Songs like Pelléas et Mélisande: X. Les ombres dans le jardin by Alexander Litvinovsky
Based on a tempo of (+/- 10%) and a similar genre
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Valentin Silvestrov
Bagatelles I-XIII: Bagatelle III
71 bpm • C Maj • 04:24 • -25.11db
25% Popularity • 26% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
25% Popularity • 26% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
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Eric Christian
Nocturne In B Minor "L'océan"
71 bpm • B min • 04:47 • -20.43db
22% Popularity • 42% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 42% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Alexandre Tharaud
Main Theme
71 bpm • G min • 02:07 • -29db
22% Popularity • 34% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
22% Popularity • 34% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Alma Deutscher
Up in the Sky
71 bpm • A Maj • 02:29 • -32.28db
26% Popularity • 24% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
26% Popularity • 24% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Mikael Ayrapetyan
Miniatures for Piano "A Whole in Twelve"...
71 bpm • D# Maj • 04:52 • -31.75db
31% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
31% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
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Rachel Portman
Frozen Lake
71 bpm • B min • 03:25 • -26.27db
19% Popularity • 36% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
19% Popularity • 36% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Samuel Coleridge-Taylor
Petite suite de concert, Op. 77: III. Un...
71 bpm • A Maj • 03:05 • -35db
44% Popularity • 10% Danceability • 1% Energy • 13% Liveness
12% Instrumentalness • 6% Positiveness
44% Popularity • 10% Danceability • 1% Energy • 13% Liveness
12% Instrumentalness • 6% Positiveness
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Aaron Copland
Appalachian Spring - 1945 Suite: 1. Very...
71 bpm • A Maj • 02:54 • -35db
44% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
44% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Hans Zimmer
Family Theme
71 bpm • C Maj • 02:35 • -19.66db
22% Popularity • 22% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Alexander Litvinovsky
Pelléas et Mélisande: X. Les ombres da...
71 bpm • G Maj • 03:05 • -21.14db
22% Popularity • 15% Danceability • 8% Energy • 15% Liveness
88% Instrumentalness • 6% Positiveness
22% Popularity • 15% Danceability • 8% Energy • 15% Liveness
88% Instrumentalness • 6% Positiveness
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Antonín Dvořák
String Quartet No. 12 in F Major, Op. 96...
70 bpm • F Maj • 04:08 • -20db
42% Popularity • 40% Danceability • 5% Energy • 10% Liveness
49% Instrumentalness • 29% Positiveness
42% Popularity • 40% Danceability • 5% Energy • 10% Liveness
49% Instrumentalness • 29% Positiveness
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Frederick Delius
2 Aquarelles: Lento, ma non troppo
72 bpm • A# Maj • 02:12 • -27.63db
63% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
63% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
Three Postludes (1981/82): Postlude No. ...
70 bpm • D Maj • 04:15 • -40db
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Philip Glass
String Quartet No. 3, "Mishima": VI. Mis...
72 bpm • C min • 02:56 • -12.34db
29% Popularity • 26% Danceability • 33% Energy • 37% Liveness
92% Instrumentalness • 19% Positiveness
29% Popularity • 26% Danceability • 33% Energy • 37% Liveness
92% Instrumentalness • 19% Positiveness
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Nora Mercz
Carmen (arr. N. Mercz): Intermezzo from ...
72 bpm • D# Maj • 02:38 • -25db
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Camille Saint-Saëns
The Swan Piano Variation
72 bpm • G Maj • 02:20 • -26.97db
41% Popularity • 37% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 9% Positiveness
41% Popularity • 37% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 9% Positiveness
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Jacob Mühlrad
In Retrospect
72 bpm • C min • 02:07 • -17.84db
26% Popularity • 25% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
26% Popularity • 25% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Metamorphose String Orchestra
Cockeye's Song (Live)
70 bpm • E min • 02:15 • -13.77db
2% Popularity • 36% Danceability • 31% Energy • 12% Liveness
96% Instrumentalness • 21% Positiveness
2% Popularity • 36% Danceability • 31% Energy • 12% Liveness
96% Instrumentalness • 21% Positiveness
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Valentin Silvestrov
Bagatellen: III
72 bpm • C Maj • 03:40 • -43.66db
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
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![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
63% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
63% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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John Tavener
The Lamb
72 bpm • E min • 03:56 • -23db
41% Popularity • 9% Danceability • 5% Energy • 15% Liveness
77% Instrumentalness • 3% Positiveness
41% Popularity • 9% Danceability • 5% Energy • 15% Liveness
77% Instrumentalness • 3% Positiveness
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Alexander Litvinovsky
Le grand cahier: III. L'hiver
72 bpm • F Maj • 03:36 • -20.36db
15% Popularity • 20% Danceability • 13% Energy • 31% Liveness
84% Instrumentalness • 3% Positiveness
15% Popularity • 20% Danceability • 13% Energy • 31% Liveness
84% Instrumentalness • 3% Positiveness
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Metamorphose String Orchestra
Journey - Theme from "Moses"
72 bpm • G min • 04:40 • -14.7db
3% Popularity • 7% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
3% Popularity • 7% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Berceuse in D-Flat Major, Op. 57
70 bpm • C# Maj • 05:39 • -28db
39% Popularity • 41% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 41% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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David Ross Lawn
Onward
70 bpm • C Maj • 03:10 • -25db
21% Popularity • 36% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
21% Popularity • 36% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Robert Schumann
Waldszenen, op. 82: I. Eintritt
69 bpm • A# Maj • 02:08 • -33db
39% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 29% Positiveness
39% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 29% Positiveness
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Johann Sebastian Bach
Montero: Adagio (After Bach's Violin Con...
73 bpm • F# min • 05:01 • -35.44db
57% Popularity • 36% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
57% Popularity • 36% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
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Lang Lang
Limu, limu, lima (Arr. Schindler for Pia...
69 bpm • E min • 05:35 • -27db
46% Popularity • 35% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
46% Popularity • 35% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Ola Gjeilo
Still (Arr. Lawson)
73 bpm • C Maj • 02:29 • -25.29db
39% Popularity • 18% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Ignaz Friedman
Flute Sonata in E-Flat Major, BWV 1031: ...
73 bpm • G min • 02:12 • -30.53db
59% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
59% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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Metamorphose String Orchestra
Nocturne
73 bpm • A min • 02:34 • -14.22db
14% Popularity • 8% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Robert Schumann
Symphony No. 2 in C Major, Op. 61: III. ...
73 bpm • D# Maj • 10:06 • -35.68db
43% Popularity • 32% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
43% Popularity • 32% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
69 bpm • E Maj • 09:08 • -30.51db
22% Popularity • 11% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
22% Popularity • 11% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Anna Clyne
DANCE: I. when you're broken open
69 bpm • F Maj • 04:44 • -24.85db
46% Popularity • 16% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
46% Popularity • 16% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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John Lunn
Such Good Luck
73 bpm • G Maj • 02:52 • -16.81db
40% Popularity • 21% Danceability • 15% Energy • 18% Liveness
95% Instrumentalness • 10% Positiveness
40% Popularity • 21% Danceability • 15% Energy • 18% Liveness
95% Instrumentalness • 10% Positiveness
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Franz Liszt
Ave Maria, S. 558 (after Schubert, D. 83...
69 bpm • A# Maj • 05:28 • -27.59db
28% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Metamorphose String Orchestra
On the Nature of Daylight
73 bpm • C# Maj • 05:20 • -22.75db
27% Popularity • 7% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 7% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Rachel Portman
Emma: Piano Suite
69 bpm • G Maj • 03:10 • -19.75db
25% Popularity • 26% Danceability • 17% Energy • 22% Liveness
92% Instrumentalness • 20% Positiveness
25% Popularity • 26% Danceability • 17% Energy • 22% Liveness
92% Instrumentalness • 20% Positiveness
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Ottorino Respighi
Siciliana
69 bpm • D# Maj • 02:54 • -31.07db
48% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
48% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
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Valentin Silvestrov
Five Pieces For Violin And Piano: I. Ele...
74 bpm • D# Maj • 02:59 • -35db
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Martin Bloch
Chopin - Prelude E-Minor OP.28 No 4
68 bpm • E min • 02:09 • -28.79db
51% Popularity • 42% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
51% Popularity • 42% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Gabríel Ólafs
Faded Leaves Fall
68 bpm • E min • 02:42 • -37db
48% Popularity • 27% Danceability • 1% Energy • 8% Liveness
52% Instrumentalness • 14% Positiveness
48% Popularity • 27% Danceability • 1% Energy • 8% Liveness
52% Instrumentalness • 14% Positiveness
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Tamara Konstantin
Cello Sonata: II. —
74 bpm • G min • 02:55 • -24db
27% Popularity • 19% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
27% Popularity • 19% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
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Samuel Coleridge-Taylor
Sometimes I Feel Like a Motherless Child
68 bpm • C Maj • 04:01 • -20.33db
44% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
44% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Isobel Waller-Bridge
Mr. Knightley
74 bpm • G Maj • 01:39 • -17.36db
46% Popularity • 21% Danceability • 13% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
46% Popularity • 21% Danceability • 13% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
4 Postludes for Piano & String Orchestra...
74 bpm • G Maj • 02:50 • -39.4db
44% Popularity • 7% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
44% Popularity • 7% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Carlos Cipa
Today and it’s gone (Munich Session)
68 bpm • E min • 04:18 • -25.09db
49% Popularity • 30% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
49% Popularity • 30% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Classical Slowed + Reverb
Chopin: Nocturne No. 2 - slowed + reverb
68 bpm • C# min • 07:18 • -30.18db
35% Popularity • 28% Danceability • 1% Energy • 14% Liveness
87% Instrumentalness • 7% Positiveness
35% Popularity • 28% Danceability • 1% Energy • 14% Liveness
87% Instrumentalness • 7% Positiveness
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Alexander Litvinovsky
Pelléas et Mélisande: VIII. Menuet. So...
74 bpm • A min • 03:22 • -19.9db
18% Popularity • 42% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
18% Popularity • 42% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act 2: Dance...
68 bpm • B min • 03:09 • -25.08db
37% Popularity • 7% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
37% Popularity • 7% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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James Franklin Bertschy
There's a Place - Strings Version
74 bpm • A min • 03:16 • -12.51db
19% Popularity • 8% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Hymn - 2001
74 bpm • A# Maj • 06:05 • -31.44db
36% Popularity • 14% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
36% Popularity • 14% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Clara Schumann
3 Romances, Op. 22: No. 1, Andante molto...
68 bpm • C# Maj • 03:10 • -26db
52% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
52% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Alex Baranowski
Musica Universalis
74 bpm • A Maj • 02:33 • -24.59db
33% Popularity • 19% Danceability • 5% Energy • 14% Liveness
3% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 5% Energy • 14% Liveness
3% Instrumentalness • 6% Positiveness
► Preview
Olga Scheps
Memories of a Promenade II
74 bpm • C min • 03:26 • -28.35db
55% Popularity • 22% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
55% Popularity • 22% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
► Preview
Erik Satie
Gnossienne No. 1 - Excerpt
74 bpm • F min • 03:26 • -30.87db
39% Popularity • 46% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
39% Popularity • 46% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
► Preview
Tristan Seewer
À Bout de Souffle
74 bpm • A# min • 02:24 • -18db
43% Popularity • 14% Danceability • 17% Energy • 39% Liveness
82% Instrumentalness • 4% Positiveness
43% Popularity • 14% Danceability • 17% Energy • 39% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Henriëtte Bosmans
Sonata in A Minor: III. Adagio
74 bpm • C Maj • 04:05 • -17.82db
21% Popularity • 19% Danceability • 13% Energy • 8% Liveness
70% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 13% Energy • 8% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
Gina Alice
Opus
75 bpm • A min • 04:51 • -26.61db
37% Popularity • 40% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
37% Popularity • 40% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Philip Glass
Suite from "The Hours" - Movement I
67 bpm • G min • 10:30 • -22.1db
34% Popularity • 14% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Stuart Mitchell
The Mausoleum at Halicarnassus
75 bpm • B min • 07:43 • -28db
26% Popularity • 9% Danceability • 4% Energy • 8% Liveness
77% Instrumentalness • 5% Positiveness
26% Popularity • 9% Danceability • 4% Energy • 8% Liveness
77% Instrumentalness • 5% Positiveness
► Preview
Alexander Litvinovsky
The Wolf and the Seven Young Goats: V. T...
75 bpm • A Maj • 01:58 • -18.75db
21% Popularity • 42% Danceability • 11% Energy • 12% Liveness
45% Instrumentalness • 57% Positiveness
21% Popularity • 42% Danceability • 11% Energy • 12% Liveness
45% Instrumentalness • 57% Positiveness
► Preview
Metamorphose String Orchestra
Dinner
67 bpm • E Maj • 03:44 • -14.63db
30% Popularity • 7% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
30% Popularity • 7% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Ludwig van Beethoven
Tempesta for 2 Pianos inspired by Coriol...
75 bpm • C min • 02:40 • -14.89db
26% Popularity • 30% Danceability • 27% Energy • 10% Liveness
83% Instrumentalness • 20% Positiveness
26% Popularity • 30% Danceability • 27% Energy • 10% Liveness
83% Instrumentalness • 20% Positiveness
► Preview
Mikael Ayrapetyan
Miniatures for Piano "A Whole in Twelve"...
75 bpm • C# Maj • 05:06 • -28.9db
41% Popularity • 36% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
41% Popularity • 36% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
► Preview
Arnold Schoenberg
Notturno for Strings and Harp
75 bpm • G# Maj • 03:12 • -19.64db
61% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
61% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
► Preview
Ennio Morricone
The Falls - For Cello and Orchestra
75 bpm • G Maj • 03:22 • -26.87db
35% Popularity • 7% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
58% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
58% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Richard Strauss
Morgen, Op. 27 No. 4 (Arr. Reger for Pia...
67 bpm • G Maj • 03:52 • -37db
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
► Preview
John Brunning
Concerto Magna Carta: III. Intense and e...
76 bpm • E Maj • 06:40 • -13.9db
25% Popularity • 24% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
25% Popularity • 24% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
► Preview
Kerry Muzzey
The Heart Needs
76 bpm • A# min • 04:37 • -13.87db
30% Popularity • 15% Danceability • 15% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 15% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Amy Beach
By the Still Waters, Op. 114
76 bpm • C# Maj • 03:07 • -43db
59% Popularity • 22% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
59% Popularity • 22% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
Julie Cooper
Contemplation Suite: I. Dawn
76 bpm • C min • 04:17 • -18db
15% Popularity • 21% Danceability • 9% Energy • 21% Liveness
2% Instrumentalness • 8% Positiveness
15% Popularity • 21% Danceability • 9% Energy • 21% Liveness
2% Instrumentalness • 8% Positiveness
► Preview
Edvard Grieg
Morning Mood Variation
66 bpm • A# Maj • 02:07 • -23.92db
26% Popularity • 20% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Frédéric Chopin
Cello Sonata in G Minor, Op. 65: III. La...
76 bpm • A# Maj • 03:50 • -25.79db
43% Popularity • 10% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
43% Popularity • 10% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Baldassare Galuppi
I. Allegro moderato
66 bpm • C min • 02:10 • -25.34db
48% Popularity • 33% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 21% Positiveness
48% Popularity • 33% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 21% Positiveness
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Henry Purcell
Music for a While
76 bpm • A min • 04:10 • -23db
46% Popularity • 23% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 23% Positiveness
46% Popularity • 23% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 23% Positiveness
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Wolfgang Amadeus Mozart
Adagio in E Flat (Arr. Ólafsson from St...
76 bpm • D# Maj • 08:04 • -34.22db
41% Popularity • 37% Danceability • 1% Energy • 15% Liveness
93% Instrumentalness • 19% Positiveness
41% Popularity • 37% Danceability • 1% Energy • 15% Liveness
93% Instrumentalness • 19% Positiveness
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Georges Delerue
La passante du Sans-Souci
77 bpm • A min • 04:20 • -20.97db
23% Popularity • 16% Danceability • 10% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 10% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Homebound
66 bpm • G Maj • 02:02 • -23db
43% Popularity • 38% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 36% Positiveness
43% Popularity • 38% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 36% Positiveness
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Anton Arensky
Variations on a Theme by Tchaikovsky, Op...
66 bpm • E min • 01:08 • -16db
22% Popularity • 24% Danceability • 16% Energy • 56% Liveness
82% Instrumentalness • 5% Positiveness
22% Popularity • 24% Danceability • 16% Energy • 56% Liveness
82% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
L'Estate (Summer) Op. 8 No. 2 in G minor...
77 bpm • C min • 05:09 • -12.27db
28% Popularity • 21% Danceability • 30% Energy • 14% Liveness
64% Instrumentalness • 15% Positiveness
28% Popularity • 21% Danceability • 30% Energy • 14% Liveness
64% Instrumentalness • 15% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
48% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
48% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Frederick Delius
Delius: 2 Pieces for Small Orchestra: No...
77 bpm • G Maj • 05:49 • -28db
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Franz Schubert
Im Abendrot, D. 799 (Transcr. for Cello ...
65 bpm • G# Maj • 04:22 • -27.17db
40% Popularity • 26% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
40% Popularity • 26% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Ode to Joy Piano Variation
77 bpm • A# Maj • 01:55 • -26.04db
33% Popularity • 16% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 26% Positiveness
33% Popularity • 16% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 26% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
77 bpm • C min • 06:53 • -36.38db
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Franz Liszt
Die Rose, Romanze aus der Oper Zemir und...
65 bpm • E Maj • 04:47 • -30.37db
48% Popularity • 33% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
48% Popularity • 33% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
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Balys Dvarionas
Little Suite for Piano: IV. Waltz in G m...
65 bpm • D# Maj • 01:10 • -27.95db
28% Popularity • 31% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 28% Positiveness
28% Popularity • 31% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 28% Positiveness
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Jean Sibelius
Andante festivo for Strings and Timpani,...
65 bpm • G Maj • 05:37 • -20.05db
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Bach, JS: Goldberg Variations, BWV 988: ...
78 bpm • E min • 05:06 • -38.36db
40% Popularity • 29% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 22% Positiveness
40% Popularity • 29% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 22% Positiveness
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Edvard Grieg
Morning Mood Variation (Arr. for Piano f...
78 bpm • D# Maj • 02:32 • -28.73db
41% Popularity • 28% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
41% Popularity • 28% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Howard Shore
Memories of Rivendell
78 bpm • E min • 04:30 • -19.77db
10% Popularity • 10% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 10% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Benjamin Frith
Nocturne No. 10 In E Minor
65 bpm • E min • 03:12 • -36.52db
53% Popularity • 35% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 12% Positiveness
53% Popularity • 35% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 12% Positiveness
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Gabríel Ólafs
The Drifter
78 bpm • B min • 02:48 • -26db
40% Popularity • 19% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
40% Popularity • 19% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Philip Glass
Mad Rush: Part D (Bar 232 - Bar 273)
65 bpm • F Maj • 03:30 • -36.17db
42% Popularity • 21% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 21% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Felix Rösch
Humming Bird Rework
78 bpm • F min • 03:21 • -17.59db
35% Popularity • 14% Danceability • 11% Energy • 11% Liveness
44% Instrumentalness • 3% Positiveness
35% Popularity • 14% Danceability • 11% Energy • 11% Liveness
44% Instrumentalness • 3% Positiveness
