Songs like PAYDAY - Acoustic Version by Frederico
Based on a tempo of (+/- 10%) and a similar genre
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Alex Schulz
In the Morning Light
122 bpm • G# Maj • 04:43 • -9db
35% Popularity • 76% Danceability • 71% Energy • 8% Liveness
3% Instrumentalness • 56% Positiveness
35% Popularity • 76% Danceability • 71% Energy • 8% Liveness
3% Instrumentalness • 56% Positiveness
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Ohana Lekio
Sunny Day
122 bpm • F# min • 03:04 • -3.9db
25% Popularity • 67% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 67% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Pulsedriver
Truly Madly Deeply
122 bpm • C# Maj • 02:49 • -5.07db
49% Popularity • 80% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
49% Popularity • 80% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Faye Montana
GIRLFRIEND
122 bpm • C Maj • 02:37 • -7.19db
35% Popularity • 71% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 71% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Malik Harris
Bangin' On My Drum
122 bpm • G Maj • 02:57 • -5.04db
36% Popularity • 73% Danceability • 73% Energy • 58% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 73% Danceability • 73% Energy • 58% Liveness
0% Instrumentalness • 55% Positiveness
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anaïs
We Can Be Just Friends
122 bpm • C# Maj • 02:44 • -9db
36% Popularity • 84% Danceability • 72% Energy • 15% Liveness
2% Instrumentalness • 96% Positiveness
36% Popularity • 84% Danceability • 72% Energy • 15% Liveness
2% Instrumentalness • 96% Positiveness
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Alle Farben
85 Minutes Of Your Love
122 bpm • F# Maj • 02:33 • -6.5db
8% Popularity • 72% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 72% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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OFF KEY JUNIOR
Taste like Summertime
122 bpm • A# min • 02:24 • -5.39db
52% Popularity • 78% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
52% Popularity • 78% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Max Lean
Higher
122 bpm • B min • 03:36 • -6.31db
24% Popularity • 74% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 74% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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Felix Jaehn
Do It Better - Extended Mix
122 bpm • C# min • 03:57 • -5.27db
17% Popularity • 76% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 76% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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C-Ro
Mad
122 bpm • C min • 02:25 • -7.44db
13% Popularity • 68% Danceability • 87% Energy • 63% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 68% Danceability • 87% Energy • 63% Liveness
0% Instrumentalness • 28% Positiveness
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Deelight
Heavily 2021
122 bpm • F Maj • 03:11 • -8.23db
14% Popularity • 69% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 69% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Alle Farben
Alright
122 bpm • C Maj • 02:49 • -7.22db
61% Popularity • 59% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 59% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
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Charlotte Jane
10 percent
122 bpm • F min • 03:21 • -5.02db
25% Popularity • 83% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 83% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Dominic Neill
Greener
122 bpm • A Maj • 03:10 • -8.03db
23% Popularity • 63% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 63% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Lee Vent
I Feel It
122 bpm • C# min • 02:58 • -6.2db
13% Popularity • 66% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 66% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Frederico
PAYDAY
122 bpm • F Maj • 02:56 • -7.29db
11% Popularity • 71% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 71% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Tom Odell
Best Day of My Life (Luca Schreiner Remi...
122 bpm • A# Maj • 02:34 • -9.13db
39% Popularity • 60% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 60% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Felix Jaehn
Do It Better
122 bpm • C# min • 02:50 • -5.34db
63% Popularity • 68% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
63% Popularity • 68% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Nickless
Looking for Your Love
123 bpm • F# Maj • 03:17 • -9db
23% Popularity • 65% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 65% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Iggi Kelly
No Matter What
121 bpm • D Maj • 02:52 • -4.1db
29% Popularity • 68% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 68% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Koslow
Your Heart
123 bpm • F# min • 03:46 • -6db
17% Popularity • 64% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 64% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Frederico
PAYDAY - Acoustic Version
122 bpm • F Maj • 03:00 • -12.68db
3% Popularity • 76% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
3% Popularity • 76% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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BRUNKE
K.O.
123 bpm • D Maj • 02:40 • -7.85db
16% Popularity • 71% Danceability • 62% Energy • 49% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 71% Danceability • 62% Energy • 49% Liveness
0% Instrumentalness • 24% Positiveness
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Marcus Brodowski
The Scientist
123 bpm • E Maj • 03:34 • -4.83db
35% Popularity • 53% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 53% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Millé
Away
123 bpm • C Maj • 02:53 • -8db
44% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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PARADISE LTD
Body Talk
121 bpm • F min • 03:08 • -5.14db
9% Popularity • 84% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 84% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Rammor
Lights Go Out
123 bpm • A min • 02:30 • -8.3db
35% Popularity • 74% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 74% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Robin Schulz
Young Right Now
123 bpm • F Maj • 03:06 • -6.19db
57% Popularity • 54% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
57% Popularity • 54% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Pascal Letoublon
Time After Time
121 bpm • C Maj • 02:52 • -5.49db
57% Popularity • 74% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
57% Popularity • 74% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Florence Arman
Out of the Blue
123 bpm • B min • 02:48 • -7db
46% Popularity • 70% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
46% Popularity • 70% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Strandliebe
Lost In The Night
121 bpm • C min • 03:06 • -8.16db
10% Popularity • 76% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 76% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Phil The Beat
YOU
121 bpm • C# min • 02:12 • -6.79db
55% Popularity • 78% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
55% Popularity • 78% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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CARSTN
Feels Like Heaven
121 bpm • F# min • 02:24 • -6.09db
24% Popularity • 72% Danceability • 62% Energy • 59% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 72% Danceability • 62% Energy • 59% Liveness
0% Instrumentalness • 44% Positiveness
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Myle
Following You
121 bpm • B min • 03:12 • -5.92db
27% Popularity • 43% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 43% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Flip Capella
We Are Alright
121 bpm • D# Maj • 03:02 • -5.81db
13% Popularity • 50% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 50% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Boy Kiss Girl
All Hands Ahoy
123 bpm • G Maj • 02:39 • -4.83db
9% Popularity • 68% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 68% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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James Blunt
Love Under Pressure - David Puentez Remi...
124 bpm • A# min • 02:17 • -6.35db
20% Popularity • 56% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 56% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Felix Jaehn
Old Me
123 bpm • D Maj • 03:10 • -3.87db
23% Popularity • 55% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 55% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Alle Farben
Forgot How to Love
124 bpm • G Maj • 02:29 • -5.91db
47% Popularity • 58% Danceability • 87% Energy • 45% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 58% Danceability • 87% Energy • 45% Liveness
0% Instrumentalness • 56% Positiveness
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Vescu
Run Like That
124 bpm • A min • 02:30 • -4.58db
19% Popularity • 59% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 59% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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goodpeople
One Way
124 bpm • A Maj • 03:00 • -6.86db
11% Popularity • 65% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 65% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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MEDUN
365
124 bpm • D min • 02:28 • -5.49db
30% Popularity • 73% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 73% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Nick Howard
Rollercoaster
120 bpm • F Maj • 03:00 • -3.72db
18% Popularity • 71% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 71% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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OMAO
Echoes in My Mind
124 bpm • A Maj • 02:25 • -6.58db
12% Popularity • 82% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 82% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Dermot Kennedy
Kiss Me
120 bpm • C min • 03:49 • -2.16db
72% Popularity • 64% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
72% Popularity • 64% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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CARSTN
Worlds Apart
120 bpm • C# Maj • 02:23 • -5.06db
28% Popularity • 85% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 85% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Frederico
two times
120 bpm • F Maj • 03:01 • -6.8db
31% Popularity • 65% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 65% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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LEA x LINDA
Genug
120 bpm • B min • 02:23 • -6db
13% Popularity • 66% Danceability • 90% Energy • 8% Liveness
24% Instrumentalness • 34% Positiveness
13% Popularity • 66% Danceability • 90% Energy • 8% Liveness
24% Instrumentalness • 34% Positiveness
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Pulsedriver
5 Days - Extended Mix
124 bpm • F Maj • 03:20 • -5.39db
22% Popularity • 78% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 78% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
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Glockenbach
Brooklyn
124 bpm • A# min • 03:02 • -5.01db
60% Popularity • 74% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
60% Popularity • 74% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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ELI
Forever Summer
124 bpm • C# Maj • 02:15 • -4.93db
14% Popularity • 75% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 75% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Aron Matthews
Feels Like Home
120 bpm • D Maj • 03:07 • -4.59db
13% Popularity • 64% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 64% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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STRIKE
What Is Love
124 bpm • F# Maj • 02:33 • -7.49db
13% Popularity • 68% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 68% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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CARSTN
Ready For Your Love
124 bpm • G Maj • 02:40 • -3.07db
40% Popularity • 61% Danceability • 92% Energy • 24% Liveness
3% Instrumentalness • 78% Positiveness
40% Popularity • 61% Danceability • 92% Energy • 24% Liveness
3% Instrumentalness • 78% Positiveness
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Mike Vallas
Wedding Ring
120 bpm • F# min • 02:57 • -6.71db
27% Popularity • 67% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 67% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Michael Patrick Kelly
Blurry Eyes - Gromee Remix
124 bpm • D Maj • 03:14 • -6.36db
29% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Aexcit
Be Mine
124 bpm • F min • 02:27 • -5.63db
17% Popularity • 41% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 41% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 48% Positiveness
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Rene Rodrigezz
Life Has Just Begun
120 bpm • F Maj • 02:39 • -4.87db
20% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Georgie Keller
After Midnight
124 bpm • G Maj • 03:10 • -6.24db
10% Popularity • 82% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 82% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Stefanie Heinzmann
Come on Over
124 bpm • F# Maj • 02:31 • -5.17db
34% Popularity • 79% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 79% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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St. Lundi
Ready To Be Loved
124 bpm • A Maj • 03:00 • -5.68db
54% Popularity • 63% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 63% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Hecht
Gheie
120 bpm • B min • 03:32 • -6.39db
37% Popularity • 69% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 69% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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waybackwhen
When You Were Young - Gestört aber GeiL...
124 bpm • G Maj • 02:16 • -4.36db
26% Popularity • 68% Danceability • 78% Energy • 58% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 68% Danceability • 78% Energy • 58% Liveness
0% Instrumentalness • 26% Positiveness
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Simon Jela
Imprudent Things
124 bpm • C min • 03:58 • -8.55db
16% Popularity • 68% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 68% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Bavarian Beat Lovers
Time To Dance
120 bpm • C min • 03:31 • -5db
23% Popularity • 66% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 66% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Baschi
Live Your Life
120 bpm • D Maj • 03:11 • -5.29db
22% Popularity • 72% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 72% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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JONA XX
November Rain
124 bpm • F Maj • 02:39 • -7.5db
29% Popularity • 76% Danceability • 71% Energy • 27% Liveness
2% Instrumentalness • 42% Positiveness
29% Popularity • 76% Danceability • 71% Energy • 27% Liveness
2% Instrumentalness • 42% Positiveness
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Claudia Valentina
Extra Agenda
120 bpm • B min • 03:40 • -3.8db
29% Popularity • 64% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 64% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Nick Mellow
Paper Heart
120 bpm • E min • 03:38 • -5.62db
12% Popularity • 85% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 85% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Paradigm
Aeroplane
124 bpm • B Maj • 02:25 • -7.16db
30% Popularity • 84% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 84% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Felix Jaehn
Automatic
120 bpm • B min • 03:48 • -6.7db
17% Popularity • 68% Danceability • 72% Energy • 15% Liveness
86% Instrumentalness • 12% Positiveness
17% Popularity • 68% Danceability • 72% Energy • 15% Liveness
86% Instrumentalness • 12% Positiveness
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KRYSTOF
Tears & Tonic
120 bpm • D# Maj • 03:00 • -7.51db
15% Popularity • 62% Danceability • 71% Energy • 65% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 62% Danceability • 71% Energy • 65% Liveness
0% Instrumentalness • 30% Positiveness
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SUPER-Hi
Told You So
120 bpm • A# Maj • 03:05 • -5.42db
41% Popularity • 84% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 84% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Glockenbach
Dirty Dancing
124 bpm • B min • 02:40 • -5.07db
59% Popularity • 72% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
59% Popularity • 72% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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DANA
Future Daughters
120 bpm • E Maj • 03:08 • -5db
19% Popularity • 79% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 79% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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ClockClock
Change
120 bpm • G Maj • 03:50 • -5.99db
30% Popularity • 66% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 66% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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MOKABY
Everybody's Moving to LA - Radio Version
124 bpm • B min • 02:56 • -6.13db
29% Popularity • 72% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 72% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Memory Lane
Waves
120 bpm • F min • 03:28 • -7.63db
19% Popularity • 73% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 73% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Dominic Neill
Where Do We Go
120 bpm • B min • 02:51 • -5.2db
45% Popularity • 66% Danceability • 86% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 66% Danceability • 86% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
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Max Lean
Better Days
120 bpm • G# min • 03:05 • -5.06db
20% Popularity • 71% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 71% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Nickless
Waiting
120 bpm • C# Maj • 03:31 • -9db
37% Popularity • 71% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
37% Popularity • 71% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Leonade
Asteroids
120 bpm • G Maj • 02:42 • -6db
29% Popularity • 65% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 65% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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RAHEL
Nobody but You
120 bpm • C min • 03:11 • -5.27db
21% Popularity • 63% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 63% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Memory Lane
Sonnentanz - Sun Don't Shine
120 bpm • D# Maj • 03:58 • -11.67db
18% Popularity • 72% Danceability • 36% Energy • 9% Liveness
15% Instrumentalness • 23% Positiveness
18% Popularity • 72% Danceability • 36% Energy • 9% Liveness
15% Instrumentalness • 23% Positiveness
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Marius Bear
Roses
120 bpm • C Maj • 02:59 • -9.34db
18% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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David Puentez
Keep Letting Me Down
120 bpm • G min • 02:40 • -5db
34% Popularity • 62% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 62% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 58% Positiveness
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Alle Farben
Let It Rain Down
125 bpm • G# Maj • 02:38 • -4.18db
57% Popularity • 74% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
57% Popularity • 74% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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MICAR
Runaway Train
125 bpm • D Maj • 03:29 • -6.71db
30% Popularity • 57% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 57% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Ronis Goliath
Video Game
125 bpm • F Maj • 03:00 • -7db
15% Popularity • 76% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 76% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Matthias Schweighöfer
Lauf
125 bpm • F min • 03:17 • -6.53db
29% Popularity • 71% Danceability • 72% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
29% Popularity • 71% Danceability • 72% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
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EES
Your Sister
125 bpm • G# Maj • 02:58 • -5.87db
17% Popularity • 75% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 75% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Alder
To Better Times
125 bpm • A min • 03:12 • -9.3db
43% Popularity • 71% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 71% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 9% Positiveness
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Polyluxus
The Place
125 bpm • C Maj • 03:12 • -8.69db
18% Popularity • 55% Danceability • 55% Energy • 39% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 55% Danceability • 55% Energy • 39% Liveness
0% Instrumentalness • 14% Positiveness
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Leslie Clio
We Used To Love - Radio Version
125 bpm • F# Maj • 02:47 • -6.84db
10% Popularity • 76% Danceability • 64% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
10% Popularity • 76% Danceability • 64% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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MEDUN
Need Me Again
125 bpm • A Maj • 03:15 • -4db
30% Popularity • 72% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 72% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Ana Kohler
7 Red Flags
125 bpm • C# Maj • 02:53 • -7db
31% Popularity • 85% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 85% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Patricia Kelly
Doll
125 bpm • G Maj • 02:41 • -5db
31% Popularity • 69% Danceability • 78% Energy • 68% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 69% Danceability • 78% Energy • 68% Liveness
0% Instrumentalness • 53% Positiveness
