Songs like Petite messe solennelle: Kyrie by Gioachino Rossini
Based on a tempo of (+/- 10%) and a similar genre
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Gioachino Rossini
Otello, ossia Il moro di Venezia: Act I:...
120 bpm • D Maj • 06:50 • -17.7db
15% Popularity • 38% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 38% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Felix Mendelssohn
Christus: IV. "Und der ganze Haufe stand...
121 bpm • A# Maj • 06:25 • -19.25db
8% Popularity • 36% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 9% Positiveness
8% Popularity • 36% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 9% Positiveness
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Jean-Baptiste Lully
Roland, Opera, LWV 65: Acte I, scene 6: ...
122 bpm • C Maj • 04:44 • -19.01db
25% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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George Frideric Handel
Scipione, HWV 20: Scoglio d’immota fro...
122 bpm • C# Maj • 05:59 • -18.8db
7% Popularity • 55% Danceability • 17% Energy • 5% Liveness
5% Instrumentalness • 42% Positiveness
7% Popularity • 55% Danceability • 17% Energy • 5% Liveness
5% Instrumentalness • 42% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea: "Pur ti miro"
123 bpm • F# Maj • 04:36 • -20db
19% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
19% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
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Mike Deighan
Les Champs-Elysées
116 bpm • E Maj • 02:18 • -18.13db
29% Popularity • 42% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
29% Popularity • 42% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
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Gioachino Rossini
Petite messe solennelle: Kyrie
120 bpm • C Maj • 06:17 • -29db
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Psalm 42, Op. 42, MWV A15: Aria "Meine S...
123 bpm • D min • 05:48 • -21.44db
10% Popularity • 29% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 29% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: VI. Et m...
116 bpm • D# min • 03:40 • -27db
22% Popularity • 20% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
22% Popularity • 20% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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Franz Schubert
Schwanengesang, D. 957: IV. Ständchen
124 bpm • D Maj • 04:14 • -26db
32% Popularity • 30% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
32% Popularity • 30% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea, SV 308 / Act ...
125 bpm • G Maj • 04:11 • -31db
21% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: IX. Sancta Mater
115 bpm • A# Maj • 05:59 • -22.73db
33% Popularity • 25% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 25% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Gioachino Rossini
Petite Messe solennelle, Kyrie: III. Kyr...
119 bpm • A Maj • 02:22 • -30db
27% Popularity • 27% Danceability • 4% Energy • 7% Liveness
68% Instrumentalness • 5% Positiveness
27% Popularity • 27% Danceability • 4% Energy • 7% Liveness
68% Instrumentalness • 5% Positiveness
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Félicien David
Le Désert, Lever du soleil: III. Le dé...
125 bpm • A min • 02:53 • -17.25db
1% Popularity • 52% Danceability • 7% Energy • 9% Liveness
10% Instrumentalness • 11% Positiveness
1% Popularity • 52% Danceability • 7% Energy • 9% Liveness
10% Instrumentalness • 11% Positiveness
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Joseph Haydn
Haydn: Mass in D Minor, Hob. XXII:11 "Ne...
115 bpm • G min • 04:26 • -15db
29% Popularity • 42% Danceability • 31% Energy • 15% Liveness
33% Instrumentalness • 9% Positiveness
29% Popularity • 42% Danceability • 31% Energy • 15% Liveness
33% Instrumentalness • 9% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Dixit Dominus - A...
115 bpm • F# Maj • 02:02 • -17db
31% Popularity • 38% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 51% Positiveness
31% Popularity • 38% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 51% Positiveness
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Jean-Baptiste Lully
Dies irae, LWV 64/1: Dies irae dies illa
115 bpm • F min • 01:07 • -13db
16% Popularity • 25% Danceability • 33% Energy • 32% Liveness
16% Instrumentalness • 48% Positiveness
16% Popularity • 25% Danceability • 33% Energy • 32% Liveness
16% Instrumentalness • 48% Positiveness
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Giuseppe Verdi
La traviata*: Gypsy Chorus 'Noi siamo zi...
125 bpm • E Maj • 02:54 • -26.12db
39% Popularity • 58% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
39% Popularity • 58% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Gioachino Rossini
La Cenerentola, Act II: Chorus. Della fo...
119 bpm • A Maj • 01:42 • -13.64db
3% Popularity • 58% Danceability • 43% Energy • 28% Liveness
89% Instrumentalness • 74% Positiveness
3% Popularity • 58% Danceability • 43% Energy • 28% Liveness
89% Instrumentalness • 74% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: No. ...
126 bpm • A# Maj • 04:27 • -18.14db
29% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Niccolò Jommelli
Requiem, Introitus: Requiem æternam
114 bpm • D# Maj • 05:26 • -33.34db
16% Popularity • 17% Danceability • 1% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 1% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
Missa Sancti Josephi, ZWV 14: No. 3 Et i...
114 bpm • A# min • 02:50 • -27.32db
20% Popularity • 28% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 28% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Qigang Chen
Chen / Orch. Ducros: You and Me
126 bpm • D# Maj • 05:39 • -21.68db
18% Popularity • 17% Danceability • 6% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 6% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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William Christie
Purcell : King Arthur : Act 3 "See, see,...
114 bpm • A# min • 01:27 • -24db
33% Popularity • 64% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 64% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Gioachino Rossini
Petite messe solennelle: I. Kyrie
118 bpm • C Maj • 02:29 • -14db
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
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Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Confitebor: VI. Gloria Patri
114 bpm • C# min • 01:07 • -14db
35% Popularity • 17% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 3% Positiveness
35% Popularity • 17% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 3% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
114 bpm • A min • 01:34 • -31db
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Richard Strauss
4 Lieder, Op. 27, TrV 170: IV. Morgen!
127 bpm • G Maj • 03:30 • -29.78db
26% Popularity • 27% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 27% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Péchés de vieillesse / Vol. III: Tiran...
117 bpm • C Maj • 04:28 • -17.42db
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Giuseppe Verdi
Aida / Act 2: "Gloria all'Egitto"
127 bpm • D# Maj • 05:07 • -20.75db
13% Popularity • 28% Danceability • 12% Energy • 14% Liveness
81% Instrumentalness • 11% Positiveness
13% Popularity • 28% Danceability • 12% Energy • 14% Liveness
81% Instrumentalness • 11% Positiveness
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Hector Berlioz
Nocturne à deux voix (H.31)
128 bpm • G# Maj • 02:30 • -24db
8% Popularity • 34% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 34% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 47 Ari...
128 bpm • B min • 04:31 • -20.98db
17% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Calme des nuits, Op. 68, No. 1
128 bpm • E min • 04:13 • -40.65db
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244: Pt. II: Ar...
112 bpm • A# min • 05:54 • -28db
42% Popularity • 21% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
42% Popularity • 21% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Gioachino Rossini
Petite messe solennelle: III. Kyrie. Kyr...
116 bpm • A Maj • 02:31 • -28.8db
21% Popularity • 21% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
21% Popularity • 21% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act III, Scen...
112 bpm • F# Maj • 03:28 • -19.1db
21% Popularity • 30% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 30% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Alfred Deller
If Music Be The Food Of Love
129 bpm • D min • 02:38 • -22.62db
25% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Giuseppe Verdi
Il Trovatore / Act II: "Vedi! le fosche ...
130 bpm • G Maj • 02:51 • -14db
21% Popularity • 46% Danceability • 31% Energy • 86% Liveness
5% Instrumentalness • 41% Positiveness
21% Popularity • 46% Danceability • 31% Energy • 86% Liveness
5% Instrumentalness • 41% Positiveness
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Agostino Steffani
Stabat Mater: Stabat Mater Dolorosa
111 bpm • G min • 02:09 • -18.08db
30% Popularity • 27% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
30% Popularity • 27% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Bach, JS: Matthäus-Passion, BWV 244, Pt...
129 bpm • D# min • 06:40 • -19.08db
32% Popularity • 23% Danceability • 17% Energy • 15% Liveness
57% Instrumentalness • 18% Positiveness
32% Popularity • 23% Danceability • 17% Energy • 15% Liveness
57% Instrumentalness • 18% Positiveness
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Gioachino Rossini
Petite Messe solennelle - Kyrie: Christe
129 bpm • F min • 01:45 • -34.66db
10% Popularity • 16% Danceability • 2% Energy • 10% Liveness
37% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 2% Energy • 10% Liveness
37% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Il giardino di rose: "Mentre io godo"
111 bpm • B min • 04:47 • -27db
21% Popularity • 28% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
21% Popularity • 28% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: III. O quam tri...
111 bpm • F# min • 01:58 • -17.75db
31% Popularity • 23% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 23% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
La traviata / Act I: Prelude
131 bpm • B Maj • 03:33 • -35db
43% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
43% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
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Thomas Hengelbrock
Miserere in C minor: Misere I
131 bpm • B min • 02:27 • -16db
20% Popularity • 23% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
20% Popularity • 23% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Komm, Jesu, komm, BWV 229
131 bpm • F# min • 08:58 • -22db
25% Popularity • 25% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 25% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Gioachino Rossini
Petite messe solennelle, Credo: X. Credo...
131 bpm • B Maj • 04:14 • -22.52db
19% Popularity • 31% Danceability • 12% Energy • 13% Liveness
21% Instrumentalness • 13% Positiveness
19% Popularity • 31% Danceability • 12% Energy • 13% Liveness
21% Instrumentalness • 13% Positiveness
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Gabriel Fauré
Requiem, Op. 48: I. Introitus
131 bpm • D min • 01:44 • -27.11db
25% Popularity • 16% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
25% Popularity • 16% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Charles Gounod
Ah, je veux vivre !
131 bpm • D Maj • 03:34 • -20.17db
22% Popularity • 28% Danceability • 8% Energy • 6% Liveness
73% Instrumentalness • 19% Positiveness
22% Popularity • 28% Danceability • 8% Energy • 6% Liveness
73% Instrumentalness • 19% Positiveness
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Giuseppe Verdi
Il Trovatore / Act 2: "Vedi! le fosche n...
130 bpm • G Maj • 02:50 • -13.47db
40% Popularity • 44% Danceability • 35% Energy • 51% Liveness
2% Instrumentalness • 52% Positiveness
40% Popularity • 44% Danceability • 35% Energy • 51% Liveness
2% Instrumentalness • 52% Positiveness
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Henry Purcell
Dido and Aeneas, Z.626 - Arr. for cello ...
131 bpm • G min • 03:54 • -27.85db
13% Popularity • 16% Danceability • 7% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 7% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: Part II: Chor...
132 bpm • B min • 07:55 • -23.27db
26% Popularity • 20% Danceability • 11% Energy • 16% Liveness
80% Instrumentalness • 8% Positiveness
26% Popularity • 20% Danceability • 11% Energy • 16% Liveness
80% Instrumentalness • 8% Positiveness
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Gioachino Rossini
Petite messe solennelle: I. Kyrie. Kyrie...
116 bpm • C Maj • 02:32 • -28.98db
30% Popularity • 22% Danceability • 4% Energy • 6% Liveness
87% Instrumentalness • 14% Positiveness
30% Popularity • 22% Danceability • 4% Energy • 6% Liveness
87% Instrumentalness • 14% Positiveness
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George Frideric Handel
Serse, HWV 40, Act I Scene 1: Arioso "Om...
109 bpm • E Maj • 03:03 • -23.48db
40% Popularity • 20% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
► Preview
Vincenzo Bellini
La sonnambula / Act 2: "Ah, non credea m...
109 bpm • A min • 04:17 • -24.42db
21% Popularity • 32% Danceability • 6% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
21% Popularity • 32% Danceability • 6% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Reynaldo Hahn
A Chloris
133 bpm • E Maj • 03:00 • -18.56db
31% Popularity • 35% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
31% Popularity • 35% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Antonio Vivaldi
L'hiver
132 bpm • C min • 08:43 • -29.72db
19% Popularity • 25% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
19% Popularity • 25% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS: Concerto for Four Pianos in A ...
108 bpm • A min • 03:55 • -19.44db
19% Popularity • 54% Danceability • 27% Energy • 9% Liveness
91% Instrumentalness • 63% Positiveness
19% Popularity • 54% Danceability • 27% Energy • 9% Liveness
91% Instrumentalness • 63% Positiveness
► Preview
Gioachino Rossini
Petite messe solennelle: Quoniam
124 bpm • A Maj • 06:54 • -20.98db
11% Popularity • 31% Danceability • 16% Energy • 31% Liveness
10% Instrumentalness • 13% Positiveness
11% Popularity • 31% Danceability • 16% Energy • 31% Liveness
10% Instrumentalness • 13% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice - Vienna Version (1762...
133 bpm • G Maj • 01:39 • -17.35db
1% Popularity • 44% Danceability • 35% Energy • 43% Liveness
82% Instrumentalness • 56% Positiveness
1% Popularity • 44% Danceability • 35% Energy • 43% Liveness
82% Instrumentalness • 56% Positiveness
► Preview
Henry Purcell
Come ye sons of art: Sound the Trumpet
108 bpm • C# Maj • 03:00 • -12.32db
24% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Michael Nyman
Nyman: The Heart Asks Pleasure First
108 bpm • A min • 03:39 • -24db
31% Popularity • 17% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
31% Popularity • 17% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
► Preview
Giulio Caccini
Tu ch'hai le penne, amore
134 bpm • G min • 02:08 • -21.96db
20% Popularity • 32% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 32% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Johann Sebastian Bach
Vergnügte Ruh, beliebte Seelenlust, BWV...
107 bpm • G# Maj • 06:43 • -18.05db
5% Popularity • 22% Danceability • 13% Energy • 10% Liveness
6% Instrumentalness • 9% Positiveness
5% Popularity • 22% Danceability • 13% Energy • 10% Liveness
6% Instrumentalness • 9% Positiveness
► Preview
Antonio Vivaldi
In furore iustissimae irae, RV 626: I. A...
134 bpm • B min • 04:29 • -18.72db
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
► Preview
Gioachino Rossini
La Cenerentola, Act II: Duet. Un segreto...
125 bpm • D Maj • 04:56 • -16.65db
3% Popularity • 57% Danceability • 32% Energy • 49% Liveness
1% Instrumentalness • 44% Positiveness
3% Popularity • 57% Danceability • 32% Energy • 49% Liveness
1% Instrumentalness • 44% Positiveness
► Preview
Claudio Monteverdi
Monteverdi: Sì dolce è'l tormento, SV ...
134 bpm • G Maj • 03:48 • -22.14db
30% Popularity • 37% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 37% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
George Frideric Handel
Serse, HWV 40 / Act 1: "Ombra mai fu"
135 bpm • E Maj • 03:23 • -22db
31% Popularity • 22% Danceability • 8% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 8% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • C# Maj • 02:53 • -18.05db
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
► Preview
Johann Sebastian Bach
Busslied
134 bpm • A# min • 02:26 • -34.38db
2% Popularity • 16% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
2% Popularity • 16% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
136 bpm • F Maj • 10:44 • -20.61db
20% Popularity • 15% Danceability • 8% Energy • 10% Liveness
58% Instrumentalness • 3% Positiveness
20% Popularity • 15% Danceability • 8% Energy • 10% Liveness
58% Instrumentalness • 3% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia, Act I, Scene On...
125 bpm • D Maj • 01:56 • -12.47db
7% Popularity • 58% Danceability • 47% Energy • 19% Liveness
12% Instrumentalness • 47% Positiveness
7% Popularity • 58% Danceability • 47% Energy • 19% Liveness
12% Instrumentalness • 47% Positiveness
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Franz Schubert
Ständchen, D. 920
136 bpm • F Maj • 05:26 • -24.99db
8% Popularity • 35% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 35% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Tomaso Albinoni
L'Eraclea: Dopo i nembi e le procelle
137 bpm • D min • 05:04 • -20.84db
26% Popularity • 45% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 40% Positiveness
26% Popularity • 45% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 40% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice - Vienna Version (1762...
137 bpm • C min • 01:42 • -20.91db
1% Popularity • 23% Danceability • 3% Energy • 72% Liveness
68% Instrumentalness • 4% Positiveness
1% Popularity • 23% Danceability • 3% Energy • 72% Liveness
68% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232 / Agnus Dei: Ag...
106 bpm • G min • 05:42 • -19.51db
16% Popularity • 20% Danceability • 20% Energy • 17% Liveness
14% Instrumentalness • 6% Positiveness
16% Popularity • 20% Danceability • 20% Energy • 17% Liveness
14% Instrumentalness • 6% Positiveness
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Gustav Mahler
Kindertotenlieder: No. 1, Nun will die S...
105 bpm • D min • 04:52 • -17.88db
9% Popularity • 21% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 6% Positiveness
9% Popularity • 21% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 6% Positiveness
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Gioachino Rossini
La Cenerentola, Act II: Recit. Ma dunque...
125 bpm • D Maj • 01:28 • -23.42db
2% Popularity • 62% Danceability • 16% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
2% Popularity • 62% Danceability • 16% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: II. Cujus animam
105 bpm • G# Maj • 03:07 • -21.02db
38% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
38% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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César Franck
Mass, Op. 12: V. Panis Angelicus
137 bpm • F Maj • 03:50 • -19.15db
20% Popularity • 24% Danceability • 10% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 10% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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Giovanni Paisiello
Nel cor più non mi sento
138 bpm • F Maj • 02:57 • -24.64db
24% Popularity • 37% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 37% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Johann Sebastian Bach
Ich habe genug, Cantata BWV 82: 1. Aria:...
138 bpm • B min • 07:01 • -20.35db
23% Popularity • 20% Danceability • 10% Energy • 15% Liveness
82% Instrumentalness • 12% Positiveness
23% Popularity • 20% Danceability • 10% Energy • 15% Liveness
82% Instrumentalness • 12% Positiveness
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Angel Cabral
La foule
104 bpm • A min • 03:05 • -15.08db
32% Popularity • 31% Danceability • 28% Energy • 16% Liveness
95% Instrumentalness • 51% Positiveness
32% Popularity • 31% Danceability • 28% Energy • 16% Liveness
95% Instrumentalness • 51% Positiveness
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Gioachino Rossini
Petite messe solennelle, Gloria: VI. Dom...
125 bpm • D Maj • 05:37 • -22.75db
19% Popularity • 36% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 36% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: I. Stabat mater...
138 bpm • E min • 04:29 • -22.33db
42% Popularity • 17% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
42% Popularity • 17% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48, N. 97: V. Agnus Dei
139 bpm • D min • 06:29 • -26db
13% Popularity • 14% Danceability • 3% Energy • 11% Liveness
49% Instrumentalness • 3% Positiveness
13% Popularity • 14% Danceability • 3% Energy • 11% Liveness
49% Instrumentalness • 3% Positiveness
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Reynaldo Hahn
Etudes latines: Néère
104 bpm • F# min • 03:16 • -20.89db
22% Popularity • 35% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
22% Popularity • 35% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 - Part One:...
139 bpm • E min • 08:00 • -16.88db
30% Popularity • 18% Danceability • 27% Energy • 9% Liveness
69% Instrumentalness • 16% Positiveness
30% Popularity • 18% Danceability • 27% Energy • 9% Liveness
69% Instrumentalness • 16% Positiveness
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Franz Schubert
Nacht und Traume, D. 827
139 bpm • F# Maj • 03:39 • -29db
29% Popularity • 23% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
29% Popularity • 23% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
Otello, ossia Il moro di Venezia: Act II...
115 bpm • D# Maj • 03:56 • -22.81db
12% Popularity • 36% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 36% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Cesti
Orontea: Intorno all'idol mio
104 bpm • E min • 03:48 • -23.66db
22% Popularity • 28% Danceability • 4% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
22% Popularity • 28% Danceability • 4% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (version for choir and or...
139 bpm • F# min • 07:05 • -31.97db
13% Popularity • 15% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Niccolò Jommelli
La Betulia liberata: Aria "Prigionier ch...
139 bpm • C# Maj • 07:51 • -22.44db
13% Popularity • 30% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 30% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice),...
103 bpm • F# Maj • 03:47 • -22.13db
24% Popularity • 31% Danceability • 5% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 31% Danceability • 5% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Violin Concerto In D, Op. 35, TH. 59: 2....
103 bpm • D# Maj • 06:24 • -26.64db
29% Popularity • 20% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
Petite messe solennelle (1863 chamber ve...
126 bpm • A Maj • 02:11 • -34.27db
2% Popularity • 27% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
2% Popularity • 27% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
