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Penjuru Menyatu (Unified Counters)
Songs like
Penjuru Menyatu (Unified Counters)
by
Senyawa
Based on a tempo of (+/- 10%) and a similar genre
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Michael Bross
Fighting Outlaws
150 bpm • A# Maj • 02:09 • -13.88db
17% Popularity • 62% Danceability • 47% Energy • 25% Liveness
88% Instrumentalness • 44% Positiveness
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Carlos Viola
El QuejÃo
150 bpm • A min • 05:17 • -14.67db
25% Popularity • 29% Danceability • 46% Energy • 17% Liveness
72% Instrumentalness • 20% Positiveness
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Paul Haslinger
Thatcher's Pulse
150 bpm • F min • 03:03 • -13.64db
16% Popularity • 23% Danceability • 53% Energy • 38% Liveness
86% Instrumentalness • 4% Positiveness
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Brian Tyler
Bad Trip
152 bpm • C# Maj • 05:00 • -14.14db
15% Popularity • 35% Danceability • 42% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
White Blood
150 bpm • G Maj • 02:50 • -16.46db
21% Popularity • 33% Danceability • 44% Energy • 6% Liveness
76% Instrumentalness • 3% Positiveness
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Filippo Beck Peccoz
Mexican Sweat
152 bpm • C# Maj • 01:09 • -21.62db
8% Popularity • 21% Danceability • 10% Energy • 12% Liveness
83% Instrumentalness • 8% Positiveness
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Senyawa
Pasca
149 bpm • B Maj • 03:57 • -5.2db
5% Popularity • 55% Danceability • 75% Energy • 11% Liveness
72% Instrumentalness • 30% Positiveness
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Matt Uelmen
Monastery
149 bpm • D min • 05:56 • -15.04db
28% Popularity • 13% Danceability • 57% Energy • 26% Liveness
94% Instrumentalness • 7% Positiveness
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Inon Zur
A Stranger in Town
147 bpm • G# Maj • 03:18 • -25.21db
19% Popularity • 16% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Masafumi Takada
Them
147 bpm • E Maj • 02:40 • -10.71db
8% Popularity • 24% Danceability • 65% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Shipping Forecast
146 bpm • G Maj • 02:30 • -18.7db
14% Popularity • 18% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Trevor Gureckis
The Dead Survive
146 bpm • C# Maj • 03:36 • -13.79db
17% Popularity • 22% Danceability • 59% Energy • 13% Liveness
82% Instrumentalness • 7% Positiveness
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Senyawa
Engah - Digital Exclusive
148 bpm • G# Maj • 04:02 • -8.16db
0% Popularity • 61% Danceability • 64% Energy • 11% Liveness
90% Instrumentalness • 39% Positiveness
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Mick Gordon
Papers, Please
146 bpm • F# Maj • 02:10 • -30.81db
24% Popularity • 18% Danceability • 12% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Pawel Blaszczak
Revival
146 bpm • C min • 02:53 • -22.37db
31% Popularity • 13% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Dan Romer
You Cannot Trust a Liar
145 bpm • C# min • 02:18 • -19.19db
26% Popularity • 51% Danceability • 33% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Brian Tyler
Monsoon
145 bpm • G# Maj • 02:52 • -14.69db
18% Popularity • 53% Danceability • 49% Energy • 19% Liveness
85% Instrumentalness • 4% Positiveness
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Nao Sato
Descent into the Village
145 bpm • D Maj • 04:13 • -10db
27% Popularity • 36% Danceability • 90% Energy • 12% Liveness
6% Instrumentalness • 11% Positiveness
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Senyawa
Paradise Mercifully Departed
147 bpm • G Maj • 02:33 • -14.36db
35% Popularity • 46% Danceability • 58% Energy • 8% Liveness
88% Instrumentalness • 56% Positiveness
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Jeff van Dyck
Roman Intro
145 bpm • A Maj • 01:23 • -10.3db
25% Popularity • 62% Danceability • 79% Energy • 22% Liveness
84% Instrumentalness • 83% Positiveness
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Gustaf Grefberg
Getaway
145 bpm • G Maj • 02:16 • -12.62db
12% Popularity • 59% Danceability • 86% Energy • 8% Liveness
84% Instrumentalness • 39% Positiveness
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Gustavo Santaolalla
Soft Descent
145 bpm • B min • 01:50 • -19.55db
41% Popularity • 32% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Capcom Sound Team
A Strange Pasture
145 bpm • G min • 02:03 • -27.12db
23% Popularity • 16% Danceability • 9% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Nathan Whitehead
Holy War
144 bpm • G# Maj • 03:47 • -16.3db
18% Popularity • 31% Danceability • 35% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
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Senyawa
Istana - Prophän Remix
158 bpm • G min • 04:43 • -8.37db
0% Popularity • 28% Danceability • 75% Energy • 18% Liveness
2% Instrumentalness • 9% Positiveness
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Halo
Roll Call
144 bpm • G min • 05:58 • -16.18db
38% Popularity • 40% Danceability • 26% Energy • 15% Liveness
84% Instrumentalness • 11% Positiveness
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Ilan Eshkeri
The Last of Clan Adachi
159 bpm • G min • 03:12 • -13.91db
32% Popularity • 45% Danceability • 67% Energy • 26% Liveness
88% Instrumentalness • 39% Positiveness
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Volker Bertelmann
War Machines
144 bpm • D Maj • 02:02 • -11.9db
32% Popularity • 59% Danceability • 59% Energy • 11% Liveness
69% Instrumentalness • 41% Positiveness
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Hammock
The World Is Gonna End Tonight (Reinterp...
143 bpm • C# min • 03:15 • -13.43db
29% Popularity • 14% Danceability • 28% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Carlos Viola
Taranto a la Hermana MÃa
160 bpm • D Maj • 03:37 • -15db
27% Popularity • 30% Danceability • 73% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness
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Senyawa
Menjadi Jadi
145 bpm • B min • 05:10 • -8.53db
1% Popularity • 56% Danceability • 65% Energy • 10% Liveness
87% Instrumentalness • 59% Positiveness
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Halo
Data Hive
143 bpm • C# Maj • 06:03 • -28.59db
32% Popularity • 18% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Kevin Riepl
Tombs and Tunnels
160 bpm • G Maj • 02:42 • -27db
25% Popularity • 30% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
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Cliff Martinez
Into the Fire
160 bpm • A# min • 01:57 • -11.53db
13% Popularity • 58% Danceability • 60% Energy • 15% Liveness
79% Instrumentalness • 23% Positiveness
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Junkie XL
Spikey Cars - Extended Version
160 bpm • F Maj • 04:08 • -9db
31% Popularity • 50% Danceability • 96% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
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Sarah Schachner
The Wolf's Den
160 bpm • D Maj • 04:18 • -12.34db
23% Popularity • 45% Danceability • 62% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Senyawa
Kabar
158 bpm • D min • 04:32 • -4.03db
2% Popularity • 39% Danceability • 56% Energy • 14% Liveness
47% Instrumentalness • 9% Positiveness
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Dan Romer
They Won't Get Past the Gate
160 bpm • E Maj • 01:53 • -12.12db
20% Popularity • 45% Danceability • 92% Energy • 12% Liveness
93% Instrumentalness • 18% Positiveness
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Ilan Eshkeri
Sacrifice of Tradition
160 bpm • C min • 04:29 • -10.53db
38% Popularity • 14% Danceability • 57% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Yuka Kitamura
Premonition
142 bpm • C min • 02:06 • -26.41db
36% Popularity • 14% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Junkie XL
Buzzards Arrive - Bonus Track
160 bpm • G min • 01:26 • -12.63db
27% Popularity • 19% Danceability • 61% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Woody Jackson
The Wheel
142 bpm • C min • 03:53 • -16.45db
39% Popularity • 14% Danceability • 16% Energy • 16% Liveness
57% Instrumentalness • 7% Positiveness
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Senyawa
Segala
143 bpm • F# min • 03:51 • -17.72db
0% Popularity • 58% Danceability • 19% Energy • 47% Liveness
93% Instrumentalness • 36% Positiveness
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Hildur Guðnadóttir
Corridors
162 bpm • E Maj • 03:13 • -15.39db
24% Popularity • 21% Danceability • 34% Energy • 22% Liveness
93% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Heart of the Jito
141 bpm • C# Maj • 04:15 • -19.46db
31% Popularity • 18% Danceability • 7% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Ludvig Forssell
Afghanistan's a Big Place
162 bpm • A min • 02:16 • -18.85db
26% Popularity • 45% Danceability • 16% Energy • 16% Liveness
80% Instrumentalness • 9% Positiveness
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Nathan Whitehead
Rest in Peace
162 bpm • C Maj • 03:06 • -13.01db
24% Popularity • 43% Danceability • 48% Energy • 15% Liveness
95% Instrumentalness • 8% Positiveness
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Mick Gordon
Sunset for Humanity
140 bpm • A min • 03:45 • -18.44db
14% Popularity • 31% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
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Senyawa
Alkisah I (Pisitakun Remix)
160 bpm • B min • 04:00 • -8.4db
1% Popularity • 48% Danceability • 74% Energy • 40% Liveness
74% Instrumentalness • 37% Positiveness
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Jeff van Dyck
Rome HQ
140 bpm • C Maj • 01:01 • -12.19db
30% Popularity • 74% Danceability • 44% Energy • 10% Liveness
64% Instrumentalness • 8% Positiveness
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Dave Porter
We're a Family
140 bpm • D Maj • 01:39 • -23.06db
13% Popularity • 27% Danceability • 32% Energy • 16% Liveness
87% Instrumentalness • 4% Positiveness
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Max LL
Dominion
140 bpm • C Maj • 02:38 • -12.86db
10% Popularity • 28% Danceability • 63% Energy • 10% Liveness
91% Instrumentalness • 26% Positiveness
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Halo
Cryptic Whisper
140 bpm • C Maj • 02:52 • -19.38db
28% Popularity • 59% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Woody Jackson
Larry Taylor
140 bpm • D min • 06:02 • -17.1db
18% Popularity • 79% Danceability • 21% Energy • 11% Liveness
93% Instrumentalness • 44% Positiveness
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Senyawa
Senyawa
162 bpm • B Maj • 02:45 • -2.67db
3% Popularity • 44% Danceability • 96% Energy • 15% Liveness
89% Instrumentalness • 16% Positiveness
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Cliff Martinez
The Whisper of My Blade
140 bpm • C min • 03:56 • -16.85db
10% Popularity • 59% Danceability • 31% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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Alain Johannes
The Hunt Begins
140 bpm • E min • 03:20 • -12.21db
23% Popularity • 43% Danceability • 71% Energy • 12% Liveness
78% Instrumentalness • 20% Positiveness
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Hans Zimmer
Guerrilla Tactics
140 bpm • D Maj • 02:58 • -13.49db
36% Popularity • 58% Danceability • 72% Energy • 42% Liveness
90% Instrumentalness • 29% Positiveness
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Halo
Released
140 bpm • G Maj • 05:20 • -19db
39% Popularity • 46% Danceability • 26% Energy • 14% Liveness
87% Instrumentalness • 36% Positiveness
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Woody Jackson
Blood Feuds, Ancient And Modern
140 bpm • C min • 07:15 • -13db
44% Popularity • 44% Danceability • 36% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Steven Lynn
Vengeance
140 bpm • G# Maj • 08:21 • -13.16db
13% Popularity • 48% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Senyawa
Fasih
141 bpm • A# Maj • 03:56 • -10.15db
4% Popularity • 46% Danceability • 87% Energy • 18% Liveness
93% Instrumentalness • 49% Positiveness
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Jed Kurzel
Turn Hell Hound
140 bpm • C Maj • 03:00 • -10.26db
21% Popularity • 55% Danceability • 86% Energy • 29% Liveness
73% Instrumentalness • 52% Positiveness
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Mac Quayle
The WLF
140 bpm • A min • 03:39 • -17.94db
36% Popularity • 18% Danceability • 21% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
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Marco Beltrami
X-24
140 bpm • D min • 02:46 • -15.19db
16% Popularity • 19% Danceability • 17% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Mick Gordon
Der Mond
138 bpm • F# Maj • 05:03 • -19.43db
22% Popularity • 42% Danceability • 27% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Alain Johannes
Inside Restricted Area 01
138 bpm • E Maj • 03:36 • -24.26db
8% Popularity • 47% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
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Senyawa
Kayu
163 bpm • B min • 01:33 • -12.6db
1% Popularity • 63% Danceability • 24% Energy • 34% Liveness
87% Instrumentalness • 17% Positiveness
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Jed Kurzel
Blood
138 bpm • E min • 04:04 • -17.39db
21% Popularity • 15% Danceability • 24% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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Paul Haslinger
White Mask
138 bpm • C# min • 03:20 • -10.54db
16% Popularity • 34% Danceability • 87% Energy • 16% Liveness
87% Instrumentalness • 4% Positiveness
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Luc St-Pierre
Mala Sunt Vicina Bonis
137 bpm • C# Maj • 01:08 • -11.43db
17% Popularity • 51% Danceability • 43% Energy • 13% Liveness
82% Instrumentalness • 36% Positiveness
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Yuka Kitamura
Oceiros, the Consumed King
137 bpm • A# Maj • 03:52 • -10.12db
31% Popularity • 15% Danceability • 43% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Stuart Chatwood
The Final Combat
136 bpm • G# Maj • 05:21 • -8db
37% Popularity • 55% Danceability • 85% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Senyawa
Tadulako
139 bpm • D min • 03:22 • -6.61db
1% Popularity • 39% Danceability • 76% Energy • 74% Liveness
2% Instrumentalness • 26% Positiveness
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Shigeru Umebayashi
Tsushima Suite: III. Bushido
135 bpm • D min • 10:17 • -16.81db
33% Popularity • 22% Danceability • 25% Energy • 12% Liveness
84% Instrumentalness • 11% Positiveness
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Shusaku Uchiyama
Remember
136 bpm • C min • 05:03 • -15.47db
17% Popularity • 15% Danceability • 31% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Woody Jackson
American Venom
135 bpm • C min • 02:52 • -8.79db
56% Popularity • 52% Danceability • 80% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Robin Carolan
Last Teardrop
135 bpm • G# Maj • 03:35 • -15.19db
24% Popularity • 15% Danceability • 44% Energy • 14% Liveness
80% Instrumentalness • 8% Positiveness
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Michael Bross
Remote Town
170 bpm • E min • 04:20 • -29.8db
11% Popularity • 45% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 7% Positiveness
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Senyawa
Gaib
138 bpm • F min • 06:20 • -8.39db
2% Popularity • 54% Danceability • 89% Energy • 29% Liveness
85% Instrumentalness • 42% Positiveness
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Mac Quayle
The Cycle of Violence
134 bpm • G Maj • 05:04 • -25.06db
39% Popularity • 49% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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SIE Sound Team
Ebrietas, Daughter of the Cosmos
134 bpm • A Maj • 03:57 • -9.36db
37% Popularity • 17% Danceability • 56% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Mark Korven
Filthy Dog
134 bpm • D# min • 03:21 • -12db
12% Popularity • 16% Danceability • 44% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
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Sarah Schachner
Clean House
171 bpm • A# Maj • 03:14 • -19.58db
26% Popularity • 8% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Hans Zimmer
Seige
134 bpm • D min • 04:05 • -13.64db
35% Popularity • 16% Danceability • 32% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Senyawa
Sisa
138 bpm • F# Maj • 04:50 • -5.81db
3% Popularity • 38% Danceability • 64% Energy • 11% Liveness
68% Instrumentalness • 32% Positiveness
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Paul Haslinger
Active Duty
171 bpm • C# Maj • 03:13 • -14.63db
16% Popularity • 11% Danceability • 55% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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SIE Sound Team
The Witch of Hemwick
135 bpm • D Maj • 03:41 • -13.88db
35% Popularity • 18% Danceability • 41% Energy • 9% Liveness
82% Instrumentalness • 12% Positiveness
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Halo
Promise the Girl
133 bpm • D# Maj • 01:07 • -21.83db
43% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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Daniel Hart
Remember It Is Only A Game
133 bpm • A min • 02:27 • -17.51db
19% Popularity • 20% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 3% Positiveness
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Hans Zimmer
Ordinance
133 bpm • F# Maj • 01:58 • -16.66db
33% Popularity • 55% Danceability • 69% Energy • 13% Liveness
86% Instrumentalness • 23% Positiveness
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Sarah Schachner
Farah
172 bpm • D Maj • 03:16 • -15.67db
28% Popularity • 10% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Jeremy Soule
Shattered Shields
132 bpm • A# Maj • 02:38 • -44.95db
43% Popularity • 16% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Jack Wall
DeFalco’s Theme
132 bpm • F# min • 02:34 • -21.24db
25% Popularity • 26% Danceability • 13% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Halo
More Than His Share
132 bpm • F Maj • 05:48 • -21.57db
40% Popularity • 41% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 16% Positiveness
► Preview
Mikko Tarmia
Grunt's Appearance
132 bpm • A min • 01:14 • -24.81db
34% Popularity • 53% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 53% Positiveness
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Ludvig Forssell
Chiral Carcass Culling
132 bpm • C# Maj • 02:23 • -9.42db
26% Popularity • 34% Danceability • 74% Energy • 35% Liveness
78% Instrumentalness • 14% Positiveness
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Martin Stig Andersen
Commander of the Ausmerzer
131 bpm • G Maj • 04:01 • -16.01db
16% Popularity • 26% Danceability • 42% Energy • 11% Liveness
78% Instrumentalness • 6% Positiveness
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Ben Frost
Deadzone
131 bpm • F Maj • 02:36 • -14.29db
18% Popularity • 24% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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SIE Sound Team
Hail the Nightmare
175 bpm • C# Maj • 02:56 • -19.7db
38% Popularity • 9% Danceability • 23% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Penjuru Menyatu (Unified Counters)