Songs like Pequeño Vals Vienes (Take This Waltz) - Remastered 2016 by Enrique Morente
Based on a tempo of (+/- 10%) and a similar genre
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Sonia Miranda
Isla Mayor. AlegrÃas
156 bpm • G# Maj • 05:22 • -7.1db
19% Popularity • 71% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 71% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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David Palomar
El Niño Del Mentidero (AlegrÃas)
156 bpm • F Maj • 04:57 • -7.92db
23% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Carmen Linares
Toma Este Puñal Dorao
156 bpm • G# Maj • 04:56 • -13.79db
35% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Marina Heredia
BulerÃa Pa' Escuchar
156 bpm • A min • 05:29 • -7.36db
19% Popularity • 55% Danceability • 43% Energy • 71% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 55% Danceability • 43% Energy • 71% Liveness
0% Instrumentalness • 34% Positiveness
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Pitingo
El Molilo - Alegrias
156 bpm • F# Maj • 03:39 • -5.7db
24% Popularity • 58% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 58% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Ray Heredia
Dos Hermanos
156 bpm • A min • 03:23 • -11.66db
27% Popularity • 65% Danceability • 61% Energy • 9% Liveness
5% Instrumentalness • 60% Positiveness
27% Popularity • 65% Danceability • 61% Energy • 9% Liveness
5% Instrumentalness • 60% Positiveness
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Enrique Morente
Pequeño Vals Vienés (Take This Waltz) ...
157 bpm • C Maj • 05:48 • -7.26db
16% Popularity • 54% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 54% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Mayte Martin
Sal de aquà - AlegrÃa
155 bpm • G Maj • 04:55 • -9.82db
19% Popularity • 52% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 52% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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El Lebrijano
Saeta al cantar
157 bpm • C Maj • 03:32 • -5.07db
8% Popularity • 56% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 56% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
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El Pele
Sevillanas Del Pañuelo (Sevillanas)
155 bpm • G Maj • 04:48 • -5.88db
33% Popularity • 77% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 77% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Fosforito
Clavel Mañanero - AlegrÃas
157 bpm • F Maj • 03:13 • -13.07db
29% Popularity • 52% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 52% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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El Cabrero
El Pare y el Hijo
154 bpm • C# min • 03:07 • -8.41db
32% Popularity • 49% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 49% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Kiki Morente
El Ciego De La Guitarra - AlegrÃas
154 bpm • A min • 03:29 • -8.93db
41% Popularity • 65% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 65% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Mayte Martin
Navega Sola
154 bpm • A# Maj • 05:04 • -17.44db
18% Popularity • 46% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 46% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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El Lebrijano
Matita de Romero
153 bpm • D# min • 03:03 • -5.9db
31% Popularity • 56% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 56% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Vicente Amigo
Y Sera Verdad...
153 bpm • G# min • 04:59 • -6.29db
44% Popularity • 76% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
44% Popularity • 76% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
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Marina Heredia
Personas Reales
160 bpm • A Maj • 05:55 • -6.45db
14% Popularity • 40% Danceability • 58% Energy • 66% Liveness
3% Instrumentalness • 53% Positiveness
14% Popularity • 40% Danceability • 58% Energy • 66% Liveness
3% Instrumentalness • 53% Positiveness
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El Cabrero
Calaña Ya No Es Calaña - Fandangos de ...
154 bpm • B min • 02:07 • -9.43db
35% Popularity • 48% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 48% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Elbicho
Mamá Dolores
152 bpm • E min • 04:07 • -8db
46% Popularity • 80% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 80% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Enrique Morente
Oye, Esta No Es Manera De Decir Adiós -...
160 bpm • E Maj • 03:20 • -10.02db
28% Popularity • 64% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 64% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Manolo Sanlucar
De Capote
152 bpm • G Maj • 04:55 • -18.95db
14% Popularity • 54% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 66% Positiveness
14% Popularity • 54% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 66% Positiveness
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Ketama
No Sé Si Vivo o Sueño
150 bpm • F min • 03:24 • -15.84db
22% Popularity • 60% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 60% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Potito
Hasta Durmiendo la Oigo
150 bpm • G# Maj • 02:50 • -8.1db
31% Popularity • 67% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 67% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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El Cabrero
Presa está la libertad - Fandangos de A...
153 bpm • B Maj • 01:56 • -6.99db
25% Popularity • 36% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 36% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Kiki Morente
Tangos Del AlbayzÃn
150 bpm • C# min • 03:13 • -5.62db
42% Popularity • 68% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
42% Popularity • 68% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Enrique Morente
Aunque Es de Noche (Tango)
151 bpm • B min • 04:12 • -10db
43% Popularity • 43% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
43% Popularity • 43% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Argentina
Se Lleva El Aire (AlegrÃas)
163 bpm • C# Maj • 03:49 • -5.5db
23% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Diego Carrasco
Mariposilla Verde
149 bpm • G# min • 02:24 • -7db
25% Popularity • 67% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 67% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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El Lebrijano
Rezo
150 bpm • E min • 06:20 • -11db
8% Popularity • 55% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 55% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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El Cabrero
Muchos prometen la luna - Fandangos de A...
148 bpm • C Maj • 02:22 • -6.79db
37% Popularity • 45% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 45% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Remedios Amaya
Por nada lloro
149 bpm • A# min • 04:06 • -8.28db
23% Popularity • 76% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 76% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Antonio Reyes
AlegrÃas
148 bpm • F Maj • 06:53 • -11db
28% Popularity • 52% Danceability • 42% Energy • 98% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 52% Danceability • 42% Energy • 98% Liveness
0% Instrumentalness • 64% Positiveness
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Ketama
Me Llama
148 bpm • F# Maj • 03:58 • -19.4db
12% Popularity • 52% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 52% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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El Trini
Guajiras: Cante y Guitarra
165 bpm • G# Maj • 03:10 • -15db
30% Popularity • 60% Danceability • 26% Energy • 10% Liveness
34% Instrumentalness • 57% Positiveness
30% Popularity • 60% Danceability • 26% Energy • 10% Liveness
34% Instrumentalness • 57% Positiveness
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La Nitra
Sin Ti No Se Vivir
148 bpm • F# Maj • 03:56 • -8.07db
29% Popularity • 68% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 68% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Duquende
Al Son Del Viento (AlegrÃas)
165 bpm • G Maj • 05:05 • -8.24db
20% Popularity • 70% Danceability • 67% Energy • 4% Liveness
1% Instrumentalness • 67% Positiveness
20% Popularity • 70% Danceability • 67% Energy • 4% Liveness
1% Instrumentalness • 67% Positiveness
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Remedios Amaya
Dos toreros - Tanguillos
164 bpm • F Maj • 04:19 • -15.85db
17% Popularity • 77% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 73% Positiveness
17% Popularity • 77% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 73% Positiveness
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Israel Fernández
AlegrÃas De Santa Ana
165 bpm • G Maj • 03:44 • -9.97db
39% Popularity • 66% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
39% Popularity • 66% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
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Antonio Mairena
Santa Justa Y Rufina (Soleares De Triana...
147 bpm • F Maj • 06:34 • -17db
28% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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La Macanita
Cai
147 bpm • C# min • 03:56 • -8db
29% Popularity • 71% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 71% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Chano Lobato
AlegrÃas de Cádiz
165 bpm • D# Maj • 04:13 • -7.51db
29% Popularity • 42% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 42% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Enrique Morente
Norma Y Paraiso De Los Negros - Remaster...
147 bpm • B Maj • 04:26 • -9.82db
17% Popularity • 37% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 37% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Esperanza Fernández
Al Titi
166 bpm • D# min • 04:17 • -9db
28% Popularity • 71% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 71% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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El Pele
Ire Con El Viento (Tangos)
166 bpm • F# min • 05:09 • -5.3db
30% Popularity • 73% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 73% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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David Lagos
Pregón del miedo
166 bpm • D Maj • 02:45 • -9.58db
29% Popularity • 39% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 39% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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El Cabrero
Andalucia Honda y Noble
146 bpm • B Maj • 04:35 • -7.72db
22% Popularity • 48% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 48% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Antonio Reyes
Es Tu Querer (Fandangos de Huelva)
146 bpm • F min • 03:13 • -6.59db
28% Popularity • 68% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 68% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Enrique Morente
Tienes la Cara
166 bpm • E min • 04:17 • -10.42db
18% Popularity • 46% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 46% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
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Juan Habichuela
Si Te Vas - Tangos
146 bpm • D# min • 04:38 • -13db
10% Popularity • 63% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 63% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Mayte Martin
S.O.S.
146 bpm • A# min • 04:47 • -16.14db
27% Popularity • 52% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 52% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Potito
Mi Guitarra (Sevillanas)
167 bpm • G# min • 03:43 • -12.53db
35% Popularity • 50% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 50% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 79% Positiveness
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Luis de Córdoba
Agua Fresca
168 bpm • A min • 04:40 • -13.86db
27% Popularity • 64% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 64% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Paco Toronjo
La Mentira y la Verdad
144 bpm • D# Maj • 03:02 • -9db
21% Popularity • 46% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 46% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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El Cabrero
Calaña Viva Calaña - Fandangos de Cala...
169 bpm • C Maj • 02:34 • -8.25db
30% Popularity • 40% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 40% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Kiki Morente
Soleá Con Pepe Habichuela
143 bpm • D min • 03:51 • -7.74db
17% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Mayte Martin
Vidalita (Vilalita)
167 bpm • A# min • 05:07 • -11.85db
18% Popularity • 41% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 41% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Argentina
Acordándome de Chano (GarrotÃn & Cante...
170 bpm • D min • 05:10 • -11.83db
14% Popularity • 54% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 54% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Antonio Reyes
Aires de la Alameda
170 bpm • F min • 04:22 • -4.16db
17% Popularity • 44% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 44% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Enrique Morente
Tiro Tire
143 bpm • F# Maj • 04:05 • -13.19db
17% Popularity • 57% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 57% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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La Marelu
De Badajoz He "VenÃo"
143 bpm • F# min • 03:46 • -4db
20% Popularity • 55% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 55% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 87% Positiveness
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Rancapino Chico
AlegrÃas de Cádiz
142 bpm • F Maj • 05:00 • -14db
29% Popularity • 54% Danceability • 41% Energy • 69% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 54% Danceability • 41% Energy • 69% Liveness
0% Instrumentalness • 76% Positiveness
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Jose Menese
Gitana como aquella (Soleá)
142 bpm • G# min • 06:26 • -12.74db
30% Popularity • 44% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 44% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Mayte Martin
www.elpena.com (seguiriya)
171 bpm • D# Maj • 04:24 • -14.04db
15% Popularity • 56% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
15% Popularity • 56% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
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Antonio Reyes
Tangos
142 bpm • C# min • 10:37 • -12db
22% Popularity • 51% Danceability • 27% Energy • 78% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 51% Danceability • 27% Energy • 78% Liveness
0% Instrumentalness • 34% Positiveness
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Chano Lobato
Tanguillo de las Viejas Ricas de Cádiz
171 bpm • F min • 01:54 • -7.78db
25% Popularity • 50% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 50% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Enrique Morente
Mi Pena
142 bpm • D Maj • 04:35 • -12.76db
21% Popularity • 52% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 52% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Las Grecas
Nadie Te Quiere Ya
142 bpm • A min • 02:48 • -8.67db
17% Popularity • 62% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 62% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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MARTIRES DEL COMPAS
Sevillanas Billy
141 bpm • G min • 04:18 • -5db
31% Popularity • 74% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 74% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Juan Habichuela
Coje La Senda - Tangos De Granada
141 bpm • G min • 04:20 • -11db
24% Popularity • 74% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 74% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
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La Perla De Cadiz
A Tu Vera - Canción por BulerÃas
141 bpm • F min • 03:11 • -9db
18% Popularity • 55% Danceability • 66% Energy • 46% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 55% Danceability • 66% Energy • 46% Liveness
0% Instrumentalness • 67% Positiveness
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Potito
Por Cajones
141 bpm • C# Maj • 02:08 • -17db
29% Popularity • 64% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 64% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Vicente Amigo
Tres Notas para Decir Te Quiero
173 bpm • E min • 04:49 • -10.4db
48% Popularity • 66% Danceability • 69% Energy • 13% Liveness
86% Instrumentalness • 80% Positiveness
48% Popularity • 66% Danceability • 69% Energy • 13% Liveness
86% Instrumentalness • 80% Positiveness
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El Cabrero
En la Soledad del Monte
140 bpm • G Maj • 02:04 • -9.93db
36% Popularity • 50% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 50% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Montse Cortés
Entre Repompa Y Pirula - Tangos
173 bpm • A min • 04:31 • -3db
24% Popularity • 46% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 46% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Paco Toronjo
La Vio El Rey David
140 bpm • F Maj • 04:18 • -17db
16% Popularity • 57% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 57% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Enrique Morente
Compañero - Extractos de "ElegÃa a R. ...
174 bpm • D# Maj • 05:21 • -12.79db
13% Popularity • 32% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 32% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Ray Heredia
Súmamela Bien
140 bpm • D# min • 02:52 • -9.79db
27% Popularity • 72% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 72% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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El Lebrijano
Dame La Libertad
174 bpm • D min • 04:02 • -9.82db
24% Popularity • 46% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 46% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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El Cabrero
Dale alas y volará - Fandangos de Huelv...
140 bpm • D# min • 02:08 • -7.35db
28% Popularity • 45% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 45% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Mayte Martin
Conquero - Fandangos de Huelva
140 bpm • F# Maj • 03:19 • -13db
17% Popularity • 46% Danceability • 31% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 46% Danceability • 31% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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El Pele
Patriarca
174 bpm • G# Maj • 01:36 • -6.61db
37% Popularity • 54% Danceability • 64% Energy • 68% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 54% Danceability • 64% Energy • 68% Liveness
0% Instrumentalness • 82% Positiveness
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Kiki Morente
Sevillanas
175 bpm • E min • 03:39 • -6.16db
31% Popularity • 59% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 59% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Juanito Valderrama
Quisiera cariño mÃo
139 bpm • B Maj • 02:53 • -14.71db
25% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Carmen Linares
La Tarara - Tanguillos
176 bpm • F Maj • 04:45 • -12.44db
22% Popularity • 37% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 37% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Aurelio Selles
Te tengo que querer
139 bpm • C# min • 03:50 • -15.01db
8% Popularity • 57% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 57% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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La Niña de los Peines
BulerÃas: La Maja Aristocrática
138 bpm • D# min • 03:03 • -15db
20% Popularity • 70% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 70% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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El Pele
Rincon De Los Amargos (Solea)
139 bpm • F# Maj • 04:47 • -7.6db
19% Popularity • 72% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 72% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Gualberto
Prisioneros
138 bpm • D min • 08:44 • -9.07db
2% Popularity • 30% Danceability • 67% Energy • 31% Liveness
13% Instrumentalness • 18% Positiveness
2% Popularity • 30% Danceability • 67% Energy • 31% Liveness
13% Instrumentalness • 18% Positiveness
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El Cabrero
Como Todo Mortal
138 bpm • A# min • 09:07 • -5db
13% Popularity • 58% Danceability • 64% Energy • 98% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 58% Danceability • 64% Energy • 98% Liveness
0% Instrumentalness • 80% Positiveness
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La Perla De Cadiz
Ganas Me Dan De Volverme - Remasterizada...
137 bpm • F min • 04:22 • -7db
29% Popularity • 55% Danceability • 100% Energy • 88% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 55% Danceability • 100% Energy • 88% Liveness
0% Instrumentalness • 28% Positiveness
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Vicente Amigo
Mensaje (Fandangos)
178 bpm • C# Maj • 05:03 • -8.86db
27% Popularity • 64% Danceability • 54% Energy • 12% Liveness
26% Instrumentalness • 46% Positiveness
27% Popularity • 64% Danceability • 54% Energy • 12% Liveness
26% Instrumentalness • 46% Positiveness
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MARTIRES DEL COMPAS
Canne Canne
180 bpm • E Maj • 02:07 • -13.01db
28% Popularity • 59% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 59% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 80% Positiveness
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El Pele
Canto (Alegrias)
178 bpm • A# Maj • 05:31 • -4.68db
26% Popularity • 72% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 72% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Triana
En el lago
135 bpm • D min • 06:35 • -5.29db
44% Popularity • 26% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 26% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Israel Fernández
Soleá Del Cariño
135 bpm • E min • 03:23 • -12db
38% Popularity • 66% Danceability • 26% Energy • 7% Liveness
1% Instrumentalness • 66% Positiveness
38% Popularity • 66% Danceability • 26% Energy • 7% Liveness
1% Instrumentalness • 66% Positiveness
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Fernanda De Utrera
Yo No CaÃa Nunca en Cama - Soleares
135 bpm • F min • 08:04 • -9db
29% Popularity • 52% Danceability • 51% Energy • 14% Liveness
1% Instrumentalness • 57% Positiveness
29% Popularity • 52% Danceability • 51% Energy • 14% Liveness
1% Instrumentalness • 57% Positiveness
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Mayte Martin
Serenoke - Malagueña
134 bpm • F# Maj • 04:27 • -11db
14% Popularity • 45% Danceability • 31% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
14% Popularity • 45% Danceability • 31% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
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Manolo Sanlucar
Tercio De Vara
134 bpm • G# min • 04:31 • -16db
16% Popularity • 40% Danceability • 52% Energy • 8% Liveness
88% Instrumentalness • 63% Positiveness
16% Popularity • 40% Danceability • 52% Energy • 8% Liveness
88% Instrumentalness • 63% Positiveness
