Songs like Painted on Canvas by Gregory Porter
Based on a tempo of (+/- 10%) and a similar genre
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The Rongetz Foundation
Gogo Soul - Guts Remix
87 bpm • D# Maj • 04:25 • -8.71db
18% Popularity • 78% Danceability • 44% Energy • 9% Liveness
40% Instrumentalness • 33% Positiveness
18% Popularity • 78% Danceability • 44% Energy • 9% Liveness
40% Instrumentalness • 33% Positiveness
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Hailey Tuck
Polkadots & Moonbeams
87 bpm • A# Maj • 05:06 • -11.12db
47% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Shelby Lynne
The Look Of Love
87 bpm • C Maj • 03:21 • -16db
48% Popularity • 84% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
48% Popularity • 84% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
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Sachal Vasandani
Love Is a Losing Game
87 bpm • G# Maj • 03:46 • -11.47db
15% Popularity • 51% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 51% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Catherine Russell
I'm Lazy, That's All
86 bpm • A Maj • 03:06 • -11db
37% Popularity • 68% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 68% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Gregory Porter
Painted on Canvas
87 bpm • D# Maj • 04:45 • -11.64db
33% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Zara McFarlane
Mama Done
88 bpm • E min • 03:47 • -12.31db
16% Popularity • 65% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 65% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Silje Nergaard
Cocco Bello
86 bpm • D min • 05:49 • -10.74db
29% Popularity • 54% Danceability • 48% Energy • 60% Liveness
5% Instrumentalness • 24% Positiveness
29% Popularity • 54% Danceability • 48% Energy • 60% Liveness
5% Instrumentalness • 24% Positiveness
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Trombone Shorty
Be My Lady
88 bpm • D Maj • 03:31 • -5.56db
24% Popularity • 74% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 74% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
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Carmen Lundy
Everything I Need
86 bpm • D min • 06:32 • -9.93db
12% Popularity • 59% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 59% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Renee Olstead
Summertime
86 bpm • F min • 04:11 • -8db
33% Popularity • 43% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 43% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Ida Sand
Eyes On The Prize
86 bpm • F Maj • 03:33 • -10.34db
36% Popularity • 65% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
36% Popularity • 65% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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Room Eleven
What Will It Be?
88 bpm • A min • 03:59 • -12db
29% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Kat Edmonson
Just One of Those Things
89 bpm • E min • 02:29 • -7.54db
24% Popularity • 60% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 60% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Lady Blackbird
It'll Never Happen Again
85 bpm • F# Maj • 03:38 • -10.18db
40% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Gregory Porter
Musical Genocide
89 bpm • A# min • 03:42 • -8db
42% Popularity • 80% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
42% Popularity • 80% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Avery*Sunshine
See You When I Get There
85 bpm • A# min • 06:37 • -8.99db
24% Popularity • 70% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 70% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Michael Franks
Abandoned Garden
89 bpm • E min • 05:24 • -21db
16% Popularity • 66% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 66% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Julie London
Fly Me To The Moon (In Other Words)
85 bpm • F Maj • 02:42 • -10db
41% Popularity • 40% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 40% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Myles Sanko
Just Being Me
85 bpm • G min • 03:53 • -5.66db
27% Popularity • 65% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 65% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Joshua Redman
How Come U Don't Call Me Anymore
85 bpm • C# Maj • 05:00 • -11.04db
9% Popularity • 59% Danceability • 22% Energy • 11% Liveness
6% Instrumentalness • 42% Positiveness
9% Popularity • 59% Danceability • 22% Energy • 11% Liveness
6% Instrumentalness • 42% Positiveness
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![Running (Refugee Song) [feat. Common & Gregory Porter] cover art](https://i.scdn.co/image/ab67616d00001e0284acf8809c922d3c4a600d09)
Keyon Harrold
Running (Refugee Song)
85 bpm • A# min • 03:44 • -7.41db
16% Popularity • 51% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 51% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Catherine Russell
I Only Have Eyes For You
89 bpm • F# Maj • 03:43 • -9.66db
45% Popularity • 72% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 72% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Jarrod Lawson
Music & Its Magical Way
85 bpm • G Maj • 05:03 • -6db
20% Popularity • 54% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 54% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Peter Cincotti
Fool On The Hill / Nature Boy
85 bpm • D min • 03:46 • -19db
40% Popularity • 40% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
40% Popularity • 40% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
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Gregory Porter
Lonesome Lover
89 bpm • F min • 03:09 • -6.95db
25% Popularity • 47% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 47% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Renee Olstead
What a Difference a Day Makes
84 bpm • C Maj • 03:28 • -13.28db
48% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Somi
If The Rains Come First
90 bpm • C Maj • 05:11 • -17.17db
11% Popularity • 78% Danceability • 44% Energy • 12% Liveness
80% Instrumentalness • 74% Positiveness
11% Popularity • 78% Danceability • 44% Energy • 12% Liveness
80% Instrumentalness • 74% Positiveness
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Frank Mccomb
Wasting Your Time
90 bpm • B min • 04:18 • -7.39db
8% Popularity • 61% Danceability • 77% Energy • 9% Liveness
5% Instrumentalness • 56% Positiveness
8% Popularity • 61% Danceability • 77% Energy • 9% Liveness
5% Instrumentalness • 56% Positiveness
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Jarrod Lawson
He's There
90 bpm • F# min • 05:28 • -5.21db
12% Popularity • 50% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 50% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Beady Belle
Shadow
90 bpm • G Maj • 04:45 • -12.83db
20% Popularity • 68% Danceability • 26% Energy • 7% Liveness
21% Instrumentalness • 24% Positiveness
20% Popularity • 68% Danceability • 26% Energy • 7% Liveness
21% Instrumentalness • 24% Positiveness
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Michael Franks
Feathers From An Angel's Wings
90 bpm • F Maj • 08:01 • -10.15db
17% Popularity • 69% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 23% Positiveness
17% Popularity • 69% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 23% Positiveness
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Peter Cincotti
Bali Ha'i
84 bpm • G# Maj • 03:59 • -10.42db
14% Popularity • 77% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 77% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Somi
Ankara Sundays
90 bpm • C# min • 05:18 • -11.2db
15% Popularity • 39% Danceability • 48% Energy • 24% Liveness
1% Instrumentalness • 36% Positiveness
15% Popularity • 39% Danceability • 48% Energy • 24% Liveness
1% Instrumentalness • 36% Positiveness
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Renee Olstead
Sentimental Journey
90 bpm • F Maj • 03:32 • -12db
29% Popularity • 68% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 68% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
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Jarrod Lawson
Walk in the Park
90 bpm • F# Maj • 07:00 • -10.3db
11% Popularity • 55% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 55% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Melody Gardot
She Don't Know
83 bpm • C# Maj • 03:57 • -11.31db
38% Popularity • 58% Danceability • 55% Energy • 34% Liveness
1% Instrumentalness • 71% Positiveness
38% Popularity • 58% Danceability • 55% Energy • 34% Liveness
1% Instrumentalness • 71% Positiveness
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Beady Belle
When My Anger Starts to Cry
90 bpm • D min • 05:22 • -16.34db
16% Popularity • 64% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
16% Popularity • 64% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Michael Franks
The Cool School
84 bpm • D# Maj • 05:45 • -16.44db
19% Popularity • 72% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 72% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Nina Simone
If I Should Lose You - 2003 Remaster
91 bpm • A min • 03:59 • -13db
34% Popularity • 26% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 26% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Joshua Redman
Tears in Heaven
83 bpm • A# Maj • 03:21 • -15db
30% Popularity • 62% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 48% Positiveness
30% Popularity • 62% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 48% Positiveness
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Somi
Ginger Me Slowly
91 bpm • C min • 04:04 • -9.05db
32% Popularity • 48% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 48% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Malene Mortensen
Another Day
83 bpm • G min • 04:09 • -13db
40% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Jessica Pilnäs
There Must Be an Angel
91 bpm • C Maj • 04:35 • -13.48db
12% Popularity • 52% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 52% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Peter Fessler
Feel Like Making Love
91 bpm • D Maj • 04:45 • -13.19db
15% Popularity • 80% Danceability • 45% Energy • 9% Liveness
34% Instrumentalness • 55% Positiveness
15% Popularity • 80% Danceability • 45% Energy • 9% Liveness
34% Instrumentalness • 55% Positiveness
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Wayne Escoffery
Rivers of Babylon
83 bpm • C min • 06:38 • -11.54db
7% Popularity • 53% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
7% Popularity • 53% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Rumer
Aretha
83 bpm • A# Maj • 03:15 • -10.87db
35% Popularity • 57% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 57% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Viktoria Tolstoy
Upside Out
83 bpm • D# Maj • 03:57 • -13.56db
25% Popularity • 62% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 62% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Jeff Goldblum & The Mildred Snitzer Orchestra
Make Someone Happy
83 bpm • G# Maj • 04:42 • -10.48db
30% Popularity • 37% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 37% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Catherine Russell
I Let A Song Go Out Of My Heart
91 bpm • G# Maj • 04:08 • -9.61db
35% Popularity • 65% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 65% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Sara Gazarek
Blossom & Bee
92 bpm • A# min • 03:36 • -13.26db
17% Popularity • 53% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 53% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Jarrod Lawson
Soul Symphony - Live
92 bpm • D min • 05:37 • -12.13db
9% Popularity • 41% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 41% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Renee Olstead
Midnight at the Oasis
92 bpm • F min • 03:21 • -11.63db
36% Popularity • 66% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 66% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Sachal Vasandani
Naked As We Came
82 bpm • F Maj • 04:36 • -13.88db
11% Popularity • 63% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 45% Positiveness
11% Popularity • 63% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 45% Positiveness
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Ramsey Lewis
People Make The World Go 'Round
82 bpm • F min • 05:27 • -16.98db
25% Popularity • 68% Danceability • 32% Energy • 7% Liveness
93% Instrumentalness • 48% Positiveness
25% Popularity • 68% Danceability • 32% Energy • 7% Liveness
93% Instrumentalness • 48% Positiveness
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Gregory Porter
More Than A Woman
92 bpm • F Maj • 03:31 • -9.52db
38% Popularity • 63% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 63% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Kyle Eastwood
I Can't Remember
92 bpm • F min • 03:57 • -15.07db
31% Popularity • 82% Danceability • 44% Energy • 6% Liveness
2% Instrumentalness • 83% Positiveness
31% Popularity • 82% Danceability • 44% Energy • 6% Liveness
2% Instrumentalness • 83% Positiveness
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Frank Mccomb
Future Love
82 bpm • C# Maj • 05:07 • -10.13db
11% Popularity • 61% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 61% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Mario Biondi
I'm Her Daddy
82 bpm • F min • 04:24 • -12db
28% Popularity • 70% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 70% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Jazzanova
Let Me Show Ya - Funkhaus Sessions
93 bpm • D Maj • 06:15 • -6.74db
24% Popularity • 73% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 73% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Kevin Mahogany
Nature Boy
93 bpm • F min • 06:01 • -11db
15% Popularity • 45% Danceability • 42% Energy • 19% Liveness
1% Instrumentalness • 49% Positiveness
15% Popularity • 45% Danceability • 42% Energy • 19% Liveness
1% Instrumentalness • 49% Positiveness
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Gregory Porter
When Love Was King
82 bpm • A min • 06:52 • -11.74db
21% Popularity • 38% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 38% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Cécile McLorin Salvant
Nobody
93 bpm • F Maj • 03:24 • -11.92db
22% Popularity • 57% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 57% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Ida Sand
It Is to Know
81 bpm • G min • 03:49 • -10.44db
23% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Stéphane Belmondo
Someday We’ll All Be Free
81 bpm • C Maj • 06:54 • -9.43db
11% Popularity • 37% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 37% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Lizz Wright
Right Where You Are
81 bpm • C Maj • 05:25 • -12.71db
32% Popularity • 45% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
32% Popularity • 45% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Lady Blackbird
Five Feet Tall
81 bpm • A# Maj • 03:20 • -10.42db
43% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
43% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Gregory Porter
I Fall In Love Too Easily
93 bpm • C min • 07:47 • -13.86db
27% Popularity • 44% Danceability • 5% Energy • 15% Liveness
1% Instrumentalness • 18% Positiveness
27% Popularity • 44% Danceability • 5% Energy • 15% Liveness
1% Instrumentalness • 18% Positiveness
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Jarrod Lawson
All That Surrounds
94 bpm • F min • 06:36 • -8db
19% Popularity • 49% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 49% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Richard Bona
Playground
81 bpm • A Maj • 06:31 • -14.92db
18% Popularity • 59% Danceability • 36% Energy • 37% Liveness
50% Instrumentalness • 65% Positiveness
18% Popularity • 59% Danceability • 36% Energy • 37% Liveness
50% Instrumentalness • 65% Positiveness
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Melody Gardot
Love Me Like A River Does
81 bpm • C min • 04:05 • -17db
40% Popularity • 32% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
40% Popularity • 32% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Cécile McLorin Salvant
Look at Me
81 bpm • A min • 02:44 • -20.28db
25% Popularity • 43% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 43% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Ida Sand
Brutal Truth
94 bpm • F min • 03:59 • -7.21db
28% Popularity • 77% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 77% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Torun Eriksen
From Day to Day
81 bpm • A# Maj • 04:19 • -10.24db
11% Popularity • 69% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 69% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Shelby Lynne
Just A Little Lovin'
94 bpm • A# min • 05:19 • -15db
46% Popularity • 80% Danceability • 10% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
46% Popularity • 80% Danceability • 10% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
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Norah Jones
The Nearness Of You
81 bpm • C Maj • 03:07 • -14.72db
61% Popularity • 38% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
61% Popularity • 38% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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The RH Factor
How I Know
94 bpm • C Maj • 04:56 • -13.55db
36% Popularity • 67% Danceability • 32% Energy • 9% Liveness
15% Instrumentalness • 41% Positiveness
36% Popularity • 67% Danceability • 32% Energy • 9% Liveness
15% Instrumentalness • 41% Positiveness
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Ruben Hein
Stand Up, Speak Out
94 bpm • C# Maj • 04:04 • -10.7db
9% Popularity • 62% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 62% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Ida Sand
Waiting
94 bpm • C min • 05:34 • -11db
30% Popularity • 69% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 69% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Catherine Russell
Bring It Back
94 bpm • A# Maj • 03:54 • -8.15db
35% Popularity • 78% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 78% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Al Green
Just For Me
94 bpm • B min • 03:58 • -8db
47% Popularity • 82% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
47% Popularity • 82% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Laverne Butler
Go Away Little Boy
94 bpm • G Maj • 05:12 • -17db
11% Popularity • 45% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 45% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Disclosure
Holding On - Original Demo
80 bpm • G min • 03:00 • -7.46db
6% Popularity • 44% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
6% Popularity • 44% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Dominick Farinacci
Señor Blues
80 bpm • C# Maj • 06:09 • -16.19db
13% Popularity • 65% Danceability • 42% Energy • 3% Liveness
20% Instrumentalness • 96% Positiveness
13% Popularity • 65% Danceability • 42% Energy • 3% Liveness
20% Instrumentalness • 96% Positiveness
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Zbonics
Issues of Life
80 bpm • F min • 05:26 • -6.69db
18% Popularity • 56% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 56% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Myles Sanko
Sunshine
80 bpm • G min • 03:03 • -9.12db
18% Popularity • 81% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 81% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Marcus Strickland
Let's Wait Awhile
95 bpm • F# Maj • 06:34 • -8.64db
12% Popularity • 47% Danceability • 53% Energy • 28% Liveness
1% Instrumentalness • 52% Positiveness
12% Popularity • 47% Danceability • 53% Energy • 28% Liveness
1% Instrumentalness • 52% Positiveness
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Gregory Porter
Take Me To The Alley
80 bpm • E Maj • 05:16 • -13.36db
41% Popularity • 62% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 62% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Becca Stevens
As
95 bpm • C Maj • 04:59 • -13.73db
34% Popularity • 40% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 40% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Malene Mortensen
Laughin' At Life
80 bpm • G Maj • 03:25 • -8.83db
29% Popularity • 63% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 63% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Indra Rios-Moore
Azure
79 bpm • D Maj • 03:20 • -16db
26% Popularity • 47% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 47% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Melody Gardot
Amalia
79 bpm • A Maj • 03:00 • -13.02db
38% Popularity • 66% Danceability • 30% Energy • 12% Liveness
11% Instrumentalness • 50% Positiveness
38% Popularity • 66% Danceability • 30% Energy • 12% Liveness
11% Instrumentalness • 50% Positiveness
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Lauren Henderson
Dindi
96 bpm • C Maj • 03:43 • -15db
36% Popularity • 73% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 33% Positiveness
36% Popularity • 73% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 33% Positiveness
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Gregory Porter
Free
80 bpm • F# Maj • 04:58 • -6.48db
23% Popularity • 69% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 69% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Erin Bode
Holiday
79 bpm • E min • 04:35 • -9.47db
9% Popularity • 65% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 65% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Malene Mortensen
The Look of Love
79 bpm • G Maj • 03:55 • -13db
42% Popularity • 55% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
42% Popularity • 55% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Emilie-Claire Barlow
Don't Think Twice, It's Alright
96 bpm • G# min • 04:40 • -10.72db
58% Popularity • 66% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
58% Popularity • 66% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Melody Gardot
Quiet Fire
96 bpm • E min • 04:12 • -12db
36% Popularity • 62% Danceability • 29% Energy • 11% Liveness
4% Instrumentalness • 40% Positiveness
36% Popularity • 62% Danceability • 29% Energy • 11% Liveness
4% Instrumentalness • 40% Positiveness