Songs like Places / Plans by Skullcrusher
Based on a tempo of (+/- 10%) and a similar genre
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Okay Kaya
Insert Generic Name
132 bpm • A Maj • 02:25 • -8.69db
38% Popularity • 61% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 61% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Hand Habits
No Difference
132 bpm • A# Maj • 02:51 • -9.99db
36% Popularity • 61% Danceability • 64% Energy • 15% Liveness
23% Instrumentalness • 52% Positiveness
36% Popularity • 61% Danceability • 64% Energy • 15% Liveness
23% Instrumentalness • 52% Positiveness
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Babehoven
Often
132 bpm • D Maj • 04:01 • -13.28db
32% Popularity • 55% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
32% Popularity • 55% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
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Searows
Keep The Rain
132 bpm • C# Maj • 04:47 • -17.66db
57% Popularity • 47% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
57% Popularity • 47% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Hana Bryanne
Clementine II
132 bpm • D Maj • 01:15 • -11.98db
34% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Linda Perhacs
Hey, Who Really Cares
132 bpm • C min • 02:37 • -21db
53% Popularity • 59% Danceability • 16% Energy • 11% Liveness
54% Instrumentalness • 39% Positiveness
53% Popularity • 59% Danceability • 16% Energy • 11% Liveness
54% Instrumentalness • 39% Positiveness
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Katie Bejsiuk
Mother's Records
132 bpm • A Maj • 02:29 • -9.11db
22% Popularity • 60% Danceability • 36% Energy • 13% Liveness
9% Instrumentalness • 40% Positiveness
22% Popularity • 60% Danceability • 36% Energy • 13% Liveness
9% Instrumentalness • 40% Positiveness
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Tomberlin
sunstruck
132 bpm • A Maj • 05:01 • -11.64db
25% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Sadurn
snail / alwase
132 bpm • D Maj • 02:06 • -12.29db
33% Popularity • 58% Danceability • 23% Energy • 33% Liveness
8% Instrumentalness • 13% Positiveness
33% Popularity • 58% Danceability • 23% Energy • 33% Liveness
8% Instrumentalness • 13% Positiveness
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Skullcrusher
Places/Plans
132 bpm • F Maj • 03:03 • -14db
39% Popularity • 35% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 35% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Haley Heynderickx
Worth It
132 bpm • E Maj • 07:53 • -10db
44% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
44% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Adrianne Lenker
Angels
133 bpm • E Maj • 04:08 • -10.42db
50% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
50% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Dear Nora
flag (into the fray)
132 bpm • D Maj • 02:05 • -19.09db
44% Popularity • 57% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 21% Positiveness
44% Popularity • 57% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 21% Positiveness
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Mia Joy
Saturn
131 bpm • F# min • 04:55 • -13.93db
22% Popularity • 62% Danceability • 68% Energy • 8% Liveness
88% Instrumentalness • 33% Positiveness
22% Popularity • 62% Danceability • 68% Energy • 8% Liveness
88% Instrumentalness • 33% Positiveness
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Hana Stretton
Captain was a Cow
131 bpm • G# Maj • 01:56 • -23.92db
39% Popularity • 53% Danceability • 10% Energy • 12% Liveness
91% Instrumentalness • 34% Positiveness
39% Popularity • 53% Danceability • 10% Energy • 12% Liveness
91% Instrumentalness • 34% Positiveness
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Weyes Blood
Andromeda
131 bpm • C# min • 04:40 • -7.94db
69% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
69% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Hand Habits
Graves
133 bpm • F# Maj • 03:12 • -14.21db
35% Popularity • 70% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 70% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Whatever, Dad
O.K.
131 bpm • G Maj • 01:42 • -17.67db
58% Popularity • 66% Danceability • 13% Energy • 61% Liveness
17% Instrumentalness • 24% Positiveness
58% Popularity • 66% Danceability • 13% Energy • 61% Liveness
17% Instrumentalness • 24% Positiveness
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Skullcrusher
Quiet the Room
131 bpm • A# Maj • 03:24 • -16db
28% Popularity • 23% Danceability • 19% Energy • 13% Liveness
7% Instrumentalness • 5% Positiveness
28% Popularity • 23% Danceability • 19% Energy • 13% Liveness
7% Instrumentalness • 5% Positiveness
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Sadurn
radiator
133 bpm • D Maj • 03:54 • -14.84db
48% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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tofusmell
Basil Noodles
134 bpm • G Maj • 02:16 • -15.79db
38% Popularity • 52% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 52% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Field Medic
uuu
134 bpm • E Maj • 03:31 • -7db
46% Popularity • 53% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
46% Popularity • 53% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
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Christian Lee Hutson
Atheist
130 bpm • D# Maj • 03:00 • -10db
34% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Jessica Pratt
Greycedes
130 bpm • D Maj • 02:38 • -11db
48% Popularity • 51% Danceability • 43% Energy • 26% Liveness
12% Instrumentalness • 34% Positiveness
48% Popularity • 51% Danceability • 43% Energy • 26% Liveness
12% Instrumentalness • 34% Positiveness
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Mia Joy
Candle Prayer
130 bpm • G# Maj • 01:27 • -22.2db
41% Popularity • 16% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 11% Positiveness
41% Popularity • 16% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 11% Positiveness
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Sadurn
golden arm
130 bpm • D Maj • 04:04 • -15db
32% Popularity • 61% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
32% Popularity • 61% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Mali Velasquez
Clovers
134 bpm • G# Maj • 04:51 • -10.4db
38% Popularity • 35% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
38% Popularity • 35% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Babehoven
Bad Week
130 bpm • F Maj • 03:53 • -10.5db
21% Popularity • 44% Danceability • 38% Energy • 15% Liveness
17% Instrumentalness • 17% Positiveness
21% Popularity • 44% Danceability • 38% Energy • 15% Liveness
17% Instrumentalness • 17% Positiveness
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feeble little horse
Picture
130 bpm • F# Maj • 02:04 • -11db
46% Popularity • 56% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 56% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Tyler Burkhart
Hobbes
130 bpm • E Maj • 02:28 • -28.68db
47% Popularity • 62% Danceability • 5% Energy • 11% Liveness
75% Instrumentalness • 42% Positiveness
47% Popularity • 62% Danceability • 5% Energy • 11% Liveness
75% Instrumentalness • 42% Positiveness
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Charlie Martin
Daisy
130 bpm • G# Maj • 04:34 • -9.23db
33% Popularity • 62% Danceability • 47% Energy • 10% Liveness
80% Instrumentalness • 49% Positiveness
33% Popularity • 62% Danceability • 47% Energy • 10% Liveness
80% Instrumentalness • 49% Positiveness
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Katy Kirby
Tap Twice
134 bpm • F Maj • 02:37 • -13.54db
31% Popularity • 66% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 66% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Sadurn
white shirt
134 bpm • E Maj • 02:59 • -18.31db
24% Popularity • 52% Danceability • 11% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
24% Popularity • 52% Danceability • 11% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
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Babehoven
Marion
130 bpm • F Maj • 03:37 • -7.86db
28% Popularity • 58% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 58% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Bedouine
Hey, Who Really Cares?
135 bpm • A min • 02:51 • -21.28db
31% Popularity • 60% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 22% Positiveness
31% Popularity • 60% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 22% Positiveness
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Skullcrusher
Windshield
130 bpm • D Maj • 03:01 • -7.44db
17% Popularity • 53% Danceability • 39% Energy • 38% Liveness
71% Instrumentalness • 18% Positiveness
17% Popularity • 53% Danceability • 39% Energy • 38% Liveness
71% Instrumentalness • 18% Positiveness
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Frankie Cosmos
Wayne
135 bpm • A Maj • 01:57 • -8.38db
43% Popularity • 52% Danceability • 70% Energy • 14% Liveness
16% Instrumentalness • 33% Positiveness
43% Popularity • 52% Danceability • 70% Energy • 14% Liveness
16% Instrumentalness • 33% Positiveness
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Leith Ross
Music Box
130 bpm • C# Maj • 04:25 • -14.52db
46% Popularity • 33% Danceability • 22% Energy • 34% Liveness
1% Instrumentalness • 15% Positiveness
46% Popularity • 33% Danceability • 22% Energy • 34% Liveness
1% Instrumentalness • 15% Positiveness
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Bess Atwell
Love Is Not Enough
129 bpm • F min • 03:23 • -12.49db
37% Popularity • 55% Danceability • 33% Energy • 35% Liveness
1% Instrumentalness • 23% Positiveness
37% Popularity • 55% Danceability • 33% Energy • 35% Liveness
1% Instrumentalness • 23% Positiveness
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Ethel Cain
A House In Nebraska
129 bpm • D Maj • 07:46 • -7.89db
62% Popularity • 24% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
62% Popularity • 24% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Helena Deland
Swimmer
135 bpm • F Maj • 03:33 • -15.27db
37% Popularity • 51% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
37% Popularity • 51% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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Searows
Coming Clean
129 bpm • D Maj • 06:18 • -16db
45% Popularity • 51% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
45% Popularity • 51% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Mia Joy
Freak
135 bpm • A# min • 02:52 • -15.05db
31% Popularity • 36% Danceability • 20% Energy • 11% Liveness
50% Instrumentalness • 20% Positiveness
31% Popularity • 36% Danceability • 20% Energy • 11% Liveness
50% Instrumentalness • 20% Positiveness
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Slow Pulp
Montana
135 bpm • G# Maj • 03:20 • -8.21db
47% Popularity • 55% Danceability • 41% Energy • 12% Liveness
5% Instrumentalness • 17% Positiveness
47% Popularity • 55% Danceability • 41% Energy • 12% Liveness
5% Instrumentalness • 17% Positiveness
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Lutalo
Don't Mind Me
135 bpm • G Maj • 01:34 • -17.22db
40% Popularity • 69% Danceability • 22% Energy • 35% Liveness
38% Instrumentalness • 55% Positiveness
40% Popularity • 69% Danceability • 22% Energy • 35% Liveness
38% Instrumentalness • 55% Positiveness
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Daffo
Complete Circle
135 bpm • G Maj • 03:18 • -17.43db
31% Popularity • 49% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 49% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Phoebe Bridgers
Savior Complex
129 bpm • E Maj • 04:01 • -11.88db
67% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
67% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Skullcrusher
Pass Through Me
135 bpm • F# Maj • 02:24 • -10.31db
31% Popularity • 44% Danceability • 37% Energy • 9% Liveness
5% Instrumentalness • 30% Positiveness
31% Popularity • 44% Danceability • 37% Energy • 9% Liveness
5% Instrumentalness • 30% Positiveness
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Adrianne Lenker
Steamboat
129 bpm • C# Maj • 02:41 • -12db
56% Popularity • 71% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 71% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Slow Pulp
New Media
135 bpm • C Maj • 03:11 • -6.83db
47% Popularity • 71% Danceability • 75% Energy • 14% Liveness
9% Instrumentalness • 72% Positiveness
47% Popularity • 71% Danceability • 75% Energy • 14% Liveness
9% Instrumentalness • 72% Positiveness
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Leith Ross
Everyone I've Never Met
135 bpm • A Maj • 03:11 • -12.98db
44% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Mia Joy
Last Night Together
129 bpm • E Maj • 04:10 • -18db
25% Popularity • 21% Danceability • 17% Energy • 11% Liveness
76% Instrumentalness • 19% Positiveness
25% Popularity • 21% Danceability • 17% Energy • 11% Liveness
76% Instrumentalness • 19% Positiveness
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Hana Stretton
Captain's Flat
129 bpm • F min • 03:34 • -17.79db
31% Popularity • 37% Danceability • 45% Energy • 40% Liveness
86% Instrumentalness • 40% Positiveness
31% Popularity • 37% Danceability • 45% Energy • 40% Liveness
86% Instrumentalness • 40% Positiveness
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Whatever, Dad
Warsh_Tippy and Zelda
129 bpm • G Maj • 04:14 • -21.56db
59% Popularity • 42% Danceability • 8% Energy • 12% Liveness
32% Instrumentalness • 6% Positiveness
59% Popularity • 42% Danceability • 8% Energy • 12% Liveness
32% Instrumentalness • 6% Positiveness
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Tomberlin
idkwntht
129 bpm • C Maj • 04:45 • -18.46db
25% Popularity • 53% Danceability • 18% Energy • 69% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 53% Danceability • 18% Energy • 69% Liveness
0% Instrumentalness • 40% Positiveness
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Frankie Cosmos
Abigail
129 bpm • A Maj • 01:53 • -8db
61% Popularity • 49% Danceability • 73% Energy • 14% Liveness
58% Instrumentalness • 49% Positiveness
61% Popularity • 49% Danceability • 73% Energy • 14% Liveness
58% Instrumentalness • 49% Positiveness
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Bess Atwell
Nobody
129 bpm • A min • 02:28 • -13.41db
50% Popularity • 61% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 61% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Harrison Whitford
Meclizine
136 bpm • F Maj • 05:46 • -12.37db
18% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Adrianne Lenker
zombie girl
128 bpm • G# Maj • 02:44 • -19.38db
56% Popularity • 54% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
56% Popularity • 54% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Skullcrusher
Words Come Back - Cover
136 bpm • D Maj • 04:00 • -12.1db
21% Popularity • 25% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 25% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 4% Positiveness
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Angelo De Augustine
Tide
136 bpm • D Maj • 05:15 • -13.32db
31% Popularity • 45% Danceability • 25% Energy • 12% Liveness
38% Instrumentalness • 11% Positiveness
31% Popularity • 45% Danceability • 25% Energy • 12% Liveness
38% Instrumentalness • 11% Positiveness
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Phoebe Bridgers
Would You Rather
136 bpm • A# Maj • 03:19 • -10.93db
52% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
52% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Charlie Martin
Madison
136 bpm • G# Maj • 03:01 • -10.48db
22% Popularity • 64% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 64% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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boygenius
Emily I'm Sorry
136 bpm • B Maj • 03:34 • -12.16db
66% Popularity • 58% Danceability • 38% Energy • 10% Liveness
18% Instrumentalness • 49% Positiveness
66% Popularity • 58% Danceability • 38% Energy • 10% Liveness
18% Instrumentalness • 49% Positiveness
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Daffo
all the time
128 bpm • C Maj • 03:57 • -6.83db
30% Popularity • 40% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 40% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Searows
End Of The World
136 bpm • G Maj • 03:54 • -12.78db
56% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
56% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Samia
As You Are
136 bpm • B Maj • 02:21 • -11db
40% Popularity • 54% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 54% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Abby Sage
The Florist
128 bpm • A min • 03:10 • -10.21db
50% Popularity • 72% Danceability • 48% Energy • 47% Liveness
93% Instrumentalness • 28% Positiveness
50% Popularity • 72% Danceability • 48% Energy • 47% Liveness
93% Instrumentalness • 28% Positiveness
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Adrianne Lenker
Money
128 bpm • F Maj • 03:57 • -14db
46% Popularity • 47% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 47% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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quinnie
man
136 bpm • C Maj • 03:58 • -9db
49% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
49% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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Hand Habits
Just to Hear You
128 bpm • D Maj • 02:53 • -10.85db
40% Popularity • 76% Danceability • 37% Energy • 11% Liveness
19% Instrumentalness • 52% Positiveness
40% Popularity • 76% Danceability • 37% Energy • 11% Liveness
19% Instrumentalness • 52% Positiveness
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boygenius
Revolution 0
136 bpm • C Maj • 04:17 • -14.22db
58% Popularity • 26% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
58% Popularity • 26% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
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Phoebe Bridgers
Chelsea
128 bpm • B Maj • 04:42 • -15.45db
51% Popularity • 39% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 39% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Mia Joy
Alive
137 bpm • A Maj • 01:08 • -19.43db
38% Popularity • 29% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 29% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
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Adrianne Lenker
Jonathan
137 bpm • B Maj • 02:08 • -14.24db
61% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Hana Stretton
Bid's Animals
137 bpm • F Maj • 04:13 • -20.19db
29% Popularity • 22% Danceability • 23% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
29% Popularity • 22% Danceability • 23% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
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Weyes Blood
Something to Believe
137 bpm • E Maj • 04:45 • -8.59db
53% Popularity • 31% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
53% Popularity • 31% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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Daneshevskaya
Ocean Breeze
137 bpm • G# Maj • 03:38 • -10.19db
33% Popularity • 56% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 56% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Haley Heynderickx
Show You a Body
127 bpm • A# min • 03:28 • -12db
47% Popularity • 46% Danceability • 18% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
47% Popularity • 46% Danceability • 18% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
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Christian Lee Hutson
Lose This Number
137 bpm • B Maj • 03:56 • -11.73db
38% Popularity • 51% Danceability • 41% Energy • 13% Liveness
13% Instrumentalness • 63% Positiveness
38% Popularity • 51% Danceability • 41% Energy • 13% Liveness
13% Instrumentalness • 63% Positiveness
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Leith Ross
I Just Don't Think That You Like Me That...
127 bpm • C Maj • 03:26 • -16.29db
45% Popularity • 52% Danceability • 16% Energy • 8% Liveness
13% Instrumentalness • 36% Positiveness
45% Popularity • 52% Danceability • 16% Energy • 8% Liveness
13% Instrumentalness • 36% Positiveness
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feeble little horse
Worth It (Intro)
138 bpm • G Maj • 01:13 • -12.12db
49% Popularity • 52% Danceability • 43% Energy • 88% Liveness
7% Instrumentalness • 60% Positiveness
49% Popularity • 52% Danceability • 43% Energy • 88% Liveness
7% Instrumentalness • 60% Positiveness
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Katy Kirby
Cool Dry Place
137 bpm • E Maj • 05:00 • -10.23db
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Tomberlin
Seventeen
138 bpm • G Maj • 04:31 • -9.95db
39% Popularity • 40% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
39% Popularity • 40% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
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Ethel Cain
Crush - Stripped
138 bpm • E Maj • 03:49 • -10db
48% Popularity • 28% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 28% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Skullcrusher
Cloudy Shoes
138 bpm • F Maj • 04:38 • -13.26db
17% Popularity • 47% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 47% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Route 500
I'll Play You Out
138 bpm • E Maj • 02:44 • -13.07db
19% Popularity • 62% Danceability • 39% Energy • 11% Liveness
8% Instrumentalness • 62% Positiveness
19% Popularity • 62% Danceability • 39% Energy • 11% Liveness
8% Instrumentalness • 62% Positiveness
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Mazzy Star
Common Burn
126 bpm • G Maj • 05:09 • -15db
52% Popularity • 40% Danceability • 17% Energy • 10% Liveness
38% Instrumentalness • 14% Positiveness
52% Popularity • 40% Danceability • 17% Energy • 10% Liveness
38% Instrumentalness • 14% Positiveness
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Mia Joy
See Us
138 bpm • A# Maj • 02:10 • -14.29db
51% Popularity • 61% Danceability • 35% Energy • 14% Liveness
93% Instrumentalness • 44% Positiveness
51% Popularity • 61% Danceability • 35% Energy • 14% Liveness
93% Instrumentalness • 44% Positiveness
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Searows
Roadkill
126 bpm • C Maj • 04:40 • -14db
45% Popularity • 37% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
45% Popularity • 37% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Mount Eerie
Moon, I Already Know
126 bpm • B min • 01:25 • -21db
47% Popularity • 51% Danceability • 13% Energy • 10% Liveness
74% Instrumentalness • 20% Positiveness
47% Popularity • 51% Danceability • 13% Energy • 10% Liveness
74% Instrumentalness • 20% Positiveness
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boygenius
Afraid of Heights
138 bpm • G# Maj • 02:41 • -12.81db
61% Popularity • 69% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
61% Popularity • 69% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Leith Ross
Guts
139 bpm • G Maj • 05:04 • -10.13db
40% Popularity • 52% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 52% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Katy Kirby
Portals
126 bpm • C# Maj • 03:03 • -18.02db
29% Popularity • 41% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 41% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Sadurn
snake
138 bpm • C# Maj • 04:33 • -8.75db
39% Popularity • 46% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 46% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Greg Mendez
Maria
139 bpm • D# Maj • 01:58 • -11.27db
46% Popularity • 68% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 68% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Haley Heynderickx
How Does the Horse Go Home?
126 bpm • D# Maj • 02:56 • -8.88db
35% Popularity • 57% Danceability • 38% Energy • 21% Liveness
29% Instrumentalness • 26% Positiveness
35% Popularity • 57% Danceability • 38% Energy • 21% Liveness
29% Instrumentalness • 26% Positiveness
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Free Cake For Every Creature
Christina's World
139 bpm • C Maj • 01:53 • -14.76db
38% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
