Songs like Perdido no Bosque - Instrumental by Kristen Anderson-Lopez
Based on a tempo of (+/- 10%) and a similar genre
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Kristen Anderson-Lopez
Lost in the Woods - Instrumental
75 bpm • G# Maj • 03:01 • -10.99db
38% Popularity • 46% Danceability • 35% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
38% Popularity • 46% Danceability • 35% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
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Richard M. Sherman
Christopher Robin
75 bpm • C# Maj • 01:18 • -15.24db
24% Popularity • 29% Danceability • 23% Energy • 19% Liveness
5% Instrumentalness • 62% Positiveness
24% Popularity • 29% Danceability • 23% Energy • 19% Liveness
5% Instrumentalness • 62% Positiveness
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Joel McNeely
James Betrays Zarina
75 bpm • G min • 02:40 • -10.13db
16% Popularity • 32% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 9% Positiveness
16% Popularity • 32% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 9% Positiveness
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Mark Mancina
Tala Returns - Score Demo
75 bpm • D min • 01:15 • -23.87db
37% Popularity • 14% Danceability • 8% Energy • 28% Liveness
85% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 8% Energy • 28% Liveness
85% Instrumentalness • 4% Positiveness
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Steven Price
Nighttime Conversation
75 bpm • D# min • 01:39 • -24db
31% Popularity • 14% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
31% Popularity • 14% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Frank Churchill
Fire / Reunion / Finale
75 bpm • G# Maj • 05:36 • -17.31db
21% Popularity • 15% Danceability • 30% Energy • 8% Liveness
29% Instrumentalness • 18% Positiveness
21% Popularity • 15% Danceability • 30% Energy • 8% Liveness
29% Instrumentalness • 18% Positiveness
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Kristen Anderson-Lopez
Lost in the Woods - Weezer Version/Instr...
75 bpm • G# Maj • 03:02 • -7db
35% Popularity • 49% Danceability • 62% Energy • 10% Liveness
70% Instrumentalness • 22% Positiveness
35% Popularity • 49% Danceability • 62% Energy • 10% Liveness
70% Instrumentalness • 22% Positiveness
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Germaine Franco
I Need You
75 bpm • G Maj • 02:27 • -28db
48% Popularity • 17% Danceability • 6% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
48% Popularity • 17% Danceability • 6% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Donna Murphy
Mother Knows Best
75 bpm • F Maj • 03:11 • -10.81db
51% Popularity • 44% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 44% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Mark Mancina
Maui Battles - Score Demo
75 bpm • C Maj • 01:57 • -13.11db
36% Popularity • 22% Danceability • 59% Energy • 43% Liveness
85% Instrumentalness • 14% Positiveness
36% Popularity • 22% Danceability • 59% Energy • 43% Liveness
85% Instrumentalness • 14% Positiveness
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Michael Giacchino
A Bunny Can Go Savage
75 bpm • F Maj • 01:45 • -12.34db
24% Popularity • 19% Danceability • 30% Energy • 11% Liveness
51% Instrumentalness • 31% Positiveness
24% Popularity • 19% Danceability • 30% Energy • 11% Liveness
51% Instrumentalness • 31% Positiveness
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Jodi Benson
Part of Your World (Reprise)/ Ursula Plo...
75 bpm • F Maj • 03:03 • -19db
25% Popularity • 15% Danceability • 13% Energy • 10% Liveness
19% Instrumentalness • 7% Positiveness
25% Popularity • 15% Danceability • 13% Energy • 10% Liveness
19% Instrumentalness • 7% Positiveness
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Kristen Anderson-Lopez
More Than Just the Spare - Outtake
76 bpm • C# Maj • 03:25 • -6.91db
38% Popularity • 46% Danceability • 35% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 46% Danceability • 35% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
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Mandy Moore
When Will My Life Begin (Reprise 1)
75 bpm • C Maj • 01:03 • -17.95db
53% Popularity • 39% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
53% Popularity • 39% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Liz Callaway, Steve Vinovich, Jonathan Hadary, David Zippel, Lex de Azevedo, Larry Bastian, Larry Schwartz
No Fear
76 bpm • F Maj • 03:37 • -16.71db
30% Popularity • 62% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 62% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Mark Mancina
Tala's Deathbed
76 bpm • G# Maj • 02:00 • -18db
48% Popularity • 19% Danceability • 4% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
48% Popularity • 19% Danceability • 4% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Kristen Anderson-Lopez and Robert Lopez, Evan Chow
Frozen Op. 11, for Piano, Orchestra and ...
74 bpm • E Maj • 04:38 • -18.12db
6% Popularity • 23% Danceability • 29% Energy • 18% Liveness
77% Instrumentalness • 16% Positiveness
6% Popularity • 23% Danceability • 29% Energy • 18% Liveness
77% Instrumentalness • 16% Positiveness
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Mark Watters
Genie And Jasmine/Cassim Leaves
76 bpm • D min • 01:49 • -27.97db
22% Popularity • 17% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
22% Popularity • 17% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
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The Cast of 101 Dalmatians
What's All The Hurry/A Perfect Situation...
74 bpm • F Maj • 03:18 • -13db
19% Popularity • 33% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
19% Popularity • 33% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Samuel E. Wright
The Morning Report
76 bpm • G# Maj • 02:31 • -10db
38% Popularity • 52% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 52% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Joel McNeely
Flight Through Never land
76 bpm • C Maj • 02:41 • -15db
33% Popularity • 27% Danceability • 29% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
33% Popularity • 27% Danceability • 29% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
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Marc Shaiman
Goodbye Old Friend
73 bpm • F Maj • 02:32 • -20.66db
41% Popularity • 15% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
41% Popularity • 15% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Cathy Ang
Rocket to the Moon (Reprise)
73 bpm • A Maj • 02:01 • -8.02db
33% Popularity • 36% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 36% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Paul J. Smith
A Perfect Fit
77 bpm • G min • 01:30 • -17.31db
30% Popularity • 24% Danceability • 20% Energy • 28% Liveness
83% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 20% Energy • 28% Liveness
83% Instrumentalness • 4% Positiveness
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Germaine Franco
Tenacious Mirabel
77 bpm • A min • 01:35 • -20.02db
44% Popularity • 16% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 3% Positiveness
44% Popularity • 16% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 3% Positiveness
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The Cast of Peter Pan
Rumor Has It/Hangman's Tree - Original
77 bpm • G Maj • 02:37 • -21.07db
15% Popularity • 37% Danceability • 9% Energy • 14% Liveness
3% Instrumentalness • 30% Positiveness
15% Popularity • 37% Danceability • 9% Energy • 14% Liveness
3% Instrumentalness • 30% Positiveness
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Daniel Hart
Neverland
73 bpm • A Maj • 02:42 • -11.35db
34% Popularity • 29% Danceability • 37% Energy • 22% Liveness
88% Instrumentalness • 7% Positiveness
34% Popularity • 29% Danceability • 37% Energy • 22% Liveness
88% Instrumentalness • 7% Positiveness
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The Cast of Mary Poppins
Step In Time
77 bpm • A# min • 08:43 • -12db
12% Popularity • 34% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 34% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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Leslie Bricusse
It Takes All Sorts
77 bpm • G# Maj • 02:40 • -9.43db
25% Popularity • 53% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 53% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Rupert Gregson-Williams
Humming Up a Storm
78 bpm • G min • 04:10 • -12.97db
23% Popularity • 8% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Germaine Franco
The Cracks Emerge
77 bpm • C# Maj • 01:22 • -14.55db
45% Popularity • 20% Danceability • 48% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
45% Popularity • 20% Danceability • 48% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
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The Cast of Peter Pan
The Last Night in the Nursery - Original
77 bpm • E min • 03:00 • -20.73db
14% Popularity • 28% Danceability • 8% Energy • 21% Liveness
76% Instrumentalness • 7% Positiveness
14% Popularity • 28% Danceability • 8% Energy • 21% Liveness
76% Instrumentalness • 7% Positiveness
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David Ogden Stiers
Mine, Mine, Mine
72 bpm • C Maj • 03:05 • -13.95db
45% Popularity • 50% Danceability • 31% Energy • 54% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 50% Danceability • 31% Energy • 54% Liveness
0% Instrumentalness • 58% Positiveness
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Mark Watters
Aladdin And Cassim Escape
78 bpm • G Maj • 02:38 • -22.52db
17% Popularity • 12% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 12% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Kristen Anderson-Lopez
I Seek the Truth - Outtake
72 bpm • C min • 04:01 • -8.9db
47% Popularity • 45% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 45% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Cathy Ang
Mooncakes
72 bpm • C# Maj • 04:19 • -11db
38% Popularity • 26% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 26% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Oliver Wallace
Midnight Chase
78 bpm • A min • 01:36 • -12.33db
31% Popularity • 37% Danceability • 45% Energy • 13% Liveness
79% Instrumentalness • 38% Positiveness
31% Popularity • 37% Danceability • 45% Energy • 13% Liveness
79% Instrumentalness • 38% Positiveness
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George Bruns
Prince Phillip Arrives / How to Tell Ste...
71 bpm • G# Maj • 02:26 • -18.89db
26% Popularity • 22% Danceability • 9% Energy • 30% Liveness
95% Instrumentalness • 11% Positiveness
26% Popularity • 22% Danceability • 9% Energy • 30% Liveness
95% Instrumentalness • 11% Positiveness
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Chorus - Pocahontas
Savages - Pt. 2
72 bpm • A min • 02:15 • -16db
43% Popularity • 33% Danceability • 27% Energy • 8% Liveness
4% Instrumentalness • 31% Positiveness
43% Popularity • 33% Danceability • 27% Energy • 8% Liveness
4% Instrumentalness • 31% Positiveness
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Ned Washington
Loading the Train / Casey Junior / Stork...
79 bpm • F Maj • 04:59 • -6.56db
22% Popularity • 36% Danceability • 46% Energy • 10% Liveness
49% Instrumentalness • 66% Positiveness
22% Popularity • 36% Danceability • 46% Energy • 10% Liveness
49% Instrumentalness • 66% Positiveness
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Mark Watters
The Hand Of Midas
78 bpm • C Maj • 02:07 • -21.46db
21% Popularity • 24% Danceability • 18% Energy • 9% Liveness
54% Instrumentalness • 4% Positiveness
21% Popularity • 24% Danceability • 18% Energy • 9% Liveness
54% Instrumentalness • 4% Positiveness
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Evan Rachel Wood
All Is Found (Lullaby Ending) - Outtake
78 bpm • A min • 01:54 • -14.77db
55% Popularity • 29% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 29% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Kristen Anderson-Lopez
Agatha All Along
72 bpm • F Maj • 01:02 • -3.88db
44% Popularity • 43% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 43% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Oliver Wallace
It's Morning / Ever Chase Chickens / Cau...
72 bpm • C Maj • 02:52 • -18db
12% Popularity • 29% Danceability • 9% Energy • 13% Liveness
85% Instrumentalness • 14% Positiveness
12% Popularity • 29% Danceability • 9% Energy • 13% Liveness
85% Instrumentalness • 14% Positiveness
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Carter Burwell
Opening Fanfare / Max's Dream
79 bpm • D# Maj • 01:49 • -17.97db
32% Popularity • 14% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
32% Popularity • 14% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
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Sleeping Beauty
Waiting For My Prince
79 bpm • D Maj • 02:54 • -7.07db
18% Popularity • 33% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 33% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Jonatha Brooke
I'll Try (Reprise)
79 bpm • D# Maj • 01:07 • -18db
27% Popularity • 33% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 33% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Josh Gad
Unmeltable Me - Outtake
79 bpm • C Maj • 01:25 • -8.8db
50% Popularity • 68% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 68% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Larry Morey
Sleepy Morning In The Woods/The Young Pr...
79 bpm • C Maj • 05:13 • -20.25db
30% Popularity • 25% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
30% Popularity • 25% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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Kristen Anderson-Lopez
Let It Go
71 bpm • G Maj • 03:28 • -9.63db
12% Popularity • 52% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 52% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Leigh Harline
Lesson in Lies
79 bpm • G Maj • 02:30 • -15.97db
22% Popularity • 30% Danceability • 18% Energy • 11% Liveness
54% Instrumentalness • 7% Positiveness
22% Popularity • 30% Danceability • 18% Energy • 11% Liveness
54% Instrumentalness • 7% Positiveness
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Graham Phillips
Her Voice
80 bpm • D Maj • 02:37 • -8.63db
21% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Michael Giacchino
Pow! Pow! Pow! - Mr. Incredible's Theme
80 bpm • C Maj • 01:30 • -6.85db
36% Popularity • 64% Danceability • 39% Energy • 20% Liveness
2% Instrumentalness • 36% Positiveness
36% Popularity • 64% Danceability • 39% Energy • 20% Liveness
2% Instrumentalness • 36% Positiveness
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Jodi Benson
Here On The Land And Sea (Finale)
80 bpm • C Maj • 01:44 • -7db
40% Popularity • 63% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 63% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 89% Positiveness
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Rapunzel
Wind in My Hair
80 bpm • C Maj • 02:34 • -5.5db
44% Popularity • 40% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
44% Popularity • 40% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Kristen Anderson-Lopez
All Is Found - Instrumental
79 bpm • F Maj • 02:07 • -16.28db
44% Popularity • 18% Danceability • 18% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
44% Popularity • 18% Danceability • 18% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Larry Morey
The Meadow / Bambi Sees Faline / Bambi G...
80 bpm • A Maj • 04:55 • -21db
25% Popularity • 28% Danceability • 12% Energy • 44% Liveness
7% Instrumentalness • 36% Positiveness
25% Popularity • 28% Danceability • 12% Energy • 44% Liveness
7% Instrumentalness • 36% Positiveness
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Oliver Wallace
Good-Bye Peter - Shanghaied
80 bpm • C Maj • 00:55 • -23.33db
35% Popularity • 37% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 20% Positiveness
35% Popularity • 37% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 20% Positiveness
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Marlin
Prologue (Finding Nemo: The Musical) - S...
80 bpm • G# Maj • 01:30 • -16.13db
30% Popularity • 36% Danceability • 15% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 36% Danceability • 15% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Ben Whishaw
A Conversation
81 bpm • D Maj • 02:42 • -21.94db
35% Popularity • 39% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 39% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Michael Giacchino
Shrine and Dash
70 bpm • C Maj • 01:23 • -18.12db
34% Popularity • 31% Danceability • 4% Energy • 11% Liveness
73% Instrumentalness • 13% Positiveness
34% Popularity • 31% Danceability • 4% Energy • 11% Liveness
73% Instrumentalness • 13% Positiveness
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Kristen Anderson-Lopez
Life's Too Short (Reprise) - Outtake
70 bpm • F Maj • 01:42 • -17.73db
37% Popularity • 60% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 60% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Kevin Kliesch
Rocks Point the Way
81 bpm • A min • 03:05 • -15.06db
14% Popularity • 8% Danceability • 15% Energy • 21% Liveness
96% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 15% Energy • 21% Liveness
96% Instrumentalness • 4% Positiveness
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Carl Johnson
Pooh and Piglet Corner - Score
70 bpm • D# min • 03:12 • -16db
18% Popularity • 12% Danceability • 22% Energy • 8% Liveness
34% Instrumentalness • 4% Positiveness
18% Popularity • 12% Danceability • 22% Energy • 8% Liveness
34% Instrumentalness • 4% Positiveness
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John Riddle
Hans of the Southern Isles (Reprise)
81 bpm • C Maj • 02:16 • -8.53db
39% Popularity • 36% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 36% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Oliver Wallace
Warning / Breakout / Snob Hill / A Wee B...
81 bpm • C Maj • 02:44 • -14.81db
17% Popularity • 37% Danceability • 6% Energy • 15% Liveness
77% Instrumentalness • 15% Positiveness
17% Popularity • 37% Danceability • 6% Energy • 15% Liveness
77% Instrumentalness • 15% Positiveness
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Mandy Moore
Healing Incantation
81 bpm • F# Maj • 00:54 • -22.62db
53% Popularity • 41% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
53% Popularity • 41% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Kristen Anderson-Lopez
Colder by the Minute (Commentary)
81 bpm • G Maj • 04:34 • -10.88db
4% Popularity • 73% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
4% Popularity • 73% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Germaine Franco
TÃo Bruno
69 bpm • F Maj • 02:23 • -19.32db
38% Popularity • 6% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 6% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Carl Johnson
Losing the Scrapbook - Score
81 bpm • G# Maj • 01:39 • -13.35db
19% Popularity • 19% Danceability • 18% Energy • 25% Liveness
1% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 18% Energy • 25% Liveness
1% Instrumentalness • 4% Positiveness
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Donna Murphy
Prologue
81 bpm • C Maj • 02:02 • -16.53db
43% Popularity • 17% Danceability • 18% Energy • 24% Liveness
3% Instrumentalness • 17% Positiveness
43% Popularity • 17% Danceability • 18% Energy • 24% Liveness
3% Instrumentalness • 17% Positiveness
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Oliver Wallace
A New Collar / Jock & Trusty / It's Jim ...
81 bpm • G Maj • 03:17 • -17db
25% Popularity • 25% Danceability • 12% Energy • 18% Liveness
79% Instrumentalness • 28% Positiveness
25% Popularity • 25% Danceability • 12% Energy • 18% Liveness
79% Instrumentalness • 28% Positiveness
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Steven Price
Back Home
69 bpm • G# Maj • 05:11 • -16.76db
21% Popularity • 7% Danceability • 16% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
21% Popularity • 7% Danceability • 16% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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George Bruns
Poor Bear
82 bpm • G min • 01:08 • -19.12db
37% Popularity • 17% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
37% Popularity • 17% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Jim Cummings
Steady as the Beating Drum (Reprise)
82 bpm • F Maj • 00:45 • -27.95db
37% Popularity • 23% Danceability • 6% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 23% Danceability • 6% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Michael Giacchino
Reunión Familiar de Rivera
69 bpm • C Maj • 03:03 • -12.48db
27% Popularity • 32% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
27% Popularity • 32% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Marc Shaiman
Race to Big Ben
82 bpm • B min • 04:55 • -12.96db
25% Popularity • 23% Danceability • 46% Energy • 18% Liveness
89% Instrumentalness • 8% Positiveness
25% Popularity • 23% Danceability • 46% Energy • 18% Liveness
89% Instrumentalness • 8% Positiveness
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Oliver Wallace
Cat and Mice / The King's Plans
82 bpm • G Maj • 03:50 • -20.83db
15% Popularity • 22% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
15% Popularity • 22% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Steven Price
I've Lost Everything Now
82 bpm • C# Maj • 05:49 • -12.87db
21% Popularity • 15% Danceability • 19% Energy • 12% Liveness
78% Instrumentalness • 5% Positiveness
21% Popularity • 15% Danceability • 19% Energy • 12% Liveness
78% Instrumentalness • 5% Positiveness
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Blayne Weaver
So to Be One of Us
82 bpm • G Maj • 01:26 • -9db
20% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Judy Kuhn
Like Other Girls
82 bpm • G Maj • 02:25 • -8.42db
46% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Michael Giacchino
Somos Familia
68 bpm • G Maj • 02:21 • -36.11db
32% Popularity • 19% Danceability • 2% Energy • 33% Liveness
7% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 2% Energy • 33% Liveness
7% Instrumentalness • 4% Positiveness
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Robert B. Sherman
Disney Salute
83 bpm • F Maj • 04:28 • -17.46db
31% Popularity • 21% Danceability • 19% Energy • 9% Liveness
49% Instrumentalness • 21% Positiveness
31% Popularity • 21% Danceability • 19% Energy • 9% Liveness
49% Instrumentalness • 21% Positiveness
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Oliver Wallace
Through The Zoo / A Long Puller
81 bpm • G Maj • 02:01 • -17.72db
16% Popularity • 45% Danceability • 4% Energy • 20% Liveness
64% Instrumentalness • 44% Positiveness
16% Popularity • 45% Danceability • 4% Energy • 20% Liveness
64% Instrumentalness • 44% Positiveness
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Kevin Kliesch
Onward to the Dark Kingdom
83 bpm • G min • 03:12 • -12.03db
13% Popularity • 10% Danceability • 29% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 29% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
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J.A.C. Redford
Rooftop
83 bpm • D Maj • 03:13 • -21.13db
25% Popularity • 13% Danceability • 13% Energy • 34% Liveness
73% Instrumentalness • 4% Positiveness
25% Popularity • 13% Danceability • 13% Energy • 34% Liveness
73% Instrumentalness • 4% Positiveness
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The Cast of Alice in Wonderland
How D'Ye Do And Shake Hands/Curious? - O...
83 bpm • A Maj • 00:55 • -12db
9% Popularity • 44% Danceability • 12% Energy • 39% Liveness
14% Instrumentalness • 11% Positiveness
9% Popularity • 44% Danceability • 12% Energy • 39% Liveness
14% Instrumentalness • 11% Positiveness
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John Debney
Jingle Jangle Score Suite
68 bpm • G# Maj • 03:47 • -11.85db
17% Popularity • 13% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
17% Popularity • 13% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Joel McNeely
The Journey Begins
83 bpm • C Maj • 02:59 • -17.5db
30% Popularity • 18% Danceability • 13% Energy • 9% Liveness
97% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 13% Energy • 9% Liveness
97% Instrumentalness • 7% Positiveness
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Oliver Wallace
Sunday / The Rat / Morning Paper
69 bpm • A Maj • 01:45 • -13db
35% Popularity • 41% Danceability • 25% Energy • 17% Liveness
84% Instrumentalness • 71% Positiveness
35% Popularity • 41% Danceability • 25% Energy • 17% Liveness
84% Instrumentalness • 71% Positiveness
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Mark Watters
The Oracle
83 bpm • C# Maj • 02:11 • -23db
19% Popularity • 14% Danceability • 11% Energy • 34% Liveness
52% Instrumentalness • 5% Positiveness
19% Popularity • 14% Danceability • 11% Energy • 34% Liveness
52% Instrumentalness • 5% Positiveness
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Paul Ainsley, Ric Stoneback, Tom Alan Robbins, Lenny Wolpe, Sandy Duncan, David Zippel, Lex de Azevedo, Larry Bastian
Practice, Practice, Practice
83 bpm • C Maj • 02:23 • -18db
29% Popularity • 42% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 42% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Marcy Harriell
More - Reprise - Outtake
83 bpm • D Maj • 02:38 • -10.45db
40% Popularity • 51% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 51% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Jodi Benson
In Harmony
83 bpm • D Maj • 01:59 • -7db
37% Popularity • 58% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 58% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Original Broadway Cast of Frozen
Finale / Let It Go
68 bpm • G Maj • 02:31 • -8.41db
36% Popularity • 20% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
36% Popularity • 20% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
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Marc Shaiman
Chase Through the Bank
83 bpm • F Maj • 01:11 • -18.19db
33% Popularity • 17% Danceability • 14% Energy • 13% Liveness
34% Instrumentalness • 6% Positiveness
33% Popularity • 17% Danceability • 14% Energy • 13% Liveness
34% Instrumentalness • 6% Positiveness
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Gilbert Gottfried
I'm Looking Out For Me (The Return Of Ja...
83 bpm • A min • 01:53 • -15db
33% Popularity • 63% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 63% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Larry Morey
Exploring / Say Bird / Flower
83 bpm • C min • 06:01 • -23.35db
28% Popularity • 29% Danceability • 7% Energy • 18% Liveness
2% Instrumentalness • 31% Positiveness
28% Popularity • 29% Danceability • 7% Energy • 18% Liveness
2% Instrumentalness • 31% Positiveness
