Songs like Parade of the City Guards by Leon Jessel
Based on a tempo of (+/- 10%) and a similar genre
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Leon Jessel
Parade of the City Guards
116 bpm • G# Maj • 03:15 • -14.25db
0% Popularity • 74% Danceability • 34% Energy • 9% Liveness
78% Instrumentalness • 89% Positiveness
0% Popularity • 74% Danceability • 34% Energy • 9% Liveness
78% Instrumentalness • 89% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: I. March
116 bpm • F Maj • 03:07 • -14.36db
25% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
25% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
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Karl Komzàk, Sr.
Erzherzog Albrecht-Marsch, Op. 136
116 bpm • A Maj • 02:40 • -11.09db
13% Popularity • 50% Danceability • 46% Energy • 38% Liveness
89% Instrumentalness • 62% Positiveness
13% Popularity • 50% Danceability • 46% Energy • 38% Liveness
89% Instrumentalness • 62% Positiveness
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Banda dell'orgoglio nazionale
Repubblica Ceca - Kde Domov Můj? - Inno...
116 bpm • D# Maj • 01:06 • -14.84db
11% Popularity • 30% Danceability • 29% Energy • 34% Liveness
79% Instrumentalness • 23% Positiveness
11% Popularity • 30% Danceability • 29% Energy • 34% Liveness
79% Instrumentalness • 23% Positiveness
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Percy Faith
The Portuguese Washerwoman
117 bpm • G Maj • 03:01 • -11.78db
17% Popularity • 85% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 97% Positiveness
17% Popularity • 85% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 97% Positiveness
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Professor van Dusen
Teil 20 - Folge 30: Professor van Dusen ...
115 bpm • G Maj • 03:05 • -14.89db
13% Popularity • 61% Danceability • 38% Energy • 61% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 61% Danceability • 38% Energy • 61% Liveness
0% Instrumentalness • 38% Positiveness
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Leon Jessel
Schwarzwaldmädel - operetta in 3 Acts: ...
117 bpm • D Maj • 01:18 • -13.47db
2% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
2% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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![Macbeth: The Favorite March in [Purcell’s] Bonduca cover art](https://i.scdn.co/image/ab67616d00001e0240f8ef8ce5f0c8b77b3886c0)
Samuel Arnold
Macbeth: The Favorite March in [Purcell�...
115 bpm • D Maj • 01:18 • -13.5db
16% Popularity • 60% Danceability • 31% Energy • 13% Liveness
77% Instrumentalness • 71% Positiveness
16% Popularity • 60% Danceability • 31% Energy • 13% Liveness
77% Instrumentalness • 71% Positiveness
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Émile Waldteufel
Dans les bois, Polka-mazurka, Op. 119
115 bpm • D Maj • 03:26 • -20db
15% Popularity • 59% Danceability • 5% Energy • 4% Liveness
90% Instrumentalness • 30% Positiveness
15% Popularity • 59% Danceability • 5% Energy • 4% Liveness
90% Instrumentalness • 30% Positiveness
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Adelaide Symphony Orchestra
Soirées Musicales, Op. 9 (After Rossini...
115 bpm • A# Maj • 01:36 • -20.59db
21% Popularity • 61% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 18% Positiveness
21% Popularity • 61% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 18% Positiveness
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Johann Strauss Orchester
Persischer Marsch
117 bpm • G min • 02:45 • -12.02db
10% Popularity • 60% Danceability • 33% Energy • 17% Liveness
21% Instrumentalness • 79% Positiveness
10% Popularity • 60% Danceability • 33% Energy • 17% Liveness
21% Instrumentalness • 79% Positiveness
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William Grant Still
American Suite: II. Danse
117 bpm • D min • 01:39 • -21db
14% Popularity • 41% Danceability • 9% Energy • 21% Liveness
85% Instrumentalness • 29% Positiveness
14% Popularity • 41% Danceability • 9% Energy • 21% Liveness
85% Instrumentalness • 29% Positiveness
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Eugène Damaré
Le merle blanc, Op. 161
114 bpm • G Maj • 04:14 • -19.52db
13% Popularity • 53% Danceability • 20% Energy • 10% Liveness
38% Instrumentalness • 57% Positiveness
13% Popularity • 53% Danceability • 20% Energy • 10% Liveness
38% Instrumentalness • 57% Positiveness
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Umitaro Abe
ボタン
118 bpm • A# Maj • 02:43 • -11.84db
7% Popularity • 39% Danceability • 24% Energy • 13% Liveness
26% Instrumentalness • 33% Positiveness
7% Popularity • 39% Danceability • 24% Energy • 13% Liveness
26% Instrumentalness • 33% Positiveness
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Émile Waldteufel
Espana, Waltz, Op. 236
118 bpm • F Maj • 06:25 • -14.33db
19% Popularity • 41% Danceability • 37% Energy • 14% Liveness
89% Instrumentalness • 59% Positiveness
19% Popularity • 41% Danceability • 37% Energy • 14% Liveness
89% Instrumentalness • 59% Positiveness
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Rodion Shchedrin
Carmen Suite: VIII. Bolero (after G. Biz...
114 bpm • G Maj • 01:58 • -28db
16% Popularity • 60% Danceability • 7% Energy • 56% Liveness
7% Instrumentalness • 53% Positiveness
16% Popularity • 60% Danceability • 7% Energy • 56% Liveness
7% Instrumentalness • 53% Positiveness
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蔡榮吉
世界名曲:土耳其進行曲
118 bpm • A# Maj • 01:43 • -13.7db
9% Popularity • 63% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 63% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Josef Strauss
Die Sirene, Polka Mazur, Op. 248
114 bpm • D Maj • 03:21 • -17.93db
9% Popularity • 43% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
9% Popularity • 43% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Leon Jessel
Schwarzwaldmädel - operetta in 3 Acts: ...
114 bpm • D Maj • 02:13 • -13.2db
0% Popularity • 34% Danceability • 33% Energy • 87% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 34% Danceability • 33% Energy • 87% Liveness
0% Instrumentalness • 35% Positiveness
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Julius Fučík
Florentine March Op. 214
114 bpm • F Maj • 05:24 • -14db
7% Popularity • 38% Danceability • 39% Energy • 11% Liveness
86% Instrumentalness • 42% Positiveness
7% Popularity • 38% Danceability • 39% Energy • 11% Liveness
86% Instrumentalness • 42% Positiveness
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California DJ
La Rejouissance
114 bpm • D Maj • 01:59 • -8.35db
20% Popularity • 60% Danceability • 72% Energy • 47% Liveness
89% Instrumentalness • 84% Positiveness
20% Popularity • 60% Danceability • 72% Energy • 47% Liveness
89% Instrumentalness • 84% Positiveness
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Rodion Shchedrin
Shchedrin: Carmen Suite: V. Carmen’s E...
118 bpm • G Maj • 03:19 • -23.62db
14% Popularity • 38% Danceability • 3% Energy • 73% Liveness
8% Instrumentalness • 27% Positiveness
14% Popularity • 38% Danceability • 3% Energy • 73% Liveness
8% Instrumentalness • 27% Positiveness
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Randy Newman
School And Basketball
114 bpm • G# Maj • 02:36 • -19.21db
7% Popularity • 31% Danceability • 16% Energy • 13% Liveness
79% Instrumentalness • 7% Positiveness
7% Popularity • 31% Danceability • 16% Energy • 13% Liveness
79% Instrumentalness • 7% Positiveness
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蔡榮吉
世界名曲:口哨與小狗
113 bpm • C Maj • 02:31 • -15.19db
10% Popularity • 53% Danceability • 28% Energy • 58% Liveness
93% Instrumentalness • 76% Positiveness
10% Popularity • 53% Danceability • 28% Energy • 58% Liveness
93% Instrumentalness • 76% Positiveness
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Leon Jessel
Schwarzwaldmädel - operetta in 3 Acts: ...
119 bpm • F Maj • 02:04 • -13.94db
1% Popularity • 60% Danceability • 41% Energy • 46% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 60% Danceability • 41% Energy • 46% Liveness
0% Instrumentalness • 76% Positiveness
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Nico Dostal
Dostal: Clivia - Ich bin verliebt
114 bpm • G min • 03:07 • -14.47db
7% Popularity • 29% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 29% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Hans Christian Lumbye
Columbine Polka-Mazurka (1862)
113 bpm • F Maj • 03:56 • -17.87db
15% Popularity • 36% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 19% Positiveness
15% Popularity • 36% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 19% Positiveness
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Jacques Offenbach
Gaîté parisienne: Allegro brillante
113 bpm • G Maj • 01:15 • -17.64db
19% Popularity • 66% Danceability • 36% Energy • 6% Liveness
62% Instrumentalness • 96% Positiveness
19% Popularity • 66% Danceability • 36% Energy • 6% Liveness
62% Instrumentalness • 96% Positiveness
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Fredell caparon
sweet purple
119 bpm • C Maj • 02:08 • -19db
8% Popularity • 44% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 43% Positiveness
8% Popularity • 44% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 43% Positiveness
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Engelbert Humperdinck
Hänsel und Gretel: Act III - Vorspiel
113 bpm • D# min • 02:01 • -22.02db
0% Popularity • 19% Danceability • 20% Energy • 43% Liveness
91% Instrumentalness • 5% Positiveness
0% Popularity • 19% Danceability • 20% Energy • 43% Liveness
91% Instrumentalness • 5% Positiveness
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Adolphe Adam
La jolie fille de Gand: Scene 4
113 bpm • D min • 02:08 • -25.05db
22% Popularity • 43% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
22% Popularity • 43% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
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Matthew Slater
Variation 3: I. Andante Lunara
119 bpm • G Maj • 03:45 • -13.06db
10% Popularity • 20% Danceability • 42% Energy • 7% Liveness
93% Instrumentalness • 23% Positiveness
10% Popularity • 20% Danceability • 42% Energy • 7% Liveness
93% Instrumentalness • 23% Positiveness
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Pyotr Ilyich Tchaikovsky
La Belle au bois dormant, Op. 66 ; TH 13...
113 bpm • A# Maj • 04:29 • -11.97db
15% Popularity • 28% Danceability • 30% Energy • 25% Liveness
89% Instrumentalness • 46% Positiveness
15% Popularity • 28% Danceability • 30% Energy • 25% Liveness
89% Instrumentalness • 46% Positiveness
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Robert Folk
Main Titles
113 bpm • D Maj • 02:16 • -13.05db
7% Popularity • 18% Danceability • 38% Energy • 17% Liveness
48% Instrumentalness • 10% Positiveness
7% Popularity • 18% Danceability • 38% Energy • 17% Liveness
48% Instrumentalness • 10% Positiveness
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Traditional
House-Lantern Ditty
120 bpm • E min • 05:03 • -14.68db
10% Popularity • 29% Danceability • 19% Energy • 22% Liveness
74% Instrumentalness • 28% Positiveness
10% Popularity • 29% Danceability • 19% Energy • 22% Liveness
74% Instrumentalness • 28% Positiveness
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Giuseppe Verdi
Aida: Act II: Marcia
112 bpm • G# Maj • 01:34 • -20.16db
47% Popularity • 31% Danceability • 11% Energy • 13% Liveness
96% Instrumentalness • 32% Positiveness
47% Popularity • 31% Danceability • 11% Energy • 13% Liveness
96% Instrumentalness • 32% Positiveness
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Vladimir Bakaleinikov
The Sorrow
112 bpm • C min • 02:46 • -16.11db
8% Popularity • 38% Danceability • 23% Energy • 19% Liveness
90% Instrumentalness • 50% Positiveness
8% Popularity • 38% Danceability • 23% Energy • 19% Liveness
90% Instrumentalness • 50% Positiveness
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Julius Fučík
The Florentiner March
120 bpm • D# Maj • 05:13 • -3.72db
7% Popularity • 38% Danceability • 69% Energy • 18% Liveness
94% Instrumentalness • 41% Positiveness
7% Popularity • 38% Danceability • 69% Energy • 18% Liveness
94% Instrumentalness • 41% Positiveness
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Gioachino Rossini
Guillaume Tell (William Tell): Overture
120 bpm • G min • 01:31 • -21.4db
14% Popularity • 65% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 91% Positiveness
14% Popularity • 65% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 91% Positiveness
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Fredell caparon
smooth sailing
120 bpm • G Maj • 02:27 • -18.23db
8% Popularity • 44% Danceability • 16% Energy • 48% Liveness
94% Instrumentalness • 38% Positiveness
8% Popularity • 44% Danceability • 16% Energy • 48% Liveness
94% Instrumentalness • 38% Positiveness
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Mystic Symphony
Attack
120 bpm • C min • 02:03 • -13.06db
13% Popularity • 46% Danceability • 42% Energy • 32% Liveness
38% Instrumentalness • 37% Positiveness
13% Popularity • 46% Danceability • 42% Energy • 32% Liveness
38% Instrumentalness • 37% Positiveness
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Francisco Asenjo Barbieri
Sinfonía
120 bpm • D# Maj • 09:30 • -26.79db
15% Popularity • 31% Danceability • 11% Energy • 67% Liveness
86% Instrumentalness • 18% Positiveness
15% Popularity • 31% Danceability • 11% Energy • 67% Liveness
86% Instrumentalness • 18% Positiveness
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Oscar Straus
Bulgaren-marsch
120 bpm • A Maj • 03:11 • -17.49db
8% Popularity • 72% Danceability • 40% Energy • 8% Liveness
92% Instrumentalness • 72% Positiveness
8% Popularity • 72% Danceability • 40% Energy • 8% Liveness
92% Instrumentalness • 72% Positiveness
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Pyotr Ilyich Tchaikovsky
Le lac des cygnes, Op. 20 ; TH 12, Act. ...
112 bpm • A Maj • 01:14 • -16.33db
16% Popularity • 38% Danceability • 14% Energy • 26% Liveness
64% Instrumentalness • 17% Positiveness
16% Popularity • 38% Danceability • 14% Energy • 26% Liveness
64% Instrumentalness • 17% Positiveness
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Lucas Brito
Dobrado Sinfônico nº 2 - Remix
120 bpm • G# Maj • 03:48 • -7.61db
7% Popularity • 52% Danceability • 40% Energy • 20% Liveness
21% Instrumentalness • 42% Positiveness
7% Popularity • 52% Danceability • 40% Energy • 20% Liveness
21% Instrumentalness • 42% Positiveness
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Vienna Walzer Orchestra
L'Estudiantina, Waltz Op. 191
112 bpm • D Maj • 06:14 • -11.82db
7% Popularity • 47% Danceability • 44% Energy • 15% Liveness
83% Instrumentalness • 64% Positiveness
7% Popularity • 47% Danceability • 44% Energy • 15% Liveness
83% Instrumentalness • 64% Positiveness
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Carl Michael Ziehrer
Schönfeld-Marsch, Op. 422
120 bpm • D Maj • 02:54 • -12.32db
13% Popularity • 52% Danceability • 57% Energy • 24% Liveness
86% Instrumentalness • 70% Positiveness
13% Popularity • 52% Danceability • 57% Energy • 24% Liveness
86% Instrumentalness • 70% Positiveness
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Charlotte Guldberg
Ländler
121 bpm • F Maj • 02:15 • -9.81db
11% Popularity • 32% Danceability • 20% Energy • 6% Liveness
67% Instrumentalness • 19% Positiveness
11% Popularity • 32% Danceability • 20% Energy • 6% Liveness
67% Instrumentalness • 19% Positiveness
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Arthur Sullivan
Trial by Jury: When I good friends was c...
112 bpm • G Maj • 02:53 • -13.19db
9% Popularity • 60% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 60% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 61% Positiveness
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Franz von Suppé
Fatinitza: March
111 bpm • G Maj • 02:32 • -11.89db
33% Popularity • 64% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 78% Positiveness
33% Popularity • 64% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 78% Positiveness
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Leon Jessel
Schwarzwaldmädel - operetta in 3 Acts: ...
121 bpm • F min • 03:30 • -14.55db
0% Popularity • 51% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 51% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Vienna Walzer Orchestra
Johann Strauss II: Wien bleibt Wien - Ma...
120 bpm • D Maj • 02:34 • -12.95db
8% Popularity • 53% Danceability • 79% Energy • 89% Liveness
86% Instrumentalness • 71% Positiveness
8% Popularity • 53% Danceability • 79% Energy • 89% Liveness
86% Instrumentalness • 71% Positiveness
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Carl Michael Ziehrer
Wacht an der Donau!
112 bpm • D Maj • 03:11 • -18.1db
8% Popularity • 52% Danceability • 29% Energy • 8% Liveness
94% Instrumentalness • 69% Positiveness
8% Popularity • 52% Danceability • 29% Energy • 8% Liveness
94% Instrumentalness • 69% Positiveness
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Béla Bartók
The Wooden Prince, Sz. 60 (Final Version...
111 bpm • F Maj • 02:33 • -19.66db
8% Popularity • 41% Danceability • 18% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
8% Popularity • 41% Danceability • 18% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
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Missionswerk Friedensstimme
Ein kleiner Spatz zur Erde fällt
121 bpm • G Maj • 01:26 • -10.54db
8% Popularity • 49% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 49% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Michał Kleofas Ogiński
Quadrille No. 1 in F Minor
121 bpm • F min • 01:30 • -14.49db
15% Popularity • 49% Danceability • 26% Energy • 15% Liveness
55% Instrumentalness • 81% Positiveness
15% Popularity • 49% Danceability • 26% Energy • 15% Liveness
55% Instrumentalness • 81% Positiveness
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Jacques Offenbach
Offenbach: La vie parisienne, Act 1: Ouv...
111 bpm • G Maj • 07:47 • -19.9db
10% Popularity • 48% Danceability • 31% Energy • 73% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 48% Danceability • 31% Energy • 73% Liveness
0% Instrumentalness • 24% Positiveness
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Erik Satie
Mercure: V. Entrée et danse de Mercure
121 bpm • C Maj • 01:07 • -20.41db
7% Popularity • 50% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 69% Positiveness
7% Popularity • 50% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 69% Positiveness
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Hans Christian Lumbye
Kong Christian D. 9.'s Honnørmarch (186...
111 bpm • E Maj • 03:30 • -15.13db
10% Popularity • 33% Danceability • 44% Energy • 28% Liveness
87% Instrumentalness • 49% Positiveness
10% Popularity • 33% Danceability • 44% Energy • 28% Liveness
87% Instrumentalness • 49% Positiveness
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Julius Fučík
Triglav, Op. 72
122 bpm • G Maj • 01:38 • -15.04db
27% Popularity • 48% Danceability • 45% Energy • 30% Liveness
88% Instrumentalness • 78% Positiveness
27% Popularity • 48% Danceability • 45% Energy • 30% Liveness
88% Instrumentalness • 78% Positiveness
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Cofradía del Santísimo Cristo de la Agonía de Cieza
El Cristo de la Agonía
111 bpm • G min • 03:57 • -20.08db
7% Popularity • 19% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Karel Komzak II
Erherzog-Albrect-Ma, Op. 136
111 bpm • A Maj • 02:48 • -15.64db
12% Popularity • 62% Danceability • 32% Energy • 14% Liveness
87% Instrumentalness • 73% Positiveness
12% Popularity • 62% Danceability • 32% Energy • 14% Liveness
87% Instrumentalness • 73% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
110 bpm • C Maj • 05:38 • -17.45db
9% Popularity • 31% Danceability • 24% Energy • 14% Liveness
89% Instrumentalness • 14% Positiveness
9% Popularity • 31% Danceability • 24% Energy • 14% Liveness
89% Instrumentalness • 14% Positiveness
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Maya Badian
Sinfonietta: III. Allegro
122 bpm • F min • 02:53 • -18db
10% Popularity • 47% Danceability • 33% Energy • 8% Liveness
74% Instrumentalness • 14% Positiveness
10% Popularity • 47% Danceability • 33% Energy • 8% Liveness
74% Instrumentalness • 14% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Le lac des cygnes, Op. 20 ; TH 12, Act. ...
110 bpm • F# min • 01:29 • -18.06db
21% Popularity • 55% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 82% Positiveness
21% Popularity • 55% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 82% Positiveness
► Preview
Leon Jessel
Schwarzwaldmädel: Dialog 11 (Bärbele, ...
110 bpm • G# Maj • 02:45 • -15.09db
0% Popularity • 71% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 71% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Cesare Ciardi
Duetto concertant, Op. 121 (after G. Don...
122 bpm • F Maj • 07:17 • -14.95db
7% Popularity • 38% Danceability • 20% Energy • 11% Liveness
47% Instrumentalness • 14% Positiveness
7% Popularity • 38% Danceability • 20% Energy • 11% Liveness
47% Instrumentalness • 14% Positiveness
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Coxeegan
For all offers
110 bpm • F# Maj • 01:55 • -17.79db
11% Popularity • 70% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 83% Positiveness
11% Popularity • 70% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 83% Positiveness
► Preview
Hugo Alfvén
Swedish Rhapsody
110 bpm • D Maj • 03:02 • -16.12db
17% Popularity • 68% Danceability • 28% Energy • 20% Liveness
92% Instrumentalness • 51% Positiveness
17% Popularity • 68% Danceability • 28% Energy • 20% Liveness
92% Instrumentalness • 51% Positiveness
► Preview
Alejandro Llovet Abascal
Sounds of joy
110 bpm • C Maj • 02:15 • -18.48db
13% Popularity • 77% Danceability • 13% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
13% Popularity • 77% Danceability • 13% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
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Orchestral Music X
Concerto For Dreams
110 bpm • C Maj • 01:44 • -24.98db
15% Popularity • 69% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
15% Popularity • 69% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
► Preview
Leon Jessel
The Parade of the Tin Soldiers
110 bpm • A Maj • 03:28 • -27.72db
0% Popularity • 27% Danceability • 3% Energy • 33% Liveness
34% Instrumentalness • 13% Positiveness
0% Popularity • 27% Danceability • 3% Energy • 33% Liveness
34% Instrumentalness • 13% Positiveness
► Preview
Johann Schrammel
Wien bleibt Wien, Marsch
122 bpm • D Maj • 03:24 • -15.59db
19% Popularity • 65% Danceability • 40% Energy • 9% Liveness
96% Instrumentalness • 86% Positiveness
19% Popularity • 65% Danceability • 40% Energy • 9% Liveness
96% Instrumentalness • 86% Positiveness
► Preview
Peter Breiner
Micronesia (arr. P. Breiner): Micronesia...
123 bpm • F Maj • 01:43 • -18.58db
11% Popularity • 17% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Antal Gyorgy Csermak
6 Hungarian Dances: No. 3. Verbunk
123 bpm • F Maj • 02:41 • -22.1db
15% Popularity • 48% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 37% Positiveness
15% Popularity • 48% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 37% Positiveness
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Johann Strauss Orchester
Fatinitza Marsch
123 bpm • G Maj • 02:17 • -13db
10% Popularity • 67% Danceability • 43% Energy • 23% Liveness
92% Instrumentalness • 87% Positiveness
10% Popularity • 67% Danceability • 43% Energy • 23% Liveness
92% Instrumentalness • 87% Positiveness
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Joseph Haydn
Emperor Quartet (Joseph Haydn)
110 bpm • D# Maj • 01:07 • -13.92db
20% Popularity • 26% Danceability • 16% Energy • 19% Liveness
86% Instrumentalness • 18% Positiveness
20% Popularity • 26% Danceability • 16% Energy • 19% Liveness
86% Instrumentalness • 18% Positiveness
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Leon Jessel
Die Parade der Zinnsoldaten, Op. 123 (ar...
110 bpm • F Maj • 03:02 • -17.18db
5% Popularity • 73% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
5% Popularity • 73% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 4 "L'automne": ...
123 bpm • F Maj • 01:24 • -20.83db
17% Popularity • 28% Danceability • 8% Energy • 60% Liveness
11% Instrumentalness • 42% Positiveness
17% Popularity • 28% Danceability • 8% Energy • 60% Liveness
11% Instrumentalness • 42% Positiveness
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Ronald Binge
Miss Melanie
109 bpm • A Maj • 02:49 • -28.04db
17% Popularity • 66% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 66% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Carl Zeller
Der Vogelhändler · Operette in 3 Akten...
109 bpm • G Maj • 01:39 • -21.64db
14% Popularity • 32% Danceability • 24% Energy • 15% Liveness
87% Instrumentalness • 22% Positiveness
14% Popularity • 32% Danceability • 24% Energy • 15% Liveness
87% Instrumentalness • 22% Positiveness
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Paavo Berglund
Peer Gynt Opp.46 & 55, Excerpts, Suite N...
124 bpm • E min • 04:49 • -19.33db
4% Popularity • 34% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 16% Positiveness
4% Popularity • 34% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 16% Positiveness
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Carl Michael Ziehrer
Die Landstreicher: Overture
124 bpm • D# Maj • 04:55 • -13db
13% Popularity • 40% Danceability • 26% Energy • 11% Liveness
61% Instrumentalness • 22% Positiveness
13% Popularity • 40% Danceability • 26% Energy • 11% Liveness
61% Instrumentalness • 22% Positiveness
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Leon Jessel
Schwarzwaldmädel - operetta in 3 Acts: ...
109 bpm • D Maj • 02:59 • -12.64db
0% Popularity • 43% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 43% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Sergei Prokofiev
March from The Love for Three Oranges, O...
124 bpm • G# Maj • 01:30 • -14.43db
9% Popularity • 45% Danceability • 36% Energy • 18% Liveness
5% Instrumentalness • 42% Positiveness
9% Popularity • 45% Danceability • 36% Energy • 18% Liveness
5% Instrumentalness • 42% Positiveness
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Carmine Coppola
The Godfather's Tarantella
124 bpm • F min • 03:12 • -12.2db
10% Popularity • 54% Danceability • 50% Energy • 18% Liveness
5% Instrumentalness • 55% Positiveness
10% Popularity • 54% Danceability • 50% Energy • 18% Liveness
5% Instrumentalness • 55% Positiveness
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Guo Tai Gong
Raid On the White Tiger Regiment, Interm...
124 bpm • C min • 01:04 • -19.28db
17% Popularity • 34% Danceability • 7% Energy • 17% Liveness
88% Instrumentalness • 51% Positiveness
17% Popularity • 34% Danceability • 7% Energy • 17% Liveness
88% Instrumentalness • 51% Positiveness
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Richard Wagner
Die Walküre, WWV 86B, Act III Scene 1: ...
108 bpm • G Maj • 04:41 • -16.35db
8% Popularity • 24% Danceability • 33% Energy • 26% Liveness
78% Instrumentalness • 13% Positiveness
8% Popularity • 24% Danceability • 33% Energy • 26% Liveness
78% Instrumentalness • 13% Positiveness
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Paul Wranitzky
Achmet und Zenide, Act IV: Marsch
108 bpm • A# Maj • 01:57 • -17.53db
18% Popularity • 55% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 55% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Leon Jessel
Parade of the Tin Soldiers
109 bpm • A# Maj • 02:32 • -14.53db
0% Popularity • 78% Danceability • 36% Energy • 9% Liveness
17% Instrumentalness • 96% Positiveness
0% Popularity • 78% Danceability • 36% Energy • 9% Liveness
17% Instrumentalness • 96% Positiveness
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Rundfunkorchester des Südwestfunks Baden-Baden
The Abduction from the Seraglio, K.384: ...
124 bpm • C Maj • 01:54 • -18db
7% Popularity • 56% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 57% Positiveness
7% Popularity • 56% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 57% Positiveness
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Julius Fučík
Fucik : Florentiner-Marsch Op.214
125 bpm • F Maj • 05:03 • -15.27db
8% Popularity • 41% Danceability • 41% Energy • 22% Liveness
96% Instrumentalness • 44% Positiveness
8% Popularity • 41% Danceability • 41% Energy • 22% Liveness
96% Instrumentalness • 44% Positiveness
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Luigi Gherardeschi
Gran Marcia per Organo
108 bpm • F Maj • 03:32 • -10.8db
10% Popularity • 55% Danceability • 29% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
10% Popularity • 55% Danceability • 29% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
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Josef Strauss
Phonix, Op. 105: Phonix-Marsch, Op. 105
108 bpm • D# Maj • 02:03 • -13.15db
17% Popularity • 70% Danceability • 55% Energy • 32% Liveness
96% Instrumentalness • 88% Positiveness
17% Popularity • 70% Danceability • 55% Energy • 32% Liveness
96% Instrumentalness • 88% Positiveness
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Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess):...
125 bpm • C Maj • 01:58 • -20db
18% Popularity • 38% Danceability • 17% Energy • 14% Liveness
64% Instrumentalness • 45% Positiveness
18% Popularity • 38% Danceability • 17% Energy • 14% Liveness
64% Instrumentalness • 45% Positiveness
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Leon Jessel
Schwarzwaldmädel: Dialog 8 (Bärbele, H...
124 bpm • F# Maj • 06:34 • -15.98db
0% Popularity • 68% Danceability • 42% Energy • 47% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 68% Danceability • 42% Energy • 47% Liveness
0% Instrumentalness • 57% Positiveness
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Pablo Luna
El nino judio: Danza arabe
108 bpm • D Maj • 02:04 • -16.84db
12% Popularity • 63% Danceability • 36% Energy • 28% Liveness
92% Instrumentalness • 61% Positiveness
12% Popularity • 63% Danceability • 36% Energy • 28% Liveness
92% Instrumentalness • 61% Positiveness
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Rodion Shchedrin
Shchedrin: Carmen Suite: IX. Torero (aft...
108 bpm • F Maj • 02:58 • -17.04db
9% Popularity • 52% Danceability • 35% Energy • 27% Liveness
92% Instrumentalness • 28% Positiveness
9% Popularity • 52% Danceability • 35% Energy • 27% Liveness
92% Instrumentalness • 28% Positiveness
