Songs like Piano Trio No. 1 in D Minor, Op. 63: III. Langsam, mit inniger Empfindung - Bewegter - Tempo I - attacca by Robert Schumann
Based on a tempo of (+/- 10%) and a similar genre
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Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
74 bpm • E Maj • 09:23 • -34.6db
46% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
46% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Jean Sibelius
6 Bagatelles, Op. 97: No. 3: Kleiner Wal...
74 bpm • D Maj • 01:15 • -22.65db
50% Popularity • 35% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 40% Positiveness
50% Popularity • 35% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 40% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 11 in B Major
74 bpm • B Maj • 01:43 • -33.14db
50% Popularity • 23% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
50% Popularity • 23% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Frédéric Chopin
3 Nouvelles etudes, Op. posth.: II. Etud...
74 bpm • G# Maj • 02:31 • -37db
44% Popularity • 21% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
44% Popularity • 21% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
74 bpm • D# Maj • 01:39 • -35.55db
44% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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George Frideric Handel
Suite in D Minor, HWV 447: Allemande
74 bpm • D min • 01:36 • -32.68db
54% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
54% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
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Franz Liszt
Consolation No. 3 in D-Flat Major, S. 17...
74 bpm • C# Maj • 04:19 • -35.64db
53% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
53% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: Promenade. Mo...
74 bpm • G# Maj • 01:02 • -35.84db
46% Popularity • 43% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
46% Popularity • 43% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: IV. Danse languide
74 bpm • D# Maj • 01:24 • -40.61db
45% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
45% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
13 Preludes, Op. 32: No. 5 in G Major. M...
74 bpm • G Maj • 03:13 • -38db
41% Popularity • 20% Danceability • 0% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 20% Danceability • 0% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
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Robert Schumann
Das Paradies und die Peri, Op. 50, Erste...
74 bpm • B min • 01:52 • -32db
24% Popularity • 7% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
24% Popularity • 7% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Christoph Willibald Gluck
Melody from « Orfeo »
74 bpm • D min • 03:25 • -36db
47% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
47% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
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George Frideric Handel
Sarabande Variations : Variation VIII
74 bpm • C# Maj • 01:28 • -42db
49% Popularity • 40% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
49% Popularity • 40% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
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Valentin Silvestrov
Five Pieces For Violin And Piano: I. Ele...
74 bpm • D# Maj • 02:59 • -35db
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Johann Baptist Vanhal
Symphony in G Major, Bryan G6: II. Andan...
74 bpm • D Maj • 05:04 • -30db
41% Popularity • 32% Danceability • 1% Energy • 17% Liveness
40% Instrumentalness • 15% Positiveness
41% Popularity • 32% Danceability • 1% Energy • 17% Liveness
40% Instrumentalness • 15% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
49% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
49% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
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John Field
Nocturne No. 5 in B-Flat Major
73 bpm • A# Maj • 02:54 • -35db
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Alexander Scriabin
24 Preludes for piano, Op. 11: No. 12 In...
73 bpm • G# min • 01:30 • -40.34db
37% Popularity • 20% Danceability • 0% Energy • 9% Liveness
81% Instrumentalness • 16% Positiveness
37% Popularity • 20% Danceability • 0% Energy • 9% Liveness
81% Instrumentalness • 16% Positiveness
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Claude Debussy
Deux Arabesques, L66: No. 1: Andantino c...
73 bpm • E Maj • 04:32 • -28.85db
53% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
53% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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Johannes Brahms
Intermezzo in B-Flat Major, Op. 76 No. 4
75 bpm • D# Maj • 02:22 • -35.43db
30% Popularity • 19% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
30% Popularity • 19% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
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Jules Massenet
Massenet: Élégie (Arr. for Cello and P...
73 bpm • E min • 01:44 • -26db
39% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
39% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
47% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
47% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: 8. La fille ...
73 bpm • D# min • 02:30 • -38.22db
52% Popularity • 31% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 22% Positiveness
52% Popularity • 31% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 22% Positiveness
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Leoš Janáček
Janáček: On an Overgrown Path, Book I:...
73 bpm • E min • 03:19 • -23.82db
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Francis Poulenc
Nocturnes n°4 en ut mineur
73 bpm • C Maj • 01:28 • -28.78db
45% Popularity • 52% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
45% Popularity • 52% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Version for Piano)
75 bpm • F# min • 05:59 • -30.68db
56% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
56% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Jean Sibelius
5 Pieces, Op. 75, "The Trees": No. 1 Nar...
75 bpm • D# Maj • 01:51 • -33.24db
49% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
49% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
73 bpm • F Maj • 01:37 • -27.52db
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Johannes Brahms
Drei Intermezzi, Op. 117: I. Andante mod...
75 bpm • D# Maj • 05:31 • -38db
28% Popularity • 31% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
28% Popularity • 31% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
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Frédéric Chopin
Nocturne No. 11 In G Minor, Op. 37 No. 1
75 bpm • A# Maj • 05:21 • -33.28db
44% Popularity • 25% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 10% Positiveness
44% Popularity • 25% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Romance pour cor et orches...
75 bpm • F Maj • 04:00 • -27.13db
43% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
43% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: I. Arietta
75 bpm • A# Maj • 01:25 • -38.8db
61% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
61% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
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Arnold Schoenberg
Notturno for Strings and Harp
75 bpm • G# Maj • 03:12 • -19.64db
61% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
61% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Amy Beach
Dreaming, Op. 15 No. 3
75 bpm • F Maj • 06:12 • -28.84db
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 12 in F Major, K. 332: ...
73 bpm • F Maj • 04:44 • -27db
56% Popularity • 52% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
56% Popularity • 52% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
76 bpm • E min • 05:27 • -25.95db
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Francis Poulenc
15 Improvisations, FP 170: No. 13 in A M...
72 bpm • C Maj • 02:23 • -28db
33% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
33% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Edvard Grieg
Piano Concerto in A minor, Op. 16: II. A...
76 bpm • C# Maj • 06:38 • -27.98db
57% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
57% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Sigismond Thalberg
Les Soirees de Pausilippe, Hommage a Ros...
72 bpm • F min • 01:43 • -29db
40% Popularity • 24% Danceability • 4% Energy • 13% Liveness
85% Instrumentalness • 7% Positiveness
40% Popularity • 24% Danceability • 4% Energy • 13% Liveness
85% Instrumentalness • 7% Positiveness
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Valentin Silvestrov
Bagatellen: III
72 bpm • C Maj • 03:40 • -43.66db
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
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Bedřich Smetana
CharakterstĂĽcke, Op. 3, JB 1:65: No. 3,...
76 bpm • G# min • 01:49 • -23db
53% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
53% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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François Couperin
La Petite Pince-Sans-Rire: 21ème ordre,...
76 bpm • E min • 01:54 • -28.39db
43% Popularity • 28% Danceability • 4% Energy • 18% Liveness
84% Instrumentalness • 28% Positiveness
43% Popularity • 28% Danceability • 4% Energy • 18% Liveness
84% Instrumentalness • 28% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
72 bpm • G min • 02:04 • -33.47db
61% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
61% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Alexander Scriabin
Etude in D-Sharp Minor, Op. 8, No. 12: P...
72 bpm • C# min • 02:10 • -16db
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
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Robert Schumann
Myrthen, Op. 25: No. 1, Widmung (Piano T...
76 bpm • G# Maj • 03:47 • -22.84db
12% Popularity • 24% Danceability • 7% Energy • 69% Liveness
88% Instrumentalness • 6% Positiveness
12% Popularity • 24% Danceability • 7% Energy • 69% Liveness
88% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
24 Preludes & Fugues, Op. 87: Prelude no...
72 bpm • F# Maj • 02:27 • -38.64db
48% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
48% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: VIII. La fil...
76 bpm • F# Maj • 02:23 • -33db
44% Popularity • 38% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
44% Popularity • 38% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Frederick Delius
2 Aquarelles: Lento, ma non troppo
72 bpm • A# Maj • 02:12 • -27.63db
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Erik Satie
Pièces froides: II. Airs à faire fuir ...
76 bpm • G Maj • 01:46 • -34.26db
42% Popularity • 38% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
42% Popularity • 38% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
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Robert Schumann
Child Falling Asleep, Op. 15 No. 12 (Arr...
72 bpm • E Maj • 02:09 • -28.73db
37% Popularity • 7% Danceability • 3% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
37% Popularity • 7% Danceability • 3% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Lyric Pieces Book V, Op. 54: No. 4 Nottu...
72 bpm • D min • 04:04 • -29.45db
29% Popularity • 30% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
29% Popularity • 30% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
48% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
48% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Ludwig van Beethoven
Piano Concerto No. 2 in B Flat Major, Op...
71 bpm • D# Maj • 09:07 • -23db
24% Popularity • 23% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
24% Popularity • 23% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Franz Liszt
3 Études de Concert, S. 144: No. 3 in D...
76 bpm • C# Maj • 05:19 • -26.53db
43% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
43% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Valentin Silvestrov
Bagatelle, Op. 1: No. 1, Allegretto
72 bpm • D# Maj • 02:19 • -35.31db
43% Popularity • 36% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
43% Popularity • 36% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
41% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
41% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Gustav Mahler
Mahler / Transcr. Tharaud: Symphony No. ...
71 bpm • F Maj • 10:36 • -19.43db
44% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
44% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Frédéric Chopin
12 Études, Op. 10: No. 3 in E Major
71 bpm • E Maj • 03:54 • -23.4db
43% Popularity • 39% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
43% Popularity • 39% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
John Field
Nocturne No. 6 in F Major
71 bpm • F Maj • 05:08 • -32db
31% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
31% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Friedrich RĂĽckert
Schumann: Gedichte aus "LiebesfrĂĽhling"...
71 bpm • G# Maj • 01:23 • -16.42db
6% Popularity • 38% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
6% Popularity • 38% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: VII. Träumerei
77 bpm • F Maj • 03:15 • -37.79db
31% Popularity • 38% Danceability • 0% Energy • 6% Liveness
96% Instrumentalness • 26% Positiveness
31% Popularity • 38% Danceability • 0% Energy • 6% Liveness
96% Instrumentalness • 26% Positiveness
► Preview
Frederick Delius
Delius: 2 Pieces for Small Orchestra: No...
77 bpm • G Maj • 05:49 • -28db
40% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
40% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Sergei Prokofiev
10 Pieces, Op. 12: No. 7. Prelude
77 bpm • C Maj • 02:18 • -26db
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
► Preview
Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117/2, H. 220
77 bpm • F min • 01:02 • -24.72db
59% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
59% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
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Clara Schumann
Variations on a Theme by Robert Schumann...
77 bpm • B min • 01:19 • -32.6db
34% Popularity • 56% Danceability • 0% Energy • 7% Liveness
97% Instrumentalness • 29% Positiveness
34% Popularity • 56% Danceability • 0% Energy • 7% Liveness
97% Instrumentalness • 29% Positiveness
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Francis Poulenc
Poulenc: Cello Sonata, FP 143: II. Cavat...
77 bpm • F# Maj • 06:26 • -28db
57% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
57% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
77 bpm • C min • 06:53 • -36.38db
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Nino Rota
Valzer
71 bpm • E Maj • 02:51 • -25db
33% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
33% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Robert Schumann
Carnaval, Op. 9: No. 12. Chopin
78 bpm • A# min • 01:21 • -35db
63% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
63% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Karol Szymanowski
9 Preludes, Op. 1: No. 2 in D Minor. And...
70 bpm • D# Maj • 03:43 • -25db
28% Popularity • 48% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
28% Popularity • 48% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus LiebesfrĂĽhlin...
71 bpm • G# Maj • 02:09 • -32db
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Tim Hugh
Cello Concerto No. 1 In C Major, G. 477:...
70 bpm • F Maj • 06:29 • -36.54db
40% Popularity • 10% Danceability • 1% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
40% Popularity • 10% Danceability • 1% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117: No. 2
78 bpm • C min • 01:01 • -24db
46% Popularity • 35% Danceability • 20% Energy • 25% Liveness
90% Instrumentalness • 40% Positiveness
46% Popularity • 35% Danceability • 20% Energy • 25% Liveness
90% Instrumentalness • 40% Positiveness
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John Field
Nocturne No. 3 in A-Flat Major
70 bpm • G# Maj • 04:54 • -33.76db
33% Popularity • 20% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
33% Popularity • 20% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
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Franz Liszt
Liebeslied, S. 566 (After Schumann’s W...
70 bpm • G# Maj • 03:26 • -19.98db
44% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
44% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
JoaquĂn Rodrigo
Cançoneta for Violin and Orchestra
70 bpm • A Maj • 02:52 • -34.94db
46% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
46% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37b: X. October (Autumn...
78 bpm • D min • 04:51 • -38db
35% Popularity • 23% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
35% Popularity • 23% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 12 in F Major, K. 332: ...
78 bpm • A# Maj • 04:18 • -31db
51% Popularity • 34% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
51% Popularity • 34% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 71, Book X: VII. Efter...
70 bpm • A# Maj • 01:52 • -34db
32% Popularity • 31% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
32% Popularity • 31% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Valentin Silvestrov
2 Bagatelles, Op. 173: No. 2. Andantino
70 bpm • C Maj • 02:06 • -43db
32% Popularity • 23% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
32% Popularity • 23% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: V. Lilacs (Transcr. Ra...
78 bpm • G# Maj • 03:01 • -36.25db
57% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
57% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Ignaz Friedman
Orfeo ed Euridice: Ballet des Ombres Heu...
70 bpm • F# Maj • 03:58 • -33db
46% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
46% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
► Preview
Robert Schumann
Davidsbündlertänze, Op. 6: No. 2. Inni...
70 bpm • B Maj • 01:26 • -40.72db
43% Popularity • 31% Danceability • 0% Energy • 8% Liveness
83% Instrumentalness • 23% Positiveness
43% Popularity • 31% Danceability • 0% Energy • 8% Liveness
83% Instrumentalness • 23% Positiveness
► Preview
Gabriel Fauré
8 Pièces brèves, Op. 84: No. 5, Improv...
70 bpm • F# min • 02:00 • -26db
46% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
46% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Jean-Philippe Rameau
Deuxieme livre, Suite en Mi: X. Tambouri...
70 bpm • E min • 01:30 • -27db
46% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
46% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
► Preview
Jean Sibelius
4 Lyric Pieces, Op. 74: No. 2 Sanfter We...
78 bpm • F# Maj • 01:56 • -28db
40% Popularity • 28% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
40% Popularity • 28% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: 10 Preludes, Op. 23: No. 4 ...
78 bpm • D Maj • 04:36 • -27.93db
21% Popularity • 28% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
21% Popularity • 28% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Manuel de Falla
7 canciones populares españolas: VI. Ca...
70 bpm • C min • 02:19 • -32.94db
45% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
45% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Robert Schumann
3 Romanzen, Op. 28: No. 2 in F-Sharp Maj...
70 bpm • F# Maj • 03:50 • -30db
47% Popularity • 28% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
47% Popularity • 28% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
