Songs like Phoenix by Lauren Zakrin
Based on a tempo of (+/- 10%) and a similar genre
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Megan Hilty, Stephanie J. Block, Allison Janney and Ensemble
Shine Like The Sun
142 bpm • E Maj • 04:15 • -6.44db
33% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Lauren Zakrin
Phoenix
142 bpm • C Maj • 03:12 • -6.54db
17% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Andrew Durand
Mad About You
142 bpm • A Maj • 02:35 • -5db
24% Popularity • 66% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 66% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Beth Leavel
Changing Lives
142 bpm • F# Maj • 03:10 • -6db
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Joriah Kwamé
Gia's Lament
142 bpm • E Maj • 03:34 • -9.69db
16% Popularity • 56% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 56% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Sydney Shepherd
Living Dead
142 bpm • E Maj • 04:38 • -5.24db
16% Popularity • 61% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 61% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
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Krystina Alabado
Drive
143 bpm • F# Maj • 04:45 • -8.54db
18% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Jeanine Tesori
Flying Away (Finale)
141 bpm • A Maj • 03:34 • -10.9db
28% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Sydney Farley
Life In Hate Nation
141 bpm • C Maj • 05:12 • -6.09db
10% Popularity • 52% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 52% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Wonu Ogunfowora
Wallflower
141 bpm • F# Maj • 02:51 • -7db
24% Popularity • 66% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 66% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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StarKid Productions
If I Fail You
141 bpm • A Maj • 05:21 • -14db
32% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Aaron Tveit
Someone Else's Skin
141 bpm • F Maj • 04:14 • -7.32db
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Robert Joy
Come Look at the Freaks
144 bpm • B Maj • 06:47 • -9.16db
14% Popularity • 51% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 51% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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Lisa Brescia
Let Things Go
144 bpm • B Maj • 03:09 • -12.75db
23% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Beth Leavel
Changing Lives (Reprise)
144 bpm • D Maj • 01:52 • -5.74db
30% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Alex Brightman
Why Must We Tell Them Why?
144 bpm • A min • 03:55 • -7.16db
30% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Analise Scarpaci
What The Hell
140 bpm • F# Maj • 03:16 • -6.86db
36% Popularity • 75% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 75% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Aaron Tveit
You Can't Tame Me
143 bpm • D# Maj • 03:23 • -12db
24% Popularity • 45% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 45% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Keala Settle
The Negative
144 bpm • C# Maj • 02:27 • -7.25db
49% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Kasie Gasparini
Two Little Lines
140 bpm • F Maj • 04:40 • -7.15db
23% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Krystina Alabado
Freedom
144 bpm • E Maj • 06:39 • -7.03db
27% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
Opening: The New World
140 bpm • D# Maj • 05:18 • -7db
31% Popularity • 52% Danceability • 47% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 52% Danceability • 47% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
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Hillary Fisher
Inner Thoughts
140 bpm • A min • 02:11 • -7db
21% Popularity • 70% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 70% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Marcy
Alto's Lament
144 bpm • C Maj • 03:18 • -6db
29% Popularity • 46% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 46% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Sarah Jessica Parker
Shy
140 bpm • A# Maj • 04:20 • -11.44db
27% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Aaron Simon Gross
Getting Ready
144 bpm • G Maj • 05:10 • -5.14db
24% Popularity • 62% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 62% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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Kath Gotts
Don't Lose It
140 bpm • B min • 03:59 • -7.26db
14% Popularity • 37% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 37% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Cast Recording
Role of A Lifetime
144 bpm • D min • 03:33 • -12.13db
29% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Anna Kendrick
A Part of That
140 bpm • F min • 04:00 • -8db
38% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Cathy Ang
Mattie's Lament
140 bpm • G# Maj • 03:26 • -8db
18% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Caitlin Kinnunen
Unruly Heart
139 bpm • F Maj • 03:57 • -7.77db
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Alex Wyse
Right Here
140 bpm • A Maj • 04:32 • -11.19db
9% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Rob Rokicki
Say Goodbye
139 bpm • A Maj • 04:12 • -8.36db
11% Popularity • 31% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 31% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Andy Mientus
The Man In The Middle
139 bpm • A Maj • 02:27 • -8db
11% Popularity • 55% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 55% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Alan Zachary
The Girl for You
139 bpm • A min • 05:06 • -5.66db
20% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Company - Freaky Friday: A New Musical
Just One Day (Reprise)
139 bpm • C Maj • 02:44 • -5.45db
23% Popularity • 52% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 52% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Kecia Lewis-Evans
I Do, I Do in the Sky
145 bpm • A# min • 02:08 • -7db
30% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Kate Wetherhead
Rooftop Duet / Falling
145 bpm • D Maj • 07:23 • -12.13db
21% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Matthew James Thomas
Extraordinary
146 bpm • D min • 02:38 • -7.39db
35% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Andi Alhadeff
Lifesong
138 bpm • B min • 02:28 • -5.83db
8% Popularity • 44% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 44% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Jeanine Tesori
Ring of Keys
138 bpm • A Maj • 03:07 • -12db
38% Popularity • 45% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 45% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Santino Fontana
Whaddya Do
138 bpm • C min • 02:33 • -9.12db
19% Popularity • 80% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 80% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Cast Recording
Bare
146 bpm • E Maj • 02:58 • -11.77db
26% Popularity • 38% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 38% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Diana Original Broadway Cast
The Main Event
146 bpm • A# Maj • 04:26 • -6.53db
23% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Karen Mason
Hail the Queen
146 bpm • C Maj • 01:58 • -12.07db
22% Popularity • 59% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 59% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Original West End Cast of Everybody's Talking About Jamie
Over the Top
138 bpm • C Maj • 03:02 • -5db
33% Popularity • 67% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 67% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Alan Zachary
The Things I Never Said
138 bpm • G# Maj • 03:23 • -8.21db
22% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Krystina Alabado
Sam Failed Her Driver’s Test
138 bpm • A# min • 02:06 • -7.57db
17% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Ryah Nixon
If You Knew
138 bpm • G Maj • 03:06 • -9db
18% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Megan McGinnis
Mr. Girl Hater
138 bpm • G# min • 01:41 • -7.94db
23% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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![After Everything You Made Me Do (That You Didn't Ask For) [feat. Rachel Bloom] cover art](https://i.scdn.co/image/ab67616d00001e02dcd351471164deba8bdc33fa)
Crazy Ex-Girlfriend Cast
After Everything You Made Me Do (That Yo...
138 bpm • F Maj • 02:00 • -4.78db
29% Popularity • 60% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 60% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Casey Likes
1973
147 bpm • C Maj • 06:00 • -5.69db
28% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Alan Zachary
In Love With You
137 bpm • C Maj • 03:53 • -6db
28% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Mimi Scardulla
Captain of the Team
138 bpm • F Maj • 04:17 • -8.1db
17% Popularity • 76% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 76% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Carner & Gregor
T.M.I.
137 bpm • D Maj • 03:49 • -14.32db
12% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Cast Recording
Epiphany
147 bpm • F# Maj • 06:28 • -10.54db
23% Popularity • 43% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 43% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Erika Henningsen
Fearless
147 bpm • G Maj • 04:11 • -5.17db
49% Popularity • 36% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 36% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
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Kooman & Dimond
I Think That He Likes Me
148 bpm • C Maj • 02:35 • -7.34db
31% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Idina Menzel
I Hate You
136 bpm • A# min • 04:42 • -12db
20% Popularity • 41% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 41% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Celeste Rose
Before the Breakdown
148 bpm • C# Maj • 03:59 • -6.75db
25% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Diana Original Broadway Cast
The Worst Job In England
148 bpm • F Maj • 03:00 • -6.15db
24% Popularity • 74% Danceability • 70% Energy • 90% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 74% Danceability • 70% Energy • 90% Liveness
0% Instrumentalness • 82% Positiveness
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Anna Kendrick
Climbing Uphill
136 bpm • E min • 03:29 • -8db
35% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Alan Zachary
The One
148 bpm • D Maj • 02:39 • -3.01db
25% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Alexandra Socha
Good Girl
136 bpm • A Maj • 02:36 • -5db
22% Popularity • 60% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 60% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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Ali Stroker
I Cain’t Say No
149 bpm • C Maj • 03:58 • -8.32db
30% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Curt Mega
Spy Again
149 bpm • G# Maj • 04:31 • -14.04db
31% Popularity • 51% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 51% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Heidi Blickenstaff
After All of This and Everything
149 bpm • G# Maj • 03:22 • -12db
30% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Write Out Loud
Brave
149 bpm • D# Maj • 03:11 • -9.83db
19% Popularity • 72% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 72% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Jeanine Tesori
Raincoat of Love
135 bpm • B min • 02:01 • -8.89db
28% Popularity • 57% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 57% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
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Jodie Steele
Yo Girl
135 bpm • C# Maj • 01:44 • -11db
38% Popularity • 63% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 63% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Kerry Butler
Barbara 2.0
149 bpm • G# Maj • 03:25 • -5.54db
47% Popularity • 56% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 56% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Bobby Conte
Out of Your Head
135 bpm • F# Maj • 03:25 • -5db
25% Popularity • 46% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 46% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Neil Bartram
Relativity
135 bpm • A min • 03:56 • -8db
23% Popularity • 50% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 50% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Diana Original Broadway Cast
Snap, Click
150 bpm • C# min • 02:22 • -6.65db
26% Popularity • 67% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 67% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Zach Spound
anotherheart
150 bpm • G Maj • 03:35 • -13.17db
1% Popularity • 36% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
1% Popularity • 36% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Alan Zachary
First Impressions
150 bpm • C Maj • 03:35 • -5.62db
30% Popularity • 74% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 74% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Will Roland
More Than Survive
150 bpm • C Maj • 08:28 • -6.66db
25% Popularity • 51% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 51% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Kaitlyn Frank
Forever
134 bpm • D Maj • 04:30 • -7.24db
18% Popularity • 52% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 52% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Bonnie Milligan
Automatic Rainy Day
134 bpm • G Maj • 03:16 • -4.68db
22% Popularity • 65% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 65% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Lizard Boy Original Cast
Lizard Boy
151 bpm • E min • 04:55 • -5.7db
14% Popularity • 48% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 48% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Neil Bartram
Person A
134 bpm • F Maj • 01:39 • -13.87db
18% Popularity • 76% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 76% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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Alice Ripley
Bubble Boy
134 bpm • F Maj • 05:38 • -8db
9% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Lin-Manuel Miranda
Epilogue
151 bpm • C Maj • 03:06 • -11.47db
37% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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13 Original Broadway Cast
Opportunity - Cut from Original Broadway...
151 bpm • A Maj • 03:51 • -3.16db
23% Popularity • 66% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 66% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Sarah Jessica Parker
Happily Ever After
134 bpm • F Maj • 04:10 • -15db
22% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Isabelle McCalla
Alyssa Greene
133 bpm • G# Maj • 02:30 • -10.69db
37% Popularity • 59% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 59% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Sydney Parra
Shut up and Cheer
133 bpm • C Maj • 02:59 • -7db
21% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Cry-Baby Original Studio Cast
The Anti-Polio Picnic
152 bpm • A min • 02:55 • -5.18db
20% Popularity • 58% Danceability • 63% Energy • 65% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 58% Danceability • 63% Energy • 65% Liveness
0% Instrumentalness • 84% Positiveness
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Krystina Alabado
Top Ten
133 bpm • D Maj • 02:19 • -8.99db
22% Popularity • 61% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 61% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Hunter Foster
I'm Trying
152 bpm • F# Maj • 04:47 • -13.77db
20% Popularity • 62% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 62% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Lauren Marcus
Upgrade
133 bpm • G# min • 03:48 • -6.91db
26% Popularity • 45% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 45% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Matt Doyle
The Killing
152 bpm • C Maj • 04:03 • -4.64db
11% Popularity • 47% Danceability • 76% Energy • 62% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 47% Danceability • 76% Energy • 62% Liveness
0% Instrumentalness • 50% Positiveness
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Jay Armstrong Johnson
Caralee
133 bpm • B Maj • 02:28 • -7.68db
27% Popularity • 79% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 79% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Shoshana Bean
Just One Step
133 bpm • F# Maj • 04:27 • -8db
26% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Diana Original Broadway Cast
The Words Came Pouring Out
152 bpm • C Maj • 04:32 • -6.75db
23% Popularity • 69% Danceability • 73% Energy • 73% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 69% Danceability • 73% Energy • 73% Liveness
0% Instrumentalness • 76% Positiveness
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Stephanie Styles
Understudy Buddy
152 bpm • C Maj • 03:37 • -7.18db
24% Popularity • 80% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 80% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
