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Paul Simon
Songs like
Paul Simon
by
Wild Rivers
Based on a tempo of (+/- 10%) and a similar genre
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The Paper Kites
Arms
150 bpm • D Maj • 03:23 • -18.56db
47% Popularity • 41% Danceability • 14% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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The Mulligan Brothers
Divine Design
150 bpm • E Maj • 04:09 • -10db
23% Popularity • 58% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Havelin
Alright, Alright
150 bpm • C# Maj • 04:46 • -7db
19% Popularity • 56% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Wild Rivers
Paul Simon
150 bpm • B Maj • 03:51 • -14.04db
42% Popularity • 63% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Handsome Ghost
Fool
150 bpm • A min • 03:18 • -8db
22% Popularity • 52% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Terrible Sons
Tears Don’t Fall
149 bpm • G Maj • 03:10 • -12.69db
36% Popularity • 67% Danceability • 54% Energy • 15% Liveness
2% Instrumentalness • 85% Positiveness
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Anderson East
This Too Shall Last
149 bpm • E Maj • 03:42 • -9db
56% Popularity • 50% Danceability • 49% Energy • 9% Liveness
80% Instrumentalness • 68% Positiveness
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Ruston Kelly
Mockingbird
148 bpm • A# Maj • 04:37 • -4.66db
52% Popularity • 47% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Paul McDonald
New Lovers
148 bpm • B Maj • 04:09 • -9db
28% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Wild Rivers
Cave
151 bpm • E Maj • 02:58 • -5.67db
59% Popularity • 66% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Canyon City
Be Still
149 bpm • C Maj • 03:50 • -13db
27% Popularity • 46% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Corey Kilgannon
Postcard from Rome
152 bpm • C# Maj • 03:50 • -17db
26% Popularity • 39% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Henry Jamison
Real Peach
152 bpm • C# Maj • 03:53 • -7db
48% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Wilder Adkins
Dancing In The Dark
148 bpm • G Maj • 04:12 • -13db
28% Popularity • 40% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Good Old War
Every Morning
152 bpm • G Maj • 03:00 • -6db
32% Popularity • 57% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Wild Rivers
Speak Too Soon
152 bpm • G Maj • 02:53 • -10.77db
69% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Chapman Whitted
Lookout Mtn. Love
153 bpm • D Maj • 03:29 • -14db
25% Popularity • 41% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Joy Williams
All I Need
153 bpm • C# Maj • 03:53 • -11db
31% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Caamp
So Cool
153 bpm • E Maj • 02:59 • -10.02db
47% Popularity • 58% Danceability • 47% Energy • 19% Liveness
1% Instrumentalness • 56% Positiveness
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Henry Jamison
The Last Time I Saw Adrianne
153 bpm • G Maj • 03:36 • -9db
25% Popularity • 38% Danceability • 25% Energy • 32% Liveness
4% Instrumentalness • 29% Positiveness
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John Vincent III
The Days That Are to Come
147 bpm • G# Maj • 05:52 • -14.7db
40% Popularity • 39% Danceability • 17% Energy • 11% Liveness
19% Instrumentalness • 9% Positiveness
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Wild Rivers
Long Time
148 bpm • A# Maj • 03:16 • -11db
52% Popularity • 55% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Rayland Baxter
Yellow Eyes
154 bpm • A# Maj • 03:50 • -7.9db
58% Popularity • 50% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Peter Bradley Adams
Come Tomorrow
145 bpm • B min • 04:16 • -16.43db
38% Popularity • 66% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 24% Positiveness
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Wilder Woods
Mary, You're Wrong
146 bpm • C# Maj • 03:36 • -7.94db
41% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Woodlock
Start Again
145 bpm • C Maj • 03:14 • -15db
42% Popularity • 42% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
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Sam Burchfield
Doctor
145 bpm • F Maj • 04:02 • -14.54db
21% Popularity • 65% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Austin Basham
All Is Well
156 bpm • B Maj • 04:16 • -12db
54% Popularity • 32% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Beta Radio
Bees and Swans
144 bpm • A Maj • 04:10 • -8.03db
32% Popularity • 34% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Rayland Baxter
The Woman For Me
144 bpm • F# Maj • 04:34 • -11.55db
33% Popularity • 48% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Wild Rivers
Call It a Night
144 bpm • A Maj • 04:07 • -7.4db
45% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Henry Jamison
Through a Glass
156 bpm • D# Maj • 03:00 • -9db
34% Popularity • 45% Danceability • 51% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
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Thomas Csorba
Murmur of Yearning
144 bpm • F# Maj • 03:50 • -10.23db
30% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Birdtalker
Blue Healer
144 bpm • E Maj • 05:18 • -9.5db
40% Popularity • 60% Danceability • 50% Energy • 20% Liveness
25% Instrumentalness • 30% Positiveness
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Wilderado
Sorrow - Acoustic
144 bpm • C Maj • 03:00 • -10.56db
37% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Gabe Dixon
Same Place
144 bpm • G Maj • 02:08 • -17.44db
24% Popularity • 32% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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John Vincent III
Madeline
143 bpm • E Maj • 05:32 • -12.97db
32% Popularity • 39% Danceability • 28% Energy • 9% Liveness
14% Instrumentalness • 22% Positiveness
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Wild Rivers
Left Off - Acoustic
143 bpm • D Maj • 03:20 • -11.92db
34% Popularity • 63% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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CHAPPY
Colorado
143 bpm • F Maj • 04:27 • -9.63db
37% Popularity • 48% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Matt the Electrician
The Bear (Trio)
143 bpm • E Maj • 04:24 • -12.46db
35% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Beta Radio
Sitting Room
143 bpm • G# Maj • 04:09 • -14db
42% Popularity • 48% Danceability • 31% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
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Donovan Woods
Leaving Nashville
158 bpm • D# Maj • 03:25 • -15.26db
24% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Josiah and the Bonnevilles
Keeping Love Alive
158 bpm • C# Maj • 02:03 • -5.68db
55% Popularity • 58% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Joy Williams
No Place Like You
143 bpm • G Maj • 02:55 • -12db
36% Popularity • 44% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Dan Mills
Best I Could
142 bpm • G# Maj • 03:03 • -13.35db
22% Popularity • 67% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Wild Rivers
Thinking 'Bout Love
142 bpm • F Maj • 03:19 • -8.12db
73% Popularity • 73% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Caamp
Vagabond
142 bpm • E Maj • 02:09 • -11.92db
72% Popularity • 57% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
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Corey Kilgannon
California Skin
142 bpm • G Maj • 02:45 • -16db
26% Popularity • 47% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Moon Taxi
Run Right Back
141 bpm • C# Maj • 03:21 • -5.84db
41% Popularity • 55% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Andrea von Kampen
Trainsong
159 bpm • E Maj • 02:38 • -10.36db
29% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Peter Bradley Adams
Stay for a While
141 bpm • E Maj • 04:04 • -13db
34% Popularity • 54% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 28% Positiveness
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Twin Bandit
Everything Under the Sun
160 bpm • A Maj • 03:57 • -7db
21% Popularity • 45% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Lizzy LeBleu
Digressions
160 bpm • A Maj • 03:34 • -10.79db
29% Popularity • 56% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Watchhouse
Amsterdam (Recorded at Spotify Studios N...
141 bpm • C Maj • 03:13 • -11db
48% Popularity • 53% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
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Donovan Woods
I Ain't Ever Loved No One
160 bpm • D# Maj • 03:14 • -21db
27% Popularity • 54% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Beta Radio
On the Frame (Acoustic)
141 bpm • D min • 03:04 • -13.3db
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Peter Bradley Adams
Lorraine
141 bpm • E Maj • 04:33 • -9.27db
31% Popularity • 61% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Wild Rivers
Amsterdam
140 bpm • C# Maj • 03:33 • -9.43db
61% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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The Brook & The Bluff
Rush - Acoustic
140 bpm • D# Maj • 04:13 • -13.24db
28% Popularity • 68% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Harrison Storm
Sense of Home
140 bpm • D# Maj • 04:25 • -11db
57% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Donovan Woods
I Ain't Ever Loved No One - Acoustic
160 bpm • A# min • 03:19 • -14.92db
47% Popularity • 32% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Beta Radio
On the Frame
140 bpm • F Maj • 03:39 • -13.99db
42% Popularity • 72% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Joe Purdy
I Love The Rain The Most
140 bpm • G# Maj • 04:38 • -11db
47% Popularity • 47% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Rayland Baxter
The Mtn Song
140 bpm • C Maj • 03:58 • -9.17db
37% Popularity • 42% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Roo Panes
Tiger Striped Sky
140 bpm • D Maj • 04:01 • -10.32db
58% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Lake Street Dive
I Can Change
140 bpm • C Maj • 03:11 • -12db
52% Popularity • 55% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Garrett Kato
River Mouth - Acoustic
139 bpm • F# Maj • 02:53 • -11.27db
38% Popularity • 61% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Joy Williams
The Trouble with Wanting
139 bpm • D Maj • 03:55 • -9db
54% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Canyon City
Find You
162 bpm • D# Maj • 03:31 • -12.36db
24% Popularity • 48% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Old Sea Brigade
We Belong
138 bpm • D Maj • 03:49 • -13.68db
42% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Tori Forsyth
New Wall
138 bpm • G# Maj • 02:38 • -15.33db
25% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Beta Radio
Come on Make It Right Once
138 bpm • E min • 03:04 • -11.05db
47% Popularity • 75% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Jake Etheridge
Only Everything
138 bpm • D Maj • 03:27 • -6db
21% Popularity • 62% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Gregory Alan Isakov
The Stable Song
138 bpm • D Maj • 06:00 • -11.95db
65% Popularity • 63% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Wild Rivers
Thinking 'Bout Love - Acoustic
138 bpm • F Maj • 03:04 • -13.54db
53% Popularity • 68% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Andrew Combs
Lauralee
138 bpm • F# Maj • 03:55 • -8db
25% Popularity • 59% Danceability • 44% Energy • 12% Liveness
2% Instrumentalness • 27% Positiveness
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Oliver Hazard
Northern Lights
138 bpm • G# Maj • 03:43 • -10.59db
34% Popularity • 55% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Peter Bradley Adams
Good Man
137 bpm • G# Maj • 03:28 • -14db
39% Popularity • 77% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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Wolf and Willow
Chase the Sun
163 bpm • G Maj • 03:22 • -12.36db
15% Popularity • 48% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
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Tyler Sjöström
Holding On
137 bpm • A Maj • 03:06 • -8.58db
27% Popularity • 73% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
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Dan Griffin
Stars and Satellites
137 bpm • B Maj • 02:50 • -20.42db
34% Popularity • 44% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Noah Kahan
Sink
165 bpm • D# Maj • 03:45 • -9.05db
64% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Kate Rhudy
Lonely Last Night
136 bpm • A Maj • 03:00 • -7.7db
16% Popularity • 55% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Jesse Daniel Smith
I Really Love Ya
136 bpm • D Maj • 03:23 • -9.26db
27% Popularity • 72% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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George Taylor
I Hear Your Song, Sweetness
136 bpm • C min • 03:53 • -10.5db
35% Popularity • 55% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Wild Rivers
Undercover
166 bpm • F# Maj • 03:37 • -14db
38% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Canyon City
Times We Had in Tennessee
166 bpm • C Maj • 05:20 • -13.3db
24% Popularity • 42% Danceability • 27% Energy • 13% Liveness
1% Instrumentalness • 24% Positiveness
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Ryan Montbleau
I Was Just Leaving
136 bpm • F# Maj • 02:58 • -10.44db
49% Popularity • 62% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Wilderado
Rubble To Rubble
135 bpm • A min • 03:24 • -8.38db
54% Popularity • 56% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Gabe Dixon
The One Thing
135 bpm • B min • 04:52 • -9db
27% Popularity • 57% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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George Taylor
Stay Warm
135 bpm • C Maj • 04:32 • -11db
32% Popularity • 75% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Wild Rivers
Amsterdam - Acoustic
135 bpm • C# Maj • 03:24 • -11db
28% Popularity • 55% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Brian Dunne
Don't Give Up On Me
135 bpm • G# Maj • 03:57 • -9.46db
16% Popularity • 60% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Amos Lee
Hang On, Hang On
135 bpm • F# Maj • 04:10 • -17.03db
44% Popularity • 55% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Old Sea Brigade
Cover My Own
134 bpm • G Maj • 03:53 • -15db
38% Popularity • 73% Danceability • 21% Energy • 7% Liveness
3% Instrumentalness • 40% Positiveness
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Morningsiders
Ashes
134 bpm • G Maj • 03:40 • -5.28db
34% Popularity • 63% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Jason Polley
Wake Me Up
168 bpm • A Maj • 03:58 • -9db
23% Popularity • 63% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Wild Rivers
Better When We're Falling Apart
168 bpm • C# Maj • 03:06 • -8.82db
44% Popularity • 67% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Gregory Alan Isakov
Time Will Tell
168 bpm • F Maj • 02:47 • -12db
61% Popularity • 37% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Caamp
See the World
134 bpm • C# Maj • 02:18 • -10.34db
60% Popularity • 42% Danceability • 53% Energy • 8% Liveness
14% Instrumentalness • 40% Positiveness
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Paul Simon