Songs like Piano Quintet: II. In Tempo di Valse by Alfred Schnittke
Based on a tempo of (+/- 10%) and a similar genre
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
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Gabriel Fauré
Elégie in C Minor, Op. 24 (Arr. Parkin ...
88 bpm • G# Maj • 07:35 • -24db
50% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Symphony No. 3 in C Minor: II. Andante m...
88 bpm • G# Maj • 09:32 • -24.98db
43% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Requiem: 9. Hostias
88 bpm • A min • 01:19 • -18.37db
3% Popularity • 17% Danceability • 8% Energy • 12% Liveness
4% Instrumentalness • 3% Positiveness
3% Popularity • 17% Danceability • 8% Energy • 12% Liveness
4% Instrumentalness • 3% Positiveness
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Frédéric Chopin
24 Préludes, Op. 28: No. 20 in C Minor ...
88 bpm • G# Maj • 01:38 • -21.71db
13% Popularity • 16% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
13% Popularity • 16% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
39% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
39% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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Manuel de Falla
Asturiana - I
89 bpm • F min • 02:51 • -36.31db
19% Popularity • 11% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 6% Positiveness
19% Popularity • 11% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
40% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
40% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
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Alfred Schnittke
String Quartet No. 1, I. Sonata
88 bpm • C Maj • 07:31 • -23.74db
2% Popularity • 30% Danceability • 3% Energy • 35% Liveness
54% Instrumentalness • 4% Positiveness
2% Popularity • 30% Danceability • 3% Energy • 35% Liveness
54% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
87 bpm • B min • 03:28 • -30.17db
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Lili Boulanger
D'un soir triste
87 bpm • C Maj • 10:41 • -23db
12% Popularity • 13% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
12% Popularity • 13% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
87 bpm • G Maj • 04:33 • -23db
30% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
30% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
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Gian Carlo Menotti
Concerto for Violin and Orchestra: II. A...
87 bpm • D Maj • 08:27 • -31.25db
12% Popularity • 16% Danceability • 3% Energy • 11% Liveness
19% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 11% Liveness
19% Instrumentalness • 4% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
55% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
55% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
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Alfred Schnittke
Concerto Grosso No. 2: I. Andantino - Al...
89 bpm • G Maj • 06:57 • -15.13db
0% Popularity • 41% Danceability • 41% Energy • 28% Liveness
68% Instrumentalness • 20% Positiveness
0% Popularity • 41% Danceability • 41% Energy • 28% Liveness
68% Instrumentalness • 20% Positiveness
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Ludwig van Beethoven
Violin Concerto In D, Op. 61: 3. Rondo (...
89 bpm • D Maj • 10:20 • -21db
5% Popularity • 37% Danceability • 7% Energy • 13% Liveness
57% Instrumentalness • 19% Positiveness
5% Popularity • 37% Danceability • 7% Energy • 13% Liveness
57% Instrumentalness • 19% Positiveness
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AntonÃn Dvořák
String Quartet No. 12 in F Major, Op. 96...
87 bpm • D min • 07:07 • -23.36db
32% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
32% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le jard...
89 bpm • C Maj • 03:45 • -22db
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Marko Celesty
Calm Cascades
89 bpm • G Maj • 01:56 • -31.27db
10% Popularity • 19% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Richard Einhorn
Voices of Light: XI. Anima - Voice
87 bpm • A# min • 05:29 • -23.03db
8% Popularity • 9% Danceability • 7% Energy • 7% Liveness
40% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 7% Energy • 7% Liveness
40% Instrumentalness • 4% Positiveness
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Alfred Schnittke
String Quartet No. 1: II. Canon
89 bpm • A# Maj • 04:02 • -24.63db
2% Popularity • 16% Danceability • 2% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
2% Popularity • 16% Danceability • 2% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Aleko: Intermezzo
90 bpm • A# Maj • 01:54 • -32.72db
44% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
44% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: III...
86 bpm • A# min • 03:05 • -24.24db
25% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Castor et Pollux, RCT 32, Acte I, Scène...
86 bpm • D Maj • 07:33 • -28.99db
33% Popularity • 9% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
33% Popularity • 9% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Jean Sibelius
The Swan of Tuonela, Op. 22, No. 2
86 bpm • E min • 08:00 • -26.41db
27% Popularity • 17% Danceability • 7% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
27% Popularity • 17% Danceability • 7% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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Edward Elgar
Variations on an Original Theme Enigma, ...
90 bpm • G min • 01:00 • -27.83db
21% Popularity • 57% Danceability • 17% Energy • 6% Liveness
82% Instrumentalness • 39% Positiveness
21% Popularity • 57% Danceability • 17% Energy • 6% Liveness
82% Instrumentalness • 39% Positiveness
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Alfred Schnittke
String Quartet No. 2: II. Agitato
87 bpm • F min • 06:02 • -16.48db
4% Popularity • 18% Danceability • 35% Energy • 23% Liveness
69% Instrumentalness • 13% Positiveness
4% Popularity • 18% Danceability • 35% Energy • 23% Liveness
69% Instrumentalness • 13% Positiveness
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William Walton
2 Pieces for Strings from Henry V: No. 1...
86 bpm • E min • 03:07 • -30db
24% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
24% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Herbert Howells
Elegy for Solo Viola, String Quartet and...
90 bpm • C min • 10:44 • -23.39db
13% Popularity • 10% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Ernst von Dohnányi
Ruralia Hungarica, Op. 32b: Andante ruba...
86 bpm • G min • 06:44 • -22.55db
8% Popularity • 12% Danceability • 7% Energy • 34% Liveness
79% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 7% Energy • 34% Liveness
79% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
String Quartet No. 8 in C Minor, Op. 110...
86 bpm • G# Maj • 06:50 • -25.56db
19% Popularity • 11% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
19% Popularity • 11% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Alfred Schnittke
Requiem: Benedictus
90 bpm • D Maj • 01:41 • -38.86db
3% Popularity • 10% Danceability • 0% Energy • 9% Liveness
4% Instrumentalness • 3% Positiveness
3% Popularity • 10% Danceability • 0% Energy • 9% Liveness
4% Instrumentalness • 3% Positiveness
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Mieczysław Weinberg
Aria, Op. 9
90 bpm • A# Maj • 03:46 • -22.1db
12% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
12% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
Der Bote
86 bpm • C Maj • 09:13 • -39db
9% Popularity • 10% Danceability • 0% Energy • 37% Liveness
4% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 0% Energy • 37% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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John Adams
Adams: The Death of Klinghoffer, Prologu...
90 bpm • F min • 08:40 • -22.14db
32% Popularity • 17% Danceability • 4% Energy • 8% Liveness
61% Instrumentalness • 5% Positiveness
32% Popularity • 17% Danceability • 4% Energy • 8% Liveness
61% Instrumentalness • 5% Positiveness
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True LUFS Project
Carmina
90 bpm • C Maj • 01:51 • -15.95db
9% Popularity • 15% Danceability • 18% Energy • 20% Liveness
81% Instrumentalness • 7% Positiveness
9% Popularity • 15% Danceability • 18% Energy • 20% Liveness
81% Instrumentalness • 7% Positiveness
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Alfred Schnittke
Concerto grosso no.1 (1976-77): 6. Postl...
90 bpm • F Maj • 02:08 • -35.81db
5% Popularity • 11% Danceability • 1% Energy • 5% Liveness
78% Instrumentalness • 8% Positiveness
5% Popularity • 11% Danceability • 1% Energy • 5% Liveness
78% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Béla Bartók
6 Roumanian Folk Dances, BB 68, Sz. 56: ...
91 bpm • B min • 01:05 • -34.03db
36% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
36% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Claude Debussy
Nocturnes, L. 91: I. Nuages (Arr. by Den...
86 bpm • C Maj • 08:03 • -40.37db
19% Popularity • 9% Danceability • 0% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
19% Popularity • 9% Danceability • 0% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
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György Ligeti
Ligeti: Romanian Concerto: I. Andantino
91 bpm • C Maj • 03:01 • -30.21db
9% Popularity • 16% Danceability • 2% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 2% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: V. Dance under t...
85 bpm • A# Maj • 01:59 • -42.87db
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
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Alfred Schnittke
Symphony No. 2 "St. Florian": I. Kyrie: ...
90 bpm • C min • 11:49 • -25.93db
1% Popularity • 10% Danceability • 15% Energy • 14% Liveness
83% Instrumentalness • 3% Positiveness
1% Popularity • 10% Danceability • 15% Energy • 14% Liveness
83% Instrumentalness • 3% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
85 bpm • G min • 08:00 • -23.69db
20% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
20% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
► Preview
Krzysztof Penderecki
3 Pieces in Old Style: No. 1. Aria
85 bpm • G min • 02:13 • -31.17db
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Lili Boulanger
Nocturne
85 bpm • F Maj • 03:18 • -26db
27% Popularity • 13% Danceability • 3% Energy • 7% Liveness
72% Instrumentalness • 3% Positiveness
27% Popularity • 13% Danceability • 3% Energy • 7% Liveness
72% Instrumentalness • 3% Positiveness
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Mieczysław Weinberg
Cello Concerto in C Minor, Op. 43: I. Ad...
91 bpm • A# Maj • 04:05 • -22db
12% Popularity • 18% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
12% Popularity • 18% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
► Preview
Paul Hindemith
Symphonic Metamorphosis of Themes by Car...
91 bpm • F min • 04:01 • -29.86db
24% Popularity • 21% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
24% Popularity • 21% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Alfred Schnittke
Concerto Grosso No. 3: 1. Allegro
90 bpm • C min • 02:39 • -19.07db
17% Popularity • 26% Danceability • 29% Energy • 9% Liveness
66% Instrumentalness • 18% Positiveness
17% Popularity • 26% Danceability • 29% Energy • 9% Liveness
66% Instrumentalness • 18% Positiveness
► Preview
Einojuhani Rautavaara
Cantus arcticus, Op. 61, "Concerto for B...
85 bpm • C# Maj • 07:29 • -21.88db
18% Popularity • 9% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Claude Debussy
Prélude à l'après-midi d'un faune, L....
84 bpm • G# min • 08:55 • -21.54db
10% Popularity • 9% Danceability • 6% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
10% Popularity • 9% Danceability • 6% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: III. Anit...
84 bpm • D min • 03:18 • -34.16db
37% Popularity • 44% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
37% Popularity • 44% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
► Preview
Harold Arlen
Over the Rainbow (Arr. for String Quarte...
84 bpm • C Maj • 03:39 • -23.97db
15% Popularity • 11% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 5% Positiveness
15% Popularity • 11% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
Alfred Schnittke
Three Sacred Hymns: No. 1, Hail Mary, Fu...
90 bpm • D# Maj • 01:32 • -24.31db
3% Popularity • 14% Danceability • 19% Energy • 12% Liveness
98% Instrumentalness • 17% Positiveness
3% Popularity • 14% Danceability • 19% Energy • 12% Liveness
98% Instrumentalness • 17% Positiveness
► Preview
Einojuhani Rautavaara
Deux Sérénades (Written for Hilary Hah...
92 bpm • A min • 07:50 • -25.19db
17% Popularity • 11% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
17% Popularity • 11% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
Johan Svendsen
2 Swedish Folk-Melodies, Op. 27: No. 1 A...
92 bpm • E min • 03:10 • -23.3db
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Prélude à l'après-midi d'un faune, CD...
84 bpm • G# min • 09:22 • -27db
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 Andante...
84 bpm • G min • 01:50 • -22.09db
40% Popularity • 32% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
40% Popularity • 32% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
► Preview
Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
► Preview
Alfred Schnittke
Tango (Arr. by Andriy Rakhmanin for Viol...
86 bpm • F min • 03:00 • -21db
15% Popularity • 36% Danceability • 5% Energy • 7% Liveness
47% Instrumentalness • 9% Positiveness
15% Popularity • 36% Danceability • 5% Energy • 7% Liveness
47% Instrumentalness • 9% Positiveness
► Preview
Krzysztof Penderecki
Paradise Lost (version for english horn ...
84 bpm • C# Maj • 04:54 • -21db
9% Popularity • 16% Danceability • 8% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 8% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
Francis Poulenc
Poulenc: Concerto for Two Pianos in D Mi...
84 bpm • A# Maj • 05:29 • -29.52db
18% Popularity • 21% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
18% Popularity • 21% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Claude Debussy
Prélude à l'après-midi d'un faune, L....
84 bpm • G# min • 10:00 • -30.04db
25% Popularity • 18% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
25% Popularity • 18% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
► Preview
Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:09 • -35db
43% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Vespers, Op. 37: Nunc dimittis
84 bpm • D# min • 03:48 • -27db
34% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
► Preview
Alfred Schnittke
String Quartet No. 3, II. Agitato
90 bpm • G Maj • 05:43 • -18.31db
1% Popularity • 24% Danceability • 23% Energy • 21% Liveness
92% Instrumentalness • 5% Positiveness
1% Popularity • 24% Danceability • 23% Energy • 21% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
► Preview
Maurice Ravel
Deux mélodies hébraïques, M.22, No. 2...
83 bpm • B min • 01:33 • -32.55db
14% Popularity • 8% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
14% Popularity • 8% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
► Preview
Claude Debussy
Nocturnes, CD 98: III. Sirènes
93 bpm • F# Maj • 09:47 • -24.89db
20% Popularity • 11% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
20% Popularity • 11% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Josquin des Prez
Mille regretz
93 bpm • A min • 01:56 • -30db
33% Popularity • 21% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 21% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Lili Boulanger
Vielle prière bouddhique (Prière quoti...
83 bpm • F min • 08:27 • -20.48db
11% Popularity • 8% Danceability • 8% Energy • 5% Liveness
66% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 8% Energy • 5% Liveness
66% Instrumentalness • 4% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
86 bpm • C min • 01:50 • -25.43db
29% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
29% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
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Anton Webern
Two Pieces for Cello and Piano (1899 Ver...
93 bpm • G Maj • 02:40 • -30db
19% Popularity • 19% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness
19% Popularity • 19% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness
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Hans Rott
Suite in B-Flat Major, Nowak 34 (Excerpt...
93 bpm • A# Maj • 02:33 • -25.75db
21% Popularity • 45% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 32% Positiveness
21% Popularity • 45% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 32% Positiveness
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Claude Debussy
Nocturnes, CD 98: I. Nuages
83 bpm • C Maj • 06:21 • -35db
28% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
28% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
93 bpm • B min • 07:01 • -25.18db
22% Popularity • 17% Danceability • 7% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
22% Popularity • 17% Danceability • 7% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
Phantasy Quintet: III. Alla Sarabanda
83 bpm • F min • 02:59 • -39.45db
14% Popularity • 19% Danceability • 0% Energy • 8% Liveness
30% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 0% Energy • 8% Liveness
30% Instrumentalness • 4% Positiveness
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Alfred Schnittke
String Quartet No. 2, IV. Moderato
90 bpm • C Maj • 06:35 • -27.45db
1% Popularity • 12% Danceability • 0% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
1% Popularity • 12% Danceability • 0% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
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Henryk Górecki
Concerto-Notturno: I. Lento
83 bpm • C Maj • 04:24 • -20db
8% Popularity • 10% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 10% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Introitus et K...
83 bpm • C min • 07:14 • -31db
26% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Krzysztof Penderecki
Serenade: II. Larghetto
83 bpm • C min • 06:50 • -20.32db
9% Popularity • 8% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
83 bpm • A# Maj • 02:07 • -20db
32% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
32% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
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Nadia Boulanger
3 Pieces for cello and piano: No. 2. San...
83 bpm • F Maj • 01:43 • -30db
27% Popularity • 20% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
27% Popularity • 20% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Alfred Schnittke
Requiem: 1. Requiem
85 bpm • C Maj • 03:44 • -26db
9% Popularity • 9% Danceability • 3% Energy • 17% Liveness
39% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 3% Energy • 17% Liveness
39% Instrumentalness • 3% Positiveness
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Béla Bartók
6 Romanian Folk Dances, BB 68, Sz. 56: 4...
83 bpm • D Maj • 02:49 • -14db
17% Popularity • 13% Danceability • 18% Energy • 24% Liveness
29% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 18% Energy • 24% Liveness
29% Instrumentalness • 4% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: II. Longa...
94 bpm • D min • 01:40 • -30db
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Edward Elgar
The Music Makers, Op. 69: II. We Are the...
83 bpm • A# min • 02:08 • -22.74db
32% Popularity • 18% Danceability • 6% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
32% Popularity • 18% Danceability • 6% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
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Francis Poulenc
Sonata for Four Hands, FP 8: I. Prelude
83 bpm • C min • 02:01 • -20.4db
17% Popularity • 57% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
17% Popularity • 57% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Kurt Atterberg
Suite No. 3, Op. 19, No. 1 (version for ...
94 bpm • C# min • 02:33 • -18db
17% Popularity • 16% Danceability • 17% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 17% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Schnittke: String Quartet No. 3: I. Anda...
85 bpm • G Maj • 05:56 • -21.27db
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Luciano Berio
Six Encores: Wasserklavier
82 bpm • C# Maj • 02:02 • -41.51db
23% Popularity • 41% Danceability • 0% Energy • 7% Liveness
77% Instrumentalness • 11% Positiveness
23% Popularity • 41% Danceability • 0% Energy • 7% Liveness
77% Instrumentalness • 11% Positiveness
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Krzysztof Penderecki
St. Luke Passion: Part I: O Crux ave (Hy...
82 bpm • G Maj • 05:03 • -28db
11% Popularity • 11% Danceability • 5% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
11% Popularity • 11% Danceability • 5% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
