Songs like Pines of Rome by Ottorino Respighi
Based on a tempo of (+/- 10%) and a similar genre
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Ottorino Respighi
Pini di Roma (Pines of Rome), P. 141: I....
82 bpm • D min • 02:49 • -18.44db
8% Popularity • 26% Danceability • 26% Energy • 63% Liveness
94% Instrumentalness • 64% Positiveness
8% Popularity • 26% Danceability • 26% Energy • 63% Liveness
94% Instrumentalness • 64% Positiveness
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Leonard Bernstein
Candide: Overture
82 bpm • D# Maj • 04:10 • -16.3db
31% Popularity • 24% Danceability • 41% Energy • 33% Liveness
66% Instrumentalness • 42% Positiveness
31% Popularity • 24% Danceability • 41% Energy • 33% Liveness
66% Instrumentalness • 42% Positiveness
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Dmitri Shostakovich
Bolt, Op. 27a (Ballet Suite No. 5): III....
82 bpm • F min • 01:54 • -14db
32% Popularity • 56% Danceability • 34% Energy • 9% Liveness
96% Instrumentalness • 45% Positiveness
32% Popularity • 56% Danceability • 34% Energy • 9% Liveness
96% Instrumentalness • 45% Positiveness
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Aaron Copland
Appalachian Spring: II. Allegro
82 bpm • F Maj • 02:42 • -13db
31% Popularity • 43% Danceability • 38% Energy • 19% Liveness
83% Instrumentalness • 20% Positiveness
31% Popularity • 43% Danceability • 38% Energy • 19% Liveness
83% Instrumentalness • 20% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Colin Matthews (1946)
Matthews : Pluto, the Renewer
82 bpm • F Maj • 05:52 • -23.69db
2% Popularity • 8% Danceability • 4% Energy • 7% Liveness
22% Instrumentalness • 4% Positiveness
2% Popularity • 8% Danceability • 4% Energy • 7% Liveness
22% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Pines of Rome
82 bpm • B Maj • 21:15 • -20.35db
25% Popularity • 11% Danceability • 12% Energy • 93% Liveness
82% Instrumentalness • 6% Positiveness
25% Popularity • 11% Danceability • 12% Energy • 93% Liveness
82% Instrumentalness • 6% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Claude Debussy
La mer, L. 109: No. 2, Jeux de vagues
82 bpm • A Maj • 06:42 • -18.75db
10% Popularity • 13% Danceability • 24% Energy • 15% Liveness
79% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 24% Energy • 15% Liveness
79% Instrumentalness • 4% Positiveness
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Peter Warlock
Capriol Suite: 6. Mattachins (Sword Danc...
82 bpm • F Maj • 00:59 • -16.82db
24% Popularity • 66% Danceability • 28% Energy • 16% Liveness
94% Instrumentalness • 57% Positiveness
24% Popularity • 66% Danceability • 28% Energy • 16% Liveness
94% Instrumentalness • 57% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
81 bpm • A min • 05:38 • -22.8db
8% Popularity • 10% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
8% Popularity • 10% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Pini di Roma, P. 141: III. I pini del Gi...
82 bpm • B Maj • 07:15 • -32.49db
16% Popularity • 14% Danceability • 2% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 2% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Firebird Suite (1919 Version): Infer...
83 bpm • E min • 03:56 • -13.05db
16% Popularity • 35% Danceability • 53% Energy • 11% Liveness
81% Instrumentalness • 27% Positiveness
16% Popularity • 35% Danceability • 53% Energy • 11% Liveness
81% Instrumentalness • 27% Positiveness
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Cécile Chaminade
Chaminade: Flute Concertino, Op. 107
83 bpm • D Maj • 08:21 • -20db
23% Popularity • 22% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
23% Popularity • 22% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
81 bpm • C min • 06:37 • -30db
28% Popularity • 23% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
28% Popularity • 23% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Maurice Ravel
Ma mère l'oye, M. 62: Apothéose: Le ja...
83 bpm • C Maj • 03:29 • -25db
35% Popularity • 11% Danceability • 2% Energy • 26% Liveness
82% Instrumentalness • 5% Positiveness
35% Popularity • 11% Danceability • 2% Energy • 26% Liveness
82% Instrumentalness • 5% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
83 bpm • A# Maj • 02:07 • -20db
31% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
31% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Claude Debussy
La Mer, L.109: 3. Dialogue Of The Wind A...
83 bpm • C# Maj • 07:57 • -20db
14% Popularity • 10% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Gerald Finzi
5 Bagatelles for clarinet and piano, Op....
81 bpm • C Maj • 03:53 • -23db
14% Popularity • 22% Danceability • 7% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
14% Popularity • 22% Danceability • 7% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
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Pablo de Sarasate
Sarasate: Zigeunerweisen, Op. 20
83 bpm • C min • 08:37 • -20.64db
32% Popularity • 26% Danceability • 14% Energy • 5% Liveness
13% Instrumentalness • 13% Positiveness
32% Popularity • 26% Danceability • 14% Energy • 5% Liveness
13% Instrumentalness • 13% Positiveness
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Ludwig van Beethoven
Egmont Overture, Op. 84 - Remastered
83 bpm • F min • 08:35 • -16.16db
40% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
40% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
81 bpm • C Maj • 01:13 • -27.75db
28% Popularity • 47% Danceability • 5% Energy • 26% Liveness
92% Instrumentalness • 30% Positiveness
28% Popularity • 47% Danceability • 5% Energy • 26% Liveness
92% Instrumentalness • 30% Positiveness
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Ottorino Respighi
Roman Festivals: IV. La Befana
83 bpm • D Maj • 05:42 • -14.29db
12% Popularity • 21% Danceability • 49% Energy • 21% Liveness
85% Instrumentalness • 33% Positiveness
12% Popularity • 21% Danceability • 49% Energy • 21% Liveness
85% Instrumentalness • 33% Positiveness
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US Marine Band
"Elsa's Procession to the Cathedral" fro...
83 bpm • D# Maj • 05:56 • -22.55db
20% Popularity • 8% Danceability • 2% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 2% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Claude Debussy
Nocturnes, CD 98: I. Nuages
83 bpm • C Maj • 06:21 • -35db
26% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
26% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
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Leonard Bernstein
Symphony No. 1 "Jeremiah": II. Profanati...
81 bpm • A Maj • 06:39 • -15.28db
7% Popularity • 38% Danceability • 39% Energy • 69% Liveness
83% Instrumentalness • 28% Positiveness
7% Popularity • 38% Danceability • 39% Energy • 69% Liveness
83% Instrumentalness • 28% Positiveness
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Johann Sebastian Bach
Concerto for 2 Violins in D Minor, BWV 1...
83 bpm • F Maj • 06:57 • -20db
24% Popularity • 19% Danceability • 16% Energy • 36% Liveness
23% Instrumentalness • 27% Positiveness
24% Popularity • 19% Danceability • 16% Energy • 36% Liveness
23% Instrumentalness • 27% Positiveness
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William Grant Still
Symphony No. 1, "Afro-American": I. Long...
81 bpm • G# Maj • 07:33 • -28db
19% Popularity • 14% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
19% Popularity • 14% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
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Percy Grainger
Colonial Song (version for wind ensemble...
84 bpm • D# Maj • 06:09 • -21db
22% Popularity • 8% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 8% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Symphony No. 5 in D Minor, Op. 47: II. A...
81 bpm • C Maj • 04:54 • -17.84db
14% Popularity • 50% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 55% Positiveness
14% Popularity • 50% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 55% Positiveness
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Maurice Ravel
Le tombeau de Couperin (version for orch...
80 bpm • G Maj • 03:09 • -30.78db
31% Popularity • 22% Danceability • 3% Energy • 39% Liveness
89% Instrumentalness • 12% Positiveness
31% Popularity • 22% Danceability • 3% Energy • 39% Liveness
89% Instrumentalness • 12% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:09 • -35db
41% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
41% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
84 bpm • G# Maj • 02:00 • -30.44db
23% Popularity • 20% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 14% Positiveness
23% Popularity • 20% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 14% Positiveness
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Ottorino Respighi
Impressioni brasiliane, P. 153: II. Buta...
80 bpm • F Maj • 04:27 • -31.47db
4% Popularity • 8% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
4% Popularity • 8% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Gustav Holst
The Planets, Op. 32: VII. Neptune, the M...
84 bpm • E Maj • 08:24 • -34.1db
9% Popularity • 8% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
9% Popularity • 8% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
Festive Overture Op.96
80 bpm • A Maj • 05:48 • -14.49db
13% Popularity • 33% Danceability • 39% Energy • 14% Liveness
90% Instrumentalness • 33% Positiveness
13% Popularity • 33% Danceability • 39% Energy • 14% Liveness
90% Instrumentalness • 33% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Symphony No. 4 in F Minor, ...
80 bpm • F min • 09:35 • -15db
34% Popularity • 24% Danceability • 41% Energy • 71% Liveness
81% Instrumentalness • 8% Positiveness
34% Popularity • 24% Danceability • 41% Energy • 71% Liveness
81% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
80 bpm • C# Maj • 10:10 • -31db
30% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
30% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
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Alexander Scriabin
Piano Concerto in F-Sharp Minor, Op. 20:...
84 bpm • D Maj • 07:56 • -24.73db
25% Popularity • 13% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
25% Popularity • 13% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Pines Of Rome, P. 141: 3. The Pines Of T...
84 bpm • E Maj • 06:48 • -31.27db
20% Popularity • 8% Danceability • 4% Energy • 7% Liveness
57% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 4% Energy • 7% Liveness
57% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan: The Tale of Tsa...
80 bpm • G Maj • 01:30 • -27.64db
52% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
52% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
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Dmitri Shostakovich
Symphony No. 5 in D Minor, Op. 47: II. A...
80 bpm • C Maj • 04:57 • -14db
31% Popularity • 51% Danceability • 30% Energy • 5% Liveness
80% Instrumentalness • 52% Positiveness
31% Popularity • 51% Danceability • 30% Energy • 5% Liveness
80% Instrumentalness • 52% Positiveness
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Pyotr Ilyich Tchaikovsky
1812 Overture, Op. 49, TH 49
80 bpm • D# Maj • 15:30 • -19.25db
29% Popularity • 16% Danceability • 22% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
29% Popularity • 16% Danceability • 22% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
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Modest Mussorgsky
A Night On Bald Mountain
84 bpm • D Maj • 11:07 • -17.89db
22% Popularity • 21% Danceability • 27% Energy • 35% Liveness
78% Instrumentalness • 10% Positiveness
22% Popularity • 21% Danceability • 27% Energy • 35% Liveness
78% Instrumentalness • 10% Positiveness
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Johann Strauss II
The Blue Danube Waltz, Op. 314
84 bpm • D Maj • 10:18 • -16.46db
23% Popularity • 26% Danceability • 10% Energy • 19% Liveness
92% Instrumentalness • 19% Positiveness
23% Popularity • 26% Danceability • 10% Energy • 19% Liveness
92% Instrumentalness • 19% Positiveness
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Ottorino Respighi
La primavera, P. 136: Invocazione
84 bpm • C# Maj • 04:19 • -20db
7% Popularity • 19% Danceability • 17% Energy • 33% Liveness
62% Instrumentalness • 9% Positiveness
7% Popularity • 19% Danceability • 17% Energy • 33% Liveness
62% Instrumentalness • 9% Positiveness
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George Gershwin
An American in Paris
84 bpm • F Maj • 18:22 • -18.72db
34% Popularity • 18% Danceability • 23% Energy • 23% Liveness
86% Instrumentalness • 11% Positiveness
34% Popularity • 18% Danceability • 23% Energy • 23% Liveness
86% Instrumentalness • 11% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: IV. Allegro molto ...
84 bpm • C Maj • 13:11 • -21db
31% Popularity • 20% Danceability • 23% Energy • 70% Liveness
27% Instrumentalness • 9% Positiveness
31% Popularity • 20% Danceability • 23% Energy • 70% Liveness
27% Instrumentalness • 9% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: III. Anit...
80 bpm • F Maj • 03:36 • -20.56db
10% Popularity • 31% Danceability • 16% Energy • 9% Liveness
9% Instrumentalness • 12% Positiveness
10% Popularity • 31% Danceability • 16% Energy • 9% Liveness
9% Instrumentalness • 12% Positiveness
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Paul Hindemith
Symphonic Metamorphoses on Themes of Car...
84 bpm • F min • 04:09 • -26db
14% Popularity • 9% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
14% Popularity • 9% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Claude Debussy
Images pour orchestre, L. 122: No. 2: Ib...
85 bpm • F min • 06:54 • -26.5db
3% Popularity • 17% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 24% Positiveness
3% Popularity • 17% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 24% Positiveness
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Ottorino Respighi
Respighi: String Quartet in D Minor, P. ...
84 bpm • E min • 06:52 • -19.99db
4% Popularity • 23% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
4% Popularity • 23% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 2 "Resurrection": Ia. Alleg...
85 bpm • C min • 07:01 • -22db
26% Popularity • 16% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
26% Popularity • 16% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Alexander Borodin
Prince Igor: Polovtsian Dances (Remaster...
79 bpm • F Maj • 01:10 • -15db
20% Popularity • 40% Danceability • 24% Energy • 14% Liveness
51% Instrumentalness • 26% Positiveness
20% Popularity • 40% Danceability • 24% Energy • 14% Liveness
51% Instrumentalness • 26% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I
79 bpm • F Maj • 01:51 • -17.1db
34% Popularity • 24% Danceability • 9% Energy • 17% Liveness
96% Instrumentalness • 14% Positiveness
34% Popularity • 24% Danceability • 9% Energy • 17% Liveness
96% Instrumentalness • 14% Positiveness
► Preview
Dmitri Shostakovich
Symphony No. 5 in D Minor, Op. 47: I. Mo...
85 bpm • A min • 16:19 • -15.72db
35% Popularity • 16% Danceability • 18% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 18% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Nocturnes, CD 98: II. Fêtes
79 bpm • A Maj • 06:15 • -20.03db
24% Popularity • 14% Danceability • 18% Energy • 8% Liveness
85% Instrumentalness • 7% Positiveness
24% Popularity • 14% Danceability • 18% Energy • 8% Liveness
85% Instrumentalness • 7% Positiveness
► Preview
Ottorino Respighi
Pini di Roma, P. 141: I. I pini di Villa...
85 bpm • F Maj • 02:46 • -22db
24% Popularity • 22% Danceability • 26% Energy • 81% Liveness
73% Instrumentalness • 51% Positiveness
24% Popularity • 22% Danceability • 26% Energy • 81% Liveness
73% Instrumentalness • 51% Positiveness
► Preview
Gustav Holst
The Planets, Op. 32: III. Mercury, the W...
79 bpm • A Maj • 03:58 • -25db
10% Popularity • 16% Danceability • 16% Energy • 12% Liveness
60% Instrumentalness • 9% Positiveness
10% Popularity • 16% Danceability • 16% Energy • 12% Liveness
60% Instrumentalness • 9% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring (1913 Version): Adora...
85 bpm • G min • 01:16 • -17.27db
15% Popularity • 37% Danceability • 47% Energy • 43% Liveness
93% Instrumentalness • 13% Positiveness
15% Popularity • 37% Danceability • 47% Energy • 43% Liveness
93% Instrumentalness • 13% Positiveness
► Preview
George Frideric Handel
Water Music Suite No. 1 (Excerpts): 5. A...
85 bpm • F Maj • 02:38 • -30.88db
28% Popularity • 14% Danceability • 6% Energy • 17% Liveness
84% Instrumentalness • 32% Positiveness
28% Popularity • 14% Danceability • 6% Energy • 17% Liveness
84% Instrumentalness • 32% Positiveness
► Preview
Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
47% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
47% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
34% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
The Birds, P. 154: IV. The Nightingale (...
85 bpm • C Maj • 03:53 • -33.31db
10% Popularity • 27% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
10% Popularity • 27% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
► Preview
Gustav Holst
The Planets, Op. 32: 2. Venus, the Bring...
85 bpm • F min • 08:37 • -32.92db
46% Popularity • 9% Danceability • 1% Energy • 11% Liveness
53% Instrumentalness • 3% Positiveness
46% Popularity • 9% Danceability • 1% Energy • 11% Liveness
53% Instrumentalness • 3% Positiveness
► Preview
Gerald Finzi
5 Bagatelles, Op. 23a (Arr. L. Ashmore f...
85 bpm • C Maj • 03:19 • -19.03db
9% Popularity • 25% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 35% Positiveness
9% Popularity • 25% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 35% Positiveness
► Preview
Claude Debussy
La mer, L. 109: No. 3, Dialogue du vent ...
85 bpm • G# Maj • 08:14 • -16db
8% Popularity • 10% Danceability • 30% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 30% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition: V. Ballet of ...
85 bpm • C# Maj • 01:12 • -27.97db
11% Popularity • 64% Danceability • 14% Energy • 18% Liveness
95% Instrumentalness • 91% Positiveness
11% Popularity • 64% Danceability • 14% Energy • 18% Liveness
95% Instrumentalness • 91% Positiveness
► Preview
Francis Poulenc
Les biches Suite, FP 36b: I. Rondeau
79 bpm • C Maj • 03:19 • -20db
30% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
30% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
► Preview
Ottorino Respighi
Pines Of Rome, P. 141: 2. The Pines Near...
79 bpm • E min • 06:54 • -21db
20% Popularity • 12% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Gustav Holst
Japanese Suite, Op. 33: V. Dance under t...
85 bpm • A# Maj • 01:59 • -42.87db
38% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30, TrV 176...
78 bpm • G# Maj • 03:28 • -22db
32% Popularity • 12% Danceability • 4% Energy • 72% Liveness
87% Instrumentalness • 3% Positiveness
32% Popularity • 12% Danceability • 4% Energy • 72% Liveness
87% Instrumentalness • 3% Positiveness
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Gerald Finzi
Clarinet Concerto in C Minor, Op. 31: I....
79 bpm • G# Maj • 07:53 • -19.87db
14% Popularity • 13% Danceability • 8% Energy • 9% Liveness
78% Instrumentalness • 6% Positiveness
14% Popularity • 13% Danceability • 8% Energy • 9% Liveness
78% Instrumentalness • 6% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: II. Il vecchi...
86 bpm • G# Maj • 04:03 • -33.86db
11% Popularity • 15% Danceability • 1% Energy • 19% Liveness
89% Instrumentalness • 5% Positiveness
11% Popularity • 15% Danceability • 1% Energy • 19% Liveness
89% Instrumentalness • 5% Positiveness
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Aaron Copland
Appalachian Spring: I. Very Slowly
78 bpm • A Maj • 02:42 • -31db
35% Popularity • 16% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Maurice Ravel
Le Tombeau de Couperin, M. 68: I. Prélu...
78 bpm • E min • 03:22 • -24db
14% Popularity • 23% Danceability • 9% Energy • 18% Liveness
92% Instrumentalness • 18% Positiveness
14% Popularity • 23% Danceability • 9% Energy • 18% Liveness
92% Instrumentalness • 18% Positiveness
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Dmitri Shostakovich
Symphony No. 9 in E-Flat Major, Op. 70: ...
78 bpm • F Maj • 02:45 • -25.18db
8% Popularity • 18% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 18% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Gustav Mahler
Symphony No. 2 "Resurrection": Ib. Sehr ...
86 bpm • C Maj • 05:50 • -24.99db
23% Popularity • 10% Danceability • 2% Energy • 13% Liveness
74% Instrumentalness • 8% Positiveness
23% Popularity • 10% Danceability • 2% Energy • 13% Liveness
74% Instrumentalness • 8% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
86 bpm • A# min • 01:25 • -27db
21% Popularity • 33% Danceability • 8% Energy • 9% Liveness
97% Instrumentalness • 7% Positiveness
21% Popularity • 33% Danceability • 8% Energy • 9% Liveness
97% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95, B. 17...
78 bpm • E min • 06:31 • -16db
18% Popularity • 27% Danceability • 26% Energy • 22% Liveness
70% Instrumentalness • 29% Positiveness
18% Popularity • 27% Danceability • 26% Energy • 22% Liveness
70% Instrumentalness • 29% Positiveness
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Igor Stravinsky
The Firebird Suite (1919 Version): Final...
78 bpm • E Maj • 03:28 • -12db
17% Popularity • 14% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
17% Popularity • 14% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Leonard Bernstein
Symphony No. 1 "Jeremiah": I. Prophecy
78 bpm • E Maj • 07:38 • -19db
4% Popularity • 18% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
4% Popularity • 18% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Gerald Finzi
5 Bagatelles, Op. 23a (Arr. L. Ashmore f...
78 bpm • A# Maj • 01:56 • -25.9db
26% Popularity • 14% Danceability • 4% Energy • 33% Liveness
78% Instrumentalness • 26% Positiveness
26% Popularity • 14% Danceability • 4% Energy • 33% Liveness
78% Instrumentalness • 26% Positiveness
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Jean Sibelius
Symphony No. 2 in D Major, Op. 43: IV. F...
86 bpm • D Maj • 14:33 • -13.78db
4% Popularity • 16% Danceability • 28% Energy • 35% Liveness
94% Instrumentalness • 11% Positiveness
4% Popularity • 16% Danceability • 28% Energy • 35% Liveness
94% Instrumentalness • 11% Positiveness
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Anton Bruckner
Symphony No. 8: IV. Finale. Feierlich, n...
78 bpm • C# Maj • 21:57 • -19.02db
25% Popularity • 11% Danceability • 9% Energy • 68% Liveness
93% Instrumentalness • 4% Positiveness
25% Popularity • 11% Danceability • 9% Energy • 68% Liveness
93% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Czech Suite in D Major, Op. 39, B. 93: I...
86 bpm • D min • 05:19 • -18db
27% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
27% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Malcolm Arnold
4 Scottish Dances, Op. 59: No. 3, Allegr...
86 bpm • G min • 04:16 • -28db
13% Popularity • 9% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
13% Popularity • 9% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
David Maslanka
Give Us This Day: I. —
86 bpm • A# Maj • 08:28 • -23db
25% Popularity • 9% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Benjamin Britten
Simple Symphony, Op. 4: IV. Frolicsome F...
78 bpm • G Maj • 03:00 • -14.48db
20% Popularity • 43% Danceability • 36% Energy • 10% Liveness
87% Instrumentalness • 20% Positiveness
20% Popularity • 43% Danceability • 36% Energy • 10% Liveness
87% Instrumentalness • 20% Positiveness
► Preview
Aaron Copland
Appalachian Spring: VII. Doppio moviment...
78 bpm • C# Maj • 03:03 • -15.27db
45% Popularity • 19% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
45% Popularity • 19% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
► Preview
Ottorino Respighi
Respighi: Fontane di Roma, P. 106: IV. L...
86 bpm • A Maj • 05:10 • -36db
6% Popularity • 9% Danceability • 1% Energy • 13% Liveness
29% Instrumentalness • 3% Positiveness
6% Popularity • 9% Danceability • 1% Energy • 13% Liveness
29% Instrumentalness • 3% Positiveness
► Preview
Bedřich Smetana
Má Vlast, JB1:112: No. 2, Vltava
78 bpm • E min • 12:46 • -18db
36% Popularity • 11% Danceability • 13% Energy • 26% Liveness
96% Instrumentalness • 6% Positiveness
36% Popularity • 11% Danceability • 13% Energy • 26% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Malcolm Arnold
4 Scottish Dances, Op. 59: No. 1, Pesant...
78 bpm • A min • 02:29 • -15.56db
15% Popularity • 32% Danceability • 27% Energy • 13% Liveness
91% Instrumentalness • 50% Positiveness
15% Popularity • 32% Danceability • 27% Energy • 13% Liveness
91% Instrumentalness • 50% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition: Promenade I
78 bpm • F Maj • 01:51 • -18.29db
14% Popularity • 24% Danceability • 6% Energy • 39% Liveness
92% Instrumentalness • 21% Positiveness
14% Popularity • 24% Danceability • 6% Energy • 39% Liveness
92% Instrumentalness • 21% Positiveness
► Preview
Jean Sibelius
Symphony No. 5 in E-Flat Major, Op. 82: ...
87 bpm • D# Maj • 09:38 • -23.64db
9% Popularity • 17% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
9% Popularity • 17% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
Alexander Borodin
Prince Igor: Polovtsian Dances (Remaster...
78 bpm • A Maj • 02:23 • -23.28db
27% Popularity • 17% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
