Songs like Paper Boats (feat. Ashley Barrett) by Darren Korb
Based on a tempo of (+/- 10%) and a similar genre
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Darren Korb
Paper Boats
156 bpm • D min • 04:00 • -6.29db
38% Popularity • 42% Danceability • 41% Energy • 26% Liveness
8% Instrumentalness • 6% Positiveness
38% Popularity • 42% Danceability • 41% Energy • 26% Liveness
8% Instrumentalness • 6% Positiveness
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Ken Ashcorp
Black Lily
155 bpm • A Maj • 03:55 • -9.12db
41% Popularity • 55% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 55% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Emil / Karma
155 bpm • G Maj • 03:21 • -8.93db
39% Popularity • 48% Danceability • 90% Energy • 23% Liveness
67% Instrumentalness • 64% Positiveness
39% Popularity • 48% Danceability • 90% Energy • 23% Liveness
67% Instrumentalness • 64% Positiveness
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Michelle Heafy
Everlasting Love
157 bpm • D Maj • 04:55 • -15.11db
13% Popularity • 63% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 63% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Joel Baylis
Wherever We Are Now
157 bpm • D Maj • 03:46 • -13.16db
36% Popularity • 39% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 39% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Danny Baranowsky
Six Feet Thunder (Shopkeeper)
155 bpm • G Maj • 03:02 • -3.98db
13% Popularity • 37% Danceability • 79% Energy • 12% Liveness
62% Instrumentalness • 23% Positiveness
13% Popularity • 37% Danceability • 79% Energy • 12% Liveness
62% Instrumentalness • 23% Positiveness
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Sean Schafianski
A Heart Not Forgotten (Emil / Karma)
155 bpm • G Maj • 03:26 • -12.27db
13% Popularity • 55% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 55% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Hydelic
World of Colors
158 bpm • D# Maj • 03:02 • -5.62db
23% Popularity • 45% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 45% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Darren Korb
In the Blood
154 bpm • F Maj • 04:10 • -4.95db
47% Popularity • 31% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
47% Popularity • 31% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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The Protomen
Keep Quiet
154 bpm • E Maj • 07:30 • -5.43db
32% Popularity • 46% Danceability • 77% Energy • 12% Liveness
7% Instrumentalness • 15% Positiveness
32% Popularity • 46% Danceability • 77% Energy • 12% Liveness
7% Instrumentalness • 15% Positiveness
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Andrew Prahlow
The River
159 bpm • A# min • 02:43 • -9.52db
42% Popularity • 38% Danceability • 50% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
42% Popularity • 38% Danceability • 50% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
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帆足圭吾
Bipolar Nightmare
158 bpm • C# Maj • 05:00 • -11.59db
42% Popularity • 54% Danceability • 88% Energy • 14% Liveness
67% Instrumentalness • 32% Positiveness
42% Popularity • 54% Danceability • 88% Energy • 14% Liveness
67% Instrumentalness • 32% Positiveness
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The Megas
(I Want to Be the One) to Watch You Die
159 bpm • B min • 03:42 • -7.65db
23% Popularity • 48% Danceability • 87% Energy • 36% Liveness
23% Instrumentalness • 57% Positiveness
23% Popularity • 48% Danceability • 87% Energy • 36% Liveness
23% Instrumentalness • 57% Positiveness
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Port Sulphur Band
Bullet's Lullaby
152 bpm • F# min • 02:03 • -13db
40% Popularity • 26% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
40% Popularity • 26% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Darren Korb
Paper Boats
153 bpm • A Maj • 04:18 • -6.3db
23% Popularity • 23% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 23% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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岡部啓一
Weight of the World - Arranged by ZANIO
160 bpm • G# Maj • 05:28 • -9.98db
21% Popularity • 49% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 49% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Hills of Radiant Winds
160 bpm • G Maj • 02:53 • -8.64db
42% Popularity • 50% Danceability • 86% Energy • 31% Liveness
19% Instrumentalness • 74% Positiveness
42% Popularity • 50% Danceability • 86% Energy • 31% Liveness
19% Instrumentalness • 74% Positiveness
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ORIGA
Historia Crux
160 bpm • A# Maj • 04:28 • -7db
26% Popularity • 46% Danceability • 80% Energy • 16% Liveness
1% Instrumentalness • 52% Positiveness
26% Popularity • 46% Danceability • 80% Energy • 16% Liveness
1% Instrumentalness • 52% Positiveness
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The Megas
Just Another Machine
160 bpm • C# Maj • 06:39 • -4.03db
11% Popularity • 40% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 40% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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an Unkindness
Foundation
160 bpm • E min • 04:06 • -6db
18% Popularity • 51% Danceability • 92% Energy • 12% Liveness
89% Instrumentalness • 52% Positiveness
18% Popularity • 51% Danceability • 92% Energy • 12% Liveness
89% Instrumentalness • 52% Positiveness
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Beícoli
Lonely Mountain
160 bpm • G min • 03:55 • -10.42db
23% Popularity • 65% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 65% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Dirt Poor Robins
Skywriter (Deluxe Edition)
160 bpm • G# Maj • 04:45 • -6.24db
23% Popularity • 39% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 39% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Copilot Music + Sound
Sands of Serkonos
152 bpm • G min • 02:53 • -6db
32% Popularity • 53% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 53% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Bright September
Sleepless Lullaby
160 bpm • G# Maj • 03:41 • -7.42db
10% Popularity • 40% Danceability • 54% Energy • 6% Liveness
19% Instrumentalness • 26% Positiveness
10% Popularity • 40% Danceability • 54% Energy • 6% Liveness
19% Instrumentalness • 26% Positiveness
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Edgar Rothermich
I Want Love
160 bpm • C# Maj • 04:16 • -10.6db
27% Popularity • 55% Danceability • 58% Energy • 11% Liveness
42% Instrumentalness • 26% Positiveness
27% Popularity • 55% Danceability • 58% Energy • 11% Liveness
42% Instrumentalness • 26% Positiveness
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The Megas
History Repeating Pt. 2 (One Last Time)
160 bpm • A Maj • 03:12 • -7.73db
31% Popularity • 44% Danceability • 85% Energy • 12% Liveness
2% Instrumentalness • 46% Positiveness
31% Popularity • 44% Danceability • 85% Energy • 12% Liveness
2% Instrumentalness • 46% Positiveness
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Jeremy Blake
Sing Me to Sleep
161 bpm • E min • 05:39 • -5.11db
23% Popularity • 47% Danceability • 89% Energy • 15% Liveness
4% Instrumentalness • 42% Positiveness
23% Popularity • 47% Danceability • 89% Energy • 15% Liveness
4% Instrumentalness • 42% Positiveness
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Aviators
October Sunset
151 bpm • F# min • 04:32 • -6db
21% Popularity • 54% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 54% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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SQUARE ENIX MUSIC
Song of the Ancients / Devola
162 bpm • F min • 03:04 • -12.87db
48% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
48% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Les Friction
Sunday
152 bpm • G Maj • 03:36 • -8db
23% Popularity • 42% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 42% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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Marcin Przybyłowicz
Wolven Storm - English
150 bpm • D min • 03:18 • -17.02db
47% Popularity • 55% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
47% Popularity • 55% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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The Protomen
III: The Will of One
150 bpm • F Maj • 04:09 • -5.09db
30% Popularity • 30% Danceability • 85% Energy • 68% Liveness
1% Instrumentalness • 34% Positiveness
30% Popularity • 30% Danceability • 85% Energy • 68% Liveness
1% Instrumentalness • 34% Positiveness
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THE PRIMALS
Band:Oblivion
150 bpm • D Maj • 03:59 • -4.77db
29% Popularity • 29% Danceability • 97% Energy • 19% Liveness
19% Instrumentalness • 14% Positiveness
29% Popularity • 29% Danceability • 97% Energy • 19% Liveness
19% Instrumentalness • 14% Positiveness
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The Megas
Fly on a Dog
162 bpm • G# min • 04:51 • -8.97db
21% Popularity • 39% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 39% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Chris Christodoulou
Reaped by Death
150 bpm • D Maj • 04:29 • -9.37db
21% Popularity • 54% Danceability • 65% Energy • 10% Liveness
71% Instrumentalness • 75% Positiveness
21% Popularity • 54% Danceability • 65% Energy • 10% Liveness
71% Instrumentalness • 75% Positiveness
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Entertainment System & The Megas
Evolution of Circuitry/Elecman
150 bpm • B Maj • 04:33 • -5db
8% Popularity • 39% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 39% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Daniel Olsén
Inside
150 bpm • A Maj • 03:32 • -7db
32% Popularity • 55% Danceability • 77% Energy • 18% Liveness
25% Instrumentalness • 53% Positiveness
32% Popularity • 55% Danceability • 77% Energy • 18% Liveness
25% Instrumentalness • 53% Positiveness
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Sean Schafianski
Rule Breaker (Gods Bound By Rules)
150 bpm • C min • 05:03 • -8.4db
11% Popularity • 40% Danceability • 68% Energy • 37% Liveness
90% Instrumentalness • 64% Positiveness
11% Popularity • 40% Danceability • 68% Energy • 37% Liveness
90% Instrumentalness • 64% Positiveness
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Amarante
The Manic
150 bpm • D# min • 03:50 • -13.14db
33% Popularity • 56% Danceability • 44% Energy • 16% Liveness
25% Instrumentalness • 39% Positiveness
33% Popularity • 56% Danceability • 44% Energy • 16% Liveness
25% Instrumentalness • 39% Positiveness
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The Megas
History Repeating Pt. 1
150 bpm • F# min • 03:45 • -11db
27% Popularity • 42% Danceability • 49% Energy • 62% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 42% Danceability • 49% Energy • 62% Liveness
0% Instrumentalness • 17% Positiveness
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Les Friction
Make Believe
150 bpm • F Maj • 04:18 • -6.25db
19% Popularity • 47% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 47% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Danny Baranowsky
Notorious D.I.G.
150 bpm • F# Maj • 04:17 • -7.66db
18% Popularity • 60% Danceability • 78% Energy • 15% Liveness
3% Instrumentalness • 69% Positiveness
18% Popularity • 60% Danceability • 78% Energy • 15% Liveness
3% Instrumentalness • 69% Positiveness
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Garoad
Your Love Is a Drug
149 bpm • G# Maj • 03:00 • -12db
33% Popularity • 53% Danceability • 65% Energy • 14% Liveness
92% Instrumentalness • 20% Positiveness
33% Popularity • 53% Danceability • 65% Energy • 14% Liveness
92% Instrumentalness • 20% Positiveness
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Darren Korb
In the Flame (Acoustic Instrumental)
164 bpm • E min • 01:16 • -11.01db
20% Popularity • 29% Danceability • 55% Energy • 10% Liveness
33% Instrumentalness • 44% Positiveness
20% Popularity • 29% Danceability • 55% Energy • 10% Liveness
33% Instrumentalness • 44% Positiveness
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Megan McDuffee
Watch Your Back
164 bpm • F min • 04:27 • -8.7db
21% Popularity • 68% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 68% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Keiichi Okabe
Nier Automata - A Beautiful Song
148 bpm • G min • 05:01 • -7.21db
24% Popularity • 20% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 20% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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The Glass Pyramids
My Heart Feels No Pain
148 bpm • E min • 04:58 • -4.95db
34% Popularity • 57% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 57% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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YUKO KOMIYAMA
Tales Spun through Song
148 bpm • C# min • 04:37 • -13.87db
31% Popularity • 20% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
31% Popularity • 20% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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岡部啓一
Weight of the World the End of YoRHa
148 bpm • C Maj • 05:39 • -8.16db
44% Popularity • 38% Danceability • 78% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
44% Popularity • 38% Danceability • 78% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Dirt Poor Robins
Rise Up
147 bpm • E min • 05:36 • -5.7db
14% Popularity • 53% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 53% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Danny Baranowsky
Sacrificial
166 bpm • E min • 05:08 • -11db
35% Popularity • 52% Danceability • 55% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
35% Popularity • 52% Danceability • 55% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
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Ken Ashcorp
Take Me Home
166 bpm • D Maj • 03:01 • -6.44db
46% Popularity • 34% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
46% Popularity • 34% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Strawberry Girls
Buddha
146 bpm • B min • 06:33 • -6.98db
21% Popularity • 28% Danceability • 82% Energy • 12% Liveness
79% Instrumentalness • 11% Positiveness
21% Popularity • 28% Danceability • 82% Energy • 12% Liveness
79% Instrumentalness • 11% Positiveness
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THE PRIMALS
Band: eScape
145 bpm • D Maj • 04:11 • -2.97db
29% Popularity • 35% Danceability • 97% Energy • 8% Liveness
20% Instrumentalness • 31% Positiveness
29% Popularity • 35% Danceability • 97% Energy • 8% Liveness
20% Instrumentalness • 31% Positiveness
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岡部啓一
Weight of the World - Nouveau-FR Version...
148 bpm • C Maj • 05:47 • -9.69db
38% Popularity • 35% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 35% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Dirt Poor Robins
Solemn Dream
145 bpm • D# Maj • 06:08 • -7.16db
19% Popularity • 30% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 18% Positiveness
19% Popularity • 30% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 18% Positiveness
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Copilot Music + Sound
Jewel of the South
168 bpm • G min • 03:10 • -4.67db
22% Popularity • 37% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 37% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Mudeth
Machine in the Walls (Mausoleum)
145 bpm • C Maj • 06:24 • -9db
37% Popularity • 53% Danceability • 67% Energy • 9% Liveness
87% Instrumentalness • 46% Positiveness
37% Popularity • 53% Danceability • 67% Energy • 9% Liveness
87% Instrumentalness • 46% Positiveness
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SIE Sound Team
If You Still Believe -The Legend of Drag...
168 bpm • C min • 05:57 • -8.16db
29% Popularity • 26% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 26% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Jim Guthrie
The Prettiest Weed
145 bpm • C min • 02:19 • -7.79db
26% Popularity • 48% Danceability • 79% Energy • 9% Liveness
91% Instrumentalness • 34% Positiveness
26% Popularity • 48% Danceability • 79% Energy • 9% Liveness
91% Instrumentalness • 34% Positiveness
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岡部啓一
Weight of the World - English Version - ...
148 bpm • C Maj • 05:44 • -10.55db
48% Popularity • 29% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
48% Popularity • 29% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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The Protomen
Here Comes The Arm
145 bpm • D min • 07:44 • -13.39db
25% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Songe
Zelda's Lost Notes - A Trip to Dragon Ro...
168 bpm • G min • 03:35 • -8db
7% Popularity • 48% Danceability • 50% Energy • 11% Liveness
87% Instrumentalness • 39% Positiveness
7% Popularity • 48% Danceability • 50% Energy • 11% Liveness
87% Instrumentalness • 39% Positiveness
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Theophany
Healing Termina
145 bpm • G min • 08:31 • -7.41db
27% Popularity • 30% Danceability • 72% Energy • 10% Liveness
48% Instrumentalness • 9% Positiveness
27% Popularity • 30% Danceability • 72% Energy • 10% Liveness
48% Instrumentalness • 9% Positiveness
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Marcin Przybyłowicz
Lullaby Of Woe
145 bpm • G min • 02:30 • -24.44db
45% Popularity • 38% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
45% Popularity • 38% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Jim Guthrie
Lone Star
145 bpm • B min • 02:35 • -11.02db
28% Popularity • 77% Danceability • 56% Energy • 4% Liveness
5% Instrumentalness • 92% Positiveness
28% Popularity • 77% Danceability • 56% Energy • 4% Liveness
5% Instrumentalness • 92% Positiveness
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Beícoli
Mother
145 bpm • F min • 03:10 • -13.18db
27% Popularity • 46% Danceability • 37% Energy • 11% Liveness
8% Instrumentalness • 45% Positiveness
27% Popularity • 46% Danceability • 37% Energy • 11% Liveness
8% Instrumentalness • 45% Positiveness
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Darren Korb
Bound Together
168 bpm • G Maj • 06:09 • -7db
24% Popularity • 40% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 40% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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The Protomen
V: The Stand (Man or Machine)
144 bpm • A min • 05:57 • -6.61db
30% Popularity • 23% Danceability • 81% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
30% Popularity • 23% Danceability • 81% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Dirt Poor Robins
Scarecrows (Deluxe Edition)
144 bpm • C Maj • 04:46 • -6.78db
20% Popularity • 29% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 29% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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岡部啓一
Alien Manifestation
144 bpm • A Maj • 06:27 • -12.23db
40% Popularity • 50% Danceability • 49% Energy • 10% Liveness
83% Instrumentalness • 7% Positiveness
40% Popularity • 50% Danceability • 49% Energy • 10% Liveness
83% Instrumentalness • 7% Positiveness
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Lena Raine
Resurrections
144 bpm • A min • 09:38 • -7.32db
51% Popularity • 37% Danceability • 71% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
51% Popularity • 37% Danceability • 71% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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Steve Conte
living inside the shell
144 bpm • C# Maj • 06:24 • -6.42db
31% Popularity • 55% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 55% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Aviators
Fading Light
144 bpm • F min • 06:16 • -5.7db
40% Popularity • 39% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 39% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Ryan Ike
Heavy Hands
144 bpm • D Maj • 05:16 • -10db
32% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Dirt Poor Robins
Furthest Star
144 bpm • D min • 05:09 • -6.26db
34% Popularity • 37% Danceability • 66% Energy • 39% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 37% Danceability • 66% Energy • 39% Liveness
0% Instrumentalness • 21% Positiveness
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Miracle Of Sound
Upside Down
170 bpm • G Maj • 04:10 • -7.83db
27% Popularity • 52% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 52% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Garoad
Lifebeat of Lilim (Bonus Track)
170 bpm • B min • 03:17 • -10.22db
23% Popularity • 44% Danceability • 81% Energy • 7% Liveness
4% Instrumentalness • 44% Positiveness
23% Popularity • 44% Danceability • 81% Energy • 7% Liveness
4% Instrumentalness • 44% Positiveness
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Darren Korb
We All Become
170 bpm • F# min • 02:29 • -6.24db
41% Popularity • 41% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
41% Popularity • 41% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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A Shell In The Pit
Pistol Shrimp (Castle Boss)
170 bpm • C# min • 00:57 • -10.6db
20% Popularity • 40% Danceability • 69% Energy • 50% Liveness
96% Instrumentalness • 20% Positiveness
20% Popularity • 40% Danceability • 69% Energy • 50% Liveness
96% Instrumentalness • 20% Positiveness
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Les Friction
Here Comes the Reign
170 bpm • E Maj • 03:48 • -9.36db
18% Popularity • 24% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 24% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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she
Nostalgic Vibes
170 bpm • D Maj • 03:49 • -6db
23% Popularity • 56% Danceability • 88% Energy • 10% Liveness
16% Instrumentalness • 90% Positiveness
23% Popularity • 56% Danceability • 88% Energy • 10% Liveness
16% Instrumentalness • 90% Positiveness
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Lena Raine
The Mountain Top
143 bpm • G# Maj • 04:18 • -10.4db
19% Popularity • 27% Danceability • 31% Energy • 10% Liveness
8% Instrumentalness • 16% Positiveness
19% Popularity • 27% Danceability • 31% Energy • 10% Liveness
8% Instrumentalness • 16% Positiveness
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Jordan Chin
Not Afraid
143 bpm • C# Maj • 03:57 • -6.6db
13% Popularity • 32% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 32% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Darren Korb
Vagrant Song
170 bpm • F# min • 03:28 • -13.25db
21% Popularity • 14% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 14% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Jukio Kallio
Kings and Queens of Wasteland
170 bpm • E Maj • 04:30 • -4.83db
25% Popularity • 32% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 32% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Andrew Prahlow
Echoes of the Eye
171 bpm • B Maj • 02:30 • -5.95db
42% Popularity • 42% Danceability • 54% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
42% Popularity • 42% Danceability • 54% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
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Max LL
What Will You Leave Behind (End Titles)
171 bpm • C Maj • 02:48 • -16db
41% Popularity • 37% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 37% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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The Protomen
Breaking Out
142 bpm • B min • 07:16 • -3.52db
35% Popularity • 57% Danceability • 94% Energy • 10% Liveness
4% Instrumentalness • 52% Positiveness
35% Popularity • 57% Danceability • 94% Energy • 10% Liveness
4% Instrumentalness • 52% Positiveness
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Fred Avril
Je sais qui tu es
142 bpm • B Maj • 02:47 • -6.15db
22% Popularity • 41% Danceability • 86% Energy • 9% Liveness
64% Instrumentalness • 27% Positiveness
22% Popularity • 41% Danceability • 86% Energy • 9% Liveness
64% Instrumentalness • 27% Positiveness
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The Glass Pyramids
Captive Normals (A Fever Dream)
142 bpm • E Maj • 04:15 • -7.19db
34% Popularity • 56% Danceability • 87% Energy • 32% Liveness
1% Instrumentalness • 39% Positiveness
34% Popularity • 56% Danceability • 87% Energy • 32% Liveness
1% Instrumentalness • 39% Positiveness
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Mason Lieberman
The Real Folk Blues
172 bpm • F# min • 06:27 • -10db
31% Popularity • 54% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 54% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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高橋邦幸
Memories of Dust
172 bpm • G min • 05:29 • -12.43db
43% Popularity • 18% Danceability • 48% Energy • 11% Liveness
13% Instrumentalness • 11% Positiveness
43% Popularity • 18% Danceability • 48% Energy • 11% Liveness
13% Instrumentalness • 11% Positiveness
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Ken Ashcorp
Hunter
172 bpm • A min • 05:40 • -5.48db
47% Popularity • 27% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 27% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Video Games Live
Phoenix Wright
173 bpm • F min • 03:10 • -7.21db
24% Popularity • 30% Danceability • 70% Energy • 7% Liveness
82% Instrumentalness • 41% Positiveness
24% Popularity • 30% Danceability • 70% Energy • 7% Liveness
82% Instrumentalness • 41% Positiveness
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Dirt Poor Robins
Holiday (Deluxe Edition)
140 bpm • E min • 05:29 • -7.06db
16% Popularity • 37% Danceability • 65% Energy • 36% Liveness
1% Instrumentalness • 8% Positiveness
16% Popularity • 37% Danceability • 65% Energy • 36% Liveness
1% Instrumentalness • 8% Positiveness
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THE PRIMALS
Band:Fiend
140 bpm • B Maj • 03:56 • -6.29db
24% Popularity • 45% Danceability • 91% Energy • 18% Liveness
6% Instrumentalness • 18% Positiveness
24% Popularity • 45% Danceability • 91% Energy • 18% Liveness
6% Instrumentalness • 18% Positiveness
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Amarante
Into The Dark
140 bpm • C# min • 04:12 • -10.76db
22% Popularity • 58% Danceability • 53% Energy • 10% Liveness
33% Instrumentalness • 26% Positiveness
22% Popularity • 58% Danceability • 53% Energy • 10% Liveness
33% Instrumentalness • 26% Positiveness
