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Piano II
Songs like
Piano II
by
Vanessa Amara
Based on a tempo of (+/- 10%) and a similar genre
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Chihei Hatakeyama
Forgotten Hill
135 bpm • C# Maj • 04:01 • -30db
33% Popularity • 20% Danceability • 6% Energy • 16% Liveness
87% Instrumentalness • 11% Positiveness
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Suso Saiz
Sweet Instability
135 bpm • A min • 03:54 • -29.31db
44% Popularity • 15% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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Vanessa Amara
Piano II
135 bpm • C# Maj • 03:08 • -26db
26% Popularity • 23% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Haruhisa Tanaka
Luminous
135 bpm • E min • 02:23 • -26db
39% Popularity • 18% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Perila
Amorphous Absorption
135 bpm • G Maj • 03:52 • -27db
15% Popularity • 21% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
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Tim Hecker
Boreal Kiss Pt. 1
135 bpm • F min • 03:28 • -25.49db
45% Popularity • 20% Danceability • 2% Energy • 29% Liveness
8% Instrumentalness • 9% Positiveness
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Loke Rahbek
Solina
134 bpm • C Maj • 03:34 • -12.38db
13% Popularity • 36% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Malibu
Nana (Like A Star Made For Me)
136 bpm • C# Maj • 03:50 • -20.4db
26% Popularity • 15% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Richard Skelton
Votive
136 bpm • C Maj • 02:37 • -21.81db
18% Popularity • 15% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Michiru Aoyama
フィルタースカイ - Filter Sky
134 bpm • F# Maj • 02:58 • -24.07db
35% Popularity • 21% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Perila
Every Something Is An Echo Of Nothing
134 bpm • C# Maj • 04:00 • -30db
18% Popularity • 23% Danceability • 7% Energy • 13% Liveness
92% Instrumentalness • 13% Positiveness
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Kreng
Nimmermeer
136 bpm • G# min • 04:03 • -23.65db
25% Popularity • 15% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Vanessa Amara
Untitled 2
133 bpm • E min • 04:42 • -10.59db
6% Popularity • 16% Danceability • 47% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Sarah Davachi
Ghosts and All
137 bpm • A# Maj • 08:32 • -11.38db
26% Popularity • 15% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Mokira
Lord, Am I Going Down?
133 bpm • C Maj • 07:38 • -16.24db
20% Popularity • 23% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Tomasz Bednarczyk
Botanical Garden
137 bpm • F# min • 03:52 • -18db
18% Popularity • 15% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Ulla
Falling Water Lullaby
136 bpm • G Maj • 06:40 • -29.68db
24% Popularity • 25% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Abul Mogard
Where Not Even
137 bpm • D Maj • 06:42 • -23.75db
16% Popularity • 15% Danceability • 12% Energy • 9% Liveness
70% Instrumentalness • 3% Positiveness
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Brian McBride
Silent Motels
133 bpm • B min • 03:56 • -31.29db
25% Popularity • 16% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Sarah Davachi
Evensong
133 bpm • D# Maj • 05:27 • -24.9db
18% Popularity • 25% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Violet A. Foster
Ghostlore
137 bpm • A Maj • 06:49 • -29.2db
28% Popularity • 18% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
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Biosphere
The Sudden Rush
133 bpm • A min • 03:28 • -23db
35% Popularity • 21% Danceability • 9% Energy • 15% Liveness
84% Instrumentalness • 3% Positiveness
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Adam Pacione
Available Light
137 bpm • D Maj • 01:26 • -22db
35% Popularity • 22% Danceability • 5% Energy • 8% Liveness
99% Instrumentalness • 3% Positiveness
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Sonja Tofik
Night Changes Many Thoughts
137 bpm • C Maj • 03:51 • -12.73db
10% Popularity • 15% Danceability • 17% Energy • 11% Liveness
73% Instrumentalness • 2% Positiveness
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Celer
Elapsed Paradise
137 bpm • A min • 07:59 • -35.74db
29% Popularity • 15% Danceability • 1% Energy • 34% Liveness
97% Instrumentalness • 3% Positiveness
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Thomas Köner
Nuuk (Air)
137 bpm • F min • 04:50 • -24db
25% Popularity • 16% Danceability • 27% Energy • 12% Liveness
96% Instrumentalness • 7% Positiveness
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Perila
Long Dizzying Air Through A Balcony Door
137 bpm • A min • 07:48 • -31.79db
22% Popularity • 22% Danceability • 8% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
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Raime
Passed over Trail
133 bpm • G Maj • 04:30 • -19.51db
28% Popularity • 16% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Roly Porter
Kistvaen
138 bpm • D Maj • 06:30 • -18.75db
9% Popularity • 17% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Akira Rabelais
Notturno
138 bpm • F Maj • 01:41 • -36db
31% Popularity • 16% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Celer
Melancholy Movement
133 bpm • A# min • 03:07 • -31.4db
30% Popularity • 16% Danceability • 5% Energy • 16% Liveness
82% Instrumentalness • 5% Positiveness
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Croatian Amor
Transit
138 bpm • A min • 05:44 • -21.82db
19% Popularity • 26% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Malibu
Tilting On Windmills
132 bpm • F min • 08:18 • -19db
23% Popularity • 16% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 2% Positiveness
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Sharp Veins
Don't Forget
132 bpm • A# Maj • 03:06 • -22db
20% Popularity • 18% Danceability • 13% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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Snufmumriko
LÃ¥ngt under noll
132 bpm • G min • 06:22 • -21.71db
26% Popularity • 20% Danceability • 24% Energy • 19% Liveness
97% Instrumentalness • 6% Positiveness
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Akira Rabelais
Notturno (Loverly)
138 bpm • F Maj • 09:11 • -35.94db
9% Popularity • 14% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 2% Positiveness
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William Basinski
Selva Oscura 1.3
138 bpm • G min • 04:02 • -29.61db
25% Popularity • 14% Danceability • 18% Energy • 11% Liveness
38% Instrumentalness • 4% Positiveness
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Ex Confusion
Be Still
138 bpm • G# min • 05:28 • -29.84db
38% Popularity • 15% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
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Chihei Hatakeyama
door to the cosmos
139 bpm • F Maj • 06:14 • -28.89db
41% Popularity • 15% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Thomas Köner
Teimo (Schluss)
138 bpm • F# Maj • 04:22 • -42.2db
29% Popularity • 14% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 5% Positiveness
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Celer
Text Me When You Wake Up
139 bpm • C# min • 07:37 • -28.63db
24% Popularity • 15% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
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Drew McDowall
Agalma VI
139 bpm • A Maj • 05:48 • -10.4db
11% Popularity • 14% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Aidan Baker
Seeing Past What Things Seem
139 bpm • A min • 11:33 • -25.62db
24% Popularity • 15% Danceability • 13% Energy • 14% Liveness
91% Instrumentalness • 3% Positiveness
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Abul Mogard
The Purpose of Peace
139 bpm • F# min • 07:24 • -17.18db
13% Popularity • 35% Danceability • 37% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
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Malibu
Lost At Sea - Kelly Moran remix
131 bpm • G# min • 04:56 • -16.79db
34% Popularity • 16% Danceability • 25% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Innesti
Disregarding Time
139 bpm • G Maj • 05:07 • -21.71db
25% Popularity • 27% Danceability • 41% Energy • 14% Liveness
94% Instrumentalness • 17% Positiveness
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Perila
Floor Position
131 bpm • G# min • 02:56 • -22.9db
26% Popularity • 25% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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58918012
Pressure
131 bpm • C# Maj • 09:36 • -17.4db
33% Popularity • 24% Danceability • 25% Energy • 10% Liveness
75% Instrumentalness • 10% Positiveness
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Haruhisa Tanaka
Byakudan Rework
139 bpm • F Maj • 02:54 • -30.31db
34% Popularity • 17% Danceability • 4% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Celer
The Smoke In The Photo - Remastered
139 bpm • F min • 06:00 • -36.15db
25% Popularity • 15% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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William Basinski
Mono No Aware 1.3
140 bpm • F# Maj • 06:48 • -28db
33% Popularity • 15% Danceability • 19% Energy • 11% Liveness
67% Instrumentalness • 7% Positiveness
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Vanessa Amara
Improvisation On Morton Feldman String Q...
131 bpm • A Maj • 02:54 • -21.22db
9% Popularity • 28% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 24% Positiveness
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Internazionale
Bells of Addiction (Recalled)
130 bpm • C Maj • 02:51 • -14.24db
17% Popularity • 23% Danceability • 38% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
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Christina Vantzou
Little Darlin Seize the Sun
140 bpm • A# Maj • 02:02 • -21db
35% Popularity • 26% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Sofie Birch
Sugi
130 bpm • F min • 03:52 • -17.54db
26% Popularity • 30% Danceability • 18% Energy • 10% Liveness
99% Instrumentalness • 3% Positiveness
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Celer
Fog, At Least, Is Left
140 bpm • D# min • 01:35 • -33.32db
34% Popularity • 14% Danceability • 0% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
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William Basinski
Melancholia X
131 bpm • G min • 01:07 • -32.18db
29% Popularity • 22% Danceability • 9% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
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Violet A. Foster
A Small Pool of Water by the Graves
140 bpm • A min • 04:41 • -34.85db
28% Popularity • 14% Danceability • 1% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
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Michel Banabila
Cassina
140 bpm • F Maj • 03:50 • -17.85db
15% Popularity • 24% Danceability • 30% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
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Haruhisa Tanaka
Drizzle
140 bpm • C Maj • 02:22 • -26.57db
36% Popularity • 17% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Sofie Birch
The Sun XIX
140 bpm • E min • 06:43 • -28db
35% Popularity • 41% Danceability • 5% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Celer
7° 10° 77° 83°
140 bpm • E min • 09:53 • -38db
29% Popularity • 14% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Lawrence English
And A Twist
130 bpm • D Maj • 02:42 • -22.59db
26% Popularity • 16% Danceability • 0% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Abul Mogard
Despite Faith
141 bpm • C# Maj • 06:10 • -18.5db
17% Popularity • 15% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
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Suso Saiz
Abrazo 2020
141 bpm • B Maj • 01:22 • -31.74db
42% Popularity • 19% Danceability • 11% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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William Basinski
Selva Oscura 1.1
141 bpm • A# Maj • 06:09 • -28db
27% Popularity • 14% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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58918012
expiation
141 bpm • A min • 04:48 • -18.53db
18% Popularity • 15% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Celer
In the Middle Of the Moving Field
141 bpm • D Maj • 10:36 • -29.83db
25% Popularity • 14% Danceability • 8% Energy • 12% Liveness
65% Instrumentalness • 5% Positiveness
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Eluvium
House Taken Over (ii)
129 bpm • C# Maj • 05:44 • -25.66db
18% Popularity • 16% Danceability • 10% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
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Giuliano Poles
Ardent
129 bpm • C# Maj • 02:12 • -16.57db
9% Popularity • 16% Danceability • 20% Energy • 10% Liveness
56% Instrumentalness • 3% Positiveness
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Kenneth James Gibson
In Time You Will
129 bpm • A# min • 06:08 • -17.22db
13% Popularity • 16% Danceability • 41% Energy • 30% Liveness
78% Instrumentalness • 14% Positiveness
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KMRU
Degree of Change
142 bpm • C# Maj • 04:16 • -29db
20% Popularity • 14% Danceability • 1% Energy • 23% Liveness
96% Instrumentalness • 3% Positiveness
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AKB
Skymningszonen
129 bpm • F Maj • 04:13 • -26.17db
22% Popularity • 17% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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William Basinski
Selva Oscura 1.4
142 bpm • A# Maj • 04:34 • -29.17db
23% Popularity • 14% Danceability • 20% Energy • 9% Liveness
20% Instrumentalness • 5% Positiveness
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Sonja Tofik
Graveyard
142 bpm • A min • 02:53 • -17.7db
27% Popularity • 14% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Astrid Sonne
Greener
142 bpm • C Maj • 01:43 • -15.4db
27% Popularity • 25% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Matti Bye
Loneliness of Earth (Varg´s Ursviken ve...
142 bpm • G min • 05:06 • -27.92db
12% Popularity • 18% Danceability • 16% Energy • 25% Liveness
82% Instrumentalness • 13% Positiveness
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Celer
Volcanic Institutions
128 bpm • G# Maj • 01:19 • -34.08db
40% Popularity • 17% Danceability • 26% Energy • 10% Liveness
97% Instrumentalness • 14% Positiveness
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Port Salut
Invisible
142 bpm • F min • 02:32 • -25.78db
25% Popularity • 25% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 12% Positiveness
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Reverberant Evenings
Twice in the River
142 bpm • C Maj • 04:48 • -32db
29% Popularity • 14% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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Biosphere
As Bright as the Night
142 bpm • F# min • 04:56 • -30db
26% Popularity • 18% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Isorinne
Tårlös sorg
128 bpm • B min • 05:04 • -34.6db
29% Popularity • 44% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 38% Positiveness
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Sofie Birch
Portal Of
127 bpm • G min • 01:42 • -20db
41% Popularity • 22% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Celer
Rains Lit By Neon
144 bpm • D min • 08:26 • -24.3db
23% Popularity • 19% Danceability • 28% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
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Vanessa Amara
Leopards, Pt. 5
144 bpm • D Maj • 02:28 • -28.43db
15% Popularity • 14% Danceability • 11% Energy • 10% Liveness
98% Instrumentalness • 15% Positiveness
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Tim Hecker
Starting Over Again
126 bpm • E Maj • 02:35 • -17.46db
8% Popularity • 25% Danceability • 34% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Julien Neto
I (One)
126 bpm • D# Maj • 03:20 • -19.37db
20% Popularity • 27% Danceability • 20% Energy • 8% Liveness
85% Instrumentalness • 8% Positiveness
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Taylor Deupree
(murmur)
125 bpm • G Maj • 03:27 • -28db
31% Popularity • 17% Danceability • 4% Energy • 10% Liveness
76% Instrumentalness • 5% Positiveness
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Ekin Fil
The Reckoning
146 bpm • G Maj • 05:12 • -25.04db
26% Popularity • 14% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Celer
Hotel Mona Lisa
127 bpm • G# min • 03:58 • -27db
28% Popularity • 28% Danceability • 25% Energy • 13% Liveness
58% Instrumentalness • 39% Positiveness
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Body Sculptures
On The Flowers Face
146 bpm • B Maj • 04:52 • -11.54db
10% Popularity • 13% Danceability • 50% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Braulio Lam
Golden Hour
125 bpm • G# min • 03:19 • -23.98db
20% Popularity • 24% Danceability • 24% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Akira Rabelais
And the Permanence of Smoke or Stars
124 bpm • C# Maj • 00:53 • -35db
24% Popularity • 18% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Carmen Villain
Future Memory
124 bpm • C# Maj • 05:02 • -24.41db
22% Popularity • 29% Danceability • 12% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
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Tentacle
Breakdown (The End of Chemical Romance)
124 bpm • G# Maj • 07:27 • -12db
12% Popularity • 21% Danceability • 45% Energy • 10% Liveness
83% Instrumentalness • 6% Positiveness
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Celer
S-shaped Isthmus
144 bpm • C# min • 02:32 • -38.67db
32% Popularity • 13% Danceability • 14% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
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Burning Pyre
The Clam
124 bpm • C min • 01:54 • -23.97db
15% Popularity • 25% Danceability • 11% Energy • 9% Liveness
65% Instrumentalness • 7% Positiveness
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Thomas Brett
Slowdown
123 bpm • A# Maj • 08:17 • -22.97db
28% Popularity • 23% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Emily A. Sprague
Dock
123 bpm • G# min • 03:15 • -20db
34% Popularity • 28% Danceability • 32% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
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Gävle-Stockholm Dub
Stora vreden i Storvreta
123 bpm • F min • 05:04 • -17.57db
24% Popularity • 17% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Piano II