Songs like Pink in Heaven by Liimo
Based on a tempo of (+/- 10%) and a similar genre
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JST FRNDS
Kids Again
162 bpm • F# Maj • 03:16 • -6db
10% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Phil Good
Wonder
162 bpm • B Maj • 03:03 • -5db
19% Popularity • 79% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 79% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Liimo
Pink in Heaven
162 bpm • C Maj • 03:23 • -5.19db
21% Popularity • 59% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 59% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Isaiah Firebrace
What Happened to Us
162 bpm • C Maj • 03:07 • -5.72db
44% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Rishi
Make It on My Own
162 bpm • A# Maj • 03:10 • -7.83db
12% Popularity • 52% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 52% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Tabitha Nauser
Vices
162 bpm • A Maj • 02:42 • -7.29db
17% Popularity • 73% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 73% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Dylan Rockoff
Better Late Than Never
163 bpm • B Maj • 02:59 • -9.08db
20% Popularity • 66% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 66% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Mountenz
i love the way you love me
160 bpm • D# Maj • 03:07 • -6.92db
14% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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MILKK
Stupid
160 bpm • C# min • 04:24 • -8.06db
27% Popularity • 56% Danceability • 56% Energy • 11% Liveness
57% Instrumentalness • 30% Positiveness
27% Popularity • 56% Danceability • 56% Energy • 11% Liveness
57% Instrumentalness • 30% Positiveness
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Austin Cain
Till Forever Runs Out
164 bpm • G Maj • 03:24 • -7.78db
12% Popularity • 59% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 59% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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The DRIIVE
Waiting for Tomorrow
160 bpm • D Maj • 02:51 • -6.64db
28% Popularity • 59% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 59% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Lauv
Sweatpants
160 bpm • A# Maj • 03:16 • -8.44db
42% Popularity • 72% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 72% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Fly By Midnight
Lovely
160 bpm • C Maj • 02:56 • -6.8db
49% Popularity • 55% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
49% Popularity • 55% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Lawson
She Don't Even Know
164 bpm • A Maj • 03:36 • -8db
7% Popularity • 38% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 38% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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shy martin
Nobody Likes Moving On
160 bpm • B Maj • 02:46 • -10.78db
43% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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lost spaces
soft.tides
164 bpm • A# Maj • 03:44 • -8.88db
19% Popularity • 53% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 53% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Tabitha Nauser
warning sign
160 bpm • G Maj • 03:21 • -7.45db
11% Popularity • 65% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 65% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Jay Ocean
Halo
160 bpm • G Maj • 02:34 • -7.16db
9% Popularity • 41% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 41% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Fly By Midnight
Lovely
160 bpm • C Maj • 02:56 • -7.34db
29% Popularity • 53% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 53% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Daniel Schulz
Bad Company
159 bpm • A Maj • 02:53 • -5.99db
29% Popularity • 82% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 82% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Greyson Chance
Bad To Myself - Slow Magic Remix
157 bpm • C# Maj • 02:56 • -5db
12% Popularity • 58% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 58% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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YAØ
Morning Dance
158 bpm • F# min • 02:53 • -14db
22% Popularity • 68% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 68% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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EMI
Say Dat
157 bpm • G# Maj • 03:03 • -4.54db
17% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Dylan Rockoff
Highlight Reel
168 bpm • A Maj • 02:56 • -6db
23% Popularity • 58% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 58% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Mathew V
Stay By You
156 bpm • C Maj • 03:25 • -4.64db
5% Popularity • 67% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
5% Popularity • 67% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Valentina Ploy
LET GO
168 bpm • A Maj • 03:27 • -9.59db
24% Popularity • 56% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 56% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Jonny Glenn
Don't Wanna Let You Down
156 bpm • F# Maj • 02:46 • -6.84db
27% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Wes Leslie
That's So Raven
168 bpm • C# min • 02:25 • -5.02db
17% Popularity • 57% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 57% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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HIGHST
PCH
156 bpm • A# Maj • 02:37 • -4.73db
9% Popularity • 50% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 50% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Etham
Purpose - Stripped
155 bpm • G# Maj • 03:16 • -9.7db
43% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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LANY
good guys
170 bpm • C Maj • 03:44 • -7.45db
51% Popularity • 46% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 46% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Nick Lopez
Who Needs to Know?
170 bpm • G# Maj • 02:55 • -9db
8% Popularity • 49% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 49% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jome
Stuck
170 bpm • C min • 02:33 • -7.66db
20% Popularity • 44% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 44% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Flawes
Ghost Town
170 bpm • A Maj • 03:02 • -6.06db
12% Popularity • 55% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 55% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Carlie Hanson
Cigarettes
170 bpm • D Maj • 04:02 • -5db
25% Popularity • 49% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 49% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Gion
Never Happened
170 bpm • D Maj • 04:08 • -7.35db
9% Popularity • 55% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 55% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Before You Exit
Numb
170 bpm • A min • 03:50 • -7.95db
23% Popularity • 70% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 70% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Johnny Orlando
Waste My Time
154 bpm • A Maj • 02:42 • -6.04db
42% Popularity • 68% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 68% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Great Good Fine Ok
2020
154 bpm • A# min • 02:39 • -6.31db
25% Popularity • 62% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 62% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Chey Rose
V.C.R.
170 bpm • B Maj • 02:55 • -7.02db
14% Popularity • 64% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 64% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Aaron Carpenter
Proud
154 bpm • D Maj • 03:22 • -6.3db
17% Popularity • 51% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 51% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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HIGHST
Stay
154 bpm • G# Maj • 02:49 • -4.78db
8% Popularity • 48% Danceability • 83% Energy • 43% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 48% Danceability • 83% Energy • 43% Liveness
0% Instrumentalness • 70% Positiveness
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Gion
I hurt you, I don't deserve you.
172 bpm • D Maj • 03:09 • -10.18db
29% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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pink roses
drinkup
172 bpm • A# Maj • 03:02 • -7.41db
9% Popularity • 51% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 51% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Joel Adams
Fake Friends
172 bpm • C Maj • 02:54 • -4.44db
42% Popularity • 63% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 63% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Leila Alcasid
Someday Paradise
172 bpm • A# min • 04:29 • -6.23db
26% Popularity • 47% Danceability • 66% Energy • 14% Liveness
1% Instrumentalness • 30% Positiveness
26% Popularity • 47% Danceability • 66% Energy • 14% Liveness
1% Instrumentalness • 30% Positiveness
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Chaz Mazzota
RyTE
152 bpm • C Maj • 02:37 • -8.18db
14% Popularity • 91% Danceability • 55% Energy • 73% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 91% Danceability • 55% Energy • 73% Liveness
0% Instrumentalness • 76% Positiveness
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MAX
Where Am I At
173 bpm • G min • 03:29 • -5.82db
36% Popularity • 42% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 42% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Ella Isaacson
Expectations
152 bpm • G# Maj • 02:36 • -9db
20% Popularity • 44% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 44% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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pink roses
another girl
152 bpm • F# Maj • 03:53 • -10.94db
10% Popularity • 59% Danceability • 55% Energy • 13% Liveness
3% Instrumentalness • 46% Positiveness
10% Popularity • 59% Danceability • 55% Energy • 13% Liveness
3% Instrumentalness • 46% Positiveness
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JC Stewart
The Wrong Ones
173 bpm • C# Maj • 02:47 • -6.25db
19% Popularity • 56% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 56% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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The DRIIVE
I'll Be There
174 bpm • F# Maj • 03:34 • -7.24db
21% Popularity • 32% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 32% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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shy martin
Same Old
174 bpm • B Maj • 02:55 • -8.12db
37% Popularity • 68% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 68% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Ethan Dufault
Right There
174 bpm • B Maj • 03:14 • -7db
27% Popularity • 69% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 69% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Fly By Midnight
XL - Acoustic
150 bpm • F# Maj • 02:50 • -9.37db
17% Popularity • 68% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 68% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Carl Storm
Let A Little Love Light In
150 bpm • F Maj • 02:56 • -8.85db
19% Popularity • 63% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 63% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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AfterSound
Don't Forget About Me
150 bpm • C# Maj • 03:21 • -5.91db
24% Popularity • 59% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 59% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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The DRIIVE
My Love
174 bpm • G# Maj • 03:22 • -6.84db
14% Popularity • 44% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 44% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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ORKID
CloudsNdrivebys
175 bpm • C min • 02:46 • -9.91db
17% Popularity • 72% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 72% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Talitha.
slip through your veins
150 bpm • D min • 03:14 • -11db
10% Popularity • 53% Danceability • 49% Energy • 8% Liveness
6% Instrumentalness • 27% Positiveness
10% Popularity • 53% Danceability • 49% Energy • 8% Liveness
6% Instrumentalness • 27% Positiveness
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Alex Frew
Get Out Alive
150 bpm • C Maj • 03:11 • -5.78db
23% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Lauv
Believed
150 bpm • B min • 02:49 • -8.09db
43% Popularity • 80% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 80% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 49% Positiveness
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NYK
PRETTY BURN
150 bpm • C Maj • 04:06 • -6db
23% Popularity • 59% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 59% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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will hyde
easy for u.
150 bpm • F# min • 02:16 • -6db
27% Popularity • 69% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 69% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Gentle Bones
Put My Hands Up
150 bpm • A min • 02:28 • -7.89db
20% Popularity • 83% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 83% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Liimo
Get Weird
150 bpm • C Maj • 02:05 • -4.24db
3% Popularity • 67% Danceability • 82% Energy • 51% Liveness
0% Instrumentalness • 76% Positiveness
3% Popularity • 67% Danceability • 82% Energy • 51% Liveness
0% Instrumentalness • 76% Positiveness
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RITUAL
Using
150 bpm • D# Maj • 03:16 • -5db
33% Popularity • 59% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 59% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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The DRIIVE
Superhuman
176 bpm • F# Maj • 03:00 • -6.5db
8% Popularity • 50% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 50% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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5 Seconds of Summer
Easier – Remix
176 bpm • F Maj • 02:37 • -5.41db
52% Popularity • 42% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
52% Popularity • 42% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Violette Wautier
I’d Do It Again
176 bpm • A Maj • 03:25 • -6db
40% Popularity • 53% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 53% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Gentle Bones
Be My Ocean
176 bpm • G Maj • 02:33 • -6.76db
36% Popularity • 59% Danceability • 57% Energy • 54% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 59% Danceability • 57% Energy • 54% Liveness
0% Instrumentalness • 54% Positiveness
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Liimo
Get Weird
150 bpm • C Maj • 03:07 • -3.93db
13% Popularity • 63% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 63% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Axel Mansoor
Busy
176 bpm • B Maj • 03:06 • -10db
21% Popularity • 59% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 59% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Dawin
Fingertips
149 bpm • C min • 03:41 • -6db
23% Popularity • 71% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 71% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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17 Memphis
Reboot
149 bpm • D Maj • 03:20 • -4.25db
12% Popularity • 56% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 56% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Tyler & Ryan
Lust
176 bpm • F# Maj • 02:48 • -8.15db
34% Popularity • 71% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 71% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Lauv
Billy
177 bpm • D Maj • 03:00 • -8.75db
42% Popularity • 79% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 79% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Liimo
Pink in Heaven - Stripped
150 bpm • C Maj • 03:36 • -6.71db
6% Popularity • 57% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
6% Popularity • 57% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Gentle Bones
You Are The One
148 bpm • C# min • 02:20 • -6db
23% Popularity • 67% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 67% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Cameron Dallas
Helpless
148 bpm • A Maj • 02:45 • -8db
23% Popularity • 70% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 70% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Parker Rudd
20/20
148 bpm • B Maj • 04:33 • -9.45db
11% Popularity • 52% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 52% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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LANES
Walk Away
148 bpm • C Maj • 02:57 • -7.38db
9% Popularity • 68% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 68% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Cenji
Talk Is Overrated
148 bpm • E min • 02:50 • -10.37db
13% Popularity • 68% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 68% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Narelle
Tears
148 bpm • C# min • 03:56 • -10.42db
10% Popularity • 58% Danceability • 60% Energy • 12% Liveness
29% Instrumentalness • 14% Positiveness
10% Popularity • 58% Danceability • 60% Energy • 12% Liveness
29% Instrumentalness • 14% Positiveness
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pink roses
don't give up on me
178 bpm • A# Maj • 04:32 • -9.03db
24% Popularity • 47% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
24% Popularity • 47% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Josh Tobias
Like Yourself
179 bpm • E Maj • 02:32 • -9.86db
17% Popularity • 56% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 56% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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The Spacies
Cool Like You
179 bpm • F Maj • 04:57 • -10.34db
9% Popularity • 35% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 35% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Highly Unlikely
Better
146 bpm • F# Maj • 03:01 • -7.35db
9% Popularity • 57% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 57% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Col3man
Cinema
146 bpm • C# min • 02:54 • -6.94db
10% Popularity • 48% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 48% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Alex Porat
happy for you
145 bpm • F# Maj • 03:27 • -6.79db
23% Popularity • 65% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 65% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Liimo
If You Love Me
146 bpm • D Maj • 03:38 • -6db
22% Popularity • 56% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 56% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Emilee
High Hopes
145 bpm • G Maj • 02:52 • -13.69db
27% Popularity • 83% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 83% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Delaney Jane
Safe With You
145 bpm • A# min • 03:08 • -7db
34% Popularity • 63% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 63% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Cassette Tapes
Blame
144 bpm • G Maj • 02:46 • -10.09db
18% Popularity • 81% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 81% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Lance Tingey
Let's Go Back
182 bpm • G Maj • 02:53 • -7.64db
17% Popularity • 66% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 66% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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lost spaces
slow.dance
144 bpm • C min • 03:12 • -9.2db
21% Popularity • 81% Danceability • 51% Energy • 8% Liveness
8% Instrumentalness • 85% Positiveness
21% Popularity • 81% Danceability • 51% Energy • 8% Liveness
8% Instrumentalness • 85% Positiveness
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Phil Hancock
Trouble
144 bpm • C Maj • 03:04 • -9db
9% Popularity • 70% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 70% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Gion
Same Way
144 bpm • D# Maj • 03:43 • -10.32db
9% Popularity • 50% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 50% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
