Songs like Peer Gynt, Op. 23: No. 13, Morning Mood by Edvard Grieg
Based on a tempo of (+/- 10%) and a similar genre
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Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 2 in...
66 bpm • A min • 01:37 • -30db
64% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
64% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: No. 13, Morning Mood
66 bpm • E Maj • 04:19 • -23db
39% Popularity • 6% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
39% Popularity • 6% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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![Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] cover art](https://i.scdn.co/image/ab67616d00001e027de83c6c3607df60e997e186)
Franz Liszt
Schwanengesang, S. 560: Schubert - Schwa...
66 bpm • D Maj • 07:05 • -37.69db
45% Popularity • 31% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
45% Popularity • 31% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Robert Schumann
Schumann: Kinderszenen, Op. 15: No. 7, T...
66 bpm • F Maj • 03:14 • -36db
30% Popularity • 40% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 18% Positiveness
30% Popularity • 40% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 18% Positiveness
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Gabriel Fauré
Pavane, Op. 50
66 bpm • F# min • 06:50 • -27.54db
43% Popularity • 7% Danceability • 2% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
43% Popularity • 7% Danceability • 2% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
The Gadfly, Op. 97: III. Youth. Romance
66 bpm • C# Maj • 03:42 • -15db
28% Popularity • 16% Danceability • 15% Energy • 14% Liveness
38% Instrumentalness • 5% Positiveness
28% Popularity • 16% Danceability • 15% Energy • 14% Liveness
38% Instrumentalness • 5% Positiveness
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AntonÃn Dvořák
2 Pieces, Op. posth., B. 188: No. 1. Lul...
66 bpm • G Maj • 03:11 • -29.06db
55% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
55% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
65 bpm • E Maj • 10:25 • -22.71db
31% Popularity • 14% Danceability • 9% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
31% Popularity • 14% Danceability • 9% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: 4. Air (Andante r...
67 bpm • G min • 06:46 • -24.26db
6% Popularity • 6% Danceability • 3% Energy • 15% Liveness
86% Instrumentalness • 3% Positiveness
6% Popularity • 6% Danceability • 3% Energy • 15% Liveness
86% Instrumentalness • 3% Positiveness
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Robert Schumann
Carnaval, Op. 9: XII. Chopin
66 bpm • G# Maj • 01:30 • -36.35db
51% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
51% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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John Field
Nocturne No. 5 in B Flat Major, H.37
65 bpm • A# Maj • 03:16 • -27db
33% Popularity • 43% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
33% Popularity • 43% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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César Franck
Panis Angelicus (Arr. Leopold Stokowski)
65 bpm • A Maj • 03:49 • -23.96db
24% Popularity • 15% Danceability • 6% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 6% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Viennese version, 176...
65 bpm • C Maj • 02:11 • -35db
35% Popularity • 7% Danceability • 2% Energy • 7% Liveness
81% Instrumentalness • 21% Positiveness
35% Popularity • 7% Danceability • 2% Energy • 7% Liveness
81% Instrumentalness • 21% Positiveness
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Jean Sibelius
Andante festivo for Strings and Timpani,...
65 bpm • G Maj • 05:37 • -20.05db
52% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
52% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: I. Mornin...
65 bpm • E Maj • 03:52 • -24.52db
38% Popularity • 14% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
67 bpm • E Maj • 11:39 • -30db
38% Popularity • 11% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
38% Popularity • 11% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
58% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
58% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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AntonÃn Dvořák
Dvořák: Symphony No. 9 in E Minor, Op....
67 bpm • C# Maj • 04:46 • -27.2db
30% Popularity • 6% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
30% Popularity • 6% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No. 1, Op. 46: I. Le Mat...
67 bpm • E Maj • 04:20 • -15db
22% Popularity • 10% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
22% Popularity • 10% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Robert Schumann
Schumann: Kinderszenen, Op. 15: No. 1, V...
67 bpm • G Maj • 01:40 • -38.34db
46% Popularity • 28% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
46% Popularity • 28% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
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Edvard Grieg
Lyric Pieces Book II, Op. 38: I. Berceus...
67 bpm • D Maj • 02:46 • -30db
42% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
42% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Nocturne No. 1 in B-Flat Minor, Op. 9 No...
68 bpm • C# Maj • 05:36 • -25db
34% Popularity • 21% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
34% Popularity • 21% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: No. 15 In A Flat Maj...
68 bpm • G# Maj • 01:34 • -34.56db
66% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
66% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in F mino...
68 bpm • A# Maj • 02:18 • -35.12db
45% Popularity • 7% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
45% Popularity • 7% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
68 bpm • A Maj • 07:28 • -25.05db
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
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Georges Bizet
Jeux d'enfants, Op. 22: No. 3, La poupé...
64 bpm • B Maj • 02:22 • -37.46db
50% Popularity • 50% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
50% Popularity • 50% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: Morning M...
68 bpm • E Maj • 03:53 • -26.8db
42% Popularity • 31% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
42% Popularity • 31% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
68 bpm • C min • 01:33 • -22.73db
51% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
51% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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George Frideric Handel
Rinaldo, HWV 7: Lascia ch'io pianga (Arr...
68 bpm • F Maj • 04:28 • -31.27db
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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John Williams
Schindler's List: Main Theme
68 bpm • D min • 03:43 • -22.58db
42% Popularity • 9% Danceability • 11% Energy • 9% Liveness
39% Instrumentalness • 4% Positiveness
42% Popularity • 9% Danceability • 11% Energy • 9% Liveness
39% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Morning (All...
68 bpm • E Maj • 04:19 • -23.72db
38% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Franz Liszt
Ave Maria, S. 558 (after Schubert, D. 83...
69 bpm • A# Maj • 05:28 • -27.59db
28% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Edvard Grieg
Grieg: 4 Norwegian Dances, Op. 35: No. 2...
64 bpm • A Maj • 02:17 • -22.8db
40% Popularity • 46% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
40% Popularity • 46% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
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Vasily Kalinnikov
Symphony No. 2 in A Major: II. Andante c...
69 bpm • F# min • 08:01 • -18db
23% Popularity • 8% Danceability • 13% Energy • 18% Liveness
67% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 13% Energy • 18% Liveness
67% Instrumentalness • 4% Positiveness
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Erik Satie
Gymnopédie No. 1 in D Major: Lent et do...
63 bpm • G Maj • 03:41 • -24db
16% Popularity • 13% Danceability • 10% Energy • 12% Liveness
68% Instrumentalness • 9% Positiveness
16% Popularity • 13% Danceability • 10% Energy • 12% Liveness
68% Instrumentalness • 9% Positiveness
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Claude Debussy
Deux Arabesques, L. 66, CD 74: I. Premi�...
69 bpm • E Maj • 04:04 • -32.34db
52% Popularity • 24% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
52% Popularity • 24% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
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Johannes Brahms
Sechs Klavierstücke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
Clarinet Concerto in B-Flat Major: Andan...
69 bpm • A# min • 04:10 • -25.67db
40% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
40% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: Prelude to Act 4 (Mor...
69 bpm • E Maj • 04:18 • -26.15db
16% Popularity • 20% Danceability • 2% Energy • 36% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 2% Energy • 36% Liveness
88% Instrumentalness • 4% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
69 bpm • A Maj • 07:04 • -30.05db
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. T...
69 bpm • G Maj • 02:33 • -22.02db
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Dolly Suite, Op. 56: I. Berceuse
63 bpm • E Maj • 02:56 • -33.66db
65% Popularity • 37% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
65% Popularity • 37% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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Alexander Glazunov
Glazunov: The Seasons, Op. 67, Pt. 4 "Au...
70 bpm • A Maj • 04:17 • -23.01db
12% Popularity • 14% Danceability • 10% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 10% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
69 bpm • C# Maj • 06:47 • -25.16db
33% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
63% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
63% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Rhapsody on a Theme of Paga...
70 bpm • C# Maj • 03:06 • -19db
34% Popularity • 27% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
34% Popularity • 27% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet / Arr. Guiraud: Carmen Suite No. 1...
70 bpm • D# Maj • 02:31 • -30.26db
43% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
43% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Fauré: Pavane, Op. 50 (Instrumental Ver...
70 bpm • F# min • 06:19 • -24.45db
35% Popularity • 10% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
35% Popularity • 10% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Léo Delibes
Flower Duet
70 bpm • B Maj • 01:15 • -17db
46% Popularity • 27% Danceability • 14% Energy • 19% Liveness
68% Instrumentalness • 4% Positiveness
46% Popularity • 27% Danceability • 14% Energy • 19% Liveness
68% Instrumentalness • 4% Positiveness
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JoaquÃn Rodrigo
Cançoneta for Violin and Orchestra
70 bpm • A Maj • 02:52 • -34.94db
46% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
46% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Prelude
70 bpm • G Maj • 02:47 • -18.4db
18% Popularity • 34% Danceability • 14% Energy • 26% Liveness
95% Instrumentalness • 20% Positiveness
18% Popularity • 34% Danceability • 14% Energy • 26% Liveness
95% Instrumentalness • 20% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
62 bpm • E Maj • 10:18 • -31.56db
12% Popularity • 10% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Robert Schumann
5 Stücke im Volkston, Op. 102: II. Lang...
62 bpm • F Maj • 03:10 • -25.09db
47% Popularity • 7% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
47% Popularity • 7% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Gabriel Fauré
Fauré: Pavane, Op. 50
62 bpm • F# min • 06:25 • -26.8db
49% Popularity • 7% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
49% Popularity • 7% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
71 bpm • G# Maj • 02:09 • -32db
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Debussy: Debussy: Beau Soir, L.6
61 bpm • E Maj • 02:55 • -25.28db
28% Popularity • 20% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Peer Gynt, Acte IV: I. Au matin (Prélud...
71 bpm • E Maj • 04:26 • -21.19db
12% Popularity • 17% Danceability • 5% Energy • 18% Liveness
86% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 5% Energy • 18% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: Rhapsody on a Theme of Paga...
61 bpm • C# Maj • 02:48 • -23.39db
32% Popularity • 13% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Frédéric Chopin
12 Études, Op. 10: No. 3 in E Major
71 bpm • E Maj • 03:54 • -23.4db
42% Popularity • 39% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
42% Popularity • 39% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
44% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
44% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Léo Delibes
Lakmé / Act 1: "Sous le dôme épais" (...
71 bpm • B Maj • 04:57 • -16.97db
41% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Tomaso Albinoni
Albinoni: Oboe Concerto in D Minor, Op. ...
72 bpm • A# Maj • 06:06 • -17.92db
18% Popularity • 24% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
18% Popularity • 24% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Nora Mercz
Carmen (arr. N. Mercz): Intermezzo from ...
72 bpm • D# Maj • 02:38 • -25db
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
► Preview
Sergei Rachmaninoff
Rhapsody on a Theme by Paganini, Op. 43:...
70 bpm • C# Maj • 02:37 • -21.04db
35% Popularity • 30% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
35% Popularity • 30% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
► Preview
Frédéric Chopin
Andante Spianato: Tranquillo
61 bpm • G Maj • 04:53 • -36.76db
20% Popularity • 19% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
60 bpm • G Maj • 02:49 • -28db
28% Popularity • 16% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
28% Popularity • 16% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Wilhelm Kempff
Keyboard Suite No. 1 (Set II) in B-Flat ...
60 bpm • G min • 03:54 • -34db
37% Popularity • 34% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
37% Popularity • 34% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Max Bruch
Scottish Fantasy for Violin and Orchestr...
60 bpm • D# Maj • 08:50 • -15db
43% Popularity • 11% Danceability • 23% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
43% Popularity • 11% Danceability • 23% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Lohengrin, WWV 75: Prelude to Act I
73 bpm • A Maj • 09:19 • -29.65db
24% Popularity • 7% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
24% Popularity • 7% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann / Act III: Barcaro...
73 bpm • D Maj • 03:21 • -22.76db
33% Popularity • 9% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
33% Popularity • 9% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
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Frédéric Chopin
Waltz in C-sharp minor, Op. 64 No. 2
73 bpm • C# min • 03:19 • -36.25db
54% Popularity • 19% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
54% Popularity • 19% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
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Edvard Grieg
Grieg: Norwegian Dances, Op. 35: No. 2, ...
73 bpm • E Maj • 02:18 • -24db
16% Popularity • 30% Danceability • 9% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
16% Popularity • 30% Danceability • 9% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
73 bpm • E Maj • 03:08 • -21db
26% Popularity • 19% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
26% Popularity • 19% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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George Frideric Handel
Suite in D Minor, HWV 437: III. Saraband
60 bpm • D min • 05:44 • -18.81db
38% Popularity • 6% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
38% Popularity • 6% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Jacques Offenbach
The Tales of Hoffmann: Barcarolle
73 bpm • D Maj • 03:34 • -25db
22% Popularity • 12% Danceability • 5% Energy • 27% Liveness
77% Instrumentalness • 6% Positiveness
22% Popularity • 12% Danceability • 5% Energy • 27% Liveness
77% Instrumentalness • 6% Positiveness
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John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
47% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
47% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
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Academy of St. Martin in the Fields
Adagio En Sol Mineur
74 bpm • C min • 08:52 • -12db
21% Popularity • 8% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 8% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Vaughan Williams & Greaves: Fantasia on ...
74 bpm • C min • 04:32 • -31.54db
27% Popularity • 14% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
27% Popularity • 14% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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George Frideric Handel
Suite in B-Flat Major, HWV 434: IV. Menu...
59 bpm • G min • 03:50 • -32.74db
48% Popularity • 41% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
48% Popularity • 41% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
74 bpm • D# Maj • 01:39 • -35.55db
45% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Edvard Grieg
Morning From Peer Gynt Suite No. 1
74 bpm • E Maj • 04:21 • -20db
22% Popularity • 23% Danceability • 15% Energy • 15% Liveness
94% Instrumentalness • 9% Positiveness
22% Popularity • 23% Danceability • 15% Energy • 15% Liveness
94% Instrumentalness • 9% Positiveness
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Frédéric Chopin
3 Nouvelles etudes, Op. posth.: II. Etud...
74 bpm • G# Maj • 02:31 • -37db
43% Popularity • 21% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
43% Popularity • 21% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Jacques Offenbach
Barcarolle
74 bpm • D Maj • 03:40 • -18db
16% Popularity • 13% Danceability • 18% Energy • 37% Liveness
69% Instrumentalness • 12% Positiveness
16% Popularity • 13% Danceability • 18% Energy • 37% Liveness
69% Instrumentalness • 12% Positiveness
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Richard Addinsell
Warsaw Concerto
74 bpm • B Maj • 09:00 • -19db
32% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Guillaume Tell (William Tell): Overture ...
74 bpm • G Maj • 02:17 • -39db
37% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
37% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
55% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
55% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: 4. Solvei...
75 bpm • A min • 05:12 • -39.75db
23% Popularity • 10% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Oboe Concerto in D Minor, Op. 9, No. 2: ...
75 bpm • A# Maj • 05:22 • -21.26db
31% Popularity • 17% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
31% Popularity • 17% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Pavane in F-Sharp Minor, Op. 50
75 bpm • F# min • 05:44 • -24db
17% Popularity • 18% Danceability • 9% Energy • 17% Liveness
89% Instrumentalness • 7% Positiveness
17% Popularity • 18% Danceability • 9% Energy • 17% Liveness
89% Instrumentalness • 7% Positiveness
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Johannes Brahms
Symphony No. 3 in F, Op. 90: 3. Poco all...
75 bpm • C min • 06:43 • -27.19db
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Nora Mercz
Tritsch-Tratsch Polka, Op. 214
76 bpm • D Maj • 01:39 • -21.53db
40% Popularity • 71% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 30% Positiveness
40% Popularity • 71% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 30% Positiveness
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Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Wq. 41, Act ...
75 bpm • F Maj • 06:04 • -26.8db
29% Popularity • 17% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
29% Popularity • 17% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
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Edvard Grieg
2 Melodies, Op. 53 (version for orchestr...
75 bpm • C Maj • 04:11 • -24.49db
18% Popularity • 7% Danceability • 6% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
18% Popularity • 7% Danceability • 6% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
64% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
64% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
