Songs like Paradis / Arr. Dushkin for Violin and Piano: Sicilienne in E-Flat Major by Maria Theresia von Paradis
Based on a tempo of (+/- 10%) and a similar genre
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Antonio Vivaldi
Nisi Dominus, RV 608 - Arr. Cello: 4. Cu...
106 bpm • G min • 05:14 • -27.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Maria Theresia von Paradis
Sicilienne - arr. violoncelle et harpe
106 bpm • D# Maj • 02:36 • -23.99db
1% Popularity • 29% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
1% Popularity • 29% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Mikhail Glinka
Mazurka in C Minor
106 bpm • C min • 02:35 • -31db
40% Popularity • 39% Danceability • 1% Energy • 22% Liveness
85% Instrumentalness • 14% Positiveness
40% Popularity • 39% Danceability • 1% Energy • 22% Liveness
85% Instrumentalness • 14% Positiveness
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Sergei Rachmaninoff
14 Romances, Op. 34/14: No. 14, Vocalise...
105 bpm • E min • 05:55 • -22.56db
45% Popularity • 18% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
45% Popularity • 18% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Michael Haydn
Haydn, Michael / Arr Stoll : Polonaise i...
107 bpm • C Maj • 03:35 • -27.8db
25% Popularity • 29% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
25% Popularity • 29% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
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Edvard Grieg
Pièces Lyriques, Op. 47 No. 3: Mélodie
105 bpm • F Maj • 04:16 • -30.93db
51% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
51% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
105 bpm • D# Maj • 04:25 • -21.54db
30% Popularity • 20% Danceability • 11% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
30% Popularity • 20% Danceability • 11% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
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Maria Theresia von Paradis
Paradis / Arr. Dushkin for Violin and Pi...
106 bpm • D# Maj • 03:13 • -14.82db
8% Popularity • 35% Danceability • 20% Energy • 22% Liveness
8% Instrumentalness • 15% Positiveness
8% Popularity • 35% Danceability • 20% Energy • 22% Liveness
8% Instrumentalness • 15% Positiveness
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AntonÃn Dvořák
Dvořák: 4 Romantic Pieces, Op. 75, B. ...
107 bpm • A# Maj • 03:17 • -26db
31% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
31% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
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Anonymous
Sicilienne (arr. for 5-string cello and ...
107 bpm • D# Maj • 03:13 • -20db
0% Popularity • 22% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
0% Popularity • 22% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Friedrich Burgmüller
3 Nocturnes for Cello and Guitar: Noctur...
104 bpm • A Maj • 03:37 • -26db
24% Popularity • 23% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
24% Popularity • 23% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Nancy Dalberg
String Quartet No. 1 in D Minor: III. Ad...
104 bpm • G min • 05:36 • -25.56db
30% Popularity • 16% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Franz Schubert
Schwanengesang, D. 957: IV. Ständchen i...
108 bpm • D Maj • 04:31 • -23.31db
40% Popularity • 24% Danceability • 6% Energy • 12% Liveness
29% Instrumentalness • 5% Positiveness
40% Popularity • 24% Danceability • 6% Energy • 12% Liveness
29% Instrumentalness • 5% Positiveness
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Maria Theresia von Paradis
Sicilienne
105 bpm • F min • 03:10 • -14.6db
1% Popularity • 22% Danceability • 24% Energy • 33% Liveness
4% Instrumentalness • 13% Positiveness
1% Popularity • 22% Danceability • 24% Energy • 33% Liveness
4% Instrumentalness • 13% Positiveness
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Giovanni Battista Pergolesi
Lo frate 'nnamorato: II. Andante
108 bpm • G min • 02:27 • -22db
45% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
45% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto in D Major, Op. posth., ...
104 bpm • D Maj • 05:22 • -21.56db
37% Popularity • 26% Danceability • 12% Energy • 12% Liveness
22% Instrumentalness • 12% Positiveness
37% Popularity • 26% Danceability • 12% Energy • 12% Liveness
22% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Pablo de Sarasate
Nocturne-serenade, Op. 45
108 bpm • A# Maj • 06:23 • -28.7db
30% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
30% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
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Robert Schumann
Fantasiestücke, Op. 73: I. Zart und mit...
104 bpm • A min • 03:33 • -27.12db
20% Popularity • 18% Danceability • 3% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
20% Popularity • 18% Danceability • 3% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Maria Theresia von Paradis
Sicilienne
105 bpm • D# Maj • 02:54 • -18.46db
1% Popularity • 29% Danceability • 24% Energy • 23% Liveness
45% Instrumentalness • 16% Positiveness
1% Popularity • 29% Danceability • 24% Energy • 23% Liveness
45% Instrumentalness • 16% Positiveness
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Mieczysław Weinberg
Aria, Op. 9
103 bpm • A# Maj • 03:38 • -20.34db
36% Popularity • 15% Danceability • 9% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
36% Popularity • 15% Danceability • 9% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
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Hugo Alfvén
The Sleeping Forest, Op. 28 No. 6
103 bpm • C# Maj • 02:26 • -33db
11% Popularity • 18% Danceability • 1% Energy • 7% Liveness
29% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 1% Energy • 7% Liveness
29% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Sonata for 2 Pianos in D Major, K. 448/3...
110 bpm • G Maj • 09:23 • -29.33db
44% Popularity • 38% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
44% Popularity • 38% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Alexander Glazunov
Raymonda, Op. 57: Prélude et la Romanes...
102 bpm • E min • 03:46 • -23.66db
37% Popularity • 29% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 8% Positiveness
37% Popularity • 29% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 8% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: IV. Allegro mode...
110 bpm • D Maj • 02:04 • -22db
42% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
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Maria Theresia von Paradis
Sicilienne in E-Flat Major
109 bpm • D# Maj • 03:17 • -13.84db
0% Popularity • 25% Danceability • 25% Energy • 32% Liveness
82% Instrumentalness • 20% Positiveness
0% Popularity • 25% Danceability • 25% Energy • 32% Liveness
82% Instrumentalness • 20% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice", Wq. 30...
102 bpm • D min • 03:23 • -25db
26% Popularity • 21% Danceability • 5% Energy • 10% Liveness
13% Instrumentalness • 7% Positiveness
26% Popularity • 21% Danceability • 5% Energy • 10% Liveness
13% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Morceaux de fantaisie, Op. 3: No. 1 Eleg...
102 bpm • D# min • 05:14 • -22.46db
16% Popularity • 26% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
16% Popularity • 26% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Clarinet Concerto in A Major, K....
102 bpm • D Maj • 06:34 • -26.64db
50% Popularity • 15% Danceability • 1% Energy • 8% Liveness
19% Instrumentalness • 10% Positiveness
50% Popularity • 15% Danceability • 1% Energy • 8% Liveness
19% Instrumentalness • 10% Positiveness
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Germaine Tailleferre
Berceuse
101 bpm • A Maj • 02:28 • -26.14db
35% Popularity • 22% Danceability • 4% Energy • 8% Liveness
2% Instrumentalness • 9% Positiveness
35% Popularity • 22% Danceability • 4% Energy • 8% Liveness
2% Instrumentalness • 9% Positiveness
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Maria Theresia von Paradis
Sicilienne in E-Flat Major
110 bpm • D# Maj • 03:32 • -26.2db
0% Popularity • 23% Danceability • 4% Energy • 11% Liveness
5% Instrumentalness • 8% Positiveness
0% Popularity • 23% Danceability • 4% Energy • 11% Liveness
5% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Puccini: Crisantemi
101 bpm • F# min • 07:01 • -31.75db
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Serenade for Strings in C, ...
101 bpm • G Maj • 03:34 • -17db
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
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Ferruccio Busoni
Das Orgel-Büchlein, BV B 27: No. 2, Wac...
111 bpm • D# Maj • 04:02 • -30.23db
17% Popularity • 37% Danceability • 5% Energy • 13% Liveness
89% Instrumentalness • 26% Positiveness
17% Popularity • 37% Danceability • 5% Energy • 13% Liveness
89% Instrumentalness • 26% Positiveness
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Claude Debussy
La Fille aux Cheveux de Lin
101 bpm • F# Maj • 02:51 • -32.06db
35% Popularity • 46% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 46% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
48% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
48% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Maria Theresia von Paradis
Sicilienne
102 bpm • D# Maj • 03:26 • -11.33db
0% Popularity • 24% Danceability • 25% Energy • 13% Liveness
1% Instrumentalness • 16% Positiveness
0% Popularity • 24% Danceability • 25% Energy • 13% Liveness
1% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Adagio in E Major, K. 261
112 bpm • E Maj • 07:42 • -25.46db
40% Popularity • 22% Danceability • 5% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
40% Popularity • 22% Danceability • 5% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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Clara Schumann
III. Andante
101 bpm • G Maj • 04:17 • -25db
26% Popularity • 22% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
26% Popularity • 22% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Manuel de Falla
Danse espagnole No. 1
100 bpm • A min • 03:41 • -20db
15% Popularity • 42% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 52% Positiveness
15% Popularity • 42% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 52% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
100 bpm • C min • 03:16 • -19.13db
25% Popularity • 23% Danceability • 12% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 23% Danceability • 12% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Gerald Finzi
Lo, the full, final sacrifice, Op. 26: A...
112 bpm • E Maj • 02:40 • -25.09db
52% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
52% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
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Maria Theresia von Paradis
Sicilienne (Arr. by Söllscher)
112 bpm • F Maj • 03:08 • -27.69db
46% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
46% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
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Anonymous
Jeux Interdits: Spanish Romance (Arr. fo...
100 bpm • E min • 03:02 • -25.07db
38% Popularity • 25% Danceability • 7% Energy • 19% Liveness
92% Instrumentalness • 9% Positiveness
38% Popularity • 25% Danceability • 7% Energy • 19% Liveness
92% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 12 in A Major, K. 414...
112 bpm • D Maj • 07:36 • -25.77db
46% Popularity • 31% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
46% Popularity • 31% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Samuel Barber
Sure on This Shining Night, Op. 13 No. 3...
113 bpm • A# Maj • 02:10 • -26db
34% Popularity • 22% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
34% Popularity • 22% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Manuel de Falla
Nana
113 bpm • A min • 02:08 • -26.38db
28% Popularity • 17% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
28% Popularity • 17% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Franz Schubert
Waltz, D. 1/14, "Kupelwieser-Walzer"
113 bpm • F# Maj • 01:36 • -34db
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28: 1. Soliloq...
99 bpm • C min • 01:43 • -25.6db
32% Popularity • 14% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
32% Popularity • 14% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Cello Concerto in C Minor, RV 401: II. A...
113 bpm • C min • 02:18 • -26.38db
39% Popularity • 26% Danceability • 2% Energy • 16% Liveness
87% Instrumentalness • 14% Positiveness
39% Popularity • 26% Danceability • 2% Energy • 16% Liveness
87% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Concerto for Flute and Harp in C Major, ...
111 bpm • F Maj • 07:32 • -22db
43% Popularity • 33% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
43% Popularity • 33% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 7 Album...
100 bpm • E min • 01:20 • -33.32db
50% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. Mél...
99 bpm • D# Maj • 03:52 • -25.25db
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Maria Theresia von Paradis
Sicilienne
99 bpm • D# Maj • 03:06 • -30.2db
0% Popularity • 19% Danceability • 0% Energy • 12% Liveness
75% Instrumentalness • 6% Positiveness
0% Popularity • 19% Danceability • 0% Energy • 12% Liveness
75% Instrumentalness • 6% Positiveness
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Lazar Berman
Chaconne in sol maggiore : Variazione 9
99 bpm • G min • 01:03 • -44db
51% Popularity • 39% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 48% Positiveness
51% Popularity • 39% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 48% Positiveness
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Antonio Vivaldi
Concerto for Lute, 2 Violins and Continu...
114 bpm • D Maj • 05:09 • -20db
50% Popularity • 35% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 21% Positiveness
50% Popularity • 35% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 21% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Concerto for Flute and Harp, K. ...
99 bpm • F Maj • 08:30 • -20.33db
26% Popularity • 26% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
26% Popularity • 26% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
► Preview
Alexander Litvinovsky
Le grand cahier: I. La forêt et la rivi...
115 bpm • G Maj • 02:46 • -20.43db
37% Popularity • 21% Danceability • 9% Energy • 42% Liveness
63% Instrumentalness • 9% Positiveness
37% Popularity • 21% Danceability • 9% Energy • 42% Liveness
63% Instrumentalness • 9% Positiveness
► Preview
Ralph Vaughan Williams
The Lark Ascending: I. Andante sostenuto
98 bpm • B min • 06:12 • -24db
40% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Samuel Dushkin
Sicilienne (violin arrangement by S. Dus...
98 bpm • D# Maj • 03:34 • -15.79db
0% Popularity • 22% Danceability • 15% Energy • 14% Liveness
13% Instrumentalness • 15% Positiveness
0% Popularity • 22% Danceability • 15% Energy • 14% Liveness
13% Instrumentalness • 15% Positiveness
► Preview
Carl Philipp Emanuel Bach
Sonata in G major, Wq. 62/19: 2. Andante
98 bpm • B min • 03:07 • -32db
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
► Preview
Antonio Vivaldi
Cello Concerto in C Major, RV 398: II. L...
115 bpm • A min • 01:45 • -23.52db
39% Popularity • 35% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 22% Positiveness
39% Popularity • 35% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 22% Positiveness
► Preview
Robert Schumann
II. Langsam
97 bpm • F Maj • 03:21 • -30db
21% Popularity • 13% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
21% Popularity • 13% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
► Preview
Wolfgang Amadeus Mozart
Clarinet Concerto in A Major, K. 622: II...
99 bpm • D Maj • 06:51 • -23.37db
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
67% Instrumentalness • 7% Positiveness
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
67% Instrumentalness • 7% Positiveness
► Preview
Ernest Bloch
Enfantines, B. 49: Dream
116 bpm • F min • 01:54 • -38db
24% Popularity • 37% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
24% Popularity • 37% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Maria Theresia von Paradis
Sicilienne - Arr. cello & piano, live
97 bpm • D# Maj • 03:22 • -18.33db
5% Popularity • 25% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
5% Popularity • 25% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
► Preview
Louise Farrenc
Cello Sonata in B-Flat Major, Op. 46: II...
116 bpm • D# Maj • 05:36 • -29.49db
37% Popularity • 26% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
37% Popularity • 26% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
► Preview
George Frideric Handel
Rinaldo, HWV 7a, Act II, Scene 4: Lascia...
97 bpm • B Maj • 05:00 • -26.68db
46% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
46% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
► Preview
AntonÃn Dvořák
4 Romantic Pieces, Op. 75, B. 150: I. Al...
115 bpm • A# Maj • 02:56 • -27.06db
37% Popularity • 21% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
37% Popularity • 21% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
► Preview
Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto in D Major: II. Adagio
97 bpm • F# Maj • 04:28 • -18.92db
39% Popularity • 19% Danceability • 9% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 19% Danceability • 9% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Oskar Merikanto
Kesaillan idylli (Summer Night's Idyll),...
97 bpm • F Maj • 01:18 • -34db
37% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
37% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
► Preview
John Field
Nocturne in B Flat Major, H. 37 (Version...
97 bpm • A# Maj • 02:58 • -27.05db
48% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
48% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Johannes Brahms
Six Songs for Cello and Piano: 4. Wiegen...
116 bpm • F Maj • 02:05 • -39db
33% Popularity • 17% Danceability • 0% Energy • 5% Liveness
94% Instrumentalness • 13% Positiveness
33% Popularity • 17% Danceability • 0% Energy • 5% Liveness
94% Instrumentalness • 13% Positiveness
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Albéric Magnard
Suite d'orchestre dans le style ancien, ...
116 bpm • G min • 02:09 • -32db
48% Popularity • 17% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Songs My Mother Taught Me, Op. 55 No. 4
96 bpm • D Maj • 02:14 • -30.66db
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
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Joseph Haydn
Cello Concerto in C, H.VIIb, No.1: 2. Ad...
96 bpm • F Maj • 09:14 • -23.97db
28% Popularity • 18% Danceability • 6% Energy • 7% Liveness
53% Instrumentalness • 10% Positiveness
28% Popularity • 18% Danceability • 6% Energy • 7% Liveness
53% Instrumentalness • 10% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Oswald Russell
Three Jamaican Dances: No. 2
117 bpm • E Maj • 02:27 • -29.24db
47% Popularity • 46% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 22% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 22% Positiveness
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Ludwig van Beethoven
Violin Concerto in D Major, Op. 61: II. ...
96 bpm • G Maj • 08:06 • -27.18db
26% Popularity • 21% Danceability • 4% Energy • 9% Liveness
6% Instrumentalness • 5% Positiveness
26% Popularity • 21% Danceability • 4% Energy • 9% Liveness
6% Instrumentalness • 5% Positiveness
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Maria Theresia von Paradis
Paradis / Arr. Dushkin: Sicilienne in E-...
96 bpm • D# Maj • 03:12 • -25.33db
1% Popularity • 19% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
1% Popularity • 19% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: III. ...
96 bpm • A# Maj • 05:55 • -31.12db
15% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
Dvořák: From the Bohemian Forest, Op. ...
95 bpm • C# Maj • 06:46 • -20db
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
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Elena Kats-Chernin
Lullaby for Nick
95 bpm • A min • 03:23 • -32.45db
48% Popularity • 42% Danceability • 0% Energy • 6% Liveness
88% Instrumentalness • 7% Positiveness
48% Popularity • 42% Danceability • 0% Energy • 6% Liveness
88% Instrumentalness • 7% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Valentin Silvestrov
4 Postludes for Piano & String Orchestra...
95 bpm • C Maj • 05:36 • -39.77db
41% Popularity • 12% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
41% Popularity • 12% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
58% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
58% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Maria Theresia von Paradis
Sicilienne
95 bpm • D# Maj • 03:41 • -33.67db
1% Popularity • 14% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
1% Popularity • 14% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Modern Historics
Von Paradis Sicilienne: Modern
95 bpm • D# Maj • 03:26 • -8.99db
0% Popularity • 24% Danceability • 40% Energy • 8% Liveness
40% Instrumentalness • 7% Positiveness
0% Popularity • 24% Danceability • 40% Energy • 8% Liveness
40% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
Concerto for Clarinet and Orchestra No. ...
119 bpm • E min • 03:31 • -26db
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Luigi Boccherini
Cello Concerto In B Flat: 2. Andante gra...
94 bpm • D# Maj • 06:17 • -29.66db
25% Popularity • 14% Danceability • 2% Energy • 8% Liveness
64% Instrumentalness • 7% Positiveness
25% Popularity • 14% Danceability • 2% Energy • 8% Liveness
64% Instrumentalness • 7% Positiveness
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Anonymous
Requiem (arr. for 3 cellos and piano)
94 bpm • D Maj • 07:23 • -25db
24% Popularity • 16% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Maria Theresia von Paradis
Sicilienne In E Flat Major - Arr. Hazell
94 bpm • D# Maj • 03:23 • -26.18db
17% Popularity • 14% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
17% Popularity • 14% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Nimrod David Pfeffer
Bach Siciliano
94 bpm • G min • 02:32 • -39.09db
31% Popularity • 31% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 14% Positiveness
31% Popularity • 31% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 14% Positiveness
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Lazar Berman
Chaconne in sol maggiore : Variazione 10
120 bpm • G min • 01:01 • -37.28db
51% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
51% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
