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Phoenix
Songs like
Phoenix
by
Big Red Machine
Based on a tempo of (+/- 10%) and a similar genre
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Gregory Alan Isakov
The Stable Song
138 bpm • D Maj • 06:00 • -11.95db
65% Popularity • 63% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Bonny Light Horseman
The Roving
138 bpm • F Maj • 04:20 • -7.34db
40% Popularity • 54% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
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Houndmouth
Las Vegas
138 bpm • B Maj • 03:42 • -5.7db
36% Popularity • 48% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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The Lumineers
A.M. RADIO
138 bpm • C# Maj • 03:57 • -6.4db
51% Popularity • 47% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Big Red Machine
Phoenix
138 bpm • F Maj • 04:15 • -7db
52% Popularity • 48% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Nathaniel Rateliff
Redemption
137 bpm • E Maj • 04:58 • -8.66db
49% Popularity • 52% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Andrew Bird
Roma Fade
138 bpm • D min • 04:03 • -8.4db
53% Popularity • 59% Danceability • 69% Energy • 9% Liveness
2% Instrumentalness • 76% Positiveness
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Leif Vollebekk
Blood Brother
139 bpm • A# Maj • 04:23 • -9.05db
38% Popularity • 65% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Cassandra Jenkins
Michelangelo
139 bpm • G Maj • 03:29 • -10.23db
32% Popularity • 56% Danceability • 37% Energy • 18% Liveness
68% Instrumentalness • 54% Positiveness
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Hiss Golden Messenger
Way Back in the Way Back
139 bpm • C Maj • 04:00 • -16db
31% Popularity • 63% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 32% Positiveness
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James Vincent McMorrow
Hurricane
137 bpm • G Maj • 04:26 • -6.38db
42% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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The Paper Kites
For All You Give
139 bpm • B min • 03:11 • -17.14db
51% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Gregory Alan Isakov
The Stable Song
140 bpm • D Maj • 06:09 • -12.16db
48% Popularity • 52% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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Roo Panes
Tiger Striped Sky
140 bpm • D Maj • 04:01 • -10.32db
58% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Bonny Light Horseman
Summer Dream
136 bpm • D Maj • 05:20 • -8.12db
34% Popularity • 61% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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The Head And The Heart
Virginia (Wind In The Night)
136 bpm • G Maj • 03:25 • -3.7db
47% Popularity • 26% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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Ben Howard
What A Day - Edit
136 bpm • G Maj • 04:17 • -9.03db
46% Popularity • 66% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 59% Positiveness
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The National
This is the Last Time
140 bpm • C min • 04:43 • -10db
53% Popularity • 50% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 13% Positiveness
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The War On Drugs
Harmonia's Dream
140 bpm • D Maj • 06:26 • -5.07db
51% Popularity • 52% Danceability • 87% Energy • 6% Liveness
24% Instrumentalness • 49% Positiveness
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Big Thief
Not
140 bpm • B Maj • 06:07 • -6.57db
50% Popularity • 42% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Houndmouth
Sedona
135 bpm • D# Maj • 03:59 • -8.24db
60% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Mick Flannery
Minnesota
136 bpm • G Maj • 03:50 • -15.04db
18% Popularity • 39% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Ben Howard
What A Day
136 bpm • G Maj • 05:16 • -8.51db
36% Popularity • 68% Danceability • 47% Energy • 10% Liveness
12% Instrumentalness • 54% Positiveness
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Lucy Dacus
Hot & Heavy
135 bpm • C Maj • 04:10 • -6.66db
61% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Typhoon
Empire Builder
135 bpm • G# Maj • 04:14 • -5.98db
31% Popularity • 58% Danceability • 59% Energy • 8% Liveness
2% Instrumentalness • 62% Positiveness
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Future Islands
For Sure
135 bpm • A# Maj • 03:25 • -5.74db
54% Popularity • 59% Danceability • 77% Energy • 8% Liveness
25% Instrumentalness • 76% Positiveness
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The Avett Brothers
Victory
135 bpm • A# Maj • 03:53 • -11.14db
51% Popularity • 62% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Better Oblivion Community Center
Didn't Know What I Was In For
141 bpm • D Maj • 04:03 • -11db
47% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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This Is The Kit
This Is What You Did
135 bpm • G Maj • 03:12 • -9db
35% Popularity • 62% Danceability • 81% Energy • 10% Liveness
53% Instrumentalness • 43% Positiveness
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Caamp
Vagabond
142 bpm • E Maj • 02:09 • -11.92db
73% Popularity • 57% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
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Flyte
Losing You
142 bpm • C# Maj • 03:18 • -7.85db
45% Popularity • 63% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
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Big Red Machine
Air Stryp
142 bpm • C Maj • 02:03 • -9.81db
24% Popularity • 32% Danceability • 70% Energy • 11% Liveness
25% Instrumentalness • 35% Positiveness
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Steve Gunn
Other You
134 bpm • F# Maj • 05:43 • -8db
22% Popularity • 55% Danceability • 59% Energy • 12% Liveness
32% Instrumentalness • 28% Positiveness
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The Lumineers
BRIGHTSIDE
134 bpm • A# Maj • 03:49 • -7.01db
51% Popularity • 55% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Houndmouth
Miracle Mile
142 bpm • F# Maj • 03:08 • -9.41db
55% Popularity • 78% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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The National
I Should Live in Salt
134 bpm • F Maj • 04:08 • -7.1db
54% Popularity • 52% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Madison Cunningham
Hospital
142 bpm • E Maj • 03:33 • -9db
44% Popularity • 55% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Ada Lea
damn
142 bpm • G# min • 04:21 • -9db
40% Popularity • 69% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Big Red Machine
OMBD
142 bpm • B min • 07:42 • -7.27db
25% Popularity • 65% Danceability • 68% Energy • 7% Liveness
62% Instrumentalness • 44% Positiveness
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Wilco
If I Ever Was a Child
134 bpm • G# Maj • 02:55 • -11.82db
54% Popularity • 68% Danceability • 55% Energy • 11% Liveness
61% Instrumentalness • 78% Positiveness
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Houndmouth
Cool Jam
134 bpm • A Maj • 03:26 • -8.93db
45% Popularity • 79% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Flyte
Everyone's A Winner
143 bpm • A Maj • 03:29 • -9.15db
47% Popularity • 59% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 51% Positiveness
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River Whyless
Fast Like a Match
133 bpm • C# Maj • 02:41 • -8.72db
33% Popularity • 58% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Aoife O'Donovan
Passengers
133 bpm • D Maj • 03:32 • -16db
45% Popularity • 62% Danceability • 35% Energy • 12% Liveness
16% Instrumentalness • 43% Positiveness
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Bon Iver
Flume
133 bpm • B Maj • 03:39 • -17.01db
62% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
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Strand of Oaks
Somewhere in Chicago - Acoustic
144 bpm • B min • 03:29 • -10db
13% Popularity • 57% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The National
Tropic Morning News
144 bpm • F# min • 05:09 • -7db
53% Popularity • 56% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
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Big Thief
Change
133 bpm • A# Maj • 04:55 • -13db
60% Popularity • 63% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Wild Child
Going In
144 bpm • E Maj • 02:41 • -12db
61% Popularity • 68% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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John Vincent III
Next to You
132 bpm • G Maj • 04:16 • -7.98db
73% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Wilco
Love Is Everywhere (Beware)
144 bpm • G Maj • 03:33 • -9.44db
52% Popularity • 31% Danceability • 52% Energy • 10% Liveness
45% Instrumentalness • 51% Positiveness
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Strand of Oaks
Somewhere in Chicago
144 bpm • B min • 03:05 • -8db
35% Popularity • 53% Danceability • 71% Energy • 25% Liveness
18% Instrumentalness • 65% Positiveness
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Bahamas
Half Your Love
132 bpm • A min • 02:24 • -9.89db
51% Popularity • 73% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Bon Iver
Hey, Ma
144 bpm • C Maj • 03:36 • -10.96db
60% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Big Thief
Masterpiece - 2023 Remaster
144 bpm • E Maj • 03:50 • -5.54db
55% Popularity • 37% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Billie Marten
I Can't Get My Head Around You
145 bpm • G# Maj • 03:26 • -7.86db
46% Popularity • 53% Danceability • 57% Energy • 11% Liveness
3% Instrumentalness • 61% Positiveness
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Fleet Foxes
Young Man's Game
145 bpm • D Maj • 03:11 • -8.44db
32% Popularity • 52% Danceability • 69% Energy • 60% Liveness
27% Instrumentalness • 56% Positiveness
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Bendigo Fletcher
Sugar in the Creek
145 bpm • B Maj • 04:11 • -7.84db
51% Popularity • 32% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Hiss Golden Messenger
Hardlytown
145 bpm • C# Maj • 03:17 • -10.93db
39% Popularity • 60% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Lucy Dacus
Brando
145 bpm • A Maj • 03:00 • -8.49db
55% Popularity • 63% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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The Head And The Heart
Let's Be Still
131 bpm • A Maj • 04:28 • -10.72db
59% Popularity • 64% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Band of Horses
Warning Signs
131 bpm • A Maj • 04:20 • -7.3db
42% Popularity • 46% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Big Thief
Shark Smile
131 bpm • F# min • 03:57 • -8.15db
57% Popularity • 62% Danceability • 75% Energy • 12% Liveness
50% Instrumentalness • 55% Positiveness
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Phoebe Bridgers
Kyoto
131 bpm • B Maj • 03:04 • -6.89db
68% Popularity • 60% Danceability • 75% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
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Sjowgren
Seventeen
146 bpm • G Maj • 03:45 • -5.6db
64% Popularity • 61% Danceability • 72% Energy • 5% Liveness
8% Instrumentalness • 33% Positiveness
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Local Natives
Lemon [Sharon Van Etten]
131 bpm • D# Maj • 03:17 • -8.74db
41% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Big Red Machine
Latter Days
130 bpm • C Maj • 03:38 • -10.08db
40% Popularity • 70% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Band of Horses
Crutch
145 bpm • D Maj • 03:43 • -5.38db
47% Popularity • 46% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Lucy Dacus
VBS
146 bpm • C Maj • 03:56 • -7.64db
48% Popularity • 55% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Big Thief
Shark Smile - Edit
131 bpm • F# min • 03:14 • -9.31db
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
63% Instrumentalness • 67% Positiveness
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Justin Vernon
hazelton
146 bpm • D# Maj • 03:01 • -10.11db
39% Popularity • 41% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Fruit Bats
The Balcony
130 bpm • D# Maj • 04:08 • -8db
45% Popularity • 65% Danceability • 84% Energy • 12% Liveness
35% Instrumentalness • 78% Positiveness
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The Shins
New Slang - 2021 Remaster
130 bpm • C Maj • 03:50 • -10.62db
75% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
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Future Islands
Moonlight
130 bpm • C Maj • 03:38 • -12.55db
46% Popularity • 72% Danceability • 56% Energy • 14% Liveness
81% Instrumentalness • 68% Positiveness
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The Avett Brothers
Untitled #4
147 bpm • A# Maj • 04:04 • -8.29db
47% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Blanco White
Olalla
130 bpm • C min • 04:08 • -11.95db
66% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
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Palace
Someday, Somewhere
130 bpm • C Maj • 03:12 • -9.39db
47% Popularity • 39% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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My Morning Jacket
Feel You
130 bpm • A# min • 06:13 • -7db
28% Popularity • 50% Danceability • 52% Energy • 10% Liveness
55% Instrumentalness • 23% Positiveness
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Ben Howard
Old Pine
130 bpm • F Maj • 05:28 • -10.84db
68% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
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Big Thief
UFOF
147 bpm • A# min • 03:08 • -9db
51% Popularity • 62% Danceability • 61% Energy • 14% Liveness
57% Instrumentalness • 74% Positiveness
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The Killers
Runaway Horses - Abridged
129 bpm • A Maj • 03:24 • -15db
44% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Fleet Foxes
Wading In Waist-High Water
128 bpm • G Maj • 02:15 • -15.27db
51% Popularity • 39% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Josiah Johnson
False Alarms
149 bpm • E Maj • 06:17 • -8db
14% Popularity • 52% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Bonny Light Horseman
Lowlands
149 bpm • F Maj • 03:29 • -7.95db
29% Popularity • 49% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
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Wilco
I Shall Be Released - Live
128 bpm • E Maj • 03:33 • -9db
32% Popularity • 32% Danceability • 43% Energy • 98% Liveness
0% Instrumentalness • 36% Positiveness
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Sharon Van Etten
Seventeen
127 bpm • F Maj • 04:25 • -7db
60% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
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Feist
Hiding Out In The Open
127 bpm • C# Maj • 03:21 • -9.43db
55% Popularity • 62% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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The Japanese House
Dionne
150 bpm • E Maj • 04:44 • -6.1db
49% Popularity • 31% Danceability • 73% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Midlake
Bethel Woods
150 bpm • E min • 04:23 • -7.47db
28% Popularity • 54% Danceability • 89% Energy • 10% Liveness
24% Instrumentalness • 42% Positiveness
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Old Sea Brigade
Day by Day
150 bpm • F# min • 03:12 • -8.86db
48% Popularity • 65% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
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Local Natives
More Than This
127 bpm • F# Maj • 03:31 • -8.88db
37% Popularity • 68% Danceability • 59% Energy • 10% Liveness
16% Instrumentalness • 63% Positiveness
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Big Red Machine
Brycie
127 bpm • F Maj • 05:13 • -10.89db
26% Popularity • 63% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 27% Positiveness
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Nathaniel Rateliff & The Night Sweats
What If I
150 bpm • C min • 03:34 • -4db
43% Popularity • 56% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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Villagers
A Trick of the Light
150 bpm • B Maj • 04:08 • -8.16db
54% Popularity • 56% Danceability • 61% Energy • 13% Liveness
4% Instrumentalness • 42% Positiveness
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Bahamas
Not Cool Anymore
127 bpm • F Maj • 02:06 • -9.98db
43% Popularity • 84% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Hurray For The Riff Raff
PIERCED ARROWS
127 bpm • A# Maj • 04:02 • -6.01db
34% Popularity • 58% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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The National
Slow Show
150 bpm • E Maj • 04:08 • -8.39db
52% Popularity • 57% Danceability • 70% Energy • 15% Liveness
86% Instrumentalness • 51% Positiveness
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Bon Iver
Second Nature
127 bpm • C Maj • 04:02 • -9.95db
47% Popularity • 42% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Caamp
Believe
150 bpm • D# Maj • 03:15 • -8.02db
62% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Bess Atwell
Co-op
127 bpm • A# Maj • 03:45 • -12db
41% Popularity • 54% Danceability • 45% Energy • 8% Liveness
26% Instrumentalness • 24% Positiveness
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Phoenix