Songs like Panis Angelicus by Benedictines of Mary, Queen of Apostles
Based on a tempo of (+/- 10%) and a similar genre
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Mother Cecilia Martina Snell
Song of the Tilma
137 bpm • G min • 03:49 • -24.17db
13% Popularity • 26% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 26% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Hans Hassler
Cantate Domino
136 bpm • D Maj • 01:56 • -26.8db
20% Popularity • 22% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
20% Popularity • 22% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
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Benedictines of Mary, Queen of Apostles
Panis Angelicus
137 bpm • D Maj • 02:32 • -26.92db
39% Popularity • 21% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
39% Popularity • 21% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
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Gustav Holst
Psalm 148, Lord who has made us for Thin...
138 bpm • C Maj • 04:53 • -17.74db
19% Popularity • 22% Danceability • 21% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 22% Danceability • 21% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Dominican House of Studies
O sacrum convivium (Chant)
138 bpm • D Maj • 01:29 • -21db
27% Popularity • 18% Danceability • 19% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 19% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
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Nova Schola Gregoriana
Missa orbis factor - Agnus Dei
136 bpm • D# Maj • 01:20 • -21.64db
42% Popularity • 25% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 25% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Mark Emerson Donnelly
Credo (Missa Sicut Cervus)
136 bpm • F# Maj • 06:43 • -18.4db
13% Popularity • 22% Danceability • 16% Energy • 11% Liveness
41% Instrumentalness • 13% Positiveness
13% Popularity • 22% Danceability • 16% Energy • 11% Liveness
41% Instrumentalness • 13% Positiveness
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Ciro Grassi
Magnificat
138 bpm • G# Maj • 03:06 • -22.69db
13% Popularity • 30% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
13% Popularity • 30% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
Be Thou My Vision
138 bpm • D# Maj • 03:08 • -24.9db
31% Popularity • 15% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 19% Positiveness
31% Popularity • 15% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 19% Positiveness
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Lege Artis Chamber Choir
We Praise Thee, O God No. 2 in F Major
136 bpm • F# Maj • 01:14 • -36.33db
39% Popularity • 16% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Wipo of Burgundy
Victimae Paschali
138 bpm • G# min • 01:57 • -27.38db
30% Popularity • 27% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 27% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Nova Schola Gregoriana
Missa cunctipotens genitor Deus - Agnus ...
138 bpm • G Maj • 01:16 • -22db
42% Popularity • 23% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
42% Popularity • 23% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Jacobus Gallus
Domine ad adjuvandum
136 bpm • D# Maj • 02:24 • -19db
29% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
29% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
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GIA Singers
Shepherd Me, O God (Psalm 23)
138 bpm • F min • 04:56 • -23.15db
36% Popularity • 22% Danceability • 8% Energy • 14% Liveness
4% Instrumentalness • 14% Positiveness
36% Popularity • 22% Danceability • 8% Energy • 14% Liveness
4% Instrumentalness • 14% Positiveness
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Benedictines of Mary, Queen of Apostles
Jesu Dulcis Memoria
135 bpm • G min • 01:50 • -26.53db
32% Popularity • 27% Danceability • 3% Energy • 12% Liveness
64% Instrumentalness • 24% Positiveness
32% Popularity • 27% Danceability • 3% Energy • 12% Liveness
64% Instrumentalness • 24% Positiveness
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Sexteto Cantábile
O Bone Jesu (Fernando Moruja)
136 bpm • D# Maj • 00:54 • -20db
45% Popularity • 22% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
45% Popularity • 22% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Dan Gibson's Solitudes
Adoro Te Devote
135 bpm • C# Maj • 06:38 • -21.26db
46% Popularity • 21% Danceability • 16% Energy • 15% Liveness
4% Instrumentalness • 5% Positiveness
46% Popularity • 21% Danceability • 16% Energy • 15% Liveness
4% Instrumentalness • 5% Positiveness
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Harpa Dei
Veni Sancte Spiritus
135 bpm • G min • 02:31 • -19.17db
36% Popularity • 34% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
36% Popularity • 34% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Archangel Voices
The Noble Joseph - Bulgarian Chant
139 bpm • D Maj • 02:52 • -23db
22% Popularity • 15% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
22% Popularity • 15% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
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Christopher Walker
Lord, We Adore You
139 bpm • F min • 02:32 • -21.44db
10% Popularity • 16% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Benedictines of Mary, Queen of Apostles
Blessed Be St. Joseph
139 bpm • C min • 04:45 • -19.96db
18% Popularity • 22% Danceability • 10% Energy • 13% Liveness
38% Instrumentalness • 12% Positiveness
18% Popularity • 22% Danceability • 10% Energy • 13% Liveness
38% Instrumentalness • 12% Positiveness
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Schola gregoriana mediolanensis
Magnificat
135 bpm • D# Maj • 04:01 • -23.29db
25% Popularity • 20% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 3% Positiveness
25% Popularity • 20% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 3% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
La Messe: Introït "Signum Magnum"
135 bpm • F# min • 03:37 • -25db
27% Popularity • 20% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Harpa Dei
Ave maris Stella
139 bpm • B min • 02:58 • -21db
38% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Monks And Choirboys Of Downside Abbey
Thou Knowest Lord The Secret Of Our Hear...
135 bpm • G min • 02:04 • -22db
29% Popularity • 18% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Probandi Benedittini Di San Giovanni In Parma
Sanctus Benedictus
135 bpm • F Maj • 01:31 • -20db
44% Popularity • 17% Danceability • 15% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 15% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Jesu Rex Admirabilis
135 bpm • C# min • 02:39 • -28.11db
24% Popularity • 20% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 8% Positiveness
24% Popularity • 20% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 8% Positiveness
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Nova Schola Gregoriana
Missa de angelis - Gloria
134 bpm • A Maj • 03:11 • -20db
32% Popularity • 26% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 26% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Traditional
Christus Factus Est
134 bpm • D min • 02:35 • -29.62db
33% Popularity • 27% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 16% Positiveness
33% Popularity • 27% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 16% Positiveness
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Benedictines of Mary, Queen of Apostles
O Lord I Am Not Worthy
140 bpm • C Maj • 01:36 • -20.52db
37% Popularity • 24% Danceability • 10% Energy • 14% Liveness
49% Instrumentalness • 14% Positiveness
37% Popularity • 24% Danceability • 10% Energy • 14% Liveness
49% Instrumentalness • 14% Positiveness
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Jacobus Gallus
Repleti sunt
134 bpm • F min • 01:58 • -20.77db
32% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
32% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Messe de la toussaint : Introit gaudeamu...
134 bpm • F Maj • 02:46 • -31.08db
39% Popularity • 21% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 5% Positiveness
39% Popularity • 21% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 5% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Prayer Of St. Fancis
140 bpm • D Maj • 02:00 • -25.96db
25% Popularity • 21% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 21% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Choir Of St. Abuscus
Te Deum laudamus Hymnus (Dankgottesdiens...
134 bpm • D Maj • 06:21 • -19db
30% Popularity • 26% Danceability • 14% Energy • 33% Liveness
1% Instrumentalness • 10% Positiveness
30% Popularity • 26% Danceability • 14% Energy • 33% Liveness
1% Instrumentalness • 10% Positiveness
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Francis Stanfield
Divine Mysteries "Sweet Sacrament Divine...
134 bpm • D# Maj • 03:55 • -29db
16% Popularity • 19% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 19% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Benedictines of Mary, Queen of Apostles
The King of Love My Shepherd Is
134 bpm • D# Maj • 03:27 • -27.77db
24% Popularity • 22% Danceability • 3% Energy • 12% Liveness
10% Instrumentalness • 14% Positiveness
24% Popularity • 22% Danceability • 3% Energy • 12% Liveness
10% Instrumentalness • 14% Positiveness
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Dominican House of Studies
Requiem aeternam
141 bpm • F# Maj • 01:54 • -23.19db
26% Popularity • 18% Danceability • 14% Energy • 11% Liveness
28% Instrumentalness • 12% Positiveness
26% Popularity • 18% Danceability • 14% Energy • 11% Liveness
28% Instrumentalness • 12% Positiveness
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The Russian State Symphony Cappella
Amen, Alleluia
133 bpm • F Maj • 01:05 • -19.65db
32% Popularity • 21% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
32% Popularity • 21% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Officium Ensemble
Jubilus rhythmicus de nomini Jesu (2)
133 bpm • A# min • 02:17 • -25.76db
9% Popularity • 28% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 28% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Choir Of St. Abuscus
Lumen ad revelationen Antiphona (Maria R...
141 bpm • A# Maj • 02:27 • -12.83db
29% Popularity • 25% Danceability • 24% Energy • 16% Liveness
1% Instrumentalness • 9% Positiveness
29% Popularity • 25% Danceability • 24% Energy • 16% Liveness
1% Instrumentalness • 9% Positiveness
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![The Forty (Lord, Have Mercy) [Kiev-Pechersk Lavra Chant] cover art](https://i.scdn.co/image/ab67616d00001e0274f861c808b95a2d87010a90)
St. Symeon Orthodox Church Octet
The Forty (Lord, Have Mercy) [Kiev-Peche...
133 bpm • C# Maj • 01:05 • -17.73db
23% Popularity • 19% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 19% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
48% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
48% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Dominican House of Studies
O quam gloriosum
133 bpm • A Maj • 01:59 • -23db
22% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 13% Positiveness
22% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 13% Positiveness
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The Benedictine Nuns of St. Cecilia's Abbey
O Filii Et Filiae
133 bpm • G min • 03:34 • -19.14db
29% Popularity • 34% Danceability • 12% Energy • 16% Liveness
87% Instrumentalness • 11% Positiveness
29% Popularity • 34% Danceability • 12% Energy • 16% Liveness
87% Instrumentalness • 11% Positiveness
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Giovanni Pierluigi da Palestrina
Pueri Hebraeorum
133 bpm • F Maj • 01:59 • -18.5db
32% Popularity • 25% Danceability • 21% Energy • 9% Liveness
98% Instrumentalness • 12% Positiveness
32% Popularity • 25% Danceability • 21% Energy • 9% Liveness
98% Instrumentalness • 12% Positiveness
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Bernadette Farrell
O God, You Search Me
133 bpm • D Maj • 03:22 • -19db
30% Popularity • 17% Danceability • 19% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 19% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Choir Of St. Abuscus
Benedictus Hymnus (4. Adventssonnabend)
133 bpm • D# Maj • 06:58 • -15db
29% Popularity • 24% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
29% Popularity • 24% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
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Jan Struther
Lord of All Hopefulness
132 bpm • D# Maj • 02:41 • -19db
24% Popularity • 28% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 28% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Samuel Wesley
Have Mercy Upon Me, O God, After Thy Gre...
132 bpm • D min • 05:14 • -27.93db
12% Popularity • 23% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Festival Canticle: Worthy Is Christ (Thi...
132 bpm • B min • 03:47 • -23.67db
17% Popularity • 16% Danceability • 16% Energy • 12% Liveness
78% Instrumentalness • 17% Positiveness
17% Popularity • 16% Danceability • 16% Energy • 12% Liveness
78% Instrumentalness • 17% Positiveness
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Marian Grace
Agnus Dei
142 bpm • C# Maj • 00:49 • -15db
31% Popularity • 29% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
31% Popularity • 29% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Dan Forrest
Jesu Dulcis Memoria
132 bpm • A# Maj • 05:04 • -21.8db
15% Popularity • 20% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Martina Julia Snell
Mother of Sorrows
132 bpm • G min • 05:01 • -20.66db
29% Popularity • 23% Danceability • 8% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
29% Popularity • 23% Danceability • 8% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
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Nova Schola Gregoriana
Missa cum iubilo - Sanctus
132 bpm • D# Maj • 01:44 • -20db
38% Popularity • 22% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
38% Popularity • 22% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
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Dominican House of Studies
The Right Hand of the Lord
132 bpm • D# min • 01:00 • -19.51db
36% Popularity • 18% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
36% Popularity • 18% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Dell'Umiliazione E Della Morte. In...
143 bpm • A Maj • 02:15 • -25.51db
34% Popularity • 25% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
34% Popularity • 25% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Chants From the Holyland- Graz Gregorian Chants School of Austri
Lamentatio
142 bpm • F# min • 05:18 • -15.95db
37% Popularity • 22% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
All Creatures Of Our God And King
143 bpm • D# Maj • 04:36 • -22.95db
28% Popularity • 16% Danceability • 8% Energy • 12% Liveness
3% Instrumentalness • 17% Positiveness
28% Popularity • 16% Danceability • 8% Energy • 12% Liveness
3% Instrumentalness • 17% Positiveness
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The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr
Memorare
131 bpm • F Maj • 02:00 • -28db
42% Popularity • 20% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 6% Positiveness
42% Popularity • 20% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 6% Positiveness
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Archangel Voices
O Vineyard, Fair and New (Traditional Ge...
143 bpm • D# Maj • 04:25 • -33.52db
10% Popularity • 14% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Benedictines of Mary, Queen of Apostles
Veritas Mea
131 bpm • B Maj • 01:17 • -16.37db
28% Popularity • 26% Danceability • 18% Energy • 27% Liveness
86% Instrumentalness • 19% Positiveness
28% Popularity • 26% Danceability • 18% Energy • 27% Liveness
86% Instrumentalness • 19% Positiveness
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Philip Stopford
For the Beauty of the Earth (Version for...
143 bpm • G# Maj • 03:21 • -25.26db
14% Popularity • 19% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
14% Popularity • 19% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Giuseppe Tartini
Stabat Mater
144 bpm • F# Maj • 07:32 • -22.99db
33% Popularity • 21% Danceability • 8% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
33% Popularity • 21% Danceability • 8% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Wierni
Credo In Unum Deum
131 bpm • D# Maj • 04:51 • -18.15db
30% Popularity • 25% Danceability • 20% Energy • 10% Liveness
9% Instrumentalness • 11% Positiveness
30% Popularity • 25% Danceability • 20% Energy • 10% Liveness
9% Instrumentalness • 11% Positiveness
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Choir Of St. Abuscus
Hosanna filio David Antiphona (Palmsonnt...
131 bpm • D# Maj • 02:23 • -17db
35% Popularity • 25% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 25% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Oreste Ravanello
Veni Creator
130 bpm • G Maj • 04:17 • -25.2db
25% Popularity • 27% Danceability • 5% Energy • 10% Liveness
50% Instrumentalness • 22% Positiveness
25% Popularity • 27% Danceability • 5% Energy • 10% Liveness
50% Instrumentalness • 22% Positiveness
► Preview
Harpa Dei
Benedictus
130 bpm • C min • 03:56 • -18.1db
34% Popularity • 34% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 34% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Benedictines of Mary, Queen of Apostles
Virgin Wholly Marvelous
130 bpm • E Maj • 01:52 • -24.99db
23% Popularity • 27% Danceability • 9% Energy • 16% Liveness
34% Instrumentalness • 5% Positiveness
23% Popularity • 27% Danceability • 9% Energy • 16% Liveness
34% Instrumentalness • 5% Positiveness
► Preview
Cantores 'Regina Caeli'
Asperges Me
144 bpm • F# Maj • 02:08 • -24.44db
28% Popularity • 19% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
28% Popularity • 19% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Canon Delfino Thermignon
Jesu Corona Virginum
130 bpm • A# Maj • 02:36 • -27.59db
17% Popularity • 24% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
17% Popularity • 24% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
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Hortus Musicus
Ego Sum
130 bpm • D min • 02:35 • -18.29db
23% Popularity • 24% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 24% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
James Morgan
Oh Lord Hear My Voice (Psalm 27)
144 bpm • G# Maj • 02:40 • -27.06db
24% Popularity • 18% Danceability • 11% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 11% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Floriani
Magnificat
130 bpm • A Maj • 03:12 • -37.42db
16% Popularity • 22% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 22% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Probandi Benedittini Di San Giovanni In Parma
Ite, Missa Est
130 bpm • G Maj • 00:44 • -22.47db
43% Popularity • 24% Danceability • 20% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
43% Popularity • 24% Danceability • 20% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
► Preview
Pierre de Corbeil
Concordi Laetitia
145 bpm • D# Maj • 02:03 • -27.38db
26% Popularity • 26% Danceability • 6% Energy • 12% Liveness
8% Instrumentalness • 14% Positiveness
26% Popularity • 26% Danceability • 6% Energy • 12% Liveness
8% Instrumentalness • 14% Positiveness
► Preview
Benedictines of Mary, Queen of Apostles
Ave Regina Caelorum
130 bpm • F Maj • 02:24 • -20.11db
21% Popularity • 25% Danceability • 21% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 25% Danceability • 21% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Stirps Iesse
O salutaris Hostia
130 bpm • D Maj • 01:03 • -29.69db
34% Popularity • 25% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
34% Popularity • 25% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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The Russian State Symphony Cappella
Lord Have Mercy
130 bpm • C Maj • 03:47 • -17.15db
22% Popularity • 17% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
22% Popularity • 17% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Juliano Ravanello
Down By the Sally Gardens
145 bpm • D Maj • 04:39 • -16.8db
23% Popularity • 28% Danceability • 13% Energy • 11% Liveness
5% Instrumentalness • 32% Positiveness
23% Popularity • 28% Danceability • 13% Energy • 11% Liveness
5% Instrumentalness • 32% Positiveness
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Venantius Fortunatus
Vexilla Regis
145 bpm • C min • 04:07 • -29.37db
29% Popularity • 24% Danceability • 2% Energy • 9% Liveness
79% Instrumentalness • 11% Positiveness
29% Popularity • 24% Danceability • 2% Energy • 9% Liveness
79% Instrumentalness • 11% Positiveness
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Richard K. Biggs
Praise Ye The Lord
129 bpm • G# Maj • 01:35 • -25.37db
18% Popularity • 26% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 9% Positiveness
18% Popularity • 26% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 9% Positiveness
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Benedictines of Mary, Queen of Apostles
Iste Quem Laeti
129 bpm • C min • 02:27 • -22.25db
16% Popularity • 30% Danceability • 8% Energy • 17% Liveness
20% Instrumentalness • 26% Positiveness
16% Popularity • 30% Danceability • 8% Energy • 17% Liveness
20% Instrumentalness • 26% Positiveness
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GIA Singers
To Jesus Christ, Our Sovereign King
129 bpm • F Maj • 02:22 • -18db
31% Popularity • 21% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
31% Popularity • 21% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Monsignor Marco Frisina
Anima Christi
129 bpm • B min • 04:13 • -24.21db
19% Popularity • 24% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
19% Popularity • 24% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Office des laudes : Respons vidi angelum
128 bpm • F# Maj • 04:13 • -29db
37% Popularity • 23% Danceability • 2% Energy • 10% Liveness
21% Instrumentalness • 7% Positiveness
37% Popularity • 23% Danceability • 2% Energy • 10% Liveness
21% Instrumentalness • 7% Positiveness
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Choirs Of Annunciation Byzantine Catholic Church
The Grieving Mother
128 bpm • D# min • 04:15 • -28db
17% Popularity • 17% Danceability • 7% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 7% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
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Claudio Casciolini
Quarite Primum
146 bpm • C Maj • 02:30 • -25.96db
18% Popularity • 17% Danceability • 3% Energy • 9% Liveness
41% Instrumentalness • 9% Positiveness
18% Popularity • 17% Danceability • 3% Energy • 9% Liveness
41% Instrumentalness • 9% Positiveness
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Benedictines of Mary, Queen of Apostles
Ave Verum
128 bpm • D# Maj • 01:36 • -26.55db
35% Popularity • 31% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 19% Positiveness
35% Popularity • 31% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 19% Positiveness
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Cherubika
Sophronievskaia Cherubic Hymn, Russian C...
128 bpm • D min • 05:22 • -18db
21% Popularity • 22% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Martina Julia Snell
My Mercy
128 bpm • G Maj • 03:17 • -22.1db
29% Popularity • 26% Danceability • 7% Energy • 9% Liveness
53% Instrumentalness • 4% Positiveness
29% Popularity • 26% Danceability • 7% Energy • 9% Liveness
53% Instrumentalness • 4% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Dell'Umiliazione E Della Morte. In...
147 bpm • C# min • 01:58 • -25.43db
34% Popularity • 25% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
34% Popularity • 25% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Traditional
Exultemus et Laetemur
128 bpm • C min • 03:50 • -27.5db
25% Popularity • 30% Danceability • 3% Energy • 12% Liveness
30% Instrumentalness • 20% Positiveness
25% Popularity • 30% Danceability • 3% Energy • 12% Liveness
30% Instrumentalness • 20% Positiveness
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Rev. Gregory Hügle, OSB
Christus Rex
128 bpm • D# Maj • 02:37 • -25.69db
16% Popularity • 26% Danceability • 7% Energy • 10% Liveness
5% Instrumentalness • 28% Positiveness
16% Popularity • 26% Danceability • 7% Energy • 10% Liveness
5% Instrumentalness • 28% Positiveness
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Benedictines of Mary, Queen of Apostles
Tantum Ergo - Mode II
128 bpm • C# Maj • 01:15 • -25.34db
33% Popularity • 29% Danceability • 5% Energy • 12% Liveness
10% Instrumentalness • 19% Positiveness
33% Popularity • 29% Danceability • 5% Energy • 12% Liveness
10% Instrumentalness • 19% Positiveness
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Probandi Benedittini Di San Giovanni In Parma
Credo III
128 bpm • D Maj • 04:29 • -22db
35% Popularity • 21% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
35% Popularity • 21% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Mignarda
Ave Maria (Gregorian chant)
147 bpm • B min • 01:17 • -22.5db
34% Popularity • 28% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 28% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Hans Leo Hassler
Cantate Domino canticum novum
128 bpm • D Maj • 01:39 • -19.4db
28% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Moscow Cathedral Choir
O Gentle Light
127 bpm • B Maj • 03:25 • -20.17db
21% Popularity • 18% Danceability • 17% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 17% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
