Songs like Pelleas und Melisande, Op. 5: Lebhaft (I) [Live] by Arnold Schoenberg
Based on a tempo of (+/- 10%) and a similar genre
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Arnold Schoenberg
Verklärte Nacht, Op. 4: IV. Sehr breit ...
85 bpm • F# Maj • 09:30 • -24db
8% Popularity • 10% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Lili Boulanger
Nocturne
85 bpm • F Maj • 03:18 • -26db
27% Popularity • 13% Danceability • 3% Energy • 7% Liveness
72% Instrumentalness • 3% Positiveness
27% Popularity • 13% Danceability • 3% Energy • 7% Liveness
72% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
37% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
37% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
85 bpm • G Maj • 02:44 • -26.75db
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Maurice Ravel
Introduction and Allegro for Harp, Flute...
85 bpm • D# min • 10:18 • -23db
26% Popularity • 23% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 5% Positiveness
26% Popularity • 23% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 5% Positiveness
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Franz Schubert
Die Nacht (Arr. for Cello and Guitar by ...
85 bpm • G Maj • 02:23 • -27.02db
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Arnold Schoenberg
Pelléas und Mélisande, Op. 5: VII. Ein...
85 bpm • C Maj • 04:09 • -13.9db
5% Popularity • 17% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
5% Popularity • 17% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Krzysztof Penderecki
3 Pieces in Old Style: No. 1. Aria
85 bpm • G min • 02:13 • -31.17db
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
From the Bohemian Forest, Op. 68, B. 133...
85 bpm • C# Maj • 05:58 • -26db
24% Popularity • 9% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: V. Dance under t...
85 bpm • A# Maj • 01:59 • -42.87db
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
85 bpm • G min • 08:00 • -23.69db
20% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
20% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Gurre-Lieder, Pt. 1: No. 9, Du wunderlic...
85 bpm • D# Maj • 04:26 • -28.83db
1% Popularity • 14% Danceability • 4% Energy • 16% Liveness
5% Instrumentalness • 4% Positiveness
1% Popularity • 14% Danceability • 4% Energy • 16% Liveness
5% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Cello Sonata in G Minor, Op. 65: III. La...
84 bpm • A# Maj • 03:24 • -32db
58% Popularity • 12% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
58% Popularity • 12% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Sarabande et rigaudon, Op. 93: Sarabande
84 bpm • E Maj • 06:16 • -26db
42% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
42% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Come, Sweet Death, BWV 478 (Arr. for 5 C...
86 bpm • C min • 03:17 • -20.73db
54% Popularity • 10% Danceability • 9% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
54% Popularity • 10% Danceability • 9% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Mélodie, Op. 20, No. 1
84 bpm • D Maj • 06:39 • -23db
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
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Florence Beatrice Price
Adoration (Arr. for Cello & Orchestra by...
86 bpm • G Maj • 03:19 • -20.23db
42% Popularity • 16% Danceability • 14% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
42% Popularity • 16% Danceability • 14% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Schoenberg: Gurre-Lieder, Melodram: "Seh...
86 bpm • F Maj • 05:33 • -17db
11% Popularity • 9% Danceability • 30% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 30% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu No. 5 in ...
84 bpm • B min • 03:07 • -28db
39% Popularity • 18% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, CD...
84 bpm • G# min • 09:22 • -27db
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
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Johannes Brahms
6 Chorale Preludes, BV B 50: Herzlich tu...
84 bpm • A min • 03:01 • -39.58db
49% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
49% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
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Henning Kraggerud
Hjertets melodier (Melodies of the Heart...
86 bpm • A min • 01:38 • -29db
49% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
49% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Gurrelieder / Pt. 3: 14. Bauer: Deckel d...
84 bpm • F Maj • 03:25 • -17.73db
2% Popularity • 24% Danceability • 34% Energy • 19% Liveness
43% Instrumentalness • 13% Positiveness
2% Popularity • 24% Danceability • 34% Energy • 19% Liveness
43% Instrumentalness • 13% Positiveness
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Valentin Silvestrov
Stille Musik: 3. Augenblicke der Serenad...
86 bpm • C Maj • 02:17 • -39db
59% Popularity • 16% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
59% Popularity • 16% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 Andante...
84 bpm • G min • 01:50 • -22.09db
40% Popularity • 32% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
40% Popularity • 32% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
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Frank Bridge
Berceuse (Arr. For viola and piano)
84 bpm • A# Maj • 03:34 • -35.15db
50% Popularity • 9% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
50% Popularity • 9% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, L....
84 bpm • G# min • 10:00 • -30.04db
25% Popularity • 18% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
25% Popularity • 18% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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Francis Poulenc
Poulenc: Concerto for Two Pianos in D Mi...
84 bpm • A# Maj • 05:29 • -29.52db
18% Popularity • 21% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
18% Popularity • 21% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Arnold Schoenberg
Pelléas und Mélisande, Op. 5: V. Ein w...
86 bpm • E Maj • 01:21 • -20.92db
6% Popularity • 15% Danceability • 17% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
6% Popularity • 15% Danceability • 17% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Nunc dimittis
84 bpm • D# min • 03:48 • -27db
34% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, CD 5, L....
84 bpm • C Maj • 03:47 • -21.94db
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
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Nadia Boulanger
3 Pieces for cello and piano: No. 1. Mod...
87 bpm • D# min • 02:37 • -30.78db
52% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Arnold Schoenberg
Moses und Aron / Act II: Moses steigt vo...
84 bpm • D Maj • 01:22 • -25.37db
1% Popularity • 36% Danceability • 9% Energy • 42% Liveness
0% Instrumentalness • 15% Positiveness
1% Popularity • 36% Danceability • 9% Energy • 42% Liveness
0% Instrumentalness • 15% Positiveness
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César Franck
リート FWV 83
83 bpm • G Maj • 01:38 • -29.74db
40% Popularity • 15% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
40% Popularity • 15% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Johannes Brahms
6 Piano Pieces, Op. 118: No. 2, Intermez...
83 bpm • F# min • 05:55 • -31db
32% Popularity • 37% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 8% Positiveness
32% Popularity • 37% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 8% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: IV. Ada...
87 bpm • F Maj • 10:59 • -33db
47% Popularity • 9% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
47% Popularity • 9% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
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Claude Debussy
Nocturnes, CD 98: I. Nuages
83 bpm • C Maj • 06:21 • -35db
28% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
28% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
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Amy Beach
Romance Op. 23
87 bpm • A Maj • 06:34 • -18db
19% Popularity • 17% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 17% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: III...
86 bpm • A# min • 03:05 • -24.24db
25% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Chant du menestrel for Cello and Orchest...
87 bpm • F# min • 04:01 • -33db
34% Popularity • 9% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
34% Popularity • 9% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Reynaldo Hahn
Chansons grises: V. L'heure exquise
83 bpm • D Maj • 03:32 • -37db
24% Popularity • 15% Danceability • 1% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 1% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
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Nino Rota
Il Padrino (for Harp): Un poco liberamen...
83 bpm • F min • 03:32 • -29.48db
36% Popularity • 29% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
36% Popularity • 29% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
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Arnold Schoenberg
Pelléas und Mélisande, Op. 5: II. Heft...
83 bpm • A min • 03:06 • -14.84db
6% Popularity • 16% Danceability • 27% Energy • 36% Liveness
85% Instrumentalness • 4% Positiveness
6% Popularity • 16% Danceability • 27% Energy • 36% Liveness
85% Instrumentalness • 4% Positiveness
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Lili Boulanger
D'un vieux jardin
83 bpm • D Maj • 03:30 • -30db
29% Popularity • 41% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 3% Positiveness
29% Popularity • 41% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 3% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 1 in F Maj...
83 bpm • A# Maj • 01:55 • -28db
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
55% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
55% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R.125: 4. Tortu...
83 bpm • A# Maj • 02:16 • -37db
47% Popularity • 21% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
47% Popularity • 21% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
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Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Arnold Schoenberg
Pelléas und Mélisande, Op. 5: VIII. Se...
87 bpm • C# Maj • 04:43 • -26.33db
4% Popularity • 13% Danceability • 4% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
4% Popularity • 13% Danceability • 4% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act II: Danc...
87 bpm • B min • 03:07 • -22db
34% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
34% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Maurice Ravel
Ma mère l'oye, M. 62: Apothéose: Le ja...
83 bpm • C Maj • 03:29 • -25db
36% Popularity • 11% Danceability • 2% Energy • 26% Liveness
82% Instrumentalness • 5% Positiveness
36% Popularity • 11% Danceability • 2% Energy • 26% Liveness
82% Instrumentalness • 5% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
87 bpm • B min • 03:28 • -30.17db
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Nadia Boulanger
3 Pieces for cello and piano: No. 2. San...
83 bpm • F Maj • 01:43 • -30db
27% Popularity • 20% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
27% Popularity • 20% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
Béla Bartók
6 Romanian Folk Dances, BB 68, Sz. 56: 4...
83 bpm • D Maj • 02:49 • -14db
17% Popularity • 13% Danceability • 18% Energy • 24% Liveness
29% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 18% Energy • 24% Liveness
29% Instrumentalness • 4% Positiveness
► Preview
Arnold Schoenberg
Fünf Klavierstücke: II. Sehr rasch
87 bpm • F# Maj • 01:19 • -21.22db
6% Popularity • 37% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
6% Popularity • 37% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Album for the Young, Op. 39: No. 3. Mamm...
87 bpm • G Maj • 01:33 • -37.26db
65% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
65% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
► Preview
Richard Wagner
Wagner: Albumblatt, WWV 94
87 bpm • A Maj • 04:48 • -13db
34% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
34% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
40% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
40% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
► Preview
Frank Bridge
4 Short Pieces for Violin & Piano, H. 10...
87 bpm • G Maj • 02:32 • -27db
40% Popularity • 15% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
40% Popularity • 15% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
► Preview
Johann Sebastian Bach
Widerstehe doch der Sünde, BWV 54 (Tran...
82 bpm • D# Maj • 04:26 • -28.05db
44% Popularity • 42% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
44% Popularity • 42% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
► Preview
Arnold Schoenberg
Gurrelieder, Pt. 1: No. 1, Orchestral Pr...
83 bpm • D# Maj • 06:50 • -30db
17% Popularity • 8% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
17% Popularity • 8% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Vladimir Martynov
Martynov: "Come in!", Movement II
82 bpm • A Maj • 04:21 • -22db
32% Popularity • 13% Danceability • 6% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 6% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Gabriel Fauré
Elégie in C Minor, Op. 24 (Arr. Parkin ...
88 bpm • G# Maj • 07:35 • -24db
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Gustav Mahler
Symphony No. 5 in C-Sharp Minor: IV. Ada...
82 bpm • F Maj • 08:30 • -31db
12% Popularity • 11% Danceability • 1% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
12% Popularity • 11% Danceability • 1% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
► Preview
Ottorino Respighi
6 Pieces for Piano, P. 44: No. 3. Nottur...
88 bpm • F# Maj • 05:00 • -29.23db
45% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
45% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: IV....
82 bpm • D Maj • 10:03 • -21db
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Etude in F Minor
82 bpm • F min • 01:55 • -24.37db
58% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
58% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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Hans Abrahamsen
Schoenberg - 4 Pieces from 6 Kleine Klav...
82 bpm • A# Maj • 00:59 • -24.69db
6% Popularity • 23% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 23% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: Symphony No. 5 in C-Sharp Minor:...
82 bpm • F Maj • 09:43 • -23.25db
59% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
59% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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William Walton
Henry V: Henry V: Touch her soft lips an...
82 bpm • C Maj • 01:33 • -31.37db
64% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
64% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Arnold Schoenberg
Gurrelieder, Pt. 3: No. 16, Mit Toves St...
88 bpm • D# Maj • 03:14 • -23.46db
5% Popularity • 18% Danceability • 12% Energy • 10% Liveness
33% Instrumentalness • 4% Positiveness
5% Popularity • 18% Danceability • 12% Energy • 10% Liveness
33% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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Pablo Casals
El cant dels ocells (Song of the Birds) ...
89 bpm • A min • 03:49 • -33db
57% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
57% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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Lavinia Meijer
Dances for Harp and Orchestra, L. 103: 1...
81 bpm • D min • 04:53 • -27db
31% Popularity • 20% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: 4. Adag...
82 bpm • F Maj • 10:45 • -27.86db
37% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
37% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Gurrelieder, Pt. 3: No. 21, Herr Gänsef...
82 bpm • A Maj • 05:13 • -27.4db
6% Popularity • 22% Danceability • 6% Energy • 82% Liveness
0% Instrumentalness • 12% Positiveness
6% Popularity • 22% Danceability • 6% Energy • 82% Liveness
0% Instrumentalness • 12% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Concerto for Oboe and Strings: 1. Rondo ...
81 bpm • E min • 07:32 • -21.96db
24% Popularity • 16% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
24% Popularity • 16% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Variations on a Rococo Theme, Op. 33, TH...
89 bpm • D Maj • 02:36 • -31.18db
59% Popularity • 12% Danceability • 3% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
59% Popularity • 12% Danceability • 3% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: V. Louange...
81 bpm • E Maj • 09:03 • -31.19db
21% Popularity • 13% Danceability • 0% Energy • 7% Liveness
62% Instrumentalness • 2% Positiveness
21% Popularity • 13% Danceability • 0% Energy • 7% Liveness
62% Instrumentalness • 2% Positiveness
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Jean Sibelius
Belshazzar's Feast, JS 48: Act II: Prelu...
81 bpm • C# Maj • 03:48 • -37db
25% Popularity • 10% Danceability • 1% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
25% Popularity • 10% Danceability • 1% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Verklärte Nacht, Op. 4: 5. Sehr ruhig (...
89 bpm • D Maj • 04:22 • -26.17db
8% Popularity • 17% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le jard...
89 bpm • C Maj • 03:45 • -22db
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
54% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
54% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Sergei Rachmaninoff
Aleko: Intermezzo
90 bpm • A# Maj • 01:54 • -32.72db
43% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
43% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Olivier Messiaen
Quatuor pour la fin du Temps: V. Louange...
81 bpm • E Maj • 08:48 • -23.19db
23% Popularity • 8% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 2% Positiveness
23% Popularity • 8% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 2% Positiveness
► Preview
Franz Schubert
Sonate pour Arpeggione et Piano en La Mi...
90 bpm • B Maj • 04:28 • -26.93db
43% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Arnold Schoenberg
Verklärte Nacht, Op. 4: I. Grave (Arr. ...
89 bpm • G min • 06:37 • -20.73db
16% Popularity • 11% Danceability • 14% Energy • 22% Liveness
80% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 14% Energy • 22% Liveness
80% Instrumentalness • 4% Positiveness
