Songs like Peer Gynt Suite No. 2, Op. 55: IV. Solveigs sang (Solveig's Song) by Edvard Grieg
Based on a tempo of (+/- 10%) and a similar genre
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Percy Grainger
Molly on the Shore, BFMS 23 (Version for...
110 bpm • C# Maj • 03:43 • -17.07db
21% Popularity • 48% Danceability • 30% Energy • 10% Liveness
88% Instrumentalness • 52% Positiveness
21% Popularity • 48% Danceability • 30% Energy • 10% Liveness
88% Instrumentalness • 52% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
110 bpm • D# Maj • 08:16 • -25.33db
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
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Jean Sibelius
Valse triste, Op. 44
110 bpm • G Maj • 05:32 • -27.93db
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
110 bpm • A min • 05:00 • -32db
38% Popularity • 16% Danceability • 2% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 2% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Sonata for 2 Pianos in D Major, K. 448/3...
110 bpm • G Maj • 09:23 • -29.33db
44% Popularity • 38% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
44% Popularity • 38% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Johann Sebastian Bach
Bach, JS / Orch. Marriner: Was mir behag...
109 bpm • A# Maj • 04:39 • -22.32db
34% Popularity • 25% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
34% Popularity • 25% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Death of Aas...
109 bpm • G Maj • 04:09 • -25db
38% Popularity • 16% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
38% Popularity • 16% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
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Frédéric Chopin
Preludes, Op. 28: No. 4, Largo
109 bpm • A min • 02:11 • -25.93db
60% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
60% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Edvard Grieg
Grieg: 4 Symphonic Dances, Op. 64: II. A...
110 bpm • A Maj • 06:21 • -22db
22% Popularity • 26% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
22% Popularity • 26% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 12 in A Major, K. 414...
112 bpm • D Maj • 07:36 • -25.77db
46% Popularity • 31% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
46% Popularity • 31% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Maria Theresia von Paradis
Sicilienne (Arr. by Söllscher)
112 bpm • F Maj • 03:08 • -27.69db
46% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
46% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
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Pablo de Sarasate
Nocturne-serenade, Op. 45
108 bpm • A# Maj • 06:23 • -28.7db
28% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
28% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
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Gerald Finzi
Lo, the full, final sacrifice, Op. 26: A...
112 bpm • E Maj • 02:40 • -25.09db
51% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
51% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
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George Frideric Handel
Handel: Water Music, Suite No. 3 in G Ma...
112 bpm • F# min • 04:21 • -28.44db
37% Popularity • 52% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 52% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Arietta
111 bpm • D# Maj • 01:23 • -31db
64% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
64% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
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Edward Elgar
Nimrod From Enigma Variations
112 bpm • D# Maj • 03:46 • -19.98db
40% Popularity • 16% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
40% Popularity • 16% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Franz Schubert
Schwanengesang, D. 957: IV. Ständchen i...
108 bpm • D Maj • 04:31 • -23.31db
40% Popularity • 24% Danceability • 6% Energy • 12% Liveness
29% Instrumentalness • 5% Positiveness
40% Popularity • 24% Danceability • 6% Energy • 12% Liveness
29% Instrumentalness • 5% Positiveness
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Michael Nyman
Nyman: The Heart Asks Pleasure First
108 bpm • A min • 03:39 • -24db
32% Popularity • 17% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
32% Popularity • 17% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
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Samuel Barber
Sure on This Shining Night, Op. 13 No. 3...
113 bpm • A# Maj • 02:10 • -26db
34% Popularity • 22% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
34% Popularity • 22% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Cello Concerto No. 3 in A Major, Wq. 172...
107 bpm • E Maj • 05:25 • -20.23db
38% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
38% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
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Edvard Grieg
In Autumn, Op. 11
109 bpm • A min • 11:15 • -18.43db
22% Popularity • 30% Danceability • 12% Energy • 9% Liveness
57% Instrumentalness • 8% Positiveness
22% Popularity • 30% Danceability • 12% Energy • 9% Liveness
57% Instrumentalness • 8% Positiveness
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AntonÃn Dvořák
Dvořák: 4 Romantic Pieces, Op. 75, B. ...
107 bpm • A# Maj • 03:17 • -26db
31% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
31% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
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Franz Schubert
Waltz, D. 1/14, "Kupelwieser-Walzer"
113 bpm • F# Maj • 01:36 • -34db
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Robert Schumann
Waldszenen, Op. 82: I. Eintritt im Walde
113 bpm • A# Maj • 02:04 • -33.9db
36% Popularity • 28% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
36% Popularity • 28% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
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Antonio Vivaldi
Concerto for Lute, 2 Violins and Continu...
114 bpm • D Maj • 05:09 • -20db
50% Popularity • 35% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 21% Positiveness
50% Popularity • 35% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 21% Positiveness
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Jean-Philippe Rameau
Rigaudons I, II & Double
106 bpm • E Maj • 01:02 • -24db
49% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
49% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
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Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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AntonÃn Dvořák
4 Romantic Pieces, Op. 75, B. 150: I. Al...
115 bpm • A# Maj • 02:56 • -27.06db
37% Popularity • 21% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
37% Popularity • 21% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
105 bpm • D# Maj • 04:25 • -21.54db
29% Popularity • 20% Danceability • 11% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
29% Popularity • 20% Danceability • 11% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
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Albéric Magnard
Suite d'orchestre dans le style ancien, ...
116 bpm • G min • 02:09 • -32db
49% Popularity • 17% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 17% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Edvard Grieg
Pièces Lyriques, Op. 47 No. 3: Mélodie
105 bpm • F Maj • 04:16 • -30.93db
51% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
51% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Traditional
Scarborough Fair (Arr. Parkin for Cello ...
117 bpm • D Maj • 03:14 • -30.56db
52% Popularity • 31% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
52% Popularity • 31% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
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Edward Elgar
Sospiri, Op. 70
117 bpm • F Maj • 05:07 • -30db
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice" (Dance ...
103 bpm • D min • 04:42 • -34.5db
36% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
36% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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George Frideric Handel
Solomon, HWV 67 / Act III: Sinfonia "The...
118 bpm • A Maj • 03:08 • -17.43db
48% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
48% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
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Frédéric Chopin
Chopin: Berceuse in D-Flat Major, Op. 57
102 bpm • C# Maj • 04:47 • -23db
42% Popularity • 37% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
42% Popularity • 37% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Alexander Glazunov
Raymonda, Op. 57: Prélude et la Romanes...
102 bpm • E min • 03:46 • -23.66db
37% Popularity • 29% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 8% Positiveness
37% Popularity • 29% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 8% Positiveness
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Edvard Grieg
Wedding Day at Troldhaugen
119 bpm • D Maj • 06:02 • -20db
24% Popularity • 49% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
24% Popularity • 49% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Clarinet Concerto in A Major, K....
102 bpm • D Maj • 06:34 • -26.64db
50% Popularity • 15% Danceability • 1% Energy • 8% Liveness
19% Instrumentalness • 10% Positiveness
50% Popularity • 15% Danceability • 1% Energy • 8% Liveness
19% Instrumentalness • 10% Positiveness
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Antonio Vivaldi
Concerto for Clarinet and Orchestra No. ...
119 bpm • E min • 03:31 • -26db
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
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Carl Maria von Weber
Divertimento No. 6 in G Major, Op. 38: D...
119 bpm • G Maj • 01:12 • -27db
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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George Frideric Handel
Handel: Suite No. 11 in D Minor, HWV 437...
119 bpm • D min • 02:57 • -28.68db
55% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
55% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: III....
119 bpm • D Maj • 07:01 • -25db
26% Popularity • 43% Danceability • 18% Energy • 13% Liveness
18% Instrumentalness • 35% Positiveness
26% Popularity • 43% Danceability • 18% Energy • 13% Liveness
18% Instrumentalness • 35% Positiveness
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Clara Schumann
III. Andante
101 bpm • G Maj • 04:17 • -25db
26% Popularity • 22% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
26% Popularity • 22% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Prelude in B minor, BWV 855a (Arr. by Al...
100 bpm • B min • 04:01 • -33.75db
57% Popularity • 18% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
57% Popularity • 18% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
100 bpm • D# Maj • 09:33 • -29.92db
21% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore in C Maj...
100 bpm • F Maj • 04:57 • -30.69db
27% Popularity • 34% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 25% Positiveness
27% Popularity • 34% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 25% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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Sheku Kanneh-Mason
Myfanwy (Arr. for Solo Cello)
121 bpm • G Maj • 03:39 • -23.89db
45% Popularity • 22% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
45% Popularity • 22% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28: 1. Soliloq...
99 bpm • C min • 01:43 • -25.6db
32% Popularity • 14% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
32% Popularity • 14% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: Job, a Masque for Danc...
99 bpm • G min • 03:28 • -44db
22% Popularity • 13% Danceability • 0% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
22% Popularity • 13% Danceability • 0% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Aria de la Pastorale en ut mineur BWV 59...
123 bpm • F min • 02:36 • -28.89db
48% Popularity • 25% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
48% Popularity • 25% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Clarinet Concerto in A Major, K. 622: II...
99 bpm • D Maj • 06:51 • -23.37db
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
67% Instrumentalness • 7% Positiveness
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
67% Instrumentalness • 7% Positiveness
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VladimÃr Godár
Lyric Pieces, Op. 12: No. 1, Arietta (ar...
98 bpm • D# Maj • 01:10 • -18.09db
25% Popularity • 17% Danceability • 19% Energy • 14% Liveness
76% Instrumentalness • 16% Positiveness
25% Popularity • 17% Danceability • 19% Energy • 14% Liveness
76% Instrumentalness • 16% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
John Field
Nocturne in B Flat Major, H. 37 (Version...
97 bpm • A# Maj • 02:58 • -27.05db
49% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
49% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
► Preview
Ralph Vaughan Williams
The Lark Ascending: I. Andante sostenuto
98 bpm • B min • 06:12 • -24db
40% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto in D Major: II. Adagio
97 bpm • F# Maj • 04:28 • -18.92db
39% Popularity • 19% Danceability • 9% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 19% Danceability • 9% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
► Preview
Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
► Preview
Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
► Preview
Oskar Merikanto
Kesaillan idylli (Summer Night's Idyll),...
97 bpm • F Maj • 01:18 • -34db
41% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
► Preview
Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: I. Mornin...
126 bpm • E Maj • 04:03 • -22db
35% Popularity • 17% Danceability • 4% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 4% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
► Preview
AntonÃn Dvořák
Songs My Mother Taught Me, Op. 55 No. 4
96 bpm • D Maj • 02:14 • -30.66db
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
► Preview
Johan Halvorsen
Veslemoy's Song (Maiden's Song): Maiden'...
96 bpm • F# min • 02:39 • -29.92db
20% Popularity • 17% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Die schöne Müllerin, Op. 25, D. 795: N...
96 bpm • G Maj • 04:22 • -25.79db
35% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
35% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
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Gerald Finzi
Introit, Op. 6
96 bpm • F Maj • 08:34 • -27.19db
22% Popularity • 12% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Béla Bartók
Heavenly Romanticism
96 bpm • F Maj • 01:02 • -38db
49% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
49% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
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Edvard Grieg
Peer Gynt Incidental Music, Op. 23: No. ...
96 bpm • E Maj • 04:21 • -27.87db
21% Popularity • 12% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
21% Popularity • 12% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Violin Concerto in D Major, Op. 61: II. ...
96 bpm • G Maj • 08:06 • -27.18db
26% Popularity • 21% Danceability • 4% Energy • 9% Liveness
6% Instrumentalness • 5% Positiveness
26% Popularity • 21% Danceability • 4% Energy • 9% Liveness
6% Instrumentalness • 5% Positiveness
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François Couperin
Le Tic-Toc-Choc
127 bpm • F Maj • 02:27 • -31db
40% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
40% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
34% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
34% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Ottorino Respighi
Bach - Violin Sonata in E Minor, P. 85 (...
126 bpm • D Maj • 00:58 • -32.14db
29% Popularity • 49% Danceability • 16% Energy • 57% Liveness
16% Instrumentalness • 5% Positiveness
29% Popularity • 49% Danceability • 16% Energy • 57% Liveness
16% Instrumentalness • 5% Positiveness
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Jules Massenet
Thaïs: Méditation (Arr. for Violin and...
95 bpm • D Maj • 04:59 • -16db
34% Popularity • 18% Danceability • 16% Energy • 11% Liveness
48% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 16% Energy • 11% Liveness
48% Instrumentalness • 4% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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BBC Scottish Symphony Orchestra
Lyric Pieces, Book 8, Op. 65: Wedding Da...
127 bpm • D Maj • 01:47 • -16db
29% Popularity • 57% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
29% Popularity • 57% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
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Florence Beatrice Price
Violin Concerto No. 1 in D Major: II. An...
95 bpm • A# Maj • 05:57 • -21.56db
38% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
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Edvard Grieg
Grieg: Lyric Pieces, Book 1, Op. 12: No....
95 bpm • G min • 01:20 • -38.87db
33% Popularity • 40% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
33% Popularity • 40% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Frédéric Chopin
Waltz No. 19 in A Minor, KK IVb (Version...
127 bpm • G# min • 02:22 • -25.73db
54% Popularity • 39% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
54% Popularity • 39% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Jules Massenet
Massenet: Thaïs, Act 2: Méditation (Ar...
95 bpm • D Maj • 05:12 • -23.92db
31% Popularity • 22% Danceability • 8% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
31% Popularity • 22% Danceability • 8% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
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Edvard Grieg
Lyric Suite, Op. 54: III. Notturno (Noct...
127 bpm • C Maj • 04:19 • -23.34db
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
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Traditional
Blow The Wind Southerly (Arr. Kanneh-Mas...
95 bpm • C Maj • 02:22 • -28db
45% Popularity • 18% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 6% Positiveness
45% Popularity • 18% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 6% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 3. Spring Mornin...
95 bpm • A Maj • 07:24 • -26db
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: VIII. La fil...
128 bpm • F# Maj • 02:31 • -33db
51% Popularity • 34% Danceability • 0% Energy • 5% Liveness
90% Instrumentalness • 13% Positiveness
51% Popularity • 34% Danceability • 0% Energy • 5% Liveness
90% Instrumentalness • 13% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
