Songs like Perfect Day by Kirsty MacColl
Based on a tempo of (+/- 10%) and a similar genre
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Edwyn Collins
North Of Heaven
147 bpm • C Maj • 03:37 • -14.35db
25% Popularity • 40% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 40% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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The Beautiful South
You Keep It All In
147 bpm • F Maj • 02:53 • -15db
51% Popularity • 79% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
51% Popularity • 79% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
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Kate & Anna McGarrigle
Heart Like a Wheel
148 bpm • D# Maj • 03:12 • -17db
29% Popularity • 28% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 28% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Kirsty MacColl
Perfect Day
147 bpm • A Maj • 03:51 • -9.96db
26% Popularity • 45% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
26% Popularity • 45% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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The Housemartins
There Is Always Something There To Remin...
148 bpm • C Maj • 03:30 • -7.42db
28% Popularity • 37% Danceability • 78% Energy • 15% Liveness
1% Instrumentalness • 82% Positiveness
28% Popularity • 37% Danceability • 78% Energy • 15% Liveness
1% Instrumentalness • 82% Positiveness
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Mike Scott
Everlasting Arms
146 bpm • E Maj • 02:54 • -16db
35% Popularity • 43% Danceability • 17% Energy • 12% Liveness
10% Instrumentalness • 36% Positiveness
35% Popularity • 43% Danceability • 17% Energy • 12% Liveness
10% Instrumentalness • 36% Positiveness
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The Men They Couldn't Hang
The Green Fields Of France (No Man's Lan...
146 bpm • G Maj • 06:29 • -17.63db
23% Popularity • 50% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 50% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Jack Lukeman
Rooftop Lullaby
148 bpm • D Maj • 04:48 • -11.6db
13% Popularity • 42% Danceability • 41% Energy • 11% Liveness
20% Instrumentalness • 34% Positiveness
13% Popularity • 42% Danceability • 41% Energy • 11% Liveness
20% Instrumentalness • 34% Positiveness
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Deacon Blue
Raintown
149 bpm • E min • 03:50 • -10.5db
13% Popularity • 54% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 54% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Kirsty MacColl
Patrick
146 bpm • D Maj • 03:09 • -13.17db
11% Popularity • 53% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 53% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Ralph McTell
West 4th Street and Jones
149 bpm • A Maj • 04:25 • -9.65db
16% Popularity • 35% Danceability • 41% Energy • 66% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 35% Danceability • 41% Energy • 66% Liveness
0% Instrumentalness • 42% Positiveness
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Joan Armatrading
Down To Zero
149 bpm • A# Maj • 03:51 • -14.29db
46% Popularity • 52% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 52% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Eliza Gilkyson
Promises to Keep
145 bpm • A Maj • 04:23 • -14.87db
20% Popularity • 38% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 38% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Evan Dando
The Same Thing You Thought Hard About Is...
149 bpm • B min • 03:37 • -6.73db
4% Popularity • 18% Danceability • 93% Energy • 55% Liveness
9% Instrumentalness • 8% Positiveness
4% Popularity • 18% Danceability • 93% Energy • 55% Liveness
9% Instrumentalness • 8% Positiveness
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Elkie Brooks
Lilac Wine
144 bpm • A Maj • 03:55 • -16.81db
29% Popularity • 30% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 30% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Kirsty MacColl
The Hardest Word
149 bpm • C Maj • 04:36 • -8.18db
4% Popularity • 58% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
4% Popularity • 58% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Sinéad Lohan
You're in My Love
144 bpm • F Maj • 03:52 • -17.8db
37% Popularity • 69% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 69% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Chris Rea
Gone Fishing
144 bpm • C Maj • 04:42 • -13db
42% Popularity • 46% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
42% Popularity • 46% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Teddy Thompson
The Future
144 bpm • G min • 06:49 • -5db
27% Popularity • 45% Danceability • 75% Energy • 69% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 45% Danceability • 75% Energy • 69% Liveness
0% Instrumentalness • 75% Positiveness
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Dory Previn
Yada Yada La Scala
150 bpm • C min • 02:32 • -12.37db
14% Popularity • 68% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 68% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Evan Dando
I Wanna Be Your Mamma Again
144 bpm • B min • 02:24 • -7.96db
5% Popularity • 70% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 92% Positiveness
5% Popularity • 70% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 92% Positiveness
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Kirsty MacColl
Mambo De La Luna
149 bpm • D Maj • 04:38 • -6.61db
20% Popularity • 66% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 66% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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The Undertones
Wednesday Week
150 bpm • F Maj • 02:17 • -10.68db
32% Popularity • 34% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 34% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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The Walkabouts
Murdering Stone
143 bpm • C Maj • 03:18 • -10.57db
9% Popularity • 48% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 48% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Ian McCulloch
September Song - Short Version
143 bpm • G# Maj • 03:36 • -8.95db
9% Popularity • 22% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 22% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Jeff Lynne
Save Me Now
152 bpm • D Maj • 01:54 • -14.91db
37% Popularity • 56% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
37% Popularity • 56% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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The Boomtown Rats
Rat Trap
141 bpm • E min • 05:10 • -5db
45% Popularity • 50% Danceability • 87% Energy • 65% Liveness
0% Instrumentalness • 63% Positiveness
45% Popularity • 50% Danceability • 87% Energy • 65% Liveness
0% Instrumentalness • 63% Positiveness
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Kirsty MacColl
Last Day Of Summer
144 bpm • D Maj • 04:22 • -11db
11% Popularity • 63% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 63% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Fairground Attraction
Moon on the Rain
142 bpm • C Maj • 03:53 • -20.07db
26% Popularity • 40% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 40% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Imelda May
Diamonds
153 bpm • D Maj • 02:59 • -11.35db
28% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Edwyn Collins
Low Expectations
140 bpm • G Maj • 03:59 • -15.37db
29% Popularity • 51% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 51% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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The Divine Comedy
Generation Sex
154 bpm • A min • 03:31 • -6.54db
28% Popularity • 49% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 49% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Pretenders
Forever Young
140 bpm • G Maj • 05:04 • -10.08db
38% Popularity • 45% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 35% Positiveness
38% Popularity • 45% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 35% Positiveness
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Kirsty MacColl
Free World
143 bpm • B min • 02:36 • -5db
25% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Van Morrison
In the Garden
140 bpm • C Maj • 05:47 • -12db
43% Popularity • 54% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 54% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Hothouse Flowers
Give It Up
140 bpm • C Maj • 03:31 • -5.76db
30% Popularity • 43% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 43% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Nick Cave
What a Wonderful World
156 bpm • C# Maj • 03:03 • -16.51db
39% Popularity • 23% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 23% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Squeeze
Goodbye Girl
156 bpm • D Maj • 02:58 • -14db
41% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
41% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Warren Zevon
The Hula Hula Boys - 2007 Remaster
138 bpm • G Maj • 03:02 • -11db
35% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Kirsty MacColl
All I Ever Wanted
143 bpm • G Maj • 03:50 • -7db
11% Popularity • 60% Danceability • 82% Energy • 22% Liveness
1% Instrumentalness • 93% Positiveness
11% Popularity • 60% Danceability • 82% Energy • 22% Liveness
1% Instrumentalness • 93% Positiveness
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The Pogues
Love You 'Till the End
138 bpm • B Maj • 04:32 • -13db
52% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Hothouse Flowers
It'll Be Easier in the Morning
156 bpm • C# Maj • 03:35 • -9db
33% Popularity • 38% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 38% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Craig Armstrong
Wake Up In New York
138 bpm • E min • 03:30 • -11db
24% Popularity • 37% Danceability • 26% Energy • 12% Liveness
10% Instrumentalness • 5% Positiveness
24% Popularity • 37% Danceability • 26% Energy • 12% Liveness
10% Instrumentalness • 5% Positiveness
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Mary McCaslin
Things We Said Today
157 bpm • A Maj • 03:02 • -11.24db
30% Popularity • 50% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 50% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Mike Scott
Open
137 bpm • E min • 02:55 • -14db
47% Popularity • 55% Danceability • 37% Energy • 16% Liveness
10% Instrumentalness • 46% Positiveness
47% Popularity • 55% Danceability • 37% Energy • 16% Liveness
10% Instrumentalness • 46% Positiveness
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Kirsty MacColl
You Just Haven't Earned It yet, Baby
140 bpm • D Maj • 02:49 • -6db
22% Popularity • 41% Danceability • 96% Energy • 69% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 41% Danceability • 96% Energy • 69% Liveness
0% Instrumentalness • 69% Positiveness
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The Beautiful South
Song For Whoever
137 bpm • F# min • 06:09 • -16db
43% Popularity • 47% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 47% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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The Jayhawks
What Led Me To This Town
137 bpm • C# min • 04:09 • -10.84db
27% Popularity • 47% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 47% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Vic Chesnutt
Guilty By Association
137 bpm • E Maj • 04:19 • -12.62db
21% Popularity • 55% Danceability • 28% Energy • 10% Liveness
16% Instrumentalness • 32% Positiveness
21% Popularity • 55% Danceability • 28% Energy • 10% Liveness
16% Instrumentalness • 32% Positiveness
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Fairground Attraction
Fairground Attraction
137 bpm • F min • 02:17 • -21.56db
21% Popularity • 46% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 46% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Sinéad Lohan
To Ramona
158 bpm • G Maj • 03:43 • -11db
39% Popularity • 58% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 58% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Kirsty MacColl
He Never Mentioned Love
139 bpm • C Maj • 03:51 • -5.18db
7% Popularity • 65% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
7% Popularity • 65% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
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The Beautiful South
Song For Whoever - Single Version
137 bpm • F# min • 04:04 • -14db
52% Popularity • 52% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
52% Popularity • 52% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Matchbox
I Want Out
158 bpm • A Maj • 02:44 • -5.58db
14% Popularity • 42% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 42% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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The Proclaimers
Make My Heart Fly
136 bpm • A Maj • 02:28 • -11.39db
30% Popularity • 34% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 34% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Evan Dando
Hard Drive
136 bpm • G min • 03:14 • -20.33db
33% Popularity • 54% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 54% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Rab Noakes
Branch
136 bpm • E Maj • 02:47 • -10.99db
18% Popularity • 65% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 65% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Kirsty MacColl
Terry
138 bpm • E Maj • 03:56 • -9.1db
16% Popularity • 53% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 53% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Joan Armatrading
All The Way From America
136 bpm • E Maj • 04:51 • -15.22db
30% Popularity • 47% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 47% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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The Men They Couldn't Hang
Parted from You
159 bpm • G Maj • 04:16 • -13.49db
14% Popularity • 34% Danceability • 34% Energy • 10% Liveness
7% Instrumentalness • 29% Positiveness
14% Popularity • 34% Danceability • 34% Energy • 10% Liveness
7% Instrumentalness • 29% Positiveness
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The Proclaimers
Then I Met You
136 bpm • G# Maj • 03:50 • -11.98db
42% Popularity • 69% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 69% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Evan Dando
All My Life
135 bpm • C min • 03:11 • -14db
24% Popularity • 45% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 45% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Kate & Anna McGarrigle
Love over and Over
135 bpm • D Maj • 04:09 • -9.14db
21% Popularity • 67% Danceability • 81% Energy • 7% Liveness
2% Instrumentalness • 70% Positiveness
21% Popularity • 67% Danceability • 81% Energy • 7% Liveness
2% Instrumentalness • 70% Positiveness
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Kirsty MacColl
You Just Haven't Earned It yet, Baby
138 bpm • D Maj • 03:47 • -4.43db
9% Popularity • 40% Danceability • 94% Energy • 69% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 40% Danceability • 94% Energy • 69% Liveness
0% Instrumentalness • 71% Positiveness
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Jackie Leven
Call Mother a Lonely Field
135 bpm • B min • 06:10 • -11.1db
11% Popularity • 48% Danceability • 63% Energy • 30% Liveness
1% Instrumentalness • 32% Positiveness
11% Popularity • 48% Danceability • 63% Energy • 30% Liveness
1% Instrumentalness • 32% Positiveness
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Tom Robinson
War Baby
135 bpm • D Maj • 04:32 • -10.94db
22% Popularity • 49% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 49% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 42% Positiveness
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Lloyd Cole
Like Lovers Do
135 bpm • D Maj • 03:58 • -10.38db
28% Popularity • 57% Danceability • 75% Energy • 32% Liveness
7% Instrumentalness • 91% Positiveness
28% Popularity • 57% Danceability • 75% Energy • 32% Liveness
7% Instrumentalness • 91% Positiveness
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Voice Of The Beehive
Man in the Moon
160 bpm • D Maj • 03:13 • -11.12db
13% Popularity • 52% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 52% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Evan Dando
It Looks Like You
134 bpm • E Maj • 03:15 • -9.12db
19% Popularity • 57% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 57% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Kirsty MacColl
Caroline
135 bpm • A Maj • 02:56 • -6.24db
23% Popularity • 53% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 53% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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The Walkabouts
Will You Miss Me When I'm Gone
134 bpm • D Maj • 04:09 • -14.38db
16% Popularity • 44% Danceability • 31% Energy • 10% Liveness
4% Instrumentalness • 33% Positiveness
16% Popularity • 44% Danceability • 31% Energy • 10% Liveness
4% Instrumentalness • 33% Positiveness
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The Divine Comedy
Becoming More Like Alfie
161 bpm • E min • 02:59 • -5.46db
31% Popularity • 56% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 56% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Hothouse Flowers
If You Go
134 bpm • E min • 05:00 • -12.69db
23% Popularity • 38% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 38% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Beth Orton
Pass in Time
134 bpm • B Maj • 07:17 • -10.25db
22% Popularity • 41% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 41% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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The Pogues
Tuesday Morning
134 bpm • G Maj • 03:30 • -11.74db
44% Popularity • 59% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
44% Popularity • 59% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Kirsty MacColl
The End of a Perfect Day
134 bpm • C Maj • 03:21 • -5.53db
8% Popularity • 45% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 45% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Aztec Camera
Somewhere in My Heart
134 bpm • C Maj • 04:01 • -9.53db
53% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
53% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Jackie Leven
Single Father
134 bpm • A Maj • 05:33 • -12.13db
10% Popularity • 75% Danceability • 53% Energy • 16% Liveness
20% Instrumentalness • 81% Positiveness
10% Popularity • 75% Danceability • 53% Energy • 16% Liveness
20% Instrumentalness • 81% Positiveness
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Bob Geldof
Thinking Voyager 2 Type Things
134 bpm • E Maj • 08:20 • -15.27db
14% Popularity • 62% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 62% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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The Beautiful South
Everybody's Talkin'
133 bpm • E Maj • 02:36 • -15db
47% Popularity • 41% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 41% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Deacon Blue
Twist and Shout
133 bpm • G Maj • 03:36 • -8.96db
39% Popularity • 53% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 53% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Sandy Denny
Who Knows Where The Time Goes? - BBC Ses...
133 bpm • D# Maj • 05:35 • -13.79db
34% Popularity • 40% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 40% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Aztec Camera
The Crying Scene
133 bpm • C Maj • 03:34 • -9.77db
28% Popularity • 56% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 56% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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Eleanor McEvoy
Gimme Some Wine
133 bpm • G Maj • 03:47 • -10db
24% Popularity • 57% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 57% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Jackie Leven
Poortoun
133 bpm • E Maj • 04:50 • -14db
15% Popularity • 49% Danceability • 20% Energy • 11% Liveness
14% Instrumentalness • 34% Positiveness
15% Popularity • 49% Danceability • 20% Energy • 11% Liveness
14% Instrumentalness • 34% Positiveness
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Elkie Brooks
Running To The Future
162 bpm • C Maj • 03:07 • -6db
32% Popularity • 37% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
32% Popularity • 37% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Kirsty MacColl
Quietly Alone
163 bpm • F Maj • 02:39 • -11.57db
7% Popularity • 56% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 98% Positiveness
7% Popularity • 56% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 98% Positiveness
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Joan Armatrading
Me Myself I
132 bpm • E Maj • 03:17 • -15.37db
38% Popularity • 63% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 63% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Van Morrison
I'm Tired Joey Boy
132 bpm • C Maj • 02:33 • -11.09db
31% Popularity • 46% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 46% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Julie Covington
Only Women Bleed
132 bpm • D Maj • 04:18 • -13db
16% Popularity • 38% Danceability • 21% Energy • 12% Liveness
38% Instrumentalness • 7% Positiveness
16% Popularity • 38% Danceability • 21% Energy • 12% Liveness
38% Instrumentalness • 7% Positiveness
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Eleanor McEvoy
A Woman's Heart
132 bpm • A# Maj • 03:50 • -16db
37% Popularity • 53% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 53% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Hothouse Flowers
Good for You
132 bpm • C Maj • 04:04 • -12.27db
21% Popularity • 39% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 39% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Kirsty MacColl
Designer Life
133 bpm • G# Maj • 02:34 • -8.23db
12% Popularity • 72% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 72% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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The Housemartins
Lean On Me
132 bpm • C Maj • 04:28 • -17.4db
22% Popularity • 43% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
22% Popularity • 43% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Paul Brady
Nobody Knows
132 bpm • D Maj • 04:43 • -13db
32% Popularity • 67% Danceability • 54% Energy • 12% Liveness
4% Instrumentalness • 65% Positiveness
32% Popularity • 67% Danceability • 54% Energy • 12% Liveness
4% Instrumentalness • 65% Positiveness
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Elkie Brooks
Gasoline Alley
132 bpm • F# min • 03:40 • -17.19db
22% Popularity • 66% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 66% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Martin Stephenson
Little Red Bottle
132 bpm • D min • 04:07 • -12db
14% Popularity • 50% Danceability • 53% Energy • 9% Liveness
31% Instrumentalness • 73% Positiveness
14% Popularity • 50% Danceability • 53% Energy • 9% Liveness
31% Instrumentalness • 73% Positiveness
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Eleanor McEvoy
Scarlet Angels
132 bpm • F# min • 03:46 • -11.06db
28% Popularity • 66% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 66% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
