Songs like Palestrina: Missarum liber secundus: No. 7, Missa "Papae Marcelli": I. Kyrie by Giovanni Pierluigi da Palestrina
Based on a tempo of (+/- 10%) and a similar genre
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Heinrich Isaac
La mi la Sol
75 bpm • D# min • 02:10 • -21db
32% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
32% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
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William Croft
Burial Sentences: I. I Am The Resurrecti...
75 bpm • D min • 01:04 • -21.24db
28% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
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Guillaume Dufay
Je me complains piteusement
75 bpm • A Maj • 02:06 • -30db
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Giovanni Pierluigi da Palestrina
Palestrina: Missarum liber secundus: No....
75 bpm • A# Maj • 04:20 • -21.94db
19% Popularity • 15% Danceability • 20% Energy • 14% Liveness
89% Instrumentalness • 8% Positiveness
19% Popularity • 15% Danceability • 20% Energy • 14% Liveness
89% Instrumentalness • 8% Positiveness
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Thomas Attwood Walmisley
Magnificat in D Minor
75 bpm • D min • 05:44 • -27db
7% Popularity • 9% Danceability • 5% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
7% Popularity • 9% Danceability • 5% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: IV. Quae moerabat
75 bpm • D# Maj • 02:49 • -25db
38% Popularity • 26% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
38% Popularity • 26% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11: No. 4, Ver...
75 bpm • G# min • 02:13 • -19.96db
19% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
19% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
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Alfred Schnittke
Three Sacred Hymns: III. Vater unser
75 bpm • D# Maj • 03:21 • -21.78db
7% Popularity • 9% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
7% Popularity • 9% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
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Charles Gounod
Messe solennelle de Sainte Cécile (1988...
75 bpm • F Maj • 05:16 • -15db
8% Popularity • 7% Danceability • 23% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
8% Popularity • 7% Danceability • 23% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: V. Dirait-On (Mo...
75 bpm • C# Maj • 05:01 • -28.06db
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
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Hildegard of Bingen
O tu suavissima virga
75 bpm • D min • 06:13 • -29.11db
7% Popularity • 18% Danceability • 2% Energy • 11% Liveness
53% Instrumentalness • 10% Positiveness
7% Popularity • 18% Danceability • 2% Energy • 11% Liveness
53% Instrumentalness • 10% Positiveness
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Giovanni Pierluigi da Palestrina
Palestrina: Missa Papae Marcelli - 04. G...
75 bpm • B Maj • 02:43 • -20.63db
14% Popularity • 11% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Nikolay Kedrov
Otche Nach
75 bpm • C Maj • 02:03 • -24db
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Ecce quomodo moritur iustus
76 bpm • G Maj • 02:36 • -24db
15% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
15% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: II. Introitus: R...
74 bpm • C min • 03:08 • -26.75db
37% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
37% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
76 bpm • C Maj • 04:10 • -23.73db
16% Popularity • 18% Danceability • 8% Energy • 8% Liveness
51% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 8% Energy • 8% Liveness
51% Instrumentalness • 3% Positiveness
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Alfred Schnittke
Choir Concerto: IV. Sej trud, shto natch...
76 bpm • G Maj • 05:20 • -26db
9% Popularity • 12% Danceability • 2% Energy • 7% Liveness
54% Instrumentalness • 3% Positiveness
9% Popularity • 12% Danceability • 2% Energy • 7% Liveness
54% Instrumentalness • 3% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Tu Es Petrus: V. Agnus Dei
74 bpm • A# Maj • 07:41 • -19.76db
3% Popularity • 15% Danceability • 19% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
3% Popularity • 15% Danceability • 19% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
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Heinrich Schütz
Erbarm dich mein, o Herre Gott, SWV 148
74 bpm • C Maj • 06:32 • -27db
15% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Gerald Finzi
My Spirit Sang All Day
76 bpm • G Maj • 02:18 • -20db
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Philip Wilby
Marianne (arr. P. Wilby)
76 bpm • E Maj • 03:47 • -32db
25% Popularity • 7% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Frederick Delius
To Be Sung Of A Summer Night On The Wate...
76 bpm • A# Maj • 02:41 • -36.87db
18% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
76 bpm • A min • 03:52 • -28.47db
15% Popularity • 19% Danceability • 4% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
15% Popularity • 19% Danceability • 4% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
O Virtus Sapientiae
76 bpm • C Maj • 02:16 • -37.25db
30% Popularity • 15% Danceability • 1% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 1% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Bach, JS: Herz und Mund und Tat und Lebe...
76 bpm • G Maj • 02:59 • -27.56db
22% Popularity • 25% Danceability • 7% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
22% Popularity • 25% Danceability • 7% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
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Giacomo Carissimi
Carissimi: Jephte: "Plorate fili Israel"...
74 bpm • E min • 05:24 • -18.59db
2% Popularity • 9% Danceability • 14% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
2% Popularity • 9% Danceability • 14% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
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Victor Kalinnikov
Svete tikhii (Gentle light)
74 bpm • F Maj • 02:58 • -25.1db
16% Popularity • 16% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Ave verum corpus in E-Flat Major
76 bpm • D# Maj • 02:48 • -28db
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
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Cristobal de Morales
Sequentia: Pie Jesu
76 bpm • D# Maj • 01:48 • -26db
25% Popularity • 7% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Jacob Obrecht
Missa O lumen ecclesie: Kyrie
76 bpm • F Maj • 01:15 • -23db
39% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K. 618
76 bpm • D Maj • 02:50 • -29.62db
25% Popularity • 8% Danceability • 3% Energy • 7% Liveness
8% Instrumentalness • 3% Positiveness
25% Popularity • 8% Danceability • 3% Energy • 7% Liveness
8% Instrumentalness • 3% Positiveness
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Giovanni Pierluigi da Palestrina
Song of Songs: Vineam Meam Non Custodivi
76 bpm • C min • 03:12 • -25.57db
10% Popularity • 8% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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T. Tertius Noble
Evening Service in B Minor, Op. 6: I. Ma...
76 bpm • E min • 04:53 • -22db
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
76 bpm • C Maj • 04:15 • -18.87db
16% Popularity • 11% Danceability • 14% Energy • 14% Liveness
12% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 14% Energy • 14% Liveness
12% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
76 bpm • D# Maj • 04:52 • -25db
16% Popularity • 10% Danceability • 7% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 7% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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James Whitbourn
Requiem canticorum: Lux aeterna
76 bpm • C Maj • 01:39 • -41db
34% Popularity • 7% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
34% Popularity • 7% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Sancta Maria, mater Dei, K. 273
77 bpm • F Maj • 04:02 • -24db
10% Popularity • 16% Danceability • 8% Energy • 12% Liveness
77% Instrumentalness • 14% Positiveness
10% Popularity • 16% Danceability • 8% Energy • 12% Liveness
77% Instrumentalness • 14% Positiveness
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Henry Purcell
Funeral Sentences for the death of Queen...
77 bpm • A# Maj • 02:12 • -27db
14% Popularity • 8% Danceability • 4% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 4% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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The Cathedral Singers
Adoremus in Aeternum
73 bpm • F# Maj • 02:32 • -25.34db
38% Popularity • 12% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
38% Popularity • 12% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Palestrina: Missa Brevis - 1a. Kyrie I
73 bpm • G min • 01:02 • -26.16db
23% Popularity • 14% Danceability • 9% Energy • 30% Liveness
46% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 9% Energy • 30% Liveness
46% Instrumentalness • 4% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Temun�...
73 bpm • G Maj • 01:45 • -29.53db
34% Popularity • 14% Danceability • 5% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 5% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Canticles & Prayers, Inexpressible Wonde...
77 bpm • G# Maj • 02:47 • -24db
13% Popularity • 16% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Traditional
Te Lucis ante Terminum (after "Song of t...
77 bpm • A min • 02:19 • -31.16db
8% Popularity • 11% Danceability • 4% Energy • 7% Liveness
25% Instrumentalness • 4% Positiveness
8% Popularity • 11% Danceability • 4% Energy • 7% Liveness
25% Instrumentalness • 4% Positiveness
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Nicholas Ludford
Missa Benedicta et Venerabilis: I. Salve...
73 bpm • F# Maj • 02:41 • -29.56db
15% Popularity • 21% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Andreas Scholl
Sancta Mater
73 bpm • D Maj • 03:38 • -16.41db
30% Popularity • 15% Danceability • 11% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 11% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré / Arr. Rutter: Cantique de Jean R...
73 bpm • C# Maj • 05:18 • -25.04db
21% Popularity • 14% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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![De Beata Marie [Virginis] I: Kyrie cover art](https://i.scdn.co/image/ab67616d00001e021eecdc2e80e94346015850d3)
Giovanni Pierluigi da Palestrina
De Beata Marie [Virginis] I: Kyrie
77 bpm • D Maj • 01:14 • -18.6db
14% Popularity • 11% Danceability • 14% Energy • 14% Liveness
81% Instrumentalness • 12% Positiveness
14% Popularity • 11% Danceability • 14% Energy • 14% Liveness
81% Instrumentalness • 12% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 3. Otche nash (Our F...
73 bpm • D# Maj • 04:25 • -27db
12% Popularity • 12% Danceability • 3% Energy • 6% Liveness
5% Instrumentalness • 3% Positiveness
12% Popularity • 12% Danceability • 3% Energy • 6% Liveness
5% Instrumentalness • 3% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
73 bpm • C# min • 05:37 • -18db
16% Popularity • 7% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
16% Popularity • 7% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
► Preview
Johannes Ockeghem
Requiem: Kyrie
73 bpm • G Maj • 04:33 • -24db
27% Popularity • 11% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 8% Positiveness
27% Popularity • 11% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 8% Positiveness
► Preview
Johann Sebastian Bach
Jesu, meine Freude, BWV 227: I. Jesu, me...
77 bpm • E min • 01:12 • -19.88db
9% Popularity • 22% Danceability • 13% Energy • 13% Liveness
2% Instrumentalness • 22% Positiveness
9% Popularity • 22% Danceability • 13% Energy • 13% Liveness
2% Instrumentalness • 22% Positiveness
► Preview
Monks And Choirboys Of Downside Abbey
Cantique De Jean Racine
73 bpm • C# Maj • 05:13 • -21.9db
17% Popularity • 6% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
17% Popularity • 6% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Luigi Cherubini
Requiem No. 1 in C Minor: Sanctus
77 bpm • G# Maj • 01:32 • -17.93db
31% Popularity • 18% Danceability • 12% Energy • 17% Liveness
44% Instrumentalness • 15% Positiveness
31% Popularity • 18% Danceability • 12% Energy • 17% Liveness
44% Instrumentalness • 15% Positiveness
► Preview
Bernat Vivancos
L'amour, le temps
77 bpm • A min • 03:43 • -31db
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Cyrillus Kreek
Taaveti laul 141, "Issand, ma huuan Su p...
73 bpm • B min • 02:26 • -29.13db
16% Popularity • 20% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Allegri: Miserere - 06. Cor Mundum Crea ...
77 bpm • G Maj • 01:14 • -38db
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
► Preview
Henryk Górecki
Górecki: Totus tuus, Op. 60
78 bpm • D# Maj • 09:10 • -31.3db
17% Popularity • 7% Danceability • 2% Energy • 14% Liveness
3% Instrumentalness • 3% Positiveness
17% Popularity • 7% Danceability • 2% Energy • 14% Liveness
3% Instrumentalness • 3% Positiveness
► Preview
Henry Purcell
Thou Knowest, Lord, The Secrets of Our H...
78 bpm • B Maj • 02:44 • -26.88db
17% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
17% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Hugo Distler
Jahrkreis, Op. 5: No. 39: Wie der Hirsch...
78 bpm • G min • 02:02 • -25db
19% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
19% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
► Preview
Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: II. ...
78 bpm • A min • 02:57 • -23.03db
23% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
23% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Valentin Silvestrov
Alleluia: III. Night
72 bpm • E min • 03:30 • -35db
24% Popularity • 14% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
24% Popularity • 14% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
► Preview
The Tallis Scholars
Allegri: Miserere - 03. Tibi Soli Peccav...
77 bpm • A# Maj • 01:04 • -23db
38% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
38% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Giuseppe Verdi
Laudi alla Vergine Maria
78 bpm • G Maj • 05:19 • -28db
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
► Preview
Giovanni Pierluigi da Palestrina
Sicut cervus
78 bpm • G# Maj • 06:23 • -28db
32% Popularity • 13% Danceability • 8% Energy • 7% Liveness
9% Instrumentalness • 6% Positiveness
32% Popularity • 13% Danceability • 8% Energy • 7% Liveness
9% Instrumentalness • 6% Positiveness
► Preview
George Frideric Handel
Handel: Messiah, HWV 56, Pt. 3, Scene 1:...
72 bpm • E Maj • 06:41 • -22db
9% Popularity • 16% Danceability • 7% Energy • 13% Liveness
4% Instrumentalness • 9% Positiveness
9% Popularity • 16% Danceability • 7% Energy • 13% Liveness
4% Instrumentalness • 9% Positiveness
► Preview
James Whitbourn
Requiem canticorum: Introit
72 bpm • F# min • 05:27 • -29.14db
15% Popularity • 10% Danceability • 5% Energy • 12% Liveness
34% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 5% Energy • 12% Liveness
34% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Vespers (All-Night Vigil), Op. 37: 3. "B...
78 bpm • D min • 06:05 • -29.01db
17% Popularity • 12% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 12% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Tallis: Spem in Alium - 2. in Tribulatio...
78 bpm • B min • 02:24 • -18.01db
26% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
26% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Ave verum corpus, K. 618
78 bpm • D Maj • 02:46 • -26db
16% Popularity • 20% Danceability • 6% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
16% Popularity • 20% Danceability • 6% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
The Cathedral Singers
Sicut Cervus
78 bpm • A Maj • 03:09 • -16db
36% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
36% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
All-Night Vigil, Op. 52, TH 77 (Excerpts...
78 bpm • G Maj • 06:48 • -25.56db
9% Popularity • 9% Danceability • 10% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
9% Popularity • 9% Danceability • 10% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
► Preview
Michael Haydn
Missa Tempore Quadragesimae, MH 553: Kyr...
78 bpm • C# min • 01:44 • -23db
32% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
32% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
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Charles Villiers Stanford
Magnificat & Nunc dimittis in G Major, O...
78 bpm • G Maj • 04:13 • -25.28db
11% Popularity • 10% Danceability • 6% Energy • 40% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 6% Energy • 40% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Tu Es Petrus: III. Credo
78 bpm • A# Maj • 08:10 • -19.31db
3% Popularity • 11% Danceability • 17% Energy • 9% Liveness
18% Instrumentalness • 10% Positiveness
3% Popularity • 11% Danceability • 17% Energy • 9% Liveness
18% Instrumentalness • 10% Positiveness
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Henryk Górecki
Miserere, Op. 44: 1. Domine Deus noster-...
72 bpm • C Maj • 02:59 • -52db
16% Popularity • 6% Danceability • 0% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
16% Popularity • 6% Danceability • 0% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Bach, JS: Johannes-Passion, BWV 245, Pt....
79 bpm • C min • 07:33 • -23.96db
13% Popularity • 14% Danceability • 8% Energy • 15% Liveness
72% Instrumentalness • 9% Positiveness
13% Popularity • 14% Danceability • 8% Energy • 15% Liveness
72% Instrumentalness • 9% Positiveness
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George Frideric Handel
Ode for St. Cecilia's Day, HWV 76: Air: ...
72 bpm • F# Maj • 08:18 • -29.67db
32% Popularity • 17% Danceability • 1% Energy • 12% Liveness
34% Instrumentalness • 6% Positiveness
32% Popularity • 17% Danceability • 1% Energy • 12% Liveness
34% Instrumentalness • 6% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: V. Graduale: Req...
72 bpm • C Maj • 01:13 • -27.29db
32% Popularity • 17% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 17% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Giovanni Pierluigi da Palestrina
Ave Maria: Ave Maria
78 bpm • C min • 04:27 • -22.96db
11% Popularity • 15% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Gibbons: The Silver Swan
71 bpm • E Maj • 01:42 • -28.06db
33% Popularity • 7% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
33% Popularity • 7% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Mikhail Ippolitov-Ivanov
Vespers, Op. 43 O Gentle Light o Holy Gl...
71 bpm • B Maj • 03:08 • -24.23db
2% Popularity • 22% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
2% Popularity • 22% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Antonio Lotti
Vere languores nostros, IAL 32
71 bpm • G# Maj • 02:33 • -30db
32% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
32% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Lux Aeterna (After "Nimrod" from ...
79 bpm • C# Maj • 03:49 • -21.92db
20% Popularity • 10% Danceability • 18% Energy • 33% Liveness
20% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 18% Energy • 33% Liveness
20% Instrumentalness • 4% Positiveness
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John Taverner
Missa Gloria tibi Trinitas: Sanctus
71 bpm • D min • 05:46 • -18.29db
17% Popularity • 8% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Adoramus te Christe (arr. L. Stokowski f...
72 bpm • A min • 02:30 • -31.36db
12% Popularity • 6% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
12% Popularity • 6% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
71 bpm • D# Maj • 02:06 • -23.97db
23% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Guillaume Dufay
Nuper rosarum flores
71 bpm • D min • 06:27 • -26db
19% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Guillaume de Machaut
Messe de Notre Dame: Kyrie
79 bpm • D Maj • 06:31 • -19db
14% Popularity • 10% Danceability • 19% Energy • 20% Liveness
32% Instrumentalness • 11% Positiveness
14% Popularity • 10% Danceability • 19% Energy • 20% Liveness
32% Instrumentalness • 11% Positiveness
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Henry Purcell
Evening Service in G Minor, Z. 231: No. ...
79 bpm • A min • 04:03 • -21.42db
11% Popularity • 16% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 16% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Eleanor Daley
Upon Your Heart
71 bpm • E Maj • 03:53 • -22db
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie
79 bpm • F# Maj • 03:48 • -28.06db
14% Popularity • 10% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
14% Popularity • 10% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Josef Rheinberger
Abendlied
79 bpm • F Maj • 02:54 • -20.72db
13% Popularity • 13% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
13% Popularity • 13% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
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Guillaume Dufay
Isorhythmic Motets: Apostolo glorioso - ...
71 bpm • C Maj • 03:02 • -23.43db
17% Popularity • 18% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
17% Popularity • 18% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
► Preview
Sven-David Sandström
4 Songs of Love: No. 1, Let Him Kiss Me
80 bpm • D# Maj • 02:10 • -28.49db
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
► Preview
Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
