Songs like Pajaro Campana by Grupo Los Andes
Based on a tempo of (+/- 10%) and a similar genre
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Grupo Los Andes
Pajaro Campana
87 bpm • F Maj • 03:33 • -11db
15% Popularity • 46% Danceability • 50% Energy • 6% Liveness
78% Instrumentalness • 96% Positiveness
15% Popularity • 46% Danceability • 50% Energy • 6% Liveness
78% Instrumentalness • 96% Positiveness
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Grandes Violines Románticos
Yesterday
87 bpm • F Maj • 02:52 • -7.71db
25% Popularity • 25% Danceability • 42% Energy • 19% Liveness
84% Instrumentalness • 12% Positiveness
25% Popularity • 25% Danceability • 42% Energy • 19% Liveness
84% Instrumentalness • 12% Positiveness
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Richard Clay
Maria Bonita
87 bpm • A Maj • 02:18 • -11.58db
34% Popularity • 54% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 54% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Jorge Espinoza Y Su Violin
Estudio Anonimo
87 bpm • D# Maj • 02:36 • -8.98db
45% Popularity • 18% Danceability • 39% Energy • 19% Liveness
65% Instrumentalness • 23% Positiveness
45% Popularity • 18% Danceability • 39% Energy • 19% Liveness
65% Instrumentalness • 23% Positiveness
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Arpas en Stereo
Mis Noches Sin Ti
88 bpm • G Maj • 02:46 • -18db
15% Popularity • 71% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 48% Positiveness
15% Popularity • 71% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 48% Positiveness
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Eduardo Erazo
Por Que Negar
86 bpm • G# min • 04:31 • -5.98db
9% Popularity • 79% Danceability • 38% Energy • 7% Liveness
86% Instrumentalness • 43% Positiveness
9% Popularity • 79% Danceability • 38% Energy • 7% Liveness
86% Instrumentalness • 43% Positiveness
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Grupo Los Andes
Cuando Calienta el Sol
88 bpm • F# Maj • 01:53 • -11db
15% Popularity • 67% Danceability • 42% Energy • 11% Liveness
95% Instrumentalness • 52% Positiveness
15% Popularity • 67% Danceability • 42% Energy • 11% Liveness
95% Instrumentalness • 52% Positiveness
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Grandes Violines Románticos
El Amor Es Triste
88 bpm • E min • 03:04 • -7.29db
24% Popularity • 56% Danceability • 57% Energy • 13% Liveness
81% Instrumentalness • 46% Positiveness
24% Popularity • 56% Danceability • 57% Energy • 13% Liveness
81% Instrumentalness • 46% Positiveness
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Las Penas
Cuando Te Duermas
88 bpm • G Maj • 02:42 • -8.92db
37% Popularity • 78% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 70% Positiveness
37% Popularity • 78% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 70% Positiveness
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Jorge Espinoza Y Su Violin
El Amor Es Una Cosa Esplendorosa
88 bpm • C min • 03:41 • -8.41db
37% Popularity • 20% Danceability • 49% Energy • 14% Liveness
55% Instrumentalness • 11% Positiveness
37% Popularity • 20% Danceability • 49% Energy • 14% Liveness
55% Instrumentalness • 11% Positiveness
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François Gilbert
Sigamos Pecando
88 bpm • G# Maj • 02:57 • -12db
35% Popularity • 42% Danceability • 25% Energy • 13% Liveness
70% Instrumentalness • 34% Positiveness
35% Popularity • 42% Danceability • 25% Energy • 13% Liveness
70% Instrumentalness • 34% Positiveness
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Cliff Mendoza
Pretendiendo
86 bpm • G Maj • 02:00 • -9db
34% Popularity • 63% Danceability • 60% Energy • 30% Liveness
23% Instrumentalness • 92% Positiveness
34% Popularity • 63% Danceability • 60% Energy • 30% Liveness
23% Instrumentalness • 92% Positiveness
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Sonido Andino
Caballo Viejo
88 bpm • D min • 03:52 • -11.22db
14% Popularity • 58% Danceability • 46% Energy • 6% Liveness
30% Instrumentalness • 90% Positiveness
14% Popularity • 58% Danceability • 46% Energy • 6% Liveness
30% Instrumentalness • 90% Positiveness
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Piano Marico
La Barca / Mucho Corazón
89 bpm • C Maj • 06:17 • -14.33db
32% Popularity • 33% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
32% Popularity • 33% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
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TrÃo Los Paraguayos
Mi Dicha Lejana
86 bpm • F Maj • 03:52 • -12.66db
17% Popularity • 35% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 35% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Arpas Fantasticas
Que Sera de Ti
89 bpm • D# min • 01:46 • -12.41db
36% Popularity • 74% Danceability • 32% Energy • 9% Liveness
80% Instrumentalness • 65% Positiveness
36% Popularity • 74% Danceability • 32% Energy • 9% Liveness
80% Instrumentalness • 65% Positiveness
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Cuerdas Colombianas
Al Sur
85 bpm • G Maj • 02:34 • -3.25db
22% Popularity • 68% Danceability • 69% Energy • 10% Liveness
5% Instrumentalness • 55% Positiveness
22% Popularity • 68% Danceability • 69% Energy • 10% Liveness
5% Instrumentalness • 55% Positiveness
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Arpas en Stereo
Asuncion
89 bpm • D Maj • 02:41 • -19.58db
9% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Richard Clay
Amor Eterno - Instrumentales
89 bpm • C Maj • 03:39 • -6.8db
27% Popularity • 67% Danceability • 45% Energy • 20% Liveness
81% Instrumentalness • 54% Positiveness
27% Popularity • 67% Danceability • 45% Energy • 20% Liveness
81% Instrumentalness • 54% Positiveness
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José Veliz y Su Arpa
Feelings
85 bpm • E min • 03:58 • -5.49db
5% Popularity • 43% Danceability • 84% Energy • 16% Liveness
17% Instrumentalness • 50% Positiveness
5% Popularity • 43% Danceability • 84% Energy • 16% Liveness
17% Instrumentalness • 50% Positiveness
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Romualdo Correa y Su Conjunto
Se Que Te Perdi
85 bpm • G Maj • 03:57 • -23db
10% Popularity • 60% Danceability • 18% Energy • 9% Liveness
64% Instrumentalness • 53% Positiveness
10% Popularity • 60% Danceability • 18% Energy • 9% Liveness
64% Instrumentalness • 53% Positiveness
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Cardona
La Cucaracha (Mambo)
89 bpm • D# Maj • 01:18 • -10db
27% Popularity • 56% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 56% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Roberto Rojas
La Feria De Las Flores
89 bpm • G# Maj • 02:31 • -6.99db
39% Popularity • 74% Danceability • 59% Energy • 10% Liveness
88% Instrumentalness • 86% Positiveness
39% Popularity • 74% Danceability • 59% Energy • 10% Liveness
88% Instrumentalness • 86% Positiveness
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Arpas en Stereo
Mi Dicha Lejana
85 bpm • G# Maj • 02:09 • -20.88db
11% Popularity • 76% Danceability • 19% Energy • 12% Liveness
84% Instrumentalness • 80% Positiveness
11% Popularity • 76% Danceability • 19% Energy • 12% Liveness
84% Instrumentalness • 80% Positiveness
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Coral de Arpa latina
Mis Noches Sin Ti (Recuerdos De Ypacarai...
84 bpm • F Maj • 03:52 • -7db
20% Popularity • 70% Danceability • 46% Energy • 11% Liveness
80% Instrumentalness • 66% Positiveness
20% Popularity • 70% Danceability • 46% Energy • 11% Liveness
80% Instrumentalness • 66% Positiveness
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Arpas Fantasticas
Recuerdos de Ipacari
84 bpm • C# Maj • 01:59 • -13db
36% Popularity • 61% Danceability • 27% Energy • 6% Liveness
70% Instrumentalness • 56% Positiveness
36% Popularity • 61% Danceability • 27% Energy • 6% Liveness
70% Instrumentalness • 56% Positiveness
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Romualdo Correa y Su Conjunto
Mis Noches Sin Ti
85 bpm • A Maj • 02:49 • -20db
15% Popularity • 59% Danceability • 26% Energy • 12% Liveness
50% Instrumentalness • 39% Positiveness
15% Popularity • 59% Danceability • 26% Energy • 12% Liveness
50% Instrumentalness • 39% Positiveness
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Alfonso Cid
La Media Vuelta - Saxofón
90 bpm • F# Maj • 02:52 • -9.22db
39% Popularity • 75% Danceability • 51% Energy • 13% Liveness
10% Instrumentalness • 58% Positiveness
39% Popularity • 75% Danceability • 51% Energy • 13% Liveness
10% Instrumentalness • 58% Positiveness
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Roberto Rojas
Corrido De Chihuahua
90 bpm • G# Maj • 02:49 • -6.5db
35% Popularity • 71% Danceability • 65% Energy • 10% Liveness
88% Instrumentalness • 94% Positiveness
35% Popularity • 71% Danceability • 65% Energy • 10% Liveness
88% Instrumentalness • 94% Positiveness
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Sonidos Del Arpa
Caballo Viejo - Instrumental
90 bpm • D min • 02:50 • -11.52db
29% Popularity • 59% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 59% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Arpas en Stereo
Pajaro Campana
90 bpm • G Maj • 03:27 • -15.87db
13% Popularity • 55% Danceability • 40% Energy • 10% Liveness
78% Instrumentalness • 89% Positiveness
13% Popularity • 55% Danceability • 40% Energy • 10% Liveness
78% Instrumentalness • 89% Positiveness
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José Veliz y Su Arpa
Extraños en La Noche
90 bpm • G Maj • 03:49 • -5.96db
9% Popularity • 58% Danceability • 77% Energy • 22% Liveness
91% Instrumentalness • 58% Positiveness
9% Popularity • 58% Danceability • 77% Energy • 22% Liveness
91% Instrumentalness • 58% Positiveness
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Romualdo Correa y Su Conjunto
India
90 bpm • A min • 03:21 • -21.29db
14% Popularity • 74% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 52% Positiveness
14% Popularity • 74% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 52% Positiveness
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Paul Latin
El Manisero
84 bpm • C Maj • 02:24 • -9.81db
22% Popularity • 60% Danceability • 48% Energy • 11% Liveness
50% Instrumentalness • 84% Positiveness
22% Popularity • 60% Danceability • 48% Energy • 11% Liveness
50% Instrumentalness • 84% Positiveness
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Gustavo Pimentel
Frenesi
84 bpm • F Maj • 03:20 • -18.76db
37% Popularity • 65% Danceability • 47% Energy • 9% Liveness
11% Instrumentalness • 79% Positiveness
37% Popularity • 65% Danceability • 47% Energy • 9% Liveness
11% Instrumentalness • 79% Positiveness
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Grupo Los Andes
Mi Dicha Lejana
84 bpm • F# Maj • 02:44 • -9db
11% Popularity • 82% Danceability • 42% Energy • 9% Liveness
91% Instrumentalness • 55% Positiveness
11% Popularity • 82% Danceability • 42% Energy • 9% Liveness
91% Instrumentalness • 55% Positiveness
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Arpas en Stereo
India
84 bpm • E min • 03:16 • -17.5db
9% Popularity • 48% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
9% Popularity • 48% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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José Veliz y Su Arpa
A Mi Manera
90 bpm • G Maj • 03:48 • -5.57db
9% Popularity • 44% Danceability • 85% Energy • 29% Liveness
88% Instrumentalness • 51% Positiveness
9% Popularity • 44% Danceability • 85% Energy • 29% Liveness
88% Instrumentalness • 51% Positiveness
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Manuel Olivera Almada
Lamento Borincano
90 bpm • F# min • 03:28 • -8.8db
42% Popularity • 71% Danceability • 82% Energy • 19% Liveness
79% Instrumentalness • 94% Positiveness
42% Popularity • 71% Danceability • 82% Energy • 19% Liveness
79% Instrumentalness • 94% Positiveness
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Paul Latin
Somos Novios
84 bpm • F Maj • 02:59 • -12db
23% Popularity • 49% Danceability • 31% Energy • 34% Liveness
84% Instrumentalness • 37% Positiveness
23% Popularity • 49% Danceability • 31% Energy • 34% Liveness
84% Instrumentalness • 37% Positiveness
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Sergio Golwarz
La Vida En Rosa
90 bpm • D Maj • 02:53 • -6.6db
29% Popularity • 41% Danceability • 40% Energy • 10% Liveness
23% Instrumentalness • 39% Positiveness
29% Popularity • 41% Danceability • 40% Energy • 10% Liveness
23% Instrumentalness • 39% Positiveness
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Orquesta Serenata Tropical
El Manisero
84 bpm • B Maj • 01:59 • -8db
33% Popularity • 56% Danceability • 83% Energy • 47% Liveness
76% Instrumentalness • 85% Positiveness
33% Popularity • 56% Danceability • 83% Energy • 47% Liveness
76% Instrumentalness • 85% Positiveness
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Romualdo Correa y Su Conjunto
Regalo de Amor
83 bpm • A Maj • 02:37 • -20db
19% Popularity • 62% Danceability • 23% Energy • 26% Liveness
43% Instrumentalness • 36% Positiveness
19% Popularity • 62% Danceability • 23% Energy • 26% Liveness
43% Instrumentalness • 36% Positiveness
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Grandes Violines Románticos
Adoro
91 bpm • F# min • 02:37 • -6.93db
30% Popularity • 34% Danceability • 51% Energy • 8% Liveness
3% Instrumentalness • 42% Positiveness
30% Popularity • 34% Danceability • 51% Energy • 8% Liveness
3% Instrumentalness • 42% Positiveness
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Manuel Olivera Almada
Noche De Ronda
90 bpm • D Maj • 02:50 • -13db
52% Popularity • 70% Danceability • 37% Energy • 18% Liveness
79% Instrumentalness • 54% Positiveness
52% Popularity • 70% Danceability • 37% Energy • 18% Liveness
79% Instrumentalness • 54% Positiveness
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Mila Y Su Violin
Cien Años
91 bpm • G Maj • 03:51 • -8.86db
27% Popularity • 35% Danceability • 39% Energy • 30% Liveness
54% Instrumentalness • 33% Positiveness
27% Popularity • 35% Danceability • 39% Energy • 30% Liveness
54% Instrumentalness • 33% Positiveness
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Orquesta Popular de las Americas
Siboney (Instrumental)
83 bpm • C Maj • 02:38 • -16db
33% Popularity • 70% Danceability • 54% Energy • 14% Liveness
14% Instrumentalness • 95% Positiveness
33% Popularity • 70% Danceability • 54% Energy • 14% Liveness
14% Instrumentalness • 95% Positiveness
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Roberto Rojas
Las Mañanitas
91 bpm • D# Maj • 02:38 • -8db
27% Popularity • 61% Danceability • 59% Energy • 7% Liveness
92% Instrumentalness • 70% Positiveness
27% Popularity • 61% Danceability • 59% Energy • 7% Liveness
92% Instrumentalness • 70% Positiveness
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MelodÃas Mágicas
La Vida en Rosa
91 bpm • D Maj • 02:15 • -15.16db
56% Popularity • 55% Danceability • 38% Energy • 27% Liveness
90% Instrumentalness • 63% Positiveness
56% Popularity • 55% Danceability • 38% Energy • 27% Liveness
90% Instrumentalness • 63% Positiveness
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Paraguay en solo de Arpa
Recuerdos de Ypacarai - Version Original
83 bpm • F Maj • 03:42 • -6db
18% Popularity • 60% Danceability • 44% Energy • 11% Liveness
15% Instrumentalness • 51% Positiveness
18% Popularity • 60% Danceability • 44% Energy • 11% Liveness
15% Instrumentalness • 51% Positiveness
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François Gilbert
Caminemos
91 bpm • D min • 03:46 • -11db
20% Popularity • 40% Danceability • 29% Energy • 6% Liveness
64% Instrumentalness • 27% Positiveness
20% Popularity • 40% Danceability • 29% Energy • 6% Liveness
64% Instrumentalness • 27% Positiveness
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Grupo Los Andes
Mis Noches Sin Ti
83 bpm • F# Maj • 03:26 • -12.99db
12% Popularity • 55% Danceability • 41% Energy • 12% Liveness
93% Instrumentalness • 58% Positiveness
12% Popularity • 55% Danceability • 41% Energy • 12% Liveness
93% Instrumentalness • 58% Positiveness
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Angel
Historia de un amor (Boleero instrumenta...
83 bpm • A min • 03:45 • -9.26db
28% Popularity • 58% Danceability • 43% Energy • 21% Liveness
64% Instrumentalness • 26% Positiveness
28% Popularity • 58% Danceability • 43% Energy • 21% Liveness
64% Instrumentalness • 26% Positiveness
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Olmedo Torres
Pasional
91 bpm • A min • 02:52 • -13.73db
10% Popularity • 60% Danceability • 18% Energy • 22% Liveness
18% Instrumentalness • 48% Positiveness
10% Popularity • 60% Danceability • 18% Energy • 22% Liveness
18% Instrumentalness • 48% Positiveness
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Coral de Arpa latina
Chiquitita
92 bpm • F Maj • 03:39 • -4.86db
29% Popularity • 50% Danceability • 64% Energy • 21% Liveness
86% Instrumentalness • 51% Positiveness
29% Popularity • 50% Danceability • 64% Energy • 21% Liveness
86% Instrumentalness • 51% Positiveness
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Richard Clay
Hasta Que Te Conoci - Instrumentales
92 bpm • C min • 03:43 • -10.27db
31% Popularity • 41% Danceability • 37% Energy • 7% Liveness
82% Instrumentalness • 43% Positiveness
31% Popularity • 41% Danceability • 37% Energy • 7% Liveness
82% Instrumentalness • 43% Positiveness
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François Gilbert
Contigo
83 bpm • C min • 03:27 • -12.4db
20% Popularity • 39% Danceability • 25% Energy • 9% Liveness
77% Instrumentalness • 34% Positiveness
20% Popularity • 39% Danceability • 25% Energy • 9% Liveness
77% Instrumentalness • 34% Positiveness
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Arpas en Stereo
El Suspiro
92 bpm • G Maj • 02:24 • -16.29db
8% Popularity • 56% Danceability • 34% Energy • 14% Liveness
88% Instrumentalness • 70% Positiveness
8% Popularity • 56% Danceability • 34% Energy • 14% Liveness
88% Instrumentalness • 70% Positiveness
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George Saxon
La Media Vuelta
92 bpm • E Maj • 02:45 • -11.03db
22% Popularity • 71% Danceability • 44% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
22% Popularity • 71% Danceability • 44% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
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Orquesta Sonidos Infinitos
Sueno Imposible
92 bpm • C Maj • 03:00 • -8.39db
28% Popularity • 29% Danceability • 33% Energy • 20% Liveness
82% Instrumentalness • 16% Positiveness
28% Popularity • 29% Danceability • 33% Energy • 20% Liveness
82% Instrumentalness • 16% Positiveness
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Manny Olivera
Media Vuelta
92 bpm • C Maj • 02:33 • -11.48db
24% Popularity • 75% Danceability • 36% Energy • 12% Liveness
90% Instrumentalness • 55% Positiveness
24% Popularity • 75% Danceability • 36% Energy • 12% Liveness
90% Instrumentalness • 55% Positiveness
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Orquesta Casino De La Habana
La Media Vuelta
92 bpm • A# Maj • 02:28 • -14.53db
40% Popularity • 46% Danceability • 36% Energy • 9% Liveness
94% Instrumentalness • 79% Positiveness
40% Popularity • 46% Danceability • 36% Energy • 9% Liveness
94% Instrumentalness • 79% Positiveness
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Juan Carlos Allende
Adoro
92 bpm • F# min • 02:50 • -10.27db
34% Popularity • 69% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 73% Positiveness
34% Popularity • 69% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 73% Positiveness
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Adrian Perticone
Somos
82 bpm • A min • 03:38 • -15db
32% Popularity • 56% Danceability • 33% Energy • 9% Liveness
73% Instrumentalness • 24% Positiveness
32% Popularity • 56% Danceability • 33% Energy • 9% Liveness
73% Instrumentalness • 24% Positiveness
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George Saxon
Que Quieres Tu de Mi
92 bpm • G min • 03:17 • -11.17db
19% Popularity • 75% Danceability • 36% Energy • 9% Liveness
84% Instrumentalness • 42% Positiveness
19% Popularity • 75% Danceability • 36% Energy • 9% Liveness
84% Instrumentalness • 42% Positiveness
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Giovanni Vivanco
Quiero Amanecer Con Alguien
82 bpm • E min • 03:51 • -7.91db
46% Popularity • 54% Danceability • 55% Energy • 24% Liveness
38% Instrumentalness • 17% Positiveness
46% Popularity • 54% Danceability • 55% Energy • 24% Liveness
38% Instrumentalness • 17% Positiveness
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Manuel Olivera Almada
La Media Vuelta
92 bpm • C Maj • 02:31 • -11db
50% Popularity • 72% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 66% Positiveness
50% Popularity • 72% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 66% Positiveness
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Roy Etzel
Extraños en la Noche
92 bpm • A min • 02:47 • -15.56db
12% Popularity • 24% Danceability • 44% Energy • 65% Liveness
91% Instrumentalness • 66% Positiveness
12% Popularity • 24% Danceability • 44% Energy • 65% Liveness
91% Instrumentalness • 66% Positiveness
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Jorge Zapata
Murio la Flor & Volveré
92 bpm • C min • 04:06 • -8.17db
16% Popularity • 48% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 48% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
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Rubén Ochoa
Solamente una Vez
82 bpm • F Maj • 03:27 • -10db
21% Popularity • 35% Danceability • 28% Energy • 6% Liveness
82% Instrumentalness • 35% Positiveness
21% Popularity • 35% Danceability • 28% Energy • 6% Liveness
82% Instrumentalness • 35% Positiveness
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George Saxon
Candilejas
92 bpm • G Maj • 04:36 • -10.58db
19% Popularity • 78% Danceability • 35% Energy • 10% Liveness
48% Instrumentalness • 58% Positiveness
19% Popularity • 78% Danceability • 35% Energy • 10% Liveness
48% Instrumentalness • 58% Positiveness
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Arpas Fantasticas
Pajaro Campana
82 bpm • G# Maj • 03:53 • -12.49db
33% Popularity • 64% Danceability • 42% Energy • 6% Liveness
88% Instrumentalness • 82% Positiveness
33% Popularity • 64% Danceability • 42% Energy • 6% Liveness
88% Instrumentalness • 82% Positiveness
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Toñino Y Su Grupo
Cuando Tú Me Quieras
93 bpm • E Maj • 02:03 • -16.04db
28% Popularity • 62% Danceability • 20% Energy • 15% Liveness
91% Instrumentalness • 66% Positiveness
28% Popularity • 62% Danceability • 20% Energy • 15% Liveness
91% Instrumentalness • 66% Positiveness
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Roberto Rojas
Adiós Mariquita Linda
81 bpm • G# Maj • 02:42 • -8.9db
25% Popularity • 56% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 45% Positiveness
25% Popularity • 56% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 45% Positiveness
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Manny Olivera
El Reloj
93 bpm • A Maj • 02:49 • -11.05db
25% Popularity • 75% Danceability • 36% Energy • 11% Liveness
87% Instrumentalness • 71% Positiveness
25% Popularity • 75% Danceability • 36% Energy • 11% Liveness
87% Instrumentalness • 71% Positiveness
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Manuel Olivera Almada
El Reloj
93 bpm • A Maj • 02:43 • -11.85db
52% Popularity • 72% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 74% Positiveness
52% Popularity • 72% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 74% Positiveness
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Johnny Pearson Y Su Orquesta
Matandome suavemente (Con su cancion)
93 bpm • F min • 03:53 • -16.22db
34% Popularity • 30% Danceability • 22% Energy • 21% Liveness
89% Instrumentalness • 17% Positiveness
34% Popularity • 30% Danceability • 22% Energy • 21% Liveness
89% Instrumentalness • 17% Positiveness
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Armando Bribiesca
La Barca de Oro
93 bpm • E Maj • 02:49 • -12.44db
15% Popularity • 38% Danceability • 31% Energy • 22% Liveness
13% Instrumentalness • 43% Positiveness
15% Popularity • 38% Danceability • 31% Energy • 22% Liveness
13% Instrumentalness • 43% Positiveness
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Arpas en Stereo
Recuerdos De Ipacarai
94 bpm • E Maj • 02:11 • -17.31db
11% Popularity • 51% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 51% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Grupo Los Andes
Ansiedad
81 bpm • F Maj • 02:36 • -13.02db
17% Popularity • 65% Danceability • 44% Energy • 9% Liveness
87% Instrumentalness • 71% Positiveness
17% Popularity • 65% Danceability • 44% Energy • 9% Liveness
87% Instrumentalness • 71% Positiveness
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Manny Olivera
Sabor A Mi
93 bpm • B min • 02:58 • -7.03db
23% Popularity • 66% Danceability • 54% Energy • 10% Liveness
35% Instrumentalness • 68% Positiveness
23% Popularity • 66% Danceability • 54% Energy • 10% Liveness
35% Instrumentalness • 68% Positiveness
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Manuel Olivera Almada
Contigo Aprendi
93 bpm • G Maj • 02:49 • -9.56db
50% Popularity • 70% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 69% Positiveness
50% Popularity • 70% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 69% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Al Di La
94 bpm • F Maj • 02:39 • -10.85db
35% Popularity • 19% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 19% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Juan Veronico
MarÃa Elena
81 bpm • A Maj • 02:53 • -13.45db
33% Popularity • 58% Danceability • 16% Energy • 14% Liveness
89% Instrumentalness • 20% Positiveness
33% Popularity • 58% Danceability • 16% Energy • 14% Liveness
89% Instrumentalness • 20% Positiveness
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Grandes Violines Románticos
Perfidia
94 bpm • D Maj • 02:17 • -4.47db
45% Popularity • 39% Danceability • 53% Energy • 12% Liveness
78% Instrumentalness • 42% Positiveness
45% Popularity • 39% Danceability • 53% Energy • 12% Liveness
78% Instrumentalness • 42% Positiveness
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Adrian Perticone
Somos Novios
80 bpm • C min • 03:14 • -14db
30% Popularity • 56% Danceability • 31% Energy • 11% Liveness
28% Instrumentalness • 15% Positiveness
30% Popularity • 56% Danceability • 31% Energy • 11% Liveness
28% Instrumentalness • 15% Positiveness
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Manny Olivera
Contigo AprendÃ
93 bpm • G Maj • 02:51 • -8.4db
22% Popularity • 72% Danceability • 46% Energy • 10% Liveness
91% Instrumentalness • 60% Positiveness
22% Popularity • 72% Danceability • 46% Energy • 10% Liveness
91% Instrumentalness • 60% Positiveness
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Manuel Olivera Almada
Sabor A Mi
93 bpm • B min • 02:57 • -8db
46% Popularity • 62% Danceability • 53% Energy • 13% Liveness
1% Instrumentalness • 70% Positiveness
46% Popularity • 62% Danceability • 53% Energy • 13% Liveness
1% Instrumentalness • 70% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Éxodo
80 bpm • D min • 02:58 • -10.98db
32% Popularity • 60% Danceability • 34% Energy • 14% Liveness
90% Instrumentalness • 19% Positiveness
32% Popularity • 60% Danceability • 34% Energy • 14% Liveness
90% Instrumentalness • 19% Positiveness
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Sergio Golwarz
Candilejas
80 bpm • F Maj • 02:23 • -4db
26% Popularity • 23% Danceability • 46% Energy • 39% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 23% Danceability • 46% Energy • 39% Liveness
0% Instrumentalness • 23% Positiveness
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Pepe Jaramillo
Capullito de AlelÃ
95 bpm • D Maj • 01:51 • -8.6db
41% Popularity • 64% Danceability • 63% Energy • 6% Liveness
93% Instrumentalness • 96% Positiveness
41% Popularity • 64% Danceability • 63% Energy • 6% Liveness
93% Instrumentalness • 96% Positiveness
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Sergio Sanabria
Despertar nativo
80 bpm • F Maj • 02:10 • -6.8db
15% Popularity • 62% Danceability • 81% Energy • 21% Liveness
86% Instrumentalness • 97% Positiveness
15% Popularity • 62% Danceability • 81% Energy • 21% Liveness
86% Instrumentalness • 97% Positiveness
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Manny Olivera
Contigo Aprendà (Spanish Guitar Version...
95 bpm • E min • 02:54 • -7.4db
16% Popularity • 64% Danceability • 70% Energy • 16% Liveness
76% Instrumentalness • 30% Positiveness
16% Popularity • 64% Danceability • 70% Energy • 16% Liveness
76% Instrumentalness • 30% Positiveness
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Manuel Olivera Almada
Alma Llanera
80 bpm • G Maj • 02:27 • -11.4db
53% Popularity • 58% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 92% Positiveness
53% Popularity • 58% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 92% Positiveness
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Toñino Y Su Grupo
Contigo en la Distancia
95 bpm • D min • 02:27 • -13.01db
26% Popularity • 62% Danceability • 23% Energy • 17% Liveness
86% Instrumentalness • 60% Positiveness
26% Popularity • 62% Danceability • 23% Energy • 17% Liveness
86% Instrumentalness • 60% Positiveness
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Los Indios de La Costa
Huaqueño
95 bpm • G# Maj • 03:03 • -15.42db
14% Popularity • 70% Danceability • 38% Energy • 12% Liveness
93% Instrumentalness • 74% Positiveness
14% Popularity • 70% Danceability • 38% Energy • 12% Liveness
93% Instrumentalness • 74% Positiveness
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Armando Bribiesca
De Que Manera Te Olvido
95 bpm • C Maj • 03:04 • -11.77db
15% Popularity • 64% Danceability • 23% Energy • 27% Liveness
90% Instrumentalness • 56% Positiveness
15% Popularity • 64% Danceability • 23% Energy • 27% Liveness
90% Instrumentalness • 56% Positiveness
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Waldo De Los RÃos
Qué mundo tan maravilloso - What a Wond...
95 bpm • F Maj • 02:35 • -15.25db
32% Popularity • 16% Danceability • 29% Energy • 11% Liveness
96% Instrumentalness • 21% Positiveness
32% Popularity • 16% Danceability • 29% Energy • 11% Liveness
96% Instrumentalness • 21% Positiveness