Songs like Play God by Catie Turner
Based on a tempo of (+/- 10%) and a similar genre
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Madeline The Person
Baby Boy
116 bpm • G Maj • 02:20 • -5.49db
20% Popularity • 71% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 71% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Beth McCarthy
If You Loved Me Right
116 bpm • E Maj • 03:15 • -6db
37% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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ella jane
Calling Card
116 bpm • G# Maj • 03:12 • -7db
39% Popularity • 83% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 83% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Catie Turner
Play God
116 bpm • C# min • 02:49 • -8.86db
27% Popularity • 73% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 73% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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ROSIE
Next Life
117 bpm • F# Maj • 03:07 • -7db
34% Popularity • 66% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 66% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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FLAVIA
Nameless
117 bpm • C# Maj • 04:03 • -11.05db
14% Popularity • 51% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 51% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Alexander 23
Come Here and Leave Me Alone
117 bpm • C# min • 03:06 • -12.4db
40% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Tommy Lefroy
Knievel
117 bpm • C# min • 03:02 • -8.15db
31% Popularity • 64% Danceability • 56% Energy • 44% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 64% Danceability • 56% Energy • 44% Liveness
0% Instrumentalness • 25% Positiveness
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BLÜ EYES
actually happy
117 bpm • E Maj • 02:59 • -5.94db
37% Popularity • 77% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 77% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Sarah Cothran
Don't Want My Heart
117 bpm • C Maj • 02:52 • -4.77db
41% Popularity • 62% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 62% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 22% Positiveness
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Lindsey Lomis
Bones
115 bpm • G Maj • 02:54 • -4.72db
20% Popularity • 73% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 73% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Avenue Beat
happy for you
117 bpm • C Maj • 02:04 • -11.29db
20% Popularity • 58% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 58% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Savannah Outen
Sad in the Summer
115 bpm • D Maj • 03:16 • -5.81db
25% Popularity • 65% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 65% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Ben Platt
childhood bedroom
115 bpm • D Maj • 03:17 • -6.39db
38% Popularity • 73% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 73% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Ruth B.
Sweet Chamomile
118 bpm • F# min • 03:28 • -6.96db
38% Popularity • 62% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 62% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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ELLES
My Secrets
115 bpm • D Maj • 02:28 • -11.24db
10% Popularity • 70% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 70% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Cate
Manic Pixie Dream Girl
118 bpm • D Maj • 03:05 • -5.26db
24% Popularity • 80% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 80% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Avenue Beat
new strangers
115 bpm • B Maj • 02:24 • -12.12db
22% Popularity • 80% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 80% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Stela Cole
The Day It Rained in Southern California
114 bpm • G# Maj • 03:51 • -6.98db
37% Popularity • 73% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 73% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Tony Ferrari
Let's Buy a House
114 bpm • C Maj • 03:35 • -10.03db
22% Popularity • 62% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 62% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Catie Turner
Therapy
118 bpm • C# min • 03:21 • -6.76db
21% Popularity • 71% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 71% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Lexi Jayde
Oldest Teenager
114 bpm • C# Maj • 03:16 • -12.6db
40% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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renforshort
tastefully depressed
114 bpm • C Maj • 03:05 • -10db
22% Popularity • 63% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 63% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Tommy Lefroy
Northern Towns
114 bpm • C Maj • 02:56 • -11db
34% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Sophie Holohan
High Road
114 bpm • G Maj • 03:08 • -5.94db
20% Popularity • 70% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 70% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Noah Cyrus
Liar
114 bpm • G# Maj • 02:52 • -10.83db
46% Popularity • 48% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 48% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Sody
i've got you
114 bpm • C Maj • 02:36 • -11db
20% Popularity • 47% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 47% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Cate
Funny Story
114 bpm • F# Maj • 02:55 • -5.76db
39% Popularity • 67% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 67% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Catie Turner
Home
113 bpm • B min • 03:27 • -12.02db
45% Popularity • 36% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 36% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Tommy Lefroy
Vampires
114 bpm • C Maj • 03:15 • -10.99db
41% Popularity • 71% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 71% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Julia Harriman
Safer Place
113 bpm • B min • 03:04 • -8db
26% Popularity • 81% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 81% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Lillian Hepler
Moody Girl
119 bpm • A min • 02:38 • -3.06db
23% Popularity • 81% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 81% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Rachel Bochner
2 AM
113 bpm • F# Maj • 03:08 • -9.2db
7% Popularity • 72% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 72% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Julia Michaels
Love Is Weird
113 bpm • B min • 02:30 • -9db
35% Popularity • 53% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 53% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Lindsey Lomis
Magic in the Madness
120 bpm • G# min • 03:30 • -12db
27% Popularity • 41% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 41% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Catie Turner
Prom Queen
112 bpm • C Maj • 04:00 • -10.41db
43% Popularity • 49% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 49% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Leyla Blue
It Still Rains in Paradise
120 bpm • D Maj • 02:42 • -10.01db
23% Popularity • 59% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 59% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Cassidy King
Four in the Morning
120 bpm • F# Maj • 02:50 • -4.7db
24% Popularity • 56% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 56% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Greyson Chance
Hands
120 bpm • C# min • 03:15 • -10.28db
19% Popularity • 74% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 74% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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GAYLE
kiddie pool
120 bpm • E Maj • 03:20 • -9.08db
19% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Lexi Jayde
walkin away
120 bpm • F# Maj • 03:06 • -6db
28% Popularity • 60% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 60% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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Avenue Beat
rock in outer space
120 bpm • G# Maj • 02:20 • -7.56db
27% Popularity • 67% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 67% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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ella jane
nothing else i could do
120 bpm • D# Maj • 02:50 • -7.65db
54% Popularity • 79% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
54% Popularity • 79% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
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OSTON
How to Feel Human
120 bpm • C# Maj • 03:31 • -7.75db
17% Popularity • 67% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 67% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Catie Turner
Drunk
120 bpm • C min • 03:24 • -7.11db
25% Popularity • 66% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 66% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Ben Platt
leave my mind
120 bpm • F# Maj • 03:18 • -5.85db
38% Popularity • 55% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 55% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 39% Positiveness
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Dasha
Love Me Till August
120 bpm • E Maj • 03:04 • -7db
29% Popularity • 64% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 64% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Emily Vu
NY
120 bpm • F Maj • 02:14 • -7.35db
19% Popularity • 82% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 82% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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Emily James
venice
120 bpm • D# Maj • 03:38 • -9.25db
19% Popularity • 80% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 80% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Em Beihold
Painful Truth
120 bpm • A min • 03:28 • -8.12db
37% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Jade LeMac
Same Place
112 bpm • C# Maj • 03:42 • -6db
38% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Natalie Burdick
Backseat Driver
120 bpm • F# min • 03:26 • -12db
16% Popularity • 56% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 56% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Dasha
Nervous
112 bpm • C Maj • 02:42 • -12.87db
29% Popularity • 69% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 69% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Paravi
Electric Love
120 bpm • F Maj • 04:00 • -9.41db
39% Popularity • 32% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
39% Popularity • 32% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Sody
Bitch (I Said It)
112 bpm • C min • 03:11 • -6.07db
45% Popularity • 76% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 76% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
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Olivia Panacci
Keep Me Safe
112 bpm • C Maj • 03:51 • -10.6db
16% Popularity • 69% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 69% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Avenue Beat
parties
120 bpm • A# Maj • 02:44 • -7.1db
20% Popularity • 76% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 76% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Katelyn Tarver
Hurt Like That
112 bpm • C Maj • 03:16 • -7.55db
27% Popularity • 78% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 78% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Alfie Jukes
take my breath
120 bpm • G# min • 03:11 • -17db
31% Popularity • 52% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 52% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Aria Rayes
The Girl You Call Best Friend
111 bpm • D# Maj • 02:42 • -13db
35% Popularity • 63% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 63% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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Annika Bennett
What Happened
121 bpm • D# Maj • 02:44 • -11.36db
12% Popularity • 51% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 51% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Sophie Cates
ghosts!
121 bpm • G# Maj • 02:50 • -4.13db
35% Popularity • 77% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 77% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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renforshort
new way
111 bpm • F# Maj • 03:22 • -6db
26% Popularity • 76% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 76% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Katelyn Tarver
Fall Apart Too
120 bpm • E min • 02:18 • -6.85db
23% Popularity • 61% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 61% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Alix Page
Frank
122 bpm • C Maj • 03:09 • -11.09db
18% Popularity • 55% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 55% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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valentina cy
Wind
110 bpm • F min • 02:17 • -6.28db
28% Popularity • 80% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 80% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Rachel Bochner
ghosted my therapist
110 bpm • E Maj • 03:09 • -10db
34% Popularity • 78% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 78% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Sody
butterfly
122 bpm • C Maj • 03:09 • -9.5db
40% Popularity • 59% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 59% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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ROSIE
Forget Your Name
110 bpm • A Maj • 03:05 • -6.14db
22% Popularity • 70% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 70% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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JORDY
Tomorrow (Acoustic)
110 bpm • G min • 03:28 • -11.21db
13% Popularity • 48% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 48% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Bryce Xavier
Romeo
122 bpm • D# Maj • 03:03 • -13.66db
36% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Taylor Bickett
Just My Type
110 bpm • D Maj • 03:08 • -7.82db
43% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
43% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Anna Shoemaker
Mariah
110 bpm • A Maj • 02:56 • -5.71db
24% Popularity • 67% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 67% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Catie Turner
Hide and Seek
110 bpm • C min • 03:05 • -6.99db
23% Popularity • 84% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 84% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Sody
Nothing Ever Changes
123 bpm • B Maj • 03:02 • -7db
32% Popularity • 51% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 51% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Katelyn Tarver
Year From Now
110 bpm • D Maj • 02:18 • -9.1db
24% Popularity • 72% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 72% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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ROSIE
Social Stamina
110 bpm • D# Maj • 02:34 • -9db
41% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Taylor Bickett
zodiac sign
110 bpm • D Maj • 03:28 • -9db
31% Popularity • 64% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 64% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Ruth B.
Princess Peach
123 bpm • D Maj • 03:32 • -7.06db
38% Popularity • 58% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 58% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Catie Turner
i luv him.
123 bpm • C Maj • 03:45 • -9.5db
51% Popularity • 65% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
51% Popularity • 65% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Avery Lynch
The Closest to That
109 bpm • B Maj • 03:37 • -12db
27% Popularity • 58% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 58% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Sizzy Rocket
Rollerskating
123 bpm • D# min • 03:17 • -5.93db
22% Popularity • 74% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 74% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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JORDY
Tomorrow
109 bpm • A# Maj • 03:00 • -12.64db
25% Popularity • 54% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 54% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Gaustad
93 Days
123 bpm • C Maj • 02:40 • -8db
27% Popularity • 85% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 85% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Eva Westphal
Like Wine
123 bpm • C Maj • 02:12 • -10.58db
21% Popularity • 45% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 45% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Emily Burns
Curse
124 bpm • D Maj • 03:06 • -10db
15% Popularity • 60% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 60% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Sody
is your bedroom ceiling bored?
124 bpm • F# Maj • 03:27 • -9.83db
51% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Julia Michaels
Wrapped Around
124 bpm • B min • 02:43 • -6.3db
31% Popularity • 53% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 53% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Catie Turner
21st Century Machine
124 bpm • C# Maj • 03:51 • -9.81db
37% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Aces
Going Home
124 bpm • A Maj • 03:55 • -8db
39% Popularity • 66% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 66% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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NERIAH
Jumprope
124 bpm • C Maj • 03:37 • -8db
15% Popularity • 84% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 84% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Sara Kays
I’m Okay Though
124 bpm • C Maj • 03:02 • -6.68db
39% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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Taylor Bickett
green
108 bpm • E Maj • 03:04 • -10.16db
30% Popularity • 80% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 80% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Londin Thompson
Wish It Would Rain
108 bpm • E Maj • 03:46 • -10.13db
25% Popularity • 69% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 69% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Catie Turner
Easy
124 bpm • C# min • 02:47 • -6.72db
28% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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ella jane
through the looking glass
125 bpm • A min • 03:28 • -12.36db
29% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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JESSIA
First Call
125 bpm • C Maj • 02:21 • -12db
30% Popularity • 58% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 58% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 18% Positiveness
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Rachel Bochner
Strangest Dreams
125 bpm • A# min • 02:54 • -12.18db
13% Popularity • 56% Danceability • 36% Energy • 11% Liveness
3% Instrumentalness • 18% Positiveness
13% Popularity • 56% Danceability • 36% Energy • 11% Liveness
3% Instrumentalness • 18% Positiveness
