Songs like Part of Me by carobae
Based on a tempo of (+/- 10%) and a similar genre
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shy martin
Slow
142 bpm • D Maj • 02:43 • -9.51db
56% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
56% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Meg Smith
All the Things You'd Ruin (Sad Girl Vers...
142 bpm • C# Maj • 02:59 • -11.08db
31% Popularity • 63% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 63% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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FLETCHER
All Love
142 bpm • E Maj • 03:13 • -7.18db
56% Popularity • 66% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 66% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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BLÜ EYES
wish we never happened
142 bpm • A Maj • 03:04 • -7.26db
45% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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carobae
Part of Me
142 bpm • C# min • 03:02 • -7db
22% Popularity • 67% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 67% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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Carol Ades
Unlearn Me
142 bpm • G Maj • 03:12 • -9db
27% Popularity • 57% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 57% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Luz
counting houses - acoustic
142 bpm • G min • 03:27 • -13.76db
22% Popularity • 59% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 59% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Devan
Real Shot
142 bpm • D Maj • 02:34 • -9.04db
28% Popularity • 60% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 60% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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FLETCHER
All Love - Recorded At Electric Lady Stu...
142 bpm • C# min • 03:24 • -8.45db
32% Popularity • 41% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
32% Popularity • 41% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Emily Weisband
The Way I Say Goodbye
142 bpm • F Maj • 03:04 • -11.18db
36% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Dasha
7 Minutes in Heaven
142 bpm • G# Maj • 03:10 • -9.98db
27% Popularity • 40% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 40% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Taylor Bickett
i should’ve guessed
143 bpm • E Maj • 04:01 • -7.42db
36% Popularity • 49% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 49% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Ber
Worrying - Demo
141 bpm • G# Maj • 03:20 • -8.55db
27% Popularity • 83% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 83% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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ROSIE
Idk you at all
141 bpm • C Maj • 02:41 • -13db
25% Popularity • 51% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 51% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Lily Kincade
Mean
143 bpm • D Maj • 03:13 • -5.93db
15% Popularity • 68% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 68% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Chloe Lilac
Jesus Couldn't Love Me
141 bpm • B min • 03:17 • -10db
25% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Annika Bennett
Hypochondria
141 bpm • E Maj • 03:50 • -8.41db
11% Popularity • 44% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 44% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Chord Overstreet
What You Need
140 bpm • C Maj • 03:01 • -11.17db
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Abby Cates
saw ur mom at the grocery store
140 bpm • G Maj • 04:13 • -7.88db
33% Popularity • 48% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 48% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Carlie Hanson
Daze Inn - Acoustic
140 bpm • C Maj • 02:46 • -7.69db
22% Popularity • 70% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 70% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Devon Gabriella
afraid of heights
140 bpm • A# Maj • 02:34 • -15.06db
39% Popularity • 60% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 60% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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ROSIE
100 Headaches
140 bpm • C# Maj • 02:51 • -9.29db
28% Popularity • 47% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 47% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Avery Lynch
Out Of Love with You
140 bpm • G# Maj • 03:40 • -9.93db
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Haley Joelle
Molly
144 bpm • B Maj • 03:10 • -12db
25% Popularity • 61% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 61% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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FLETCHER
Feel
140 bpm • F# Maj • 03:02 • -7.12db
45% Popularity • 45% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 45% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Ben Kessler
Everything to Everyone
144 bpm • C min • 02:47 • -9.97db
32% Popularity • 62% Danceability • 49% Energy • 47% Liveness
8% Instrumentalness • 28% Positiveness
32% Popularity • 62% Danceability • 49% Energy • 47% Liveness
8% Instrumentalness • 28% Positiveness
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Carlie Hanson
Hazel
140 bpm • D Maj • 03:21 • -5.85db
33% Popularity • 64% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 64% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Julia Wolf
Play It Safe
140 bpm • C min • 02:53 • -10.06db
32% Popularity • 72% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 72% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Avery Lynch
Not Angry
144 bpm • A# Maj • 03:56 • -12.39db
33% Popularity • 46% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 46% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
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carobae
naked in a crowd
140 bpm • D Maj • 03:40 • -8.42db
8% Popularity • 57% Danceability • 73% Energy • 16% Liveness
1% Instrumentalness • 64% Positiveness
8% Popularity • 57% Danceability • 73% Energy • 16% Liveness
1% Instrumentalness • 64% Positiveness
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sad alex
nature
144 bpm • C Maj • 03:29 • -9db
12% Popularity • 54% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 54% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Annika Rose
Priorities
140 bpm • D Maj • 03:18 • -6.85db
12% Popularity • 63% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 63% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Myylo
Tuck Your Head Under the Covers
140 bpm • G Maj • 02:42 • -8db
31% Popularity • 68% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 68% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Brynn Elliott
Terrified
140 bpm • C Maj • 02:25 • -6.24db
23% Popularity • 46% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 46% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Tayler Buono
My Person
144 bpm • D Maj • 03:06 • -7.75db
31% Popularity • 60% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 60% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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Haley Joelle
Goodwill
140 bpm • C Maj • 02:56 • -10.58db
24% Popularity • 39% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 39% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Delacey
No One's Gonna Ever Love U
140 bpm • G Maj • 03:22 • -8.09db
28% Popularity • 54% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 54% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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laye
sicker
145 bpm • C Maj • 03:13 • -6db
26% Popularity • 36% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 36% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Annika Bennett
Only Emotion
139 bpm • A min • 03:46 • -9.92db
18% Popularity • 53% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 53% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Alex Porat
happy for you
145 bpm • F# Maj • 03:00 • -6.82db
35% Popularity • 66% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 66% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Tayler Buono
Remember the Bad
145 bpm • G Maj • 02:43 • -6.22db
22% Popularity • 59% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 59% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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bülow
Sundress
145 bpm • G Maj • 01:46 • -11db
28% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Gatlin
I Think About You All the Time
145 bpm • A# min • 04:10 • -10db
35% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
35% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Sody
time again
145 bpm • C Maj • 03:11 • -14.71db
22% Popularity • 38% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 38% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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OSTON
Hurt Like ___
145 bpm • G# Maj • 03:37 • -7.11db
14% Popularity • 42% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 42% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Emily Weisband
Out of This Car
146 bpm • C Maj • 02:59 • -8.27db
19% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Georgia Greene
Have You Thought About Me With Somebody ...
138 bpm • C Maj • 02:46 • -10.35db
20% Popularity • 43% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 43% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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benny blanco
Unlearn
138 bpm • A# min • 02:34 • -12.27db
52% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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X Lovers
Life
146 bpm • G Maj • 02:45 • -5db
15% Popularity • 60% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 60% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Annika Bennett
over
146 bpm • C# Maj • 02:14 • -9.63db
27% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Ben Kessler
Cruise Control
146 bpm • F Maj • 02:39 • -8.42db
32% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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Sara Kays
No Matter the Season - Acoustic
138 bpm • D Maj • 03:31 • -9.11db
22% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Emma Oliver
i'm sorry, i miss you
138 bpm • B Maj • 02:55 • -7db
20% Popularity • 55% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 55% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Haley Joelle
The Boy From Class
146 bpm • A# Maj • 02:07 • -14.06db
38% Popularity • 52% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 52% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Sarah Barrios
Help
138 bpm • F Maj • 03:11 • -9.91db
22% Popularity • 59% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 59% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Daya
Montana
138 bpm • D Maj • 03:23 • -7db
43% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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BLÜ EYES
somebody
138 bpm • D Maj • 02:56 • -8.1db
30% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Sara Kays
No Matter the Season
138 bpm • D Maj • 03:32 • -8.89db
40% Popularity • 68% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 68% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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GRACEY
Different Things
147 bpm • G Maj • 03:27 • -7.71db
27% Popularity • 57% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 57% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Cate Downey
Puppet
137 bpm • C# min • 02:43 • -11.6db
35% Popularity • 40% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 40% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
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Carlie Hanson
Stealing All My Friends
147 bpm • A Maj • 02:41 • -10.53db
24% Popularity • 61% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 61% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Alice Kristiansen
Tired of Me
137 bpm • F Maj • 04:03 • -11.94db
15% Popularity • 39% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 39% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Emily Burns
Balcony Floor
147 bpm • G Maj • 03:13 • -9.16db
26% Popularity • 57% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 57% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Rachel Bochner
Drunk Crier
147 bpm • F# Maj • 03:03 • -10db
23% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Anna Clendening
If I'm Being Honest
147 bpm • B Maj • 02:36 • -7db
46% Popularity • 58% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 58% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Bea Miller
self crucify
137 bpm • F Maj • 04:00 • -9.39db
33% Popularity • 33% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
33% Popularity • 33% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Daisy Clark
I Don't Look Like Her
137 bpm • C# Maj • 02:45 • -11db
23% Popularity • 62% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 62% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Caroline Dare
Bad Again
148 bpm • C Maj • 02:44 • -7db
29% Popularity • 64% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 64% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Lily Kincade
Wish You Would've
148 bpm • C Maj • 03:08 • -6.39db
18% Popularity • 70% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 70% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Lexi Jayde
self sabotage
136 bpm • D Maj • 03:40 • -7.01db
45% Popularity • 58% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 58% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Max Embers
Honest Mistake
136 bpm • G min • 04:11 • -10.22db
34% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Carlie Hanson
Daze Inn
149 bpm • C Maj • 02:38 • -5.33db
42% Popularity • 64% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 64% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Sara Kays
Waste My Time
135 bpm • F# Maj • 03:31 • -11.01db
30% Popularity • 52% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 52% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Anson Seabra
Hurricane
135 bpm • G Maj • 03:21 • -13.24db
46% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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ROSIE
All my favorite songs
135 bpm • C# Maj • 02:56 • -10db
32% Popularity • 55% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 55% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Laur Elle
Wallflower
135 bpm • D Maj • 03:23 • -7.12db
26% Popularity • 73% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 73% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Clinton Kane
remember the mornings
149 bpm • C Maj • 03:22 • -5.66db
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Haley Joelle
All Your Friends
135 bpm • C Maj • 03:02 • -8.74db
22% Popularity • 37% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 37% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Devon Gabriella
how could you?
150 bpm • G Maj • 02:40 • -9.74db
37% Popularity • 47% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 47% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
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Glades
Through To You
135 bpm • F Maj • 03:26 • -9db
21% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Luz
counting houses
150 bpm • A# Maj • 03:20 • -12.09db
36% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Katelyn Tarver
Dionne
150 bpm • C# min • 03:41 • -7.51db
29% Popularity • 49% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 49% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Violet Skies
This Could Be Love
135 bpm • C# Maj • 02:43 • -10.57db
26% Popularity • 50% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 50% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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ROSIE
Lose Me Too
150 bpm • D Maj • 03:24 • -8.49db
41% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Devon Gabriella
The Way That I See You
150 bpm • C# Maj • 02:43 • -7.17db
29% Popularity • 66% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 66% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Laur Elle
Hate That You Love Me
150 bpm • D Maj • 03:13 • -7.03db
35% Popularity • 77% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 77% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Carlie Hanson
Back in My Arms
150 bpm • C# min • 03:15 • -4.85db
42% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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BIZZY
I'd Never Tell You
150 bpm • C Maj • 03:08 • -7.15db
27% Popularity • 62% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 62% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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JP Saxe
Same Room
134 bpm • G Maj • 03:53 • -10.88db
45% Popularity • 46% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 46% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Cian Ducrot
Know Me Again
134 bpm • E Maj • 04:15 • -10.36db
37% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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BLÜ EYES
supposed to
134 bpm • D Maj • 02:54 • -6.33db
42% Popularity • 80% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 80% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Beth McCarthy
She Gets the Flowers
151 bpm • D Maj • 03:39 • -7.06db
50% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
50% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Emily Weisband
Psychopath
134 bpm • A Maj • 03:22 • -8.58db
14% Popularity • 67% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 67% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Gracie Abrams
Friend
133 bpm • E Maj • 02:56 • -4.91db
62% Popularity • 70% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
62% Popularity • 70% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Carlie Hanson
walk away as the door slams
133 bpm • B Maj • 02:56 • -9.32db
18% Popularity • 73% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 73% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Clinton Kane
So I Don't Let Me Down
152 bpm • A Maj • 03:36 • -8.62db
43% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
43% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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BLÜ EYES
Some Days
132 bpm • B min • 02:38 • -9.01db
22% Popularity • 64% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 64% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
