Songs like Pieces in C Major: II. Allemande (Br 33) by Karen Flint
Based on a tempo of (+/- 10%) and a similar genre
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Antonín Dvořák
Serenade for Strings in E Major, Op. 22:...
118 bpm • A Maj • 05:00 • -21.53db
6% Popularity • 19% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
6% Popularity • 19% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
French Suite No. 6 in E Major, BWV 817 (...
118 bpm • E Maj • 01:34 • -34.09db
8% Popularity • 33% Danceability • 1% Energy • 16% Liveness
93% Instrumentalness • 58% Positiveness
8% Popularity • 33% Danceability • 1% Energy • 16% Liveness
93% Instrumentalness • 58% Positiveness
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Ludwig van Beethoven
Missa solemnis in D Major, Op. 123: I. K...
118 bpm • D Maj • 03:37 • -21.5db
15% Popularity • 17% Danceability • 5% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 5% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
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G. M. Rodriguez
Tango (La cumparsita)
118 bpm • A# Maj • 04:14 • -21.53db
12% Popularity • 40% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
12% Popularity • 40% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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![Rondeau brillante in B Minor Op. 70, D. 895: I. Andante - II. Allegro (Arr. for Violin and Strings Ensemble by Paul Suits) [Excerpt] cover art](https://i.scdn.co/image/ab67616d00001e02f753cc3e801d293e33d80921)
Franz Schubert
Rondeau brillante in B Minor Op. 70, D. ...
117 bpm • B Maj • 06:03 • -15.24db
11% Popularity • 36% Danceability • 18% Energy • 24% Liveness
37% Instrumentalness • 11% Positiveness
11% Popularity • 36% Danceability • 18% Energy • 24% Liveness
37% Instrumentalness • 11% Positiveness
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Karen Flint
Livre Second, Pieces in G: I. Pavane G. ...
119 bpm • F min • 05:47 • -13.89db
0% Popularity • 44% Danceability • 20% Energy • 12% Liveness
83% Instrumentalness • 36% Positiveness
0% Popularity • 44% Danceability • 20% Energy • 12% Liveness
83% Instrumentalness • 36% Positiveness
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Antonín Dvořák
String Quartet No. 12 in F Major, Op. 96...
117 bpm • F Maj • 09:29 • -16.8db
11% Popularity • 31% Danceability • 13% Energy • 18% Liveness
50% Instrumentalness • 10% Positiveness
11% Popularity • 31% Danceability • 13% Energy • 18% Liveness
50% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 20 in D Major, K. 133: II. ...
117 bpm • A Maj • 07:05 • -27.49db
12% Popularity • 35% Danceability • 2% Energy • 10% Liveness
21% Instrumentalness • 39% Positiveness
12% Popularity • 35% Danceability • 2% Energy • 10% Liveness
21% Instrumentalness • 39% Positiveness
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Antonio Vivaldi
Vivaldi: Concerto for Violin and Cello i...
119 bpm • G# Maj • 03:17 • -15.39db
12% Popularity • 41% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 54% Positiveness
12% Popularity • 41% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 54% Positiveness
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Anonymous
William
119 bpm • F Maj • 02:28 • -32.41db
0% Popularity • 33% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 33% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Giacomo Puccini
Messa di Gloria: VII. Qui tollis peccata
116 bpm • F Maj • 04:05 • -23.48db
9% Popularity • 21% Danceability • 7% Energy • 24% Liveness
71% Instrumentalness • 11% Positiveness
9% Popularity • 21% Danceability • 7% Energy • 24% Liveness
71% Instrumentalness • 11% Positiveness
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Valery Gergiev
Piano Concerto No. 1 in B-Flat Minor, Op...
120 bpm • C# Maj • 06:34 • -37.5db
14% Popularity • 30% Danceability • 2% Energy • 18% Liveness
56% Instrumentalness • 8% Positiveness
14% Popularity • 30% Danceability • 2% Energy • 18% Liveness
56% Instrumentalness • 8% Positiveness
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Karen Flint
Pieces from Manuscript Sources, Pieces i...
119 bpm • G min • 01:43 • -16.09db
0% Popularity • 38% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
0% Popularity • 38% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Flute Sonata in E Minor, K. 304:...
119 bpm • E min • 05:43 • -20.93db
33% Popularity • 37% Danceability • 12% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
33% Popularity • 37% Danceability • 12% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
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Karl von Ordóñez
Symphony in A Major, Brown A4: III. Alle...
120 bpm • A Maj • 01:21 • -22.65db
20% Popularity • 58% Danceability • 8% Energy • 8% Liveness
95% Instrumentalness • 24% Positiveness
20% Popularity • 58% Danceability • 8% Energy • 8% Liveness
95% Instrumentalness • 24% Positiveness
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George Frideric Handel
Concerto grosso No. 12 in B Minor, Op. 6...
116 bpm • B min • 03:05 • -15.13db
25% Popularity • 62% Danceability • 34% Energy • 10% Liveness
80% Instrumentalness • 77% Positiveness
25% Popularity • 62% Danceability • 34% Energy • 10% Liveness
80% Instrumentalness • 77% Positiveness
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Colwell Snodbury
Tonight We Celebrate
120 bpm • D Maj • 01:36 • -20.57db
26% Popularity • 37% Danceability • 10% Energy • 6% Liveness
88% Instrumentalness • 35% Positiveness
26% Popularity • 37% Danceability • 10% Energy • 6% Liveness
88% Instrumentalness • 35% Positiveness
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Franz Schubert
Sonata for Piano and Violin No. 3 in G M...
120 bpm • D# Maj • 07:32 • -22.29db
13% Popularity • 51% Danceability • 7% Energy • 6% Liveness
60% Instrumentalness • 40% Positiveness
13% Popularity • 51% Danceability • 7% Energy • 6% Liveness
60% Instrumentalness • 40% Positiveness
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Karen Flint
Pieces in A Minor: III. Allemande l'Amia...
116 bpm • G min • 02:57 • -15.11db
0% Popularity • 32% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 32% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Messieurs La Barre
Pieces in D: V. Gigue de Mʳ Dela Barre ...
116 bpm • C# min • 01:53 • -11.52db
0% Popularity • 47% Danceability • 49% Energy • 9% Liveness
84% Instrumentalness • 78% Positiveness
0% Popularity • 47% Danceability • 49% Energy • 9% Liveness
84% Instrumentalness • 78% Positiveness
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Wolfgang Amadeus Mozart
Davide penitente, K. 469: Chi in Dio sol...
117 bpm • C Maj • 04:44 • -24.23db
9% Popularity • 36% Danceability • 12% Energy • 8% Liveness
27% Instrumentalness • 13% Positiveness
9% Popularity • 36% Danceability • 12% Energy • 8% Liveness
27% Instrumentalness • 13% Positiveness
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Various Artists
Clarinet Concerto in A: Third Movement
116 bpm • A Maj • 09:25 • -23.97db
11% Popularity • 36% Danceability • 5% Energy • 10% Liveness
70% Instrumentalness • 36% Positiveness
11% Popularity • 36% Danceability • 5% Energy • 10% Liveness
70% Instrumentalness • 36% Positiveness
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Carl Philipp Emanuel Bach
Symphony in D Major, H. 651, Wq. 176: I....
115 bpm • C# Maj • 03:34 • -14.65db
23% Popularity • 60% Danceability • 30% Energy • 12% Liveness
25% Instrumentalness • 55% Positiveness
23% Popularity • 60% Danceability • 30% Energy • 12% Liveness
25% Instrumentalness • 55% Positiveness
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Unico Wilhelm van Wassenaer
6 Concerti Armonici / No. 5 in F Minor: ...
115 bpm • D# Maj • 01:34 • -14.57db
10% Popularity • 63% Danceability • 30% Energy • 13% Liveness
67% Instrumentalness • 55% Positiveness
10% Popularity • 63% Danceability • 30% Energy • 13% Liveness
67% Instrumentalness • 55% Positiveness
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Amanda Rontgen-Maier
String Quartet in A Major: II. Andante
115 bpm • D Maj • 04:33 • -21db
12% Popularity • 22% Danceability • 7% Energy • 11% Liveness
25% Instrumentalness • 12% Positiveness
12% Popularity • 22% Danceability • 7% Energy • 11% Liveness
25% Instrumentalness • 12% Positiveness
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Giacomo Meyerbeer
Der Fischer und das Milchmädchen: VI. A...
115 bpm • C Maj • 02:39 • -18.22db
20% Popularity • 41% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 34% Positiveness
20% Popularity • 41% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 34% Positiveness
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Karen Flint
Pieces in D Minor: I. Courante (38)
115 bpm • C min • 02:04 • -15.12db
0% Popularity • 34% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 58% Positiveness
0% Popularity • 34% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 58% Positiveness
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The Gerst Ensemble
12 Melodische Tonstücke for Piano, Op. ...
121 bpm • G min • 01:02 • -29.13db
26% Popularity • 20% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 20% Positiveness
26% Popularity • 20% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 20% Positiveness
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Johann Christian Bach
Grand Overture in D Major Op. 18, No. 3,...
121 bpm • D Maj • 01:53 • -16.86db
23% Popularity • 40% Danceability • 21% Energy • 9% Liveness
95% Instrumentalness • 44% Positiveness
23% Popularity • 40% Danceability • 21% Energy • 9% Liveness
95% Instrumentalness • 44% Positiveness
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Lajos Lencsés
Sarabande et Allegro (arr. L. Lencses): ...
114 bpm • D Maj • 02:28 • -18db
22% Popularity • 42% Danceability • 20% Energy • 27% Liveness
92% Instrumentalness • 63% Positiveness
22% Popularity • 42% Danceability • 20% Energy • 27% Liveness
92% Instrumentalness • 63% Positiveness
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Johann Peter Salomon
Romance for Violin and Orchestra
121 bpm • A Maj • 04:44 • -22.48db
8% Popularity • 20% Danceability • 5% Energy • 37% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 37% Liveness
1% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Variations for Violin and Small Orchestr...
122 bpm • C Maj • 07:07 • -18.67db
12% Popularity • 32% Danceability • 18% Energy • 12% Liveness
64% Instrumentalness • 26% Positiveness
12% Popularity • 32% Danceability • 18% Energy • 12% Liveness
64% Instrumentalness • 26% Positiveness
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Johann Baptist Vanhal
Double Bass Concerto in D Major: II. Ada...
122 bpm • A Maj • 08:14 • -29db
12% Popularity • 27% Danceability • 2% Energy • 10% Liveness
81% Instrumentalness • 23% Positiveness
12% Popularity • 27% Danceability • 2% Energy • 10% Liveness
81% Instrumentalness • 23% Positiveness
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Francesco Geminiani
Concerti Grossi, Op. 7: No. 6 in B-Flat ...
114 bpm • A# min • 01:18 • -18.63db
20% Popularity • 19% Danceability • 18% Energy • 36% Liveness
76% Instrumentalness • 17% Positiveness
20% Popularity • 19% Danceability • 18% Energy • 36% Liveness
76% Instrumentalness • 17% Positiveness
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Carl Philipp Emanuel Bach
Sonatina in D Major, Wq. 96 H. 449: II. ...
114 bpm • D Maj • 02:33 • -14db
22% Popularity • 56% Danceability • 22% Energy • 9% Liveness
87% Instrumentalness • 70% Positiveness
22% Popularity • 56% Danceability • 22% Energy • 9% Liveness
87% Instrumentalness • 70% Positiveness
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Karen Flint
Pieces in C Major: I. Prélude (10)
114 bpm • A# Maj • 02:35 • -18.13db
0% Popularity • 28% Danceability • 32% Energy • 12% Liveness
74% Instrumentalness • 52% Positiveness
0% Popularity • 28% Danceability • 32% Energy • 12% Liveness
74% Instrumentalness • 52% Positiveness
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Anton Diabelli
Trio: II. Andante cantabile
114 bpm • F Maj • 02:54 • -23.59db
16% Popularity • 27% Danceability • 6% Energy • 16% Liveness
40% Instrumentalness • 41% Positiveness
16% Popularity • 27% Danceability • 6% Energy • 16% Liveness
40% Instrumentalness • 41% Positiveness
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Johann Nepomuk Hummel
Concerto in E Major, S 49, WoO 1: I. All...
123 bpm • B Maj • 10:19 • -19.57db
8% Popularity • 44% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 45% Positiveness
8% Popularity • 44% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 45% Positiveness
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George Frideric Handel
Concerto Grosso in D Major, Op. 6, No. 5...
123 bpm • D Maj • 01:41 • -14.09db
8% Popularity • 40% Danceability • 14% Energy • 14% Liveness
88% Instrumentalness • 53% Positiveness
8% Popularity • 40% Danceability • 14% Energy • 14% Liveness
88% Instrumentalness • 53% Positiveness
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Andreas Jakob Romberg
Violin Concerto No. 3 in D minor, Op. 46...
123 bpm • A# Maj • 06:22 • -29.84db
9% Popularity • 23% Danceability • 3% Energy • 9% Liveness
31% Instrumentalness • 12% Positiveness
9% Popularity • 23% Danceability • 3% Energy • 9% Liveness
31% Instrumentalness • 12% Positiveness
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Paul Wranitzky
Achmet und Zenide, Act II: Ouverture Cap...
123 bpm • G Maj • 03:19 • -23.93db
21% Popularity • 47% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 23% Positiveness
21% Popularity • 47% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 23% Positiveness
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Karen Flint
Livre Second, Pieces in G: V. Allemande ...
114 bpm • F Maj • 03:34 • -16.07db
0% Popularity • 33% Danceability • 24% Energy • 12% Liveness
65% Instrumentalness • 39% Positiveness
0% Popularity • 33% Danceability • 24% Energy • 12% Liveness
65% Instrumentalness • 39% Positiveness
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Danubius Quartet
Guitar Quintet No. 3 In B Flat Major, G....
123 bpm • D# Maj • 04:13 • -27db
17% Popularity • 29% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
17% Popularity • 29% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Carl Philipp Emanuel Bach
Fantasia in G Minor, Wq. 117/13
123 bpm • B min • 04:07 • -29.64db
7% Popularity • 41% Danceability • 3% Energy • 21% Liveness
96% Instrumentalness • 15% Positiveness
7% Popularity • 41% Danceability • 3% Energy • 21% Liveness
96% Instrumentalness • 15% Positiveness
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Franz Schubert
Mass No. 2 in G Major, D. 167: Credo: Cr...
124 bpm • G Maj • 03:17 • -22db
12% Popularity • 40% Danceability • 9% Energy • 13% Liveness
18% Instrumentalness • 19% Positiveness
12% Popularity • 40% Danceability • 9% Energy • 13% Liveness
18% Instrumentalness • 19% Positiveness
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Friedrich Burgmüller
25 Ètudes Faciles Et Progressives, Op. ...
113 bpm • G Maj • 01:49 • -23.02db
16% Popularity • 17% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 30% Positiveness
16% Popularity • 17% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 30% Positiveness
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George Frideric Handel
Concerto a due cori No. 2, HWV 333: V. A...
113 bpm • F Maj • 03:31 • -20.27db
17% Popularity • 59% Danceability • 24% Energy • 13% Liveness
84% Instrumentalness • 67% Positiveness
17% Popularity • 59% Danceability • 24% Energy • 13% Liveness
84% Instrumentalness • 67% Positiveness
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Karen Flint
Pieces from Manuscript Sources, Pieces i...
123 bpm • D# Maj • 04:45 • -17.21db
0% Popularity • 32% Danceability • 30% Energy • 10% Liveness
57% Instrumentalness • 40% Positiveness
0% Popularity • 32% Danceability • 30% Energy • 10% Liveness
57% Instrumentalness • 40% Positiveness
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Joseph Haydn
Symphony No. 70 in D Major, Hob.I:70: II...
112 bpm • D Maj • 02:00 • -17.55db
18% Popularity • 54% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 61% Positiveness
18% Popularity • 54% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 61% Positiveness
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Maddalena Laura Lombardini Sirmen
String Quartet No. 4 in B-Flat Major: II...
112 bpm • A# Maj • 02:04 • -18.53db
9% Popularity • 35% Danceability • 10% Energy • 20% Liveness
23% Instrumentalness • 29% Positiveness
9% Popularity • 35% Danceability • 10% Energy • 20% Liveness
23% Instrumentalness • 29% Positiveness
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Jean-Philippe Rameau
Troisième livre de pièces de clavecin,...
125 bpm • A min • 01:43 • -30.89db
17% Popularity • 48% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 83% Positiveness
17% Popularity • 48% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 83% Positiveness
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Robert Schumann
Symphony No. 1 in B-Flat Major, Op. 38: ...
125 bpm • D# Maj • 06:00 • -26.36db
8% Popularity • 18% Danceability • 2% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 2% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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George Frideric Handel
Keyboard Suite No. 3 in D Minor, HWV 428...
124 bpm • D min • 02:06 • -30.27db
17% Popularity • 32% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 29% Positiveness
17% Popularity • 32% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 29% Positiveness
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Franz Schubert
Introduction & Variations on "Trockne Bl...
125 bpm • C# min • 02:54 • -16.32db
17% Popularity • 43% Danceability • 9% Energy • 15% Liveness
67% Instrumentalness • 26% Positiveness
17% Popularity • 43% Danceability • 9% Energy • 15% Liveness
67% Instrumentalness • 26% Positiveness
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Carl Philipp Emanuel Bach
La Caroline, Wq. 117 No. 39, H. 98
125 bpm • G# min • 02:27 • -25.06db
10% Popularity • 42% Danceability • 23% Energy • 6% Liveness
91% Instrumentalness • 40% Positiveness
10% Popularity • 42% Danceability • 23% Energy • 6% Liveness
91% Instrumentalness • 40% Positiveness
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Felix Mendelssohn
Sinfonia No. 5 in B-Flat Major, MWV N5: ...
111 bpm • A# Maj • 04:16 • -19.28db
12% Popularity • 52% Danceability • 38% Energy • 12% Liveness
73% Instrumentalness • 84% Positiveness
12% Popularity • 52% Danceability • 38% Energy • 12% Liveness
73% Instrumentalness • 84% Positiveness
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Ludwig van Beethoven
12 Variations on "Ein Mädchen oder Weib...
125 bpm • F min • 01:11 • -29.81db
20% Popularity • 32% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
20% Popularity • 32% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
► Preview
Leopold Mozart
Symphony in G Major, Eisen G8: II. Andan...
111 bpm • G min • 02:07 • -30.64db
24% Popularity • 49% Danceability • 1% Energy • 12% Liveness
10% Instrumentalness • 14% Positiveness
24% Popularity • 49% Danceability • 1% Energy • 12% Liveness
10% Instrumentalness • 14% Positiveness
► Preview
Paul Wranitzky
Die Spanier in Peru, oder Rollas Tod, Ac...
125 bpm • A# Maj • 05:51 • -19.22db
9% Popularity • 41% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 35% Positiveness
9% Popularity • 41% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 35% Positiveness
► Preview
Anonymous
Filles Charmantes
111 bpm • G Maj • 03:07 • -31.31db
0% Popularity • 35% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
0% Popularity • 35% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Brian Gulland
Classical Tradition
125 bpm • D Maj • 01:44 • -20.15db
11% Popularity • 79% Danceability • 5% Energy • 10% Liveness
81% Instrumentalness • 69% Positiveness
11% Popularity • 79% Danceability • 5% Energy • 10% Liveness
81% Instrumentalness • 69% Positiveness
► Preview
Daniel Auber
La bergère châtelaine, S. 5 (Excerpts)...
111 bpm • A Maj • 01:07 • -14.69db
30% Popularity • 60% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 40% Positiveness
30% Popularity • 60% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 40% Positiveness
► Preview
Carl Philipp Emanuel Bach
Symphony No. 6 in E Major, Wq. 182: I. A...
126 bpm • D# Maj • 02:25 • -15.99db
14% Popularity • 46% Danceability • 30% Energy • 8% Liveness
14% Instrumentalness • 56% Positiveness
14% Popularity • 46% Danceability • 30% Energy • 8% Liveness
14% Instrumentalness • 56% Positiveness
► Preview
Michael Haydn
Missa Sanctae Ursulae, MH 546: Benedictu...
111 bpm • G Maj • 06:33 • -24.7db
8% Popularity • 30% Danceability • 7% Energy • 46% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 30% Danceability • 7% Energy • 46% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Benjamin Britten
Simple Symphony, Op. 4: I. Boisterous Bo...
111 bpm • A min • 03:15 • -20.89db
16% Popularity • 35% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 40% Positiveness
16% Popularity • 35% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 40% Positiveness
► Preview
Jean-Xavier Lefèvre
Clarinet Sonata in B-Flat Major, Op. 1: ...
126 bpm • A# Maj • 01:46 • -23db
11% Popularity • 34% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 48% Positiveness
11% Popularity • 34% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 48% Positiveness
► Preview
Johann Baptist Vanhal
Symphony in D Major, Bryan D2: IV. Alleg...
126 bpm • D Maj • 01:45 • -19.65db
27% Popularity • 40% Danceability • 13% Energy • 9% Liveness
83% Instrumentalness • 56% Positiveness
27% Popularity • 40% Danceability • 13% Energy • 9% Liveness
83% Instrumentalness • 56% Positiveness
► Preview
Ludwig van Beethoven
Piano Sonata No. 16 in G Major, Op. 31 N...
126 bpm • C Maj • 09:12 • -32.29db
7% Popularity • 38% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
7% Popularity • 38% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
► Preview
Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto in D Major, Op. 2 No. 2:...
126 bpm • D Maj • 04:20 • -21.99db
16% Popularity • 37% Danceability • 8% Energy • 9% Liveness
3% Instrumentalness • 35% Positiveness
16% Popularity • 37% Danceability • 8% Energy • 9% Liveness
3% Instrumentalness • 35% Positiveness
► Preview
Joseph Haydn
Die Schöpfung, Hob. XXI:2, Dritter Teil...
110 bpm • C Maj • 09:04 • -19.41db
8% Popularity • 31% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 31% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Gustav Holst
A Fugal Concerto, Op. 40: I. Moderato
110 bpm • D Maj • 01:59 • -22.61db
25% Popularity • 52% Danceability • 14% Energy • 41% Liveness
94% Instrumentalness • 70% Positiveness
25% Popularity • 52% Danceability • 14% Energy • 41% Liveness
94% Instrumentalness • 70% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Flute Sonata in B-Flat Major, K....
110 bpm • D# Maj • 05:48 • -24db
34% Popularity • 32% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
34% Popularity • 32% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
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Karen Flint
Pieces in D Major: XXII. Sarabande (49)
126 bpm • G min • 01:45 • -17.34db
0% Popularity • 38% Danceability • 31% Energy • 9% Liveness
96% Instrumentalness • 34% Positiveness
0% Popularity • 38% Danceability • 31% Energy • 9% Liveness
96% Instrumentalness • 34% Positiveness
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Mrs. Miggins
Farmland
110 bpm • F Maj • 02:39 • -23db
14% Popularity • 35% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
14% Popularity • 35% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Paul Wranitzky
Das Waldmädchen: No. 9, Allegro
127 bpm • A Maj • 01:40 • -23.25db
26% Popularity • 54% Danceability • 7% Energy • 13% Liveness
48% Instrumentalness • 41% Positiveness
26% Popularity • 54% Danceability • 7% Energy • 13% Liveness
48% Instrumentalness • 41% Positiveness
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Ludwig van Beethoven
Mass in C Major, Op. 86: Kyrie
127 bpm • C Maj • 04:43 • -25db
14% Popularity • 18% Danceability • 7% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 7% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
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Carl Stamitz
Orchestral Quartet in C Major, Op. 14, N...
127 bpm • G Maj • 03:26 • -21.81db
12% Popularity • 39% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 49% Positiveness
12% Popularity • 39% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 49% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act III Scene 11: Batta...
127 bpm • C# Maj • 01:35 • -18.85db
35% Popularity • 42% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
35% Popularity • 42% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
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A Nanut
Water Music: Presto
127 bpm • F Maj • 04:12 • -20db
18% Popularity • 63% Danceability • 2% Energy • 9% Liveness
3% Instrumentalness • 71% Positiveness
18% Popularity • 63% Danceability • 2% Energy • 9% Liveness
3% Instrumentalness • 71% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 1 in C Major, BWV 1...
128 bpm • C Maj • 03:49 • -17.1db
8% Popularity • 64% Danceability • 9% Energy • 19% Liveness
97% Instrumentalness • 69% Positiveness
8% Popularity • 64% Danceability • 9% Energy • 19% Liveness
97% Instrumentalness • 69% Positiveness
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Paul Wranitzky
Die Spanier in Peru, oder Rollas Tod, Ac...
127 bpm • D Maj • 05:05 • -21.44db
14% Popularity • 30% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
14% Popularity • 30% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
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Karen Flint
Pieces in A Minor: XI. Allemande (99)
109 bpm • G min • 03:01 • -16.54db
0% Popularity • 35% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 35% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Anonymous
Plus ne veux jamais
109 bpm • D Maj • 01:15 • -33.7db
0% Popularity • 30% Danceability • 2% Energy • 52% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 30% Danceability • 2% Energy • 52% Liveness
0% Instrumentalness • 20% Positiveness
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Carl Philipp Emanuel Bach
Hamburg Symphony No. 4 in A Major, Wq. 1...
128 bpm • D# Maj • 04:23 • -16.37db
8% Popularity • 38% Danceability • 22% Energy • 16% Liveness
80% Instrumentalness • 56% Positiveness
8% Popularity • 38% Danceability • 22% Energy • 16% Liveness
80% Instrumentalness • 56% Positiveness
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Samuel Arnold
Overture in B-Flat Major, Op. 8, No. 1: ...
128 bpm • A# Maj • 03:12 • -20db
14% Popularity • 47% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 45% Positiveness
14% Popularity • 47% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 45% Positiveness
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Franz Schubert
Mass No. 6 in E-Flat Major, D. 950: Vb. ...
128 bpm • D# Maj • 01:07 • -21.5db
11% Popularity • 37% Danceability • 17% Energy • 15% Liveness
98% Instrumentalness • 21% Positiveness
11% Popularity • 37% Danceability • 17% Energy • 15% Liveness
98% Instrumentalness • 21% Positiveness
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Diego Adinolfi
Venho Adorar-Te, Santo Criador
109 bpm • F Maj • 02:51 • -29.79db
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Karen Flint
Pieces in C Major: III. Courante (19)
108 bpm • A# Maj • 01:59 • -14.95db
0% Popularity • 30% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
0% Popularity • 30% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Michael Haydn
Missa Sanctae Ursulae, MH 546: Et resurr...
129 bpm • C Maj • 06:17 • -21.09db
9% Popularity • 46% Danceability • 15% Energy • 8% Liveness
13% Instrumentalness • 37% Positiveness
9% Popularity • 46% Danceability • 15% Energy • 8% Liveness
13% Instrumentalness • 37% Positiveness
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Paul Wranitzky
Das listige Bauernmädchen: Ouvertura. A...
129 bpm • C Maj • 03:36 • -16.2db
20% Popularity • 54% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 38% Positiveness
20% Popularity • 54% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 38% Positiveness
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Edvard Grieg
Norsk, Op. 12 No. 6
108 bpm • D Maj • 01:00 • -27db
12% Popularity • 43% Danceability • 6% Energy • 12% Liveness
74% Instrumentalness • 10% Positiveness
12% Popularity • 43% Danceability • 6% Energy • 12% Liveness
74% Instrumentalness • 10% Positiveness
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Franz Schubert
Mass No. 6 in E-Flat Major, D. 950: IVb....
129 bpm • D# Maj • 01:06 • -21.47db
12% Popularity • 29% Danceability • 14% Energy • 13% Liveness
98% Instrumentalness • 31% Positiveness
12% Popularity • 29% Danceability • 14% Energy • 13% Liveness
98% Instrumentalness • 31% Positiveness
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Leopold Hofmann
Sinfonia in B-Flat Major, Badley Bb1: II...
130 bpm • F Maj • 02:39 • -23db
23% Popularity • 61% Danceability • 9% Energy • 17% Liveness
54% Instrumentalness • 73% Positiveness
23% Popularity • 61% Danceability • 9% Energy • 17% Liveness
54% Instrumentalness • 73% Positiveness
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Karen Flint
Pieces in C Major: V. Menuet (29)
129 bpm • A# Maj • 01:33 • -17.17db
0% Popularity • 44% Danceability • 33% Energy • 6% Liveness
94% Instrumentalness • 67% Positiveness
0% Popularity • 44% Danceability • 33% Energy • 6% Liveness
94% Instrumentalness • 67% Positiveness
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Aiden Spencer
Crash
130 bpm • C# Maj • 05:20 • -18.21db
10% Popularity • 76% Danceability • 11% Energy • 18% Liveness
85% Instrumentalness • 56% Positiveness
10% Popularity • 76% Danceability • 11% Energy • 18% Liveness
85% Instrumentalness • 56% Positiveness
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Messieurs La Barre
Pieces in A: III. Allamande [Gigue] G. 2...
130 bpm • B Maj • 01:26 • -12.8db
0% Popularity • 38% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 38% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Leó Weiner
Divertimento No. 1, Op. 20: IV. Verbunko...
107 bpm • C Maj • 02:30 • -21.7db
17% Popularity • 53% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
17% Popularity • 53% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
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リボル・ペシェック
交響曲 第35番 「ハフナー」 K....
130 bpm • D Maj • 04:06 • -15.18db
11% Popularity • 45% Danceability • 22% Energy • 9% Liveness
72% Instrumentalness • 48% Positiveness
11% Popularity • 45% Danceability • 22% Energy • 9% Liveness
72% Instrumentalness • 48% Positiveness
