Songs like Paralyzed by Christopher Jackson
Based on a tempo of (+/- 10%) and a similar genre
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Henri Desmarets
Confitebor tibi Domine: IX. Sanctum et t...
72 bpm • A min • 03:06 • -20.68db
0% Popularity • 20% Danceability • 8% Energy • 17% Liveness
21% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 8% Energy • 17% Liveness
21% Instrumentalness • 4% Positiveness
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Rob Rokicki
In the Same Boat - Bonus Track
72 bpm • C Maj • 05:49 • -7db
37% Popularity • 48% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 48% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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Donna Murphy
Mother Knows Best
75 bpm • F Maj • 03:11 • -10.81db
51% Popularity • 44% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 44% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Nick Blaemire
When the Going Gets Tough
74 bpm • F min • 02:47 • -6.75db
39% Popularity • 70% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 70% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Laura Dreyfuss
Only Us
69 bpm • C# Maj • 03:47 • -7.03db
55% Popularity • 47% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 47% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Josh Gad
You and Me (But Mostly Me)
75 bpm • C Maj • 02:43 • -7.95db
52% Popularity • 48% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 48% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Henri Desmarets
Confitebor tibi Domine: I. Confitebor ti...
71 bpm • A min • 01:33 • -20.49db
0% Popularity • 25% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 25% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Mandy Moore
When Will My Life Begin (Reprise 1)
75 bpm • C Maj • 01:03 • -17.95db
54% Popularity • 39% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
54% Popularity • 39% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Original Broadway Cast of Hamilton
Who Lives, Who Dies, Who Tells Your Stor...
76 bpm • D Maj • 03:37 • -9.69db
65% Popularity • 35% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
65% Popularity • 35% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Ramin Karimloo
Still / The Neva Flows (Reprise)
68 bpm • A# Maj • 02:22 • -9.71db
43% Popularity • 49% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 49% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Mandy Gonzalez
When the Sun Goes Down
77 bpm • C min • 02:32 • -14db
35% Popularity • 57% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
35% Popularity • 57% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Christopher Jackson
If We Let It Go
67 bpm • G Maj • 03:44 • -10.26db
1% Popularity • 28% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
1% Popularity • 28% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Henri Desmarets
Domine ne in furore: X. Exaudivit
71 bpm • C min • 02:21 • -19.88db
0% Popularity • 39% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 39% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Barrett Wilbert Weed
Seventeen
77 bpm • A Maj • 03:11 • -9.4db
63% Popularity • 34% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
63% Popularity • 34% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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Daveed Diggs
The Election of 1800
67 bpm • A# Maj • 03:57 • -10.2db
62% Popularity • 73% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
62% Popularity • 73% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Christy Altomare
In My Dreams
77 bpm • E min • 03:28 • -12db
49% Popularity • 27% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
49% Popularity • 27% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Ed Helms
Everybody Needs A Thneed
67 bpm • E Maj • 01:31 • -5.81db
43% Popularity • 59% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 59% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Jeremy Jordan
I Never Planned On You / Don't Come A-Kn...
77 bpm • G# Maj • 01:40 • -13.64db
45% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Henri Desmarets
Marche Lorraine
70 bpm • C Maj • 02:31 • -19.19db
1% Popularity • 38% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
1% Popularity • 38% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
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Laura Bell Bundy
So Much Better
79 bpm • D Maj • 03:29 • -10.22db
54% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
54% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Christopher Jackson
History Has Its Eyes on You
77 bpm • C min • 01:37 • -10db
65% Popularity • 44% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
65% Popularity • 44% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Anika Noni Rose
Almost There
79 bpm • A min • 02:24 • -6.47db
61% Popularity • 55% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 55% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Rei Yamauchi Fulker
When I Grow Up
79 bpm • F Maj • 03:42 • -9.7db
48% Popularity • 53% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 53% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Dan Stevens
Evermore
79 bpm • C# Maj • 03:14 • -8.74db
62% Popularity • 28% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
62% Popularity • 28% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Henri Desmarets
Domine ne in furore: IX. Discedite a me ...
75 bpm • C min • 02:13 • -21.52db
0% Popularity • 22% Danceability • 9% Energy • 18% Liveness
3% Instrumentalness • 19% Positiveness
0% Popularity • 22% Danceability • 9% Energy • 18% Liveness
3% Instrumentalness • 19% Positiveness
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Nikki Blonsky
Welcome To The 60's
79 bpm • D min • 05:12 • -5.26db
49% Popularity • 59% Danceability • 80% Energy • 75% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 59% Danceability • 80% Energy • 75% Liveness
0% Instrumentalness • 68% Positiveness
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Thayne Jasperson
Farmer Refuted
78 bpm • A min • 01:52 • -8.33db
66% Popularity • 80% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
66% Popularity • 80% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Gerard Canonico
The Squip Song
65 bpm • A Maj • 03:33 • -6.82db
33% Popularity • 34% Danceability • 58% Energy • 54% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 34% Danceability • 58% Energy • 54% Liveness
0% Instrumentalness • 29% Positiveness
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John Bolton
Paris Holds the Key (To Your Heart)
80 bpm • D Maj • 03:07 • -9.63db
44% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Christopher Jackson
Etch
80 bpm • A min • 02:30 • -14.26db
1% Popularity • 29% Danceability • 53% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
1% Popularity • 29% Danceability • 53% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
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Henri Desmarets
Confitebor tibi Domine: VIII. Redemption...
75 bpm • A min • 01:20 • -22.11db
0% Popularity • 38% Danceability • 4% Energy • 28% Liveness
1% Instrumentalness • 22% Positiveness
0% Popularity • 38% Danceability • 4% Energy • 28% Liveness
1% Instrumentalness • 22% Positiveness
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Central Park Cast
Time to Close
80 bpm • G# Maj • 02:28 • -9.84db
27% Popularity • 69% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 69% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Lin-Manuel Miranda
Ten Duel Commandments
78 bpm • A# min • 01:46 • -8.19db
65% Popularity • 89% Danceability • 52% Energy • 62% Liveness
0% Instrumentalness • 83% Positiveness
65% Popularity • 89% Danceability • 52% Energy • 62% Liveness
0% Instrumentalness • 83% Positiveness
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Lauren Marcus
Upgrade
80 bpm • D# Maj • 04:38 • -6.63db
33% Popularity • 49% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 49% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Laura Dreyfuss
Requiem
80 bpm • E Maj • 04:19 • -6.52db
50% Popularity • 41% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 41% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Christopher Jackson
Run
81 bpm • C Maj • 02:41 • -10.13db
1% Popularity • 45% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
1% Popularity • 45% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Henri Desmarets
Domine ne in furore: I. Domine, ne in fu...
76 bpm • C min • 02:44 • -20db
0% Popularity • 25% Danceability • 9% Energy • 14% Liveness
86% Instrumentalness • 10% Positiveness
0% Popularity • 25% Danceability • 9% Energy • 14% Liveness
86% Instrumentalness • 10% Positiveness
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Ryan McCartan
Our Love Is God
81 bpm • A Maj • 05:18 • -14.21db
54% Popularity • 42% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
54% Popularity • 42% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Phillipa Soo
Helpless
79 bpm • F Maj • 04:09 • -7.49db
69% Popularity • 69% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
69% Popularity • 69% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Sophia Anne Caruso
Prologue: Invisible
81 bpm • E Maj • 02:42 • -11.76db
49% Popularity • 31% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
49% Popularity • 31% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Christy Altomare
Journey to the Past
81 bpm • D# Maj • 03:16 • -10db
55% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
55% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Cathy Ang
Love Someone New
64 bpm • D Maj • 03:36 • -14db
37% Popularity • 26% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 26% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Henri Desmarets
Confitebor tibi Domine: III. Confessio e...
80 bpm • G Maj • 01:54 • -21db
0% Popularity • 31% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 31% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Thomas Sanders
Friends on the Other Side (Disney Villai...
64 bpm • A min • 03:06 • -12.58db
46% Popularity • 43% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 43% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Jasmine Cephas-Jones
Say No to This
81 bpm • A Maj • 04:02 • -8.16db
67% Popularity • 75% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
67% Popularity • 75% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Bernadette Peters
Anything You Can Do
82 bpm • A# Maj • 03:17 • -6.03db
48% Popularity • 56% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 56% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Andrew Garfield
Boho Days
81 bpm • C# Maj • 01:28 • -8.9db
54% Popularity • 78% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 78% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Write Out Loud
Little Miss Perfect
82 bpm • F# Maj • 03:18 • -12.58db
58% Popularity • 59% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
58% Popularity • 59% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Henri Desmarets
Usquequo Domine: I. Usquequo Domine
82 bpm • C min • 06:41 • -20.39db
0% Popularity • 10% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
0% Popularity • 10% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
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Sutton Foster
This Is Our Story
82 bpm • A Maj • 03:17 • -6.05db
38% Popularity • 55% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 55% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Phillipa Soo
Take a Break
82 bpm • E Maj • 04:46 • -9.43db
64% Popularity • 55% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
64% Popularity • 55% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Judy Kuhn
Just Around the Riverbend
63 bpm • C Maj • 02:28 • -11.66db
55% Popularity • 42% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 42% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Barrett Wilbert Weed
I Am Damaged
82 bpm • E Maj • 01:26 • -12.03db
56% Popularity • 56% Danceability • 21% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 56% Danceability • 21% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Consider The Ravens
How Deep the Father's Love for Us
82 bpm • F# Maj • 04:05 • -8.29db
3% Popularity • 32% Danceability • 49% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
3% Popularity • 32% Danceability • 49% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
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Chris McCarrell
Prologue / The Day I Got Expelled
82 bpm • G Maj • 07:43 • -8.43db
45% Popularity • 52% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 52% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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AsapSCIENCE
The New Periodic Table Song
83 bpm • G Maj • 02:49 • -7.18db
55% Popularity • 56% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
55% Popularity • 56% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Okieriete Onaodowan
The Story of Tonight - Reprise
82 bpm • F min • 01:55 • -12.76db
64% Popularity • 72% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
64% Popularity • 72% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Judy Kuhn
Like Other Girls
82 bpm • G Maj • 02:25 • -8.42db
47% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Katie Ladner
Kindergarten Boyfriend
82 bpm • F Maj • 03:48 • -11.16db
49% Popularity • 40% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
49% Popularity • 40% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Christopher Jackson
Spheres in Rooms
83 bpm • C# Maj • 02:30 • -10.8db
7% Popularity • 51% Danceability • 44% Energy • 10% Liveness
77% Instrumentalness • 58% Positiveness
7% Popularity • 51% Danceability • 44% Energy • 10% Liveness
77% Instrumentalness • 58% Positiveness
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George Salazar
Another Terrible Day
82 bpm • C min • 03:54 • -7.48db
45% Popularity • 75% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 75% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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SIX
Don't Lose Ur Head
83 bpm • G min • 04:05 • -7.64db
67% Popularity • 86% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
67% Popularity • 86% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Brian D'Arcy James
Travel Song
83 bpm • E Maj • 01:56 • -8db
44% Popularity • 68% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
44% Popularity • 68% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Henri Desmarets
Usquequo Domine: II. Quamdiu
83 bpm • C min • 02:59 • -21.52db
0% Popularity • 19% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 19% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Elle McLemore
Lifeboat
82 bpm • G min • 01:39 • -10.1db
55% Popularity • 45% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
55% Popularity • 45% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Christopher Jackson
Sphere
83 bpm • G min • 02:40 • -11.39db
1% Popularity • 44% Danceability • 48% Energy • 15% Liveness
89% Instrumentalness • 35% Positiveness
1% Popularity • 44% Danceability • 48% Energy • 15% Liveness
89% Instrumentalness • 35% Positiveness
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Auli'i Cravalho
How Far I'll Go - Reprise
83 bpm • E Maj • 01:27 • -8.37db
64% Popularity • 43% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
64% Popularity • 43% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Company
One Normal Night
83 bpm • F Maj • 04:45 • -8.35db
50% Popularity • 48% Danceability • 55% Energy • 62% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 48% Danceability • 55% Energy • 62% Liveness
0% Instrumentalness • 54% Positiveness
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Evan Rachel Wood
All Is Found
83 bpm • F Maj • 02:05 • -12.32db
68% Popularity • 23% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
68% Popularity • 23% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Adam Jacobs
Proud of Your Boy
62 bpm • D Maj • 02:21 • -8.91db
44% Popularity • 45% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 45% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Henri Desmarets
Domine ne in furore: VII. Laboravi
84 bpm • C min • 02:20 • -17.37db
0% Popularity • 12% Danceability • 12% Energy • 12% Liveness
68% Instrumentalness • 5% Positiveness
0% Popularity • 12% Danceability • 12% Energy • 12% Liveness
68% Instrumentalness • 5% Positiveness
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Christopher Jackson
Warm Hills
83 bpm • A Maj • 02:42 • -6.8db
2% Popularity • 68% Danceability • 63% Energy • 68% Liveness
86% Instrumentalness • 18% Positiveness
2% Popularity • 68% Danceability • 63% Energy • 68% Liveness
86% Instrumentalness • 18% Positiveness
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Auli'i Cravalho
How Far I'll Go
84 bpm • E Maj • 02:43 • -10.97db
70% Popularity • 54% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
70% Popularity • 54% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Olga Merediz
Paciencia Y Fe
84 bpm • D Maj • 04:55 • -8.16db
40% Popularity • 54% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 54% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Central Park Cast
Up to Here
85 bpm • C# Maj • 02:25 • -7.63db
18% Popularity • 48% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 48% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Carrie Hope Fletcher
Beautiful
86 bpm • F min • 08:26 • -7.3db
45% Popularity • 53% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 53% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Henri Desmarets
Confitebor tibi Domine: II. Magna opera ...
85 bpm • A min • 03:06 • -15.59db
0% Popularity • 22% Danceability • 25% Energy • 25% Liveness
96% Instrumentalness • 50% Positiveness
0% Popularity • 22% Danceability • 25% Energy • 25% Liveness
96% Instrumentalness • 50% Positiveness
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Christopher Jackson
Ambient
85 bpm • D Maj • 02:21 • -5.18db
6% Popularity • 55% Danceability • 42% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
6% Popularity • 55% Danceability • 42% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
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Jonah Hauer-King
Wild Uncharted Waters
86 bpm • F min • 02:59 • -11.01db
56% Popularity • 26% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
56% Popularity • 26% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Lin-Manuel Miranda
96,000
85 bpm • E min • 05:35 • -7.2db
46% Popularity • 72% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 72% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Leslie Odom Jr.
Wait for It
87 bpm • F# Maj • 03:13 • -9.64db
70% Popularity • 54% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
70% Popularity • 54% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Company
When You're An Addams
87 bpm • G min • 04:25 • -9.34db
47% Popularity • 63% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
47% Popularity • 63% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Henri Desmarets
Domine ne in furore: II. Miserere mei, D...
86 bpm • C min • 01:37 • -19.53db
0% Popularity • 21% Danceability • 10% Energy • 13% Liveness
86% Instrumentalness • 6% Positiveness
0% Popularity • 21% Danceability • 10% Energy • 13% Liveness
86% Instrumentalness • 6% Positiveness
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Kholby Wardell
Noel's Lament
87 bpm • A min • 04:59 • -13.72db
65% Popularity • 38% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
65% Popularity • 38% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Christopher Jackson
Numbers
83 bpm • A# min • 01:35 • -17.27db
7% Popularity • 48% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 38% Positiveness
7% Popularity • 48% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 38% Positiveness
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Brian D'Arcy James
Build A Wall
87 bpm • F Maj • 02:40 • -6.16db
39% Popularity • 63% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 63% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Ben Platt
You Will Be Found
87 bpm • A Maj • 06:00 • -7.13db
61% Popularity • 29% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
61% Popularity • 29% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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The Guy Who Didn't Like Musicals Cast
Show Stoppin Number
87 bpm • G Maj • 05:19 • -10.13db
42% Popularity • 54% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 54% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Henri Desmarets
Domine ne in furore: VI. In inferno aute...
86 bpm • C Maj • 00:58 • -14.9db
0% Popularity • 22% Danceability • 20% Energy • 19% Liveness
22% Instrumentalness • 37% Positiveness
0% Popularity • 22% Danceability • 20% Energy • 19% Liveness
22% Instrumentalness • 37% Positiveness
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Lin-Manuel Miranda
Meet Me Inside
89 bpm • A# min • 01:23 • -8.32db
63% Popularity • 73% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
63% Popularity • 73% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Christopher Jackson
Falling
83 bpm • C Maj • 02:41 • -16.58db
3% Popularity • 66% Danceability • 39% Energy • 64% Liveness
91% Instrumentalness • 40% Positiveness
3% Popularity • 66% Danceability • 39% Energy • 64% Liveness
91% Instrumentalness • 40% Positiveness
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André De Shields
Wait for Me
89 bpm • D Maj • 03:34 • -6.72db
58% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
58% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Rachel Bay Jones
So Big / So Small
88 bpm • G Maj • 04:12 • -9.54db
49% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Christopher Sieber
What's Up, Duloc?
90 bpm • B min • 04:25 • -7.01db
42% Popularity • 55% Danceability • 55% Energy • 49% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 55% Danceability • 55% Energy • 49% Liveness
0% Instrumentalness • 57% Positiveness
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Henri Desmarets
Lauda Jerusalem Dominum: V. Mittit cryst...
88 bpm • A min • 03:44 • -18.78db
0% Popularity • 10% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Carrie Hope Fletcher
You're Welcome
90 bpm • F# min • 03:07 • -5.31db
55% Popularity • 75% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 75% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Christopher Jackson
In To The
83 bpm • B Maj • 02:07 • -7.1db
7% Popularity • 64% Danceability • 65% Energy • 10% Liveness
87% Instrumentalness • 53% Positiveness
7% Popularity • 64% Danceability • 65% Energy • 10% Liveness
87% Instrumentalness • 53% Positiveness
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Eva Noblezada
Any Way the Wind Blows
89 bpm • F Maj • 03:45 • -9.04db
54% Popularity • 44% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
54% Popularity • 44% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
