm • E min • 03:55 • -4db
33% Popularity • 46% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 46% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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The Voidz
Human Sadness
123 bpm • C Maj • 10:56 • -4.74db
51% Popularity • 23% Danceability • 75% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
51% Popularity • 23% Danceability • 75% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
