Songs like Paint the Sea by Shannon Davidson
Based on a tempo of (+/- 10%) and a similar genre
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Soara-Joye Ross
Finally
77 bpm • D Maj • 04:38 • -4.33db
9% Popularity • 42% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 42% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Shannon Davidson
Paint the Sea
77 bpm • C Maj • 01:52 • -15db
0% Popularity • 43% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 43% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Brian Michael Hoffman
Notice Me, Horton
77 bpm • F min • 03:27 • -17.5db
13% Popularity • 41% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 41% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Isabella Lundgren
Where am I Goin
77 bpm • C Maj • 04:55 • -10.27db
13% Popularity • 28% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 28% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Andrew Lloyd Webber
Montage - New Broadway Cast Recording 20...
77 bpm • D# min • 02:15 • -8.25db
8% Popularity • 33% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 33% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Bonnie Milligan
I Will Make Thunder
77 bpm • D Maj • 04:06 • -6.23db
13% Popularity • 41% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 41% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 21% Positiveness
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Dima Novik
I Love Him
78 bpm • C# min • 03:42 • -12.63db
20% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Lynne Shankel
I Will Make Thunder
78 bpm • D Maj • 04:06 • -6.64db
11% Popularity • 38% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 38% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Mark Hadfield
Edgar Allen Poe
76 bpm • A# min • 02:49 • -11.32db
10% Popularity • 72% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 72% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Lynn Ahrens
Father to Son
78 bpm • C Maj • 02:47 • -11.46db
7% Popularity • 47% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 47% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Sashika Dias
Paradise
76 bpm • B min • 02:37 • -10.23db
9% Popularity • 36% Danceability • 63% Energy • 48% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 36% Danceability • 63% Energy • 48% Liveness
0% Instrumentalness • 48% Positiveness
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Michael McCormic Jr.
No Better Reason
76 bpm • A Maj • 04:40 • -11.77db
8% Popularity • 30% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 30% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Agnieszka Kurowska
TWO CANDLES IN THE DARKNESS (REPRISE)
78 bpm • G min • 02:35 • -9.65db
8% Popularity • 44% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 44% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Mizz Fish
It Starts With Sorry
78 bpm • F Maj • 01:29 • -11.84db
9% Popularity • 50% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 50% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Sam Primack
Weatherman
78 bpm • A Maj • 03:01 • -8.16db
11% Popularity • 71% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 71% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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BenjamÃn Ayub Soto
Phantoms
76 bpm • F min • 02:31 • -17.14db
8% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Mario Frangoulis
In Whatever Time We Have
76 bpm • E Maj • 03:40 • -7.25db
12% Popularity • 41% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 41% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Alison Fraser
Picture Postcard Place (Reprise)
76 bpm • F Maj • 01:11 • -17.03db
11% Popularity • 74% Danceability • 13% Energy • 43% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 74% Danceability • 13% Energy • 43% Liveness
0% Instrumentalness • 44% Positiveness
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Charles Keating
Going Up
78 bpm • D Maj • 04:57 • -11.41db
9% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Timothy Gulan
Emma
78 bpm • G# Maj • 03:32 • -14.09db
8% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Sight & Sound Theatres
Freedom
78 bpm • B min • 04:00 • -7.88db
10% Popularity • 49% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 49% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Angela Mocanu
No Sky
78 bpm • A# Maj • 02:41 • -10.56db
8% Popularity • 63% Danceability • 63% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 63% Danceability • 63% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
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Mo Willems
We Are in a Play
76 bpm • G# Maj • 04:47 • -7.04db
12% Popularity • 60% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 60% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Paul Williams
Romeo Midnight
78 bpm • C# Maj • 01:35 • -13.95db
14% Popularity • 36% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 36% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Jenna Lea Rosen
Fly Away
76 bpm • A# Maj • 03:26 • -11.79db
15% Popularity • 27% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 27% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Lindsay Ridgeway
Born To Entertain
78 bpm • G Maj • 01:57 • -12.75db
10% Popularity • 56% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 56% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Christian Borle
When The Earth Stopped Turning
79 bpm • E Maj • 04:00 • -15.92db
11% Popularity • 48% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 48% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Kim Huber
Little Women
79 bpm • E Maj • 04:35 • -12.88db
28% Popularity • 28% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 28% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Angela Mocanu
My Shadow
79 bpm • C Maj • 02:02 • -13db
10% Popularity • 41% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 41% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Paul Williams
"Aaay"Mless
78 bpm • D min • 02:57 • -7.12db
9% Popularity • 66% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 66% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Joey Niceforo
As I Love You
75 bpm • C# Maj • 03:40 • -10.18db
7% Popularity • 26% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 26% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Cast of Most Peculiar Dreams
Providence and Destiny
75 bpm • D# Maj • 04:47 • -17.68db
26% Popularity • 33% Danceability • 12% Energy • 15% Liveness
2% Instrumentalness • 10% Positiveness
26% Popularity • 33% Danceability • 12% Energy • 15% Liveness
2% Instrumentalness • 10% Positiveness
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Rob Gardner
Miracles
79 bpm • F# min • 05:54 • -18.39db
13% Popularity • 30% Danceability • 11% Energy • 63% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 30% Danceability • 11% Energy • 63% Liveness
0% Instrumentalness • 11% Positiveness
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Two Little Fish
I Chose You
75 bpm • A min • 04:41 • -9.13db
29% Popularity • 20% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 20% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Angela Mocanu
One I Love
79 bpm • A# Maj • 02:36 • -10.75db
10% Popularity • 55% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 55% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Pulp Musicals
Gunpowder and Rum, Part 3
75 bpm • F min • 03:55 • -8.08db
10% Popularity • 38% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 38% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Paul Williams
What I Dreamed Last Night
79 bpm • A Maj • 03:26 • -14.84db
8% Popularity • 47% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 47% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Chace Curtis
Purple Pillow
75 bpm • D Maj • 02:56 • -23.31db
8% Popularity • 44% Danceability • 1% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 44% Danceability • 1% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Micah Sandt
Hello, Mr Gable (Reprise)
75 bpm • D Maj • 02:10 • -13.61db
11% Popularity • 51% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 51% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Andrea Burns
Never a Goodbye/Finale
79 bpm • A# Maj • 06:44 • -11.88db
8% Popularity • 35% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 35% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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CREZL
Fall On Me
79 bpm • F# Maj • 04:16 • -7.83db
19% Popularity • 31% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 31% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Marian Santiago
Song of John (Prayers Wrapped in Songs)
80 bpm • D Maj • 02:52 • -8.42db
9% Popularity • 35% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 35% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Andrew Barth Feldman
Second Star
80 bpm • F Maj • 04:24 • -13.16db
8% Popularity • 26% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 26% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jenn Colella
Hang On
80 bpm • A# Maj • 05:15 • -8.92db
8% Popularity • 55% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 55% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Rob Houchen
Comic Book Kind of Love - Live at Cadoga...
74 bpm • F Maj • 02:21 • -11.6db
11% Popularity • 42% Danceability • 32% Energy • 71% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 42% Danceability • 32% Energy • 71% Liveness
0% Instrumentalness • 23% Positiveness
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Paco
The Prayer
80 bpm • F Maj • 04:23 • -10db
21% Popularity • 15% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 15% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Harry Groener
By Candlelight
80 bpm • A# Maj • 02:48 • -9.38db
11% Popularity • 57% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 57% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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Kathy Troccoli
Romancing My Soul
74 bpm • A Maj • 03:11 • -12.85db
13% Popularity • 23% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 23% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Kyle Mcarthur
The Man in 4-B
80 bpm • E Maj • 03:16 • -10.29db
9% Popularity • 40% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 40% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Joshua Dowen
Do It for Our Country
80 bpm • A# Maj • 02:45 • -5.73db
8% Popularity • 62% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 62% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Gruber
Lullaby of Broadway
80 bpm • C Maj • 04:44 • -7.85db
9% Popularity • 32% Danceability • 44% Energy • 67% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 32% Danceability • 44% Energy • 67% Liveness
0% Instrumentalness • 44% Positiveness
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Christian Borle
Show Me The Stage
80 bpm • C# min • 02:46 • -7.86db
13% Popularity • 51% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 51% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Jentelmen
A Timeless Serenade - Acoustic
80 bpm • A min • 01:05 • -9.95db
15% Popularity • 48% Danceability • 20% Energy • 67% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 48% Danceability • 20% Energy • 67% Liveness
0% Instrumentalness • 65% Positiveness
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Nadim Naaman
Goodbye / Boom Boom
80 bpm • E Maj • 07:14 • -8.36db
8% Popularity • 40% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 40% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Pippa Cleary
Pieces of My Heart
80 bpm • D# Maj • 02:49 • -14.59db
8% Popularity • 37% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 37% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Seahorse Trash
Too Close
74 bpm • A min • 03:19 • -19.98db
9% Popularity • 31% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 31% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Cast of Most Peculiar Dreams
Henri's Song - Remix
81 bpm • D Maj • 03:35 • -20.5db
8% Popularity • 38% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 38% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Whitney Avalon
The Ocean Will Be Mine
81 bpm • D# Maj • 03:12 • -6.76db
14% Popularity • 28% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 28% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Lynn Ahrens
Knoxville
81 bpm • C Maj • 04:51 • -11.15db
10% Popularity • 29% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 29% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
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Charlotte Volet
I Won't Wait Tomorrow
81 bpm • B Maj • 03:00 • -7.04db
27% Popularity • 37% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 37% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Courtney Monsma
I Can't Lose You
81 bpm • G Maj • 03:06 • -8.37db
9% Popularity • 34% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 34% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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J. Elaine Marcos
Honestly
81 bpm • G Maj • 03:43 • -5.42db
9% Popularity • 49% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 49% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Andrew Lloyd Webber
With One Look
81 bpm • A Maj • 03:17 • -14.4db
9% Popularity • 22% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 22% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Isabella Lundgren
It's Not Where You Start it's Where You ...
81 bpm • A# min • 03:55 • -9.2db
12% Popularity • 49% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 49% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Lynn Ahrens
The Ferryman
81 bpm • E min • 01:10 • -13.35db
11% Popularity • 41% Danceability • 31% Energy • 56% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 41% Danceability • 31% Energy • 56% Liveness
0% Instrumentalness • 27% Positiveness
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Jenna Lea Rosen
When Nighttime Falls
82 bpm • F Maj • 04:51 • -13.74db
29% Popularity • 27% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 27% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Eden Espinosa
Malagueña
82 bpm • E min • 04:10 • -9.26db
10% Popularity • 47% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 47% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Micah Sandt
White Cliffs of Dover (Reprise)
73 bpm • D# Maj • 02:33 • -19.14db
11% Popularity • 54% Danceability • 5% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 54% Danceability • 5% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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The Really Loud House
Flushed Away - Reprise
82 bpm • F Maj • 01:33 • -8.24db
16% Popularity • 40% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 40% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Gregg Edelman
My Time of Day / I've Never Been In Love...
82 bpm • G min • 04:06 • -17.68db
8% Popularity • 25% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 25% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Ellie Fishman
See You on the Other Side
82 bpm • C min • 04:18 • -8.8db
12% Popularity • 43% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 43% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Ryan Scott Oliver
Crazytown: Commentary
82 bpm • F# Maj • 08:41 • -17.25db
7% Popularity • 63% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
7% Popularity • 63% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Richard Rodgers
Oklahoma!, Act 1: No. 11, It's a Scandal...
72 bpm • G Maj • 03:25 • -13.81db
7% Popularity • 48% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 48% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Roger Rees
Art
82 bpm • D Maj • 05:11 • -12.07db
9% Popularity • 54% Danceability • 28% Energy • 45% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 54% Danceability • 28% Energy • 45% Liveness
0% Instrumentalness • 55% Positiveness
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Joey Madison
Return The Favor
72 bpm • F# Maj • 04:26 • -6.37db
9% Popularity • 76% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 76% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Sutton Foster
Do the Right Thing, Greg
72 bpm • G Maj • 03:06 • -10.94db
19% Popularity • 45% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 45% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Ellie Fishman
Making History
83 bpm • G Maj • 04:16 • -5.1db
12% Popularity • 46% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 46% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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GENTRI
Defying Gravity
72 bpm • F Maj • 04:22 • -9.63db
25% Popularity • 32% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 32% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Gladys Rich
American Lullaby
83 bpm • G Maj • 02:20 • -18.08db
11% Popularity • 35% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 35% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Nicky Croydon
Poor Sweet Baby
83 bpm • F min • 03:19 • -20.51db
9% Popularity • 40% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 40% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Ashleigh Gray
Girl for All Seasons
83 bpm • C Maj • 02:42 • -4.66db
7% Popularity • 36% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
7% Popularity • 36% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Kristen Anderson-Lopez
Let It Go
71 bpm • G Maj • 03:28 • -9.63db
9% Popularity • 52% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 52% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Paul Williams
The Thing About Girls
84 bpm • C# Maj • 01:08 • -14.08db
10% Popularity • 70% Danceability • 32% Energy • 70% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 70% Danceability • 32% Energy • 70% Liveness
0% Instrumentalness • 44% Positiveness
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Marc Kudisch
I Was Here
84 bpm • D Maj • 03:10 • -11.83db
9% Popularity • 32% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 32% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Stephanie J. Block
Making Good
84 bpm • A Maj • 04:01 • -10.27db
18% Popularity • 42% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 42% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Dana Al Fardan
Reunited
84 bpm • B min • 03:53 • -9.39db
8% Popularity • 20% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 20% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Michael McCorry Rose
Lion Tamer (Reprise)
71 bpm • C# Maj • 01:07 • -13.74db
16% Popularity • 57% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 57% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Isaac Bulanikian
Drunk Moonlight
84 bpm • F min • 04:32 • -10.61db
18% Popularity • 71% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 71% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Leigh Barrett
Will The Sun Ever Shine Again
84 bpm • C Maj • 02:49 • -11.88db
9% Popularity • 36% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 36% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Christian Borle
My Dogs
85 bpm • E Maj • 04:51 • -9.52db
10% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Megan Mullally
Evelyn Song - Reprise
85 bpm • F# Maj • 00:51 • -12.42db
8% Popularity • 37% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 37% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Cast of Most Peculiar Dreams
Most Peculiar Dreams Intro
70 bpm • C Maj • 01:33 • -22.51db
13% Popularity • 54% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 54% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Liz Callaway
What Could Be Better?
85 bpm • C Maj • 03:52 • -15.21db
9% Popularity • 56% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 56% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Denée Benton
What'd You Do This Time?
85 bpm • A Maj • 02:31 • -7.89db
9% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Isaac Joshua Brown
When You Wake Up
85 bpm • G# Maj • 02:14 • -9.29db
12% Popularity • 33% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 33% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Lynn Ahrens
The Butterfly
85 bpm • C Maj • 02:30 • -12.73db
11% Popularity • 23% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 23% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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James Barbour
Bring Me Giants
85 bpm • A Maj • 03:28 • -7.39db
10% Popularity • 40% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 40% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Pulp Musicals
President Chester Thomas
86 bpm • G Maj • 02:59 • -7.66db
9% Popularity • 48% Danceability • 40% Energy • 44% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 48% Danceability • 40% Energy • 44% Liveness
0% Instrumentalness • 60% Positiveness
