Songs like Penalty Of Death (Music And Dialogue) by Ilan Eshkeri
Based on a tempo of (+/- 10%) and a similar genre
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Clinton Shorter
Prawnkus
130 bpm • G# Maj • 04:00 • -22db
36% Popularity • 16% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
36% Popularity • 16% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Guy Farley
A Guilded Cage
130 bpm • A# min • 02:15 • -31db
45% Popularity • 16% Danceability • 2% Energy • 9% Liveness
67% Instrumentalness • 4% Positiveness
45% Popularity • 16% Danceability • 2% Energy • 9% Liveness
67% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
47 Ronin
130 bpm • G Maj • 02:42 • -15.92db
49% Popularity • 42% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
49% Popularity • 42% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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KT Tunstall
Little Hearts, Big Skies
130 bpm • C Maj • 01:41 • -10.71db
7% Popularity • 28% Danceability • 41% Energy • 12% Liveness
50% Instrumentalness • 7% Positiveness
7% Popularity • 28% Danceability • 41% Energy • 12% Liveness
50% Instrumentalness • 7% Positiveness
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David Buckley
Dream's Escape
130 bpm • D min • 02:51 • -14.89db
27% Popularity • 17% Danceability • 42% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 42% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Ludwig Göransson
Truths
129 bpm • A min • 01:54 • -23.69db
42% Popularity • 25% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
42% Popularity • 25% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Steven Price
Fueled Up and Headed South
131 bpm • E min • 03:11 • -18.87db
18% Popularity • 22% Danceability • 26% Energy • 12% Liveness
80% Instrumentalness • 14% Positiveness
18% Popularity • 22% Danceability • 26% Energy • 12% Liveness
80% Instrumentalness • 14% Positiveness
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Amie Doherty
A Life Without Limitations
132 bpm • C# Maj • 01:15 • -14db
37% Popularity • 31% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
37% Popularity • 31% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Centurion
130 bpm • E min • 03:05 • -21db
43% Popularity • 30% Danceability • 22% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
43% Popularity • 30% Danceability • 22% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
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Nicholas Hooper
Dumbledore's Foreboding
132 bpm • G# Maj • 01:18 • -35.14db
44% Popularity • 16% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
44% Popularity • 16% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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David Buckley
The Kingdom of Dreams (Main Title Theme)
131 bpm • G# Maj • 02:14 • -16.24db
40% Popularity • 36% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
40% Popularity • 36% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Johan Söderqvist
Thor and Liv
132 bpm • B min • 01:21 • -26db
46% Popularity • 38% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
46% Popularity • 38% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Steven Price
Wardaddy
131 bpm • A min • 02:39 • -33.8db
29% Popularity • 18% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
29% Popularity • 18% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Christian Henson
Into the Book
128 bpm • D# Maj • 03:45 • -21.11db
27% Popularity • 17% Danceability • 12% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 12% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Ako
129 bpm • A# min • 02:13 • -25.33db
29% Popularity • 36% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
29% Popularity • 36% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Roque Baños
Young Nickerson
132 bpm • F Maj • 02:16 • -20.17db
25% Popularity • 32% Danceability • 16% Energy • 10% Liveness
35% Instrumentalness • 4% Positiveness
25% Popularity • 32% Danceability • 16% Energy • 10% Liveness
35% Instrumentalness • 4% Positiveness
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Michael Giacchino
Go for Baroque
127 bpm • G min • 02:55 • -20.2db
33% Popularity • 58% Danceability • 18% Energy • 14% Liveness
83% Instrumentalness • 29% Positiveness
33% Popularity • 58% Danceability • 18% Energy • 14% Liveness
83% Instrumentalness • 29% Positiveness
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James Horner
Scorched earth
133 bpm • D min • 03:32 • -22.08db
33% Popularity • 22% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
33% Popularity • 22% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Harald Kloser
President's Speech
133 bpm • A min • 04:20 • -21.1db
32% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Welcome To The Grand Guignol
134 bpm • F min • 02:20 • -17.62db
32% Popularity • 38% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
32% Popularity • 38% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
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Ilan Eshkeri
A Changing Planet (Episode 5 - Humans)
128 bpm • F Maj • 04:28 • -17.67db
8% Popularity • 17% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Rob Lane
Arthur Asked to Lead
134 bpm • G Maj • 01:26 • -21.24db
42% Popularity • 16% Danceability • 10% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
42% Popularity • 16% Danceability • 10% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
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Joseph Trapanese
Ask the Saints
133 bpm • F Maj • 06:32 • -25.69db
30% Popularity • 16% Danceability • 10% Energy • 33% Liveness
82% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 10% Energy • 33% Liveness
82% Instrumentalness • 4% Positiveness
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Marco Beltrami
Beyond the Hills
126 bpm • A min • 02:09 • -25.86db
20% Popularity • 29% Danceability • 2% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 2% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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David Buckley
Jessamy's Flight
126 bpm • E min • 02:40 • -17db
28% Popularity • 22% Danceability • 41% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 41% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
You're Gloating
134 bpm • F min • 01:06 • -27.89db
63% Popularity • 27% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
63% Popularity • 27% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Ilan Eshkeri
A Perfect Balance (Episode 1 - Volcanoes...
127 bpm • E min • 02:17 • -15db
20% Popularity • 21% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 21% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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James Horner
War
125 bpm • G min • 11:21 • -18.92db
36% Popularity • 29% Danceability • 40% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
36% Popularity • 29% Danceability • 40% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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Christopher Willis
Adventures of a London Gentleman
125 bpm • E Maj • 03:49 • -12.79db
32% Popularity • 27% Danceability • 27% Energy • 20% Liveness
82% Instrumentalness • 15% Positiveness
32% Popularity • 27% Danceability • 27% Energy • 20% Liveness
82% Instrumentalness • 15% Positiveness
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Christian Henson
All's Well That End's Well
135 bpm • B Maj • 04:13 • -20.47db
24% Popularity • 20% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Let Us Quest!
135 bpm • E min • 04:29 • -13.33db
30% Popularity • 42% Danceability • 43% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
30% Popularity • 42% Danceability • 43% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Nicholas Britell
Hymn - Mvmt 3: Elegy
135 bpm • G min • 02:46 • -20.27db
40% Popularity • 15% Danceability • 14% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
40% Popularity • 15% Danceability • 14% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Reforestation (Episode 5 - Humans)
126 bpm • A min • 01:40 • -17.72db
45% Popularity • 47% Danceability • 18% Energy • 17% Liveness
82% Instrumentalness • 5% Positiveness
45% Popularity • 47% Danceability • 18% Energy • 17% Liveness
82% Instrumentalness • 5% Positiveness
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James Horner
A Flame Within
125 bpm • D min • 04:05 • -27.52db
16% Popularity • 17% Danceability • 8% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 8% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
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BBC Scottish Symphony Orchestra
Lord Of The Isles
135 bpm • G Maj • 02:07 • -16.58db
43% Popularity • 28% Danceability • 23% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
43% Popularity • 28% Danceability • 23% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
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David Arnold
Addicted to a Certain Lifestyle
125 bpm • A min • 03:50 • -21.65db
30% Popularity • 19% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
30% Popularity • 19% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Stephen Warbeck
Leave Taking
135 bpm • G min • 03:04 • -27db
38% Popularity • 16% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Mychael Danna
On Its Head
135 bpm • D# Maj • 01:34 • -18.36db
38% Popularity • 51% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
38% Popularity • 51% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Ilan Eshkeri
Tournament
134 bpm • D Maj • 03:45 • -18.27db
18% Popularity • 19% Danceability • 26% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 26% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Shigeru Umebayashi
Tsushima Suite: III. Bushido
135 bpm • D min • 10:17 • -16.81db
32% Popularity • 22% Danceability • 25% Energy • 12% Liveness
84% Instrumentalness • 11% Positiveness
32% Popularity • 22% Danceability • 25% Energy • 12% Liveness
84% Instrumentalness • 11% Positiveness
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Clinton Shorter
First Steps
124 bpm • G min • 02:59 • -18.54db
30% Popularity • 20% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Nathan Johnson
Double-Dipping
124 bpm • G# Maj • 01:04 • -26.08db
41% Popularity • 32% Danceability • 7% Energy • 9% Liveness
79% Instrumentalness • 16% Positiveness
41% Popularity • 32% Danceability • 7% Energy • 9% Liveness
79% Instrumentalness • 16% Positiveness
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Pinar Toprak
Notification
136 bpm • D min • 01:32 • -19.79db
49% Popularity • 15% Danceability • 14% Energy • 14% Liveness
95% Instrumentalness • 5% Positiveness
49% Popularity • 15% Danceability • 14% Energy • 14% Liveness
95% Instrumentalness • 5% Positiveness
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Max Richter
A Claim to the Throne
137 bpm • G min • 03:05 • -17.35db
20% Popularity • 31% Danceability • 32% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
20% Popularity • 31% Danceability • 32% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
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Ilan Eshkeri
Oishi's Tale
135 bpm • C min • 06:43 • -22db
23% Popularity • 19% Danceability • 11% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 11% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
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William Ross
Dad's Advice
137 bpm • C# Maj • 01:57 • -27.71db
38% Popularity • 15% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Christian Henson
Opening Titles
137 bpm • G# Maj • 02:30 • -18.55db
35% Popularity • 16% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Shigeru Umebayashi
Tsushima Suite: IV. Kodoku
123 bpm • D Maj • 09:50 • -18.91db
28% Popularity • 26% Danceability • 24% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
28% Popularity • 26% Danceability • 24% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
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Clinton Shorter
The Expanse Theme
123 bpm • C Maj • 01:04 • -13.27db
48% Popularity • 21% Danceability • 40% Energy • 9% Liveness
60% Instrumentalness • 8% Positiveness
48% Popularity • 21% Danceability • 40% Energy • 9% Liveness
60% Instrumentalness • 8% Positiveness
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Steve Jablonsky
The Battle Room
138 bpm • G min • 03:03 • -17db
42% Popularity • 38% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 38% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Dutch Island Fugue
135 bpm • G Maj • 02:04 • -12.55db
16% Popularity • 53% Danceability • 85% Energy • 17% Liveness
93% Instrumentalness • 13% Positiveness
16% Popularity • 53% Danceability • 85% Energy • 17% Liveness
93% Instrumentalness • 13% Positiveness
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Rob Lane
The Mark of the Raven
138 bpm • B min • 01:42 • -29.35db
36% Popularity • 15% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
36% Popularity • 15% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Alan Silvestri
Totally Fine
139 bpm • G min • 04:29 • -31.02db
39% Popularity • 15% Danceability • 2% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
39% Popularity • 15% Danceability • 2% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
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William Ross
We'll Be #1
122 bpm • A# Maj • 01:52 • -22db
37% Popularity • 34% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
37% Popularity • 34% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
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Christian Henson
Maria's Room
122 bpm • B Maj • 01:30 • -21.13db
50% Popularity • 17% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
50% Popularity • 17% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Pinar Toprak
Lost Love
139 bpm • E min • 06:19 • -19.31db
36% Popularity • 18% Danceability • 12% Energy • 9% Liveness
69% Instrumentalness • 5% Positiveness
36% Popularity • 18% Danceability • 12% Energy • 9% Liveness
69% Instrumentalness • 5% Positiveness
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Ilan Eshkeri
Mika And Kai
138 bpm • D min • 02:45 • -27.63db
48% Popularity • 15% Danceability • 3% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
48% Popularity • 15% Danceability • 3% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
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Rob Lane
Merlin Lost
139 bpm • D# min • 01:40 • -27db
41% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
41% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Harald Kloser
Tornado Warning
139 bpm • C# Maj • 02:00 • -21.71db
32% Popularity • 14% Danceability • 6% Energy • 29% Liveness
96% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 6% Energy • 29% Liveness
96% Instrumentalness • 4% Positiveness
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William Ross
The Drive To Immaculata ("The Mighty Mac...
139 bpm • A Maj • 02:29 • -21db
39% Popularity • 29% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
39% Popularity • 29% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
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Carlos Rafael Rivera
Beth's Story
139 bpm • C min • 02:07 • -27db
57% Popularity • 28% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
57% Popularity • 28% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
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Guy Farley
Awakening
121 bpm • G Maj • 01:10 • -34db
53% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
53% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
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Ilan Eshkeri
Kira's Wedding Quartet
121 bpm • E min • 04:32 • -27.19db
16% Popularity • 30% Danceability • 2% Energy • 9% Liveness
53% Instrumentalness • 19% Positiveness
16% Popularity • 30% Danceability • 2% Energy • 9% Liveness
53% Instrumentalness • 19% Positiveness
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Steven Price
The Lions Theme
140 bpm • C# min • 04:40 • -18.84db
26% Popularity • 34% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 10% Positiveness
26% Popularity • 34% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 10% Positiveness
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Alan Silvestri
Physical State of the Stars
140 bpm • G min • 03:18 • -23.27db
23% Popularity • 22% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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William Ross
Young Macy
139 bpm • D Maj • 01:02 • -25db
42% Popularity • 14% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 10% Positiveness
42% Popularity • 14% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 10% Positiveness
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Marco Beltrami
A Quiet Moment
140 bpm • C Maj • 01:13 • -30.59db
30% Popularity • 26% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
30% Popularity • 26% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
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Amelia Warner
The Book
120 bpm • A min • 03:24 • -15db
20% Popularity • 18% Danceability • 26% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 26% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
We Are the Prey
121 bpm • C min • 02:25 • -20.52db
29% Popularity • 28% Danceability • 18% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
29% Popularity • 28% Danceability • 18% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Steven Price
Shenzou
121 bpm • C# min • 06:11 • -12.01db
38% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
38% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Clinton Shorter
Signal
120 bpm • A min • 02:09 • -17.6db
28% Popularity • 20% Danceability • 29% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
28% Popularity • 20% Danceability • 29% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Roque Baños
Chase Walking Nantucket
120 bpm • D min • 02:05 • -16db
24% Popularity • 51% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 51% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Ceiling Games
120 bpm • F Maj • 02:17 • -13db
51% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
51% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Trevor Rabin
Page 47
120 bpm • D min • 02:39 • -11.81db
45% Popularity • 23% Danceability • 34% Energy • 33% Liveness
36% Instrumentalness • 7% Positiveness
45% Popularity • 23% Danceability • 34% Energy • 33% Liveness
36% Instrumentalness • 7% Positiveness
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Ilan Eshkeri
The Fate of Tsushima
120 bpm • G# Maj • 03:15 • -9.73db
30% Popularity • 59% Danceability • 71% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
30% Popularity • 59% Danceability • 71% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
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Steven Price
Norman
120 bpm • A# Maj • 02:50 • -16.45db
52% Popularity • 29% Danceability • 47% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
52% Popularity • 29% Danceability • 47% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
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Hampus Naeselius
Without Color
120 bpm • A min • 03:04 • -20.09db
20% Popularity • 65% Danceability • 25% Energy • 6% Liveness
95% Instrumentalness • 22% Positiveness
20% Popularity • 65% Danceability • 25% Energy • 6% Liveness
95% Instrumentalness • 22% Positiveness
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Pinar Toprak
This Isn't Goodbye
141 bpm • C Maj • 02:29 • -19db
32% Popularity • 14% Danceability • 17% Energy • 5% Liveness
50% Instrumentalness • 6% Positiveness
32% Popularity • 14% Danceability • 17% Energy • 5% Liveness
50% Instrumentalness • 6% Positiveness
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Carlos Rafael Rivera
The Green Pills
120 bpm • C min • 01:30 • -31.61db
46% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
46% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Guy Farley
Family
120 bpm • A min • 01:47 • -17.68db
49% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
49% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Shigeru Umebayashi
Tsushima Suite: I. Seion
120 bpm • E min • 09:28 • -16.26db
32% Popularity • 40% Danceability • 27% Energy • 5% Liveness
68% Instrumentalness • 18% Positiveness
32% Popularity • 40% Danceability • 27% Energy • 5% Liveness
68% Instrumentalness • 18% Positiveness
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Steven Price
Emma
120 bpm • D min • 02:35 • -15db
49% Popularity • 41% Danceability • 43% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
49% Popularity • 41% Danceability • 43% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
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Mark Isham
Daniel and Ruth
120 bpm • G Maj • 02:10 • -21.71db
34% Popularity • 19% Danceability • 7% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
34% Popularity • 19% Danceability • 7% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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David Newman
Giving Back The Baby
119 bpm • E min • 06:26 • -14db
31% Popularity • 22% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Tim Wynn
Freaks
119 bpm • D min • 02:08 • -18db
29% Popularity • 25% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 25% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Anne Nikitin
Water Cycle
142 bpm • A min • 01:10 • -19.57db
51% Popularity • 36% Danceability • 45% Energy • 17% Liveness
98% Instrumentalness • 3% Positiveness
51% Popularity • 36% Danceability • 45% Energy • 17% Liveness
98% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Heart of the Jito
141 bpm • C# Maj • 04:15 • -19.46db
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Samuel Sim
Brea And The Library
119 bpm • G Maj • 01:32 • -18db
30% Popularity • 22% Danceability • 15% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 15% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Trevor Rabin
Ben
119 bpm • C Maj • 04:03 • -18.05db
42% Popularity • 17% Danceability • 15% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 17% Danceability • 15% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Guy Farley
The Palace
119 bpm • A min • 01:56 • -21db
35% Popularity • 21% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
35% Popularity • 21% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
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Nicholas Hooper
Opening
142 bpm • G Maj • 02:54 • -21.7db
47% Popularity • 22% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
47% Popularity • 22% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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Anne Nikitin
The Regime
119 bpm • D Maj • 01:37 • -22db
32% Popularity • 36% Danceability • 12% Energy • 9% Liveness
42% Instrumentalness • 7% Positiveness
32% Popularity • 36% Danceability • 12% Energy • 9% Liveness
42% Instrumentalness • 7% Positiveness
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David Buckley
Meet Ethel Cripps
142 bpm • A# min • 02:54 • -35.13db
25% Popularity • 14% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
25% Popularity • 14% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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chuck e. myers 'sea'
Niamh's Lullaby
143 bpm • D min • 01:39 • -15.33db
35% Popularity • 14% Danceability • 12% Energy • 14% Liveness
20% Instrumentalness • 16% Positiveness
35% Popularity • 14% Danceability • 12% Energy • 14% Liveness
20% Instrumentalness • 16% Positiveness
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Trevor Rabin
City of Gold
118 bpm • G Maj • 02:13 • -11db
32% Popularity • 18% Danceability • 30% Energy • 19% Liveness
95% Instrumentalness • 4% Positiveness
32% Popularity • 18% Danceability • 30% Energy • 19% Liveness
95% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Purity of Heart
118 bpm • G min • 03:34 • -16.11db
39% Popularity • 33% Danceability • 38% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 33% Danceability • 38% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Chris Egan
The Golden Chamber
118 bpm • F min • 02:37 • -22.97db
12% Popularity • 26% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 7% Positiveness
12% Popularity • 26% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 7% Positiveness
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Pinar Toprak
I'm All Fired Up
118 bpm • A# Maj • 03:20 • -17.27db
32% Popularity • 18% Danceability • 25% Energy • 12% Liveness
85% Instrumentalness • 3% Positiveness
32% Popularity • 18% Danceability • 25% Energy • 12% Liveness
85% Instrumentalness • 3% Positiveness
