Songs like Painted Too Much of This Town by Emerson Drive
Based on a tempo of (+/- 10%) and a similar genre
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Mark McGuinn
Mrs. Steven Rudy
104 bpm • A Maj • 03:29 • -5db
32% Popularity • 65% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 65% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Keith Urban
But For The Grace Of God
104 bpm • C Maj • 04:33 • -6db
34% Popularity • 65% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 65% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Lee Brice
Girls In Bikinis
104 bpm • G Maj • 03:13 • -10db
31% Popularity • 78% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 78% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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Deric Ruttan
Take the Week Off
104 bpm • D# Maj • 02:58 • -5.61db
28% Popularity • 65% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 65% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Brett Kissel
3, 2, 1
104 bpm • G# Maj • 03:35 • -6db
39% Popularity • 58% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 58% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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John Michael Montgomery
No Man's Land
105 bpm • C Maj • 03:02 • -10.79db
29% Popularity • 74% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 74% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Brooks & Dunn
You'll Always Be Loved by Me
103 bpm • D Maj • 03:01 • -6.56db
35% Popularity • 67% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 67% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Tebey
Denim on Denim
105 bpm • E Maj • 02:46 • -4.61db
41% Popularity • 69% Danceability • 85% Energy • 43% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 69% Danceability • 85% Energy • 43% Liveness
0% Instrumentalness • 77% Positiveness
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Josh Turner
As Fast As I Could
106 bpm • B Maj • 04:26 • -7.34db
29% Popularity • 56% Danceability • 69% Energy • 21% Liveness
2% Instrumentalness • 57% Positiveness
29% Popularity • 56% Danceability • 69% Energy • 21% Liveness
2% Instrumentalness • 57% Positiveness
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James Barker Band
Just Sayin'
106 bpm • F# Maj • 03:07 • -5db
38% Popularity • 65% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 65% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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Bucky Covington
I Wanna Be That Feeling
103 bpm • C# Maj • 03:03 • -3.91db
16% Popularity • 57% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 57% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Emerson Drive
Believe
106 bpm • C# min • 03:56 • -1.78db
13% Popularity • 61% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 61% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Ronnie Dunn
Still Feels Like Mexico
106 bpm • A Maj • 03:43 • -5.73db
28% Popularity • 59% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 59% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Tebey
Somewhere in the Country
103 bpm • G Maj • 03:49 • -5.59db
26% Popularity • 57% Danceability • 91% Energy • 3% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 57% Danceability • 91% Energy • 3% Liveness
0% Instrumentalness • 82% Positiveness
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Keith Urban
I Told You So
106 bpm • C# min • 04:02 • -5.85db
21% Popularity • 64% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 64% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Bobby Wills
So Much For Taking It Slow
106 bpm • D Maj • 03:28 • -6.11db
14% Popularity • 69% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 69% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Walker Hayes
Why Wait For Summer
106 bpm • E Maj • 03:41 • -4.5db
29% Popularity • 55% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 55% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Greg Bates
Did It For The Girl
102 bpm • F Maj • 03:11 • -4.92db
41% Popularity • 66% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 66% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Dallas Smith
Nothing But Summer
102 bpm • D# Maj • 03:06 • -2.67db
32% Popularity • 56% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 56% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Ronnie Dunn
I Worship The Woman You Walked On
107 bpm • A Maj • 03:31 • -5.11db
34% Popularity • 47% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 47% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Craig Campbell
Outta My Head
107 bpm • F# min • 03:32 • -5.73db
43% Popularity • 68% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 68% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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The Washboard Union
Shine
107 bpm • C# min • 03:26 • -5.12db
25% Popularity • 59% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 59% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Walker Hayes
Pants
107 bpm • G Maj • 03:39 • -6db
33% Popularity • 66% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 66% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Josh Kelley
Georgia Clay
107 bpm • F# Maj • 03:03 • -5.02db
32% Popularity • 61% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 61% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Lauren Alaina
Georgia Peaches
107 bpm • F# min • 03:07 • -2.43db
41% Popularity • 59% Danceability • 89% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 59% Danceability • 89% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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The Wilkinsons
26 (Cents Sign)
101 bpm • B Maj • 03:51 • -7.99db
43% Popularity • 64% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 64% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Aaron Lines
Turn It Up (I LIke The Sound Of That)
108 bpm • C# Maj • 03:50 • -8db
22% Popularity • 52% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 52% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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The Reklaws
Hometown Kids
108 bpm • F Maj • 03:06 • -6db
37% Popularity • 57% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 57% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Big & Rich
I Pray for You
108 bpm • E Maj • 03:58 • -3.87db
19% Popularity • 62% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 62% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Bobby Wills
Never Didn’t Love You
108 bpm • B min • 03:13 • -6db
28% Popularity • 67% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 67% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Love and Theft
Angel Eyes
108 bpm • G# Maj • 03:06 • -6db
58% Popularity • 66% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
58% Popularity • 66% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Tim Hicks
What a Song Should Do
100 bpm • C Maj • 03:57 • -4.09db
38% Popularity • 54% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 54% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Terri Clark
I Just Wanna Be Mad
100 bpm • A# Maj • 03:26 • -4.48db
45% Popularity • 57% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
45% Popularity • 57% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Jo Dee Messina
Stand Beside Me
100 bpm • C Maj • 03:44 • -7.75db
45% Popularity • 59% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 59% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Big & Rich
That's Why I Pray
100 bpm • G# Maj • 04:01 • -5db
32% Popularity • 57% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 57% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Bobby Wills
Won't You Be Mine
100 bpm • A# Maj • 03:37 • -5.37db
28% Popularity • 52% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 52% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Diamond Rio
Wrinkles
109 bpm • E Maj • 03:08 • -7.38db
18% Popularity • 68% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 68% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Keith Anderson
Somebody Needs A Hug
108 bpm • A Maj • 04:06 • -4db
2% Popularity • 61% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
2% Popularity • 61% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Doc Walker
That's How I Like It
109 bpm • A Maj • 03:00 • -7.22db
14% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Craig Campbell
When I Get It
109 bpm • A Maj • 03:18 • -4.67db
26% Popularity • 68% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 68% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Trent Tomlinson
Come Back to Bed
109 bpm • G min • 03:26 • -4.34db
25% Popularity • 78% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 78% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Tebey
Now I Do
109 bpm • A Maj • 03:58 • -3.45db
23% Popularity • 62% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 62% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Emerson Drive
Sleep It Off
99 bpm • G min • 03:10 • -2.38db
8% Popularity • 69% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 69% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Andy Griggs
She's More
99 bpm • G Maj • 03:19 • -8db
42% Popularity • 68% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 68% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Gary Allan
Learning How To Bend
99 bpm • D Maj • 03:25 • -4.49db
36% Popularity • 51% Danceability • 73% Energy • 53% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 51% Danceability • 73% Energy • 53% Liveness
0% Instrumentalness • 32% Positiveness
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Big & Rich
Six Foot Town
110 bpm • C Maj • 03:47 • -0.29db
31% Popularity • 64% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 64% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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David Nail
Good At Tonight
110 bpm • E Maj • 03:30 • -5db
35% Popularity • 59% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 59% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
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Tim Hicks
Got a Feeling
110 bpm • A Maj • 03:15 • -4.94db
35% Popularity • 80% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 80% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Emerson Drive
This Is Our Time
99 bpm • C# Maj • 03:06 • -5.66db
4% Popularity • 59% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
4% Popularity • 59% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Darryl Worley
I Just Came Back
98 bpm • G Maj • 05:27 • -6.2db
34% Popularity • 52% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 52% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
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SHeDAISY
Don't Worry 'Bout A Thing
98 bpm • A Maj • 03:35 • -2.12db
37% Popularity • 70% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 70% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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James Otto
Groovy Little Summer Song
98 bpm • E Maj • 03:37 • -5db
30% Popularity • 67% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 67% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Andy Griggs
I'll Go Crazy
111 bpm • D Maj • 03:04 • -9.03db
25% Popularity • 68% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 68% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Tim Hicks
Stompin' Ground
98 bpm • A min • 03:09 • -3.95db
41% Popularity • 69% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
41% Popularity • 69% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Keith Anderson
Your Town for Now
112 bpm • C Maj • 03:16 • -5.96db
17% Popularity • 68% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 68% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Emerson Drive
I Love This Road
110 bpm • G# Maj • 03:47 • -3.05db
20% Popularity • 65% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 65% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Dallas Smith
And Then Some
97 bpm • F Maj • 03:18 • -3.2db
21% Popularity • 55% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 55% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Blaine Larsen
Spoken Like A Man
112 bpm • E Maj • 02:45 • -2.85db
13% Popularity • 75% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 75% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Andy Griggs
My Kind Of Beautiful
97 bpm • G Maj • 03:51 • -5.93db
14% Popularity • 62% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 62% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Frankie Ballard
Don't Tell Mama I Was Drinking
112 bpm • F# Maj • 04:14 • -6.09db
23% Popularity • 60% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 60% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Jerrod Niemann
Lover, Lover
112 bpm • G Maj • 03:13 • -6.51db
60% Popularity • 88% Danceability • 57% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
60% Popularity • 88% Danceability • 57% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
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Terri Clark
No Fear
113 bpm • A# Maj • 03:58 • -6.17db
27% Popularity • 66% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 66% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Emerson Drive
The Extra Mile
96 bpm • C# Maj • 04:04 • -3.89db
11% Popularity • 64% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 64% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Darryl Worley
Awful Beautiful Life
113 bpm • D Maj • 03:52 • -7db
44% Popularity • 63% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 63% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Trailer Choir
Rollin' Through the Sunshine
96 bpm • D Maj • 03:15 • -3.35db
16% Popularity • 59% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 59% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Madeline Merlo
Honey Jack
96 bpm • A# Maj • 03:08 • -3.69db
26% Popularity • 72% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 72% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Aaron Pritchett
New Frontier
96 bpm • D Maj • 03:53 • -7.71db
8% Popularity • 54% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 54% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Gloriana
Wanna Take You Home
96 bpm • C Maj • 03:45 • -6db
32% Popularity • 72% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 72% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Emerson Drive
Alone Tonight
96 bpm • A Maj • 03:35 • -5.2db
10% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Canaan Smith
Hole In A Bottle
113 bpm • G# min • 02:36 • -5.53db
37% Popularity • 69% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 69% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Gary Allan
A Feelin' Like That
113 bpm • G# Maj • 03:31 • -4.22db
23% Popularity • 57% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 57% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Jason McCoy
Born Again in Dixieland
113 bpm • B Maj • 03:25 • -7.62db
32% Popularity • 67% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 67% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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JT Hodges
Sleepy Little Town
114 bpm • D Maj • 03:34 • -5db
27% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Andy Griggs
I Don't Know A Thing
114 bpm • D Maj • 03:36 • -6.29db
14% Popularity • 71% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 71% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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River Town Saints
Cherry Bomb
95 bpm • C# Maj • 02:56 • -5.25db
35% Popularity • 63% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 63% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Jeff Bates
Long, Slow Kisses
95 bpm • G Maj • 03:27 • -5db
34% Popularity • 54% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 54% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Luke Bryan
You Make Me Want To
95 bpm • F Maj • 03:29 • -7db
32% Popularity • 68% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 68% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Emerson Drive
Let Your Love Speak
95 bpm • F# Maj • 04:07 • -4db
13% Popularity • 53% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 53% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Kip Moore
Drive Me Crazy
114 bpm • A# Maj • 04:04 • -4.08db
40% Popularity • 62% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 62% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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BlackHawk
Like There Ain't No Yesterday
114 bpm • E Maj • 03:16 • -8.17db
35% Popularity • 76% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 76% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Brooks & Dunn
You Can't Take the Honky Tonk out of the...
114 bpm • F Maj • 03:41 • -3.92db
33% Popularity • 63% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 63% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Tebey
Till It's Gone
114 bpm • G# Maj • 03:22 • -5db
24% Popularity • 58% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 58% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Big & Rich
Holy Water
95 bpm • C Maj • 04:16 • -2db
41% Popularity • 54% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 54% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Jerrod Niemann
One More Drinkin' Song
114 bpm • A Maj • 02:47 • -6db
42% Popularity • 73% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
42% Popularity • 73% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Andy Griggs
Waitin' On Sundown
115 bpm • G# Maj • 03:48 • -7.45db
16% Popularity • 75% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 75% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Jason Aldean
Relentless
115 bpm • F Maj • 03:41 • -5.31db
40% Popularity • 56% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 56% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Brooks & Dunn
You Can't Take the Honky Tonk out of the...
114 bpm • F Maj • 03:28 • -2.8db
42% Popularity • 57% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 57% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Hunter Brothers
Born and Raised
115 bpm • B min • 03:01 • -3db
40% Popularity • 52% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 52% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Emerson Drive
November
94 bpm • A Maj • 04:20 • -6.97db
13% Popularity • 59% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 59% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Kip Moore
Everything But You
94 bpm • A# Maj • 03:56 • -5.98db
40% Popularity • 57% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 57% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Andy Griggs
Careful Where You Kiss Me
94 bpm • C Maj • 03:48 • -6.43db
14% Popularity • 59% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 59% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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The Road Hammers
Crazy About You
116 bpm • A# min • 03:40 • -6db
23% Popularity • 54% Danceability • 95% Energy • 12% Liveness
6% Instrumentalness • 53% Positiveness
23% Popularity • 54% Danceability • 95% Energy • 12% Liveness
6% Instrumentalness • 53% Positiveness
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Ty Herndon
Living In A Moment
116 bpm • G Maj • 03:52 • -6.87db
42% Popularity • 66% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 66% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Collin Raye
My Kind of Girl
116 bpm • B Maj • 02:53 • -4db
42% Popularity • 75% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 75% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Emerson Drive
You're Like Coming Home
116 bpm • C Maj • 03:26 • -5.72db
15% Popularity • 63% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 63% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 25% Positiveness
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Thompson Square
Everything I Shouldn't Be Thinking About
116 bpm • G# Maj • 02:58 • -3.7db
38% Popularity • 68% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 68% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Brian McComas
99.9% Sure (I've Never Been Here Before)
116 bpm • G Maj • 03:13 • -3.41db
34% Popularity • 61% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 61% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Bucky Covington
The Bible And The Belt
116 bpm • D Maj • 03:37 • -3.18db
18% Popularity • 56% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 56% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
