Songs like Paper Thin Hotel by Matt Maltese
Based on a tempo of (+/- 10%) and a similar genre
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The Backseat Lovers
Olivia
124 bpm • G Maj • 03:12 • -15.37db
56% Popularity • 78% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
56% Popularity • 78% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Matt Maltese
Paper Thin Hotel
124 bpm • C Maj • 04:26 • -12.68db
42% Popularity • 48% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
42% Popularity • 48% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Cage The Elephant
Right Before My Eyes - Unpeeled
124 bpm • D Maj • 04:40 • -10.28db
50% Popularity • 49% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
50% Popularity • 49% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Pity Party (Girls Club)
I Hope Youre Doing Okay
124 bpm • C# min • 02:00 • -12.87db
51% Popularity • 65% Danceability • 43% Energy • 23% Liveness
78% Instrumentalness • 40% Positiveness
51% Popularity • 65% Danceability • 43% Energy • 23% Liveness
78% Instrumentalness • 40% Positiveness
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Cigarettes After Sex
John Wayne
124 bpm • D# Maj • 04:18 • -8.39db
72% Popularity • 44% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
72% Popularity • 44% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
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Jess Benko
A Soulmate Who Wasn’t Meant to Be
124 bpm • A min • 05:16 • -20.27db
65% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
65% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
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Field Medic
retail therapy
124 bpm • F Maj • 03:45 • -9.36db
13% Popularity • 41% Danceability • 31% Energy • 16% Liveness
1% Instrumentalness • 24% Positiveness
13% Popularity • 41% Danceability • 31% Energy • 16% Liveness
1% Instrumentalness • 24% Positiveness
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Big Thief
Paul - 2023 Remaster
123 bpm • B Maj • 03:03 • -8.57db
64% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
64% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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The Greeting Committee
Elise
123 bpm • C Maj • 04:14 • -13.16db
44% Popularity • 64% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 64% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Peach Pit
Hot Knifer
125 bpm • F# min • 04:08 • -8.81db
48% Popularity • 64% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 9% Positiveness
48% Popularity • 64% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 9% Positiveness
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Florist
The Fear of Losing This
123 bpm • C Maj • 03:53 • -21db
52% Popularity • 38% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
52% Popularity • 38% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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dandelion hands
My Friends Don't Know (I Know They Hate ...
123 bpm • D Maj • 02:22 • -18.24db
45% Popularity • 53% Danceability • 10% Energy • 12% Liveness
61% Instrumentalness • 13% Positiveness
45% Popularity • 53% Danceability • 10% Energy • 12% Liveness
61% Instrumentalness • 13% Positiveness
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Matt Maltese
Misery
125 bpm • E min • 02:31 • -10.01db
34% Popularity • 53% Danceability • 38% Energy • 30% Liveness
87% Instrumentalness • 9% Positiveness
34% Popularity • 53% Danceability • 38% Energy • 30% Liveness
87% Instrumentalness • 9% Positiveness
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Adam Melchor
Moon in the Morning
123 bpm • F min • 03:14 • -9.13db
42% Popularity • 46% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 46% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Mitski
Class of 2013
125 bpm • C Maj • 01:49 • -11db
68% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
68% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Searows
Crybaby
122 bpm • D Maj • 04:01 • -17.92db
43% Popularity • 52% Danceability • 10% Energy • 11% Liveness
3% Instrumentalness • 18% Positiveness
43% Popularity • 52% Danceability • 10% Energy • 11% Liveness
3% Instrumentalness • 18% Positiveness
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Molly Burch
Please Be Mine
123 bpm • A Maj • 05:03 • -7db
44% Popularity • 34% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
44% Popularity • 34% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Honeysticks
Out Like a Light
126 bpm • B Maj • 04:16 • -7.79db
57% Popularity • 52% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 52% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Leith Ross
Orlando
122 bpm • G# Maj • 04:35 • -15.39db
44% Popularity • 61% Danceability • 27% Energy • 12% Liveness
43% Instrumentalness • 20% Positiveness
44% Popularity • 61% Danceability • 27% Energy • 12% Liveness
43% Instrumentalness • 20% Positiveness
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Tyler Burkhart
Rachel
122 bpm • F# Maj • 04:04 • -9.51db
27% Popularity • 56% Danceability • 54% Energy • 11% Liveness
97% Instrumentalness • 27% Positiveness
27% Popularity • 56% Danceability • 54% Energy • 11% Liveness
97% Instrumentalness • 27% Positiveness
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Jack Conman
Oxytocin
126 bpm • E Maj • 04:05 • -7.96db
36% Popularity • 53% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 53% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Bahamas
All I've Ever Known
126 bpm • F Maj • 06:15 • -11.16db
48% Popularity • 68% Danceability • 20% Energy • 11% Liveness
25% Instrumentalness • 25% Positiveness
48% Popularity • 68% Danceability • 20% Energy • 11% Liveness
25% Instrumentalness • 25% Positiveness
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Searows
Roadkill
126 bpm • C Maj • 04:40 • -14db
44% Popularity • 37% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 37% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Liana Flores
mother tongue
126 bpm • G# Maj • 02:46 • -16.07db
52% Popularity • 52% Danceability • 21% Energy • 32% Liveness
13% Instrumentalness • 17% Positiveness
52% Popularity • 52% Danceability • 21% Energy • 32% Liveness
13% Instrumentalness • 17% Positiveness
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Oscar Lang
Late Night Song For The Lonely
126 bpm • A Maj • 04:37 • -25.44db
23% Popularity • 60% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
23% Popularity • 60% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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Florist
1914
127 bpm • G Maj • 02:12 • -19db
43% Popularity • 39% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 39% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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The Walters
Old Friend
127 bpm • B min • 02:57 • -9.36db
38% Popularity • 70% Danceability • 56% Energy • 28% Liveness
1% Instrumentalness • 83% Positiveness
38% Popularity • 70% Danceability • 56% Energy • 28% Liveness
1% Instrumentalness • 83% Positiveness
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isabella fortuna
My Heart Is a Piano
127 bpm • B Maj • 02:46 • -16.33db
24% Popularity • 53% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 53% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Whatever, Dad
Papa Ed's Oobe
121 bpm • G Maj • 01:57 • -22.38db
48% Popularity • 57% Danceability • 10% Energy • 11% Liveness
68% Instrumentalness • 23% Positiveness
48% Popularity • 57% Danceability • 10% Energy • 11% Liveness
68% Instrumentalness • 23% Positiveness
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Matt Maltese
sad dream
127 bpm • G Maj • 02:32 • -8db
38% Popularity • 66% Danceability • 51% Energy • 9% Liveness
14% Instrumentalness • 53% Positiveness
38% Popularity • 66% Danceability • 51% Energy • 9% Liveness
14% Instrumentalness • 53% Positiveness
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Leith Ross
I Just Don't Think That You Like Me That...
127 bpm • C Maj • 03:26 • -16.29db
44% Popularity • 52% Danceability • 16% Energy • 8% Liveness
13% Instrumentalness • 36% Positiveness
44% Popularity • 52% Danceability • 16% Energy • 8% Liveness
13% Instrumentalness • 36% Positiveness
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Haley Heynderickx
Show You a Body
127 bpm • A# min • 03:28 • -12db
46% Popularity • 46% Danceability • 18% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
46% Popularity • 46% Danceability • 18% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
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Novo Amor
No Fun
127 bpm • B Maj • 03:31 • -14.16db
50% Popularity • 58% Danceability • 15% Energy • 11% Liveness
70% Instrumentalness • 29% Positiveness
50% Popularity • 58% Danceability • 15% Energy • 11% Liveness
70% Instrumentalness • 29% Positiveness
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Rigby
Headache
127 bpm • F min • 05:34 • -10.49db
40% Popularity • 55% Danceability • 48% Energy • 14% Liveness
24% Instrumentalness • 18% Positiveness
40% Popularity • 55% Danceability • 48% Energy • 14% Liveness
24% Instrumentalness • 18% Positiveness
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Zabawa
Butterfly's Repose
120 bpm • C Maj • 05:09 • -27.29db
53% Popularity • 30% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
53% Popularity • 30% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Matt Maltese
Mortals
127 bpm • C Maj • 05:25 • -8db
35% Popularity • 36% Danceability • 46% Energy • 25% Liveness
70% Instrumentalness • 7% Positiveness
35% Popularity • 36% Danceability • 46% Energy • 25% Liveness
70% Instrumentalness • 7% Positiveness
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Frankie Cosmos
My I Love You
120 bpm • B Maj • 01:32 • -11db
49% Popularity • 46% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 46% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jess Benko
Didn't Mean to Hurt You
120 bpm • C Maj • 03:35 • -19db
34% Popularity • 57% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
34% Popularity • 57% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Phoebe Bridgers
Chelsea
128 bpm • B Maj • 04:42 • -15.45db
51% Popularity • 39% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 39% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Bombay Bicycle Club
Reign Down
120 bpm • A# Maj • 02:03 • -10.16db
37% Popularity • 43% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 43% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Dad Bod
Elliott
120 bpm • D Maj • 03:52 • -10db
17% Popularity • 55% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
17% Popularity • 55% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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Matt Maltese
Smile in the Face of the Devil
121 bpm • D# Maj • 02:38 • -7.56db
46% Popularity • 48% Danceability • 36% Energy • 11% Liveness
75% Instrumentalness • 18% Positiveness
46% Popularity • 48% Danceability • 36% Energy • 11% Liveness
75% Instrumentalness • 18% Positiveness
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Frankie Cosmos
Fool
120 bpm • A Maj • 02:04 • -10.25db
70% Popularity • 51% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
70% Popularity • 51% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Maya Hawke
Generous Heart
128 bpm • C Maj • 03:35 • -15.5db
42% Popularity • 68% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 26% Positiveness
42% Popularity • 68% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 26% Positiveness
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Clairo
Sis
120 bpm • E Maj • 02:16 • -9.09db
50% Popularity • 51% Danceability • 51% Energy • 12% Liveness
93% Instrumentalness • 16% Positiveness
50% Popularity • 51% Danceability • 51% Energy • 12% Liveness
93% Instrumentalness • 16% Positiveness
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Penn Ave
Blueberry Eyes
120 bpm • C Maj • 02:57 • -11.84db
19% Popularity • 64% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
19% Popularity • 64% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Ritt Momney
Something, in General
128 bpm • E Maj • 04:00 • -15db
37% Popularity • 70% Danceability • 19% Energy • 16% Liveness
1% Instrumentalness • 54% Positiveness
37% Popularity • 70% Danceability • 19% Energy • 16% Liveness
1% Instrumentalness • 54% Positiveness
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Matt Maltese
Strange Time
128 bpm • C# Maj • 03:20 • -11db
43% Popularity • 37% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
43% Popularity • 37% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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The Walters
I Haven't Been True
120 bpm • E Maj • 03:22 • -7db
42% Popularity • 60% Danceability • 65% Energy • 24% Liveness
3% Instrumentalness • 56% Positiveness
42% Popularity • 60% Danceability • 65% Energy • 24% Liveness
3% Instrumentalness • 56% Positiveness
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Sufjan Stevens
John My Beloved
120 bpm • G Maj • 05:04 • -23.02db
50% Popularity • 58% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 58% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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lanclier
Never Leave
120 bpm • A Maj • 03:06 • -12.96db
24% Popularity • 76% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 76% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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chloe moriondo
Exhausted
120 bpm • F Maj • 02:44 • -25db
41% Popularity • 73% Danceability • 22% Energy • 30% Liveness
13% Instrumentalness • 27% Positiveness
41% Popularity • 73% Danceability • 22% Energy • 30% Liveness
13% Instrumentalness • 27% Positiveness
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The Honeysticks
I Don't Love You Anymore
120 bpm • D Maj • 03:45 • -9db
44% Popularity • 69% Danceability • 55% Energy • 16% Liveness
48% Instrumentalness • 65% Positiveness
44% Popularity • 69% Danceability • 55% Energy • 16% Liveness
48% Instrumentalness • 65% Positiveness
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Ralph Castelli
Lonely
120 bpm • E Maj • 04:20 • -14.58db
40% Popularity • 55% Danceability • 32% Energy • 9% Liveness
10% Instrumentalness • 16% Positiveness
40% Popularity • 55% Danceability • 32% Energy • 9% Liveness
10% Instrumentalness • 16% Positiveness
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Matt Maltese
Comic Life
120 bpm • G Maj • 04:10 • -13.95db
36% Popularity • 35% Danceability • 24% Energy • 11% Liveness
10% Instrumentalness • 5% Positiveness
36% Popularity • 35% Danceability • 24% Energy • 11% Liveness
10% Instrumentalness • 5% Positiveness
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Scruffpuppie
Big Breaths
120 bpm • A# Maj • 03:18 • -11db
20% Popularity • 47% Danceability • 16% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
20% Popularity • 47% Danceability • 16% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
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Tyler Burkhart
Just how I love you
120 bpm • E Maj • 03:05 • -19db
42% Popularity • 65% Danceability • 15% Energy • 9% Liveness
68% Instrumentalness • 6% Positiveness
42% Popularity • 65% Danceability • 15% Energy • 9% Liveness
68% Instrumentalness • 6% Positiveness
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Florist
Blue Mountain Road
120 bpm • D Maj • 03:39 • -22.95db
36% Popularity • 62% Danceability • 10% Energy • 7% Liveness
2% Instrumentalness • 23% Positiveness
36% Popularity • 62% Danceability • 10% Energy • 7% Liveness
2% Instrumentalness • 23% Positiveness
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spookyghostboy
From Tennessee with Love
120 bpm • G Maj • 03:33 • -13.29db
19% Popularity • 60% Danceability • 20% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
19% Popularity • 60% Danceability • 20% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
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Chloe Frances
gr8ful
120 bpm • B Maj • 02:44 • -17db
37% Popularity • 38% Danceability • 35% Energy • 7% Liveness
65% Instrumentalness • 10% Positiveness
37% Popularity • 38% Danceability • 35% Energy • 7% Liveness
65% Instrumentalness • 10% Positiveness
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Matt Maltese
In a New Bed
120 bpm • D Maj • 03:41 • -16.17db
36% Popularity • 47% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
36% Popularity • 47% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
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Whatever, Dad
Warsh_Tippy and Zelda
129 bpm • G Maj • 04:14 • -21.56db
58% Popularity • 42% Danceability • 8% Energy • 12% Liveness
32% Instrumentalness • 6% Positiveness
58% Popularity • 42% Danceability • 8% Energy • 12% Liveness
32% Instrumentalness • 6% Positiveness
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Tyler Burkhart
In the bathtub of the world
120 bpm • C min • 07:22 • -8.5db
28% Popularity • 56% Danceability • 44% Energy • 10% Liveness
82% Instrumentalness • 16% Positiveness
28% Popularity • 56% Danceability • 44% Energy • 10% Liveness
82% Instrumentalness • 16% Positiveness
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Fog Lake
Lost Love Letters
120 bpm • B min • 03:02 • -10.49db
41% Popularity • 27% Danceability • 34% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
41% Popularity • 27% Danceability • 34% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
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Scott James
Park Music
129 bpm • A Maj • 03:06 • -14.16db
36% Popularity • 66% Danceability • 20% Energy • 69% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 66% Danceability • 20% Energy • 69% Liveness
0% Instrumentalness • 35% Positiveness
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Wallows
1980s Horror Film
119 bpm • D Maj • 03:44 • -12.07db
49% Popularity • 48% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
49% Popularity • 48% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Matt Maltese
Studio 6
120 bpm • F Maj • 03:13 • -12.61db
43% Popularity • 50% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
43% Popularity • 50% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Phoebe Bridgers
Savior Complex
129 bpm • E Maj • 04:01 • -11.88db
66% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
66% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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isabella fortuna
So Small and so Quiet
119 bpm • C Maj • 03:03 • -19db
29% Popularity • 58% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 58% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Searows
Coming Clean
129 bpm • D Maj • 06:18 • -16db
44% Popularity • 51% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
44% Popularity • 51% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Leith Ross
Prayer
119 bpm • D Maj • 04:51 • -13.97db
30% Popularity • 41% Danceability • 11% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 41% Danceability • 11% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
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Philip Brooks
mountain
119 bpm • C Maj • 03:06 • -17.44db
38% Popularity • 41% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 41% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Frankie Cosmos
Slide
119 bpm • G Maj • 01:00 • -13.85db
44% Popularity • 59% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 49% Positiveness
44% Popularity • 59% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 49% Positiveness
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Son of Cloud
I Love You More
130 bpm • C Maj • 01:53 • -15.82db
38% Popularity • 48% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
38% Popularity • 48% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Wild Painting
Distractions
130 bpm • G Maj • 06:13 • -11.38db
41% Popularity • 45% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 45% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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rei brown
Our Love Remains
130 bpm • G Maj • 03:00 • -22.55db
30% Popularity • 52% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 52% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Leith Ross
Music Box
130 bpm • C# Maj • 04:25 • -14.52db
45% Popularity • 33% Danceability • 22% Energy • 34% Liveness
1% Instrumentalness • 15% Positiveness
45% Popularity • 33% Danceability • 22% Energy • 34% Liveness
1% Instrumentalness • 15% Positiveness
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Phoebe Bridgers
Waiting Room
130 bpm • D Maj • 06:33 • -10.07db
74% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
74% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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FLOOR CRY
Will U Be Alright
130 bpm • D Maj • 02:12 • -17.31db
15% Popularity • 73% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 73% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Joy Again
Necromancer
118 bpm • E Maj • 02:33 • -12.67db
55% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
55% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Someone
True Love Will Find You In The End
130 bpm • A# Maj • 03:35 • -15.68db
33% Popularity • 58% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
33% Popularity • 58% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
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Kevin Krauter
Fantasy Theme
130 bpm • C Maj • 03:58 • -16.32db
39% Popularity • 71% Danceability • 20% Energy • 11% Liveness
32% Instrumentalness • 56% Positiveness
39% Popularity • 71% Danceability • 20% Energy • 11% Liveness
32% Instrumentalness • 56% Positiveness
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Charlie Burg
Bookstore Girl
130 bpm • D Maj • 03:23 • -7.82db
49% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Tyler Burkhart
Hobbes
130 bpm • E Maj • 02:28 • -28.68db
46% Popularity • 62% Danceability • 5% Energy • 11% Liveness
75% Instrumentalness • 42% Positiveness
46% Popularity • 62% Danceability • 5% Energy • 11% Liveness
75% Instrumentalness • 42% Positiveness
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Matt Maltese
Nightclub Love
130 bpm • A Maj • 04:10 • -8.36db
46% Popularity • 62% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
46% Popularity • 62% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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FINNEAS
Angel
130 bpm • F Maj • 05:11 • -12.53db
54% Popularity • 54% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 54% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Gregory Alan Isakov
Words
118 bpm • C# Maj • 04:01 • -17.71db
57% Popularity • 45% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
57% Popularity • 45% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
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TOLEDO
Crane Song
118 bpm • A Maj • 04:49 • -12db
39% Popularity • 46% Danceability • 36% Energy • 16% Liveness
3% Instrumentalness • 10% Positiveness
39% Popularity • 46% Danceability • 36% Energy • 16% Liveness
3% Instrumentalness • 10% Positiveness
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Jess Benko
My Moon
118 bpm • C Maj • 04:55 • -16.59db
35% Popularity • 68% Danceability • 9% Energy • 7% Liveness
1% Instrumentalness • 22% Positiveness
35% Popularity • 68% Danceability • 9% Energy • 7% Liveness
1% Instrumentalness • 22% Positiveness
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Adam Melchor
Start Forgetting Death
118 bpm • D Maj • 03:44 • -7.17db
34% Popularity • 42% Danceability • 34% Energy • 11% Liveness
7% Instrumentalness • 42% Positiveness
34% Popularity • 42% Danceability • 34% Energy • 11% Liveness
7% Instrumentalness • 42% Positiveness
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Mitski
Last Words of a Shooting Star
130 bpm • D Maj • 02:44 • -19.02db
67% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
67% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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The Brazen Youth
Center of Gravity
130 bpm • C# min • 05:27 • -12.14db
48% Popularity • 52% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 52% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Bendigo Fletcher
Wonderfully Bizarre
131 bpm • E Maj • 05:20 • -10.5db
39% Popularity • 60% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 60% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Isaac Lewis
Silk
131 bpm • G Maj • 02:39 • -13.8db
20% Popularity • 52% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
20% Popularity • 52% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Rex Orange County
It's Not The Same Anymore
118 bpm • F Maj • 06:26 • -10.64db
62% Popularity • 67% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
62% Popularity • 67% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Madisenxoxo
Baby in Blue
117 bpm • E Maj • 03:55 • -13.06db
41% Popularity • 52% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
41% Popularity • 52% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
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Searows
North Star
117 bpm • C# Maj • 05:07 • -16.16db
42% Popularity • 53% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
42% Popularity • 53% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Dog Trainer
Graffiti
117 bpm • A# Maj • 03:55 • -10db
24% Popularity • 64% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
24% Popularity • 64% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
