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playing yourself
Songs like
playing yourself
by
Jake Cornell
Based on a tempo of (+/- 10%) and a similar genre
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Michael Cimino
Stay The Night
148 bpm • G# Maj • 03:06 • -6db
34% Popularity • 73% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Sam MacPherson
Safe to Say
148 bpm • A# Maj • 03:31 • -5.62db
32% Popularity • 61% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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David Alexander
Dancing Alone
148 bpm • G# Maj • 03:19 • -6.65db
36% Popularity • 62% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Jake Cornell
playing yourself
148 bpm • C Maj • 02:11 • -7.52db
30% Popularity • 68% Danceability • 49% Energy • 39% Liveness
0% Instrumentalness • 69% Positiveness
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Noktis
goodbyes
148 bpm • E Maj • 02:19 • -9db
43% Popularity • 57% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Francis Karel
Holding On
147 bpm • F Maj • 03:43 • -5.38db
21% Popularity • 54% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Henry Moodie
eighteen
147 bpm • B min • 03:09 • -5.89db
55% Popularity • 64% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Delanie Leclerc
call it healing
147 bpm • A# Maj • 02:38 • -13.63db
24% Popularity • 59% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Devon Gabriella
how could you?
150 bpm • G Maj • 02:40 • -9.74db
37% Popularity • 47% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
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Munn
DOWN IN FLORIDA
150 bpm • A Maj • 01:56 • -8.54db
30% Popularity • 58% Danceability • 62% Energy • 9% Liveness
2% Instrumentalness • 63% Positiveness
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Jade LeMac
Car Accident - Chill Version
146 bpm • D Maj • 03:39 • -5db
27% Popularity • 55% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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COLE
bad at math
150 bpm • F# Maj • 03:14 • -5.48db
9% Popularity • 73% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Jack & Jack
Right Here With You
146 bpm • E Maj • 02:44 • -6.25db
27% Popularity • 69% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Gage Dancin
CAN'T LIVE WITHOUT YOU
150 bpm • A Maj • 03:53 • -13.39db
27% Popularity • 69% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Alex Sampson
And Then Some
146 bpm • A# Maj • 03:09 • -8db
41% Popularity • 56% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Munn
this house is not a home
150 bpm • G# Maj • 02:38 • -7.06db
55% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Abe Parker
Crazy About You
145 bpm • G# Maj • 03:09 • -5.21db
36% Popularity • 72% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Carter Ryan
Heart's On Fire
145 bpm • A# Maj • 03:11 • -7.89db
44% Popularity • 66% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Rowan Drake
Part of You
145 bpm • D Maj • 02:52 • -9.58db
33% Popularity • 52% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Gage Dancin
swore to you
151 bpm • A Maj • 04:24 • -20.32db
22% Popularity • 51% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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vaultboy
you're my moon
145 bpm • B Maj • 03:02 • -8.58db
56% Popularity • 56% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Munn
i don't wanna ruin ur party
146 bpm • E Maj • 02:22 • -7.53db
34% Popularity • 56% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Alex Warren
Headlights - Acoustic
144 bpm • C# Maj • 02:53 • -7.99db
38% Popularity • 55% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Jade LeMac
Car Accident
152 bpm • C min • 03:33 • -4.16db
43% Popularity • 69% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Kyle Hume
if i would have known - acoustic version
152 bpm • A# Maj • 02:37 • -4.91db
46% Popularity • 51% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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KAYDEN
hoops
144 bpm • D Maj • 02:48 • -6.49db
27% Popularity • 56% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Johnny Orlando
Wait For You
152 bpm • G# Maj • 02:55 • -5.62db
55% Popularity • 59% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Levent Geiger
Back For You
144 bpm • E min • 02:39 • -6.81db
38% Popularity • 67% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Kenzie Cait
time machine
144 bpm • C# Maj • 03:51 • -10.36db
23% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Carter Ryan
Somebody's Someone
144 bpm • B Maj • 02:54 • -10.44db
49% Popularity • 65% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Keenan Te
good at being broken
143 bpm • C# Maj • 03:20 • -8.32db
43% Popularity • 40% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Dylan Brady
I Get the Picture
153 bpm • B min • 02:32 • -5.75db
22% Popularity • 67% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Munn
why can't you hate me?
143 bpm • F# Maj • 02:35 • -6.61db
41% Popularity • 54% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Reagan Beem
It's Okay
143 bpm • E Maj • 02:37 • -5.49db
32% Popularity • 80% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Jake Clark
you dont see it
143 bpm • C# Maj • 03:08 • -16.53db
45% Popularity • 61% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Emily Vaughn
grown ups
143 bpm • A Maj • 02:39 • -15.4db
37% Popularity • 77% Danceability • 40% Energy • 41% Liveness
0% Instrumentalness • 76% Positiveness
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Hanniou
too good to be true
154 bpm • C# Maj • 03:04 • -11db
40% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Suriel Hess
Reasons to Leave
142 bpm • B Maj • 02:45 • -9db
52% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Munn
the reason i hate home
154 bpm • C min • 02:43 • -6.53db
51% Popularity • 47% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Delanie Leclerc
i <3 more
142 bpm • B Maj • 03:22 • -7.46db
17% Popularity • 52% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Jake Clark
OH NO!
143 bpm • F min • 02:11 • -6.07db
19% Popularity • 74% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Zach Hood
lonely isn't the word for this
142 bpm • B Maj • 02:47 • -8.57db
48% Popularity • 65% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Lauren Presley
Sorry To You
142 bpm • F Maj • 02:16 • -8.29db
30% Popularity • 64% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Camylio
foolish
142 bpm • C Maj • 03:00 • -8.54db
42% Popularity • 63% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Thomas Day
The New Me
142 bpm • D Maj • 02:23 • -6db
47% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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HARIZ
I Don't Trust You Yet
155 bpm • A# min • 03:01 • -6.32db
12% Popularity • 47% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Taylor Mecca
Sigma Chi
155 bpm • C# min • 01:44 • -6.25db
16% Popularity • 60% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Connor Kauffman
Ruined
155 bpm • F Maj • 03:15 • -11.35db
35% Popularity • 40% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Ben Lawrence
Don't Fall In Love
141 bpm • A# Maj • 03:13 • -17.52db
28% Popularity • 46% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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PVLN
Two Weeks
141 bpm • G Maj • 01:55 • -9.19db
37% Popularity • 72% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Kyle Hume
Just My Type
156 bpm • G Maj • 02:42 • -5.59db
55% Popularity • 56% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 29% Positiveness
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Braden Bales
SEX WE HAD
156 bpm • F min • 03:12 • -8.64db
25% Popularity • 54% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Taylor Mecca
I Don't Think Ur Sorry
156 bpm • D Maj • 03:07 • -6.85db
22% Popularity • 70% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
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Jake Cornell
forgive and forget
156 bpm • C min • 02:54 • -9.4db
52% Popularity • 64% Danceability • 44% Energy • 42% Liveness
0% Instrumentalness • 48% Positiveness
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Thomas Day
not my job anymore
140 bpm • B Maj • 03:08 • -7.34db
58% Popularity • 54% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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H3x
Still Love Me
140 bpm • A# Maj • 02:34 • -13.53db
23% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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KAYKO
CYNICAL
140 bpm • G# Maj • 03:15 • -10.82db
34% Popularity • 60% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Jamie Miller
Over You
140 bpm • B min • 02:33 • -6db
45% Popularity • 47% Danceability • 59% Energy • 64% Liveness
0% Instrumentalness • 37% Positiveness
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Braden Bales
HALF IT
140 bpm • A Maj • 02:36 • -5.82db
27% Popularity • 62% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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!WEX!
Too Hard to Fix
140 bpm • A Maj • 02:20 • -10.21db
35% Popularity • 76% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Francis Karel
Romantic Comedies
140 bpm • F Maj • 02:49 • -9.15db
33% Popularity • 58% Danceability • 47% Energy • 54% Liveness
0% Instrumentalness • 26% Positiveness
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Dalton Mauldin
frozen
140 bpm • C# min • 01:57 • -8.07db
32% Popularity • 81% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Will Cullen
Skinny Boy
140 bpm • F# Maj • 03:07 • -6.23db
28% Popularity • 76% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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Thomas Day
Overplayed
140 bpm • A# Maj • 03:02 • -8.7db
43% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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viisi
chasing ghosts
140 bpm • G Maj • 02:14 • -6db
20% Popularity • 61% Danceability • 55% Energy • 62% Liveness
0% Instrumentalness • 8% Positiveness
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Jake Cornell
reason
157 bpm • B Maj • 02:22 • -7.39db
41% Popularity • 66% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Dylan Brady
How Are You?
139 bpm • C# Maj • 02:49 • -6.76db
54% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Rachel Grae
Lived It Twice
158 bpm • A# Maj • 02:53 • -6.07db
49% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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JORDY
Love You and Let You Go
139 bpm • G# Maj • 02:59 • -8.27db
24% Popularity • 46% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Thomas Day
Come Home
158 bpm • E Maj • 03:18 • -6.98db
44% Popularity • 53% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Bangers Only
Half Past 5
158 bpm • D Maj • 03:06 • -11db
29% Popularity • 65% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Jake Cornell
tmrw
158 bpm • B Maj • 03:15 • -9.97db
42% Popularity • 63% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Jayde
f this
158 bpm • G# Maj • 03:10 • -7.54db
27% Popularity • 60% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Dylan Brady
How Are You? (ROSIE Rewrite)
138 bpm • C# Maj • 03:03 • -7.03db
46% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Conor Matthews
I'm Not Supposed to Love You Anymore
138 bpm • F Maj • 02:26 • -12.99db
28% Popularity • 51% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Andi
Can't Break Up
138 bpm • E Maj • 02:41 • -5.32db
47% Popularity • 68% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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vaultboy
everything sucks
138 bpm • F# Maj • 01:56 • -7.31db
42% Popularity • 73% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Haiden Henderson
DUMP HIM
138 bpm • A# min • 02:34 • -6.94db
39% Popularity • 67% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Francis Karel
Small Talk
138 bpm • A Maj • 03:08 • -8.39db
27% Popularity • 45% Danceability • 39% Energy • 46% Liveness
0% Instrumentalness • 39% Positiveness
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Rachel Grae
Right Person Right Time - Acoustic
138 bpm • F# Maj • 03:01 • -7.92db
42% Popularity • 53% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Taylor Swift
Down Bad
160 bpm • B Maj • 04:21 • -10.38db
85% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Gun Boi Kaz
21
137 bpm • E Maj • 02:53 • -11.45db
36% Popularity • 70% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Delanie Leclerc
for what its worth
160 bpm • G Maj • 03:45 • -7.81db
20% Popularity • 61% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
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Alex Sampson
Lemonade
160 bpm • A# min • 03:02 • -4.98db
32% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Alex Coles
Strange Tattoos
160 bpm • E Maj • 02:41 • -3.99db
37% Popularity • 60% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 88% Positiveness
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Katherine Li
I Don't Care
137 bpm • B Maj • 03:03 • -8db
40% Popularity • 62% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Thomas Day
The End
137 bpm • D Maj • 02:58 • -6db
48% Popularity • 57% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Reagan Beem
Everything Dies
160 bpm • A Maj • 03:31 • -7.35db
27% Popularity • 42% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Taylor Swift
So Long, London
160 bpm • A Maj • 04:22 • -11.42db
84% Popularity • 47% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
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Alex Sampson
The Girl Who Cried Love
161 bpm • C Maj • 02:57 • -8.78db
37% Popularity • 34% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Savannah Sgro
I Think I’m in ____
136 bpm • A Maj • 02:40 • -4.86db
27% Popularity • 75% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Jake Clark
worst enemy
136 bpm • G min • 02:57 • -9.23db
33% Popularity • 59% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Zach Paradis
HOW YOU WANTED
136 bpm • F# min • 02:18 • -7.05db
35% Popularity • 64% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Reagan Beem
Half Alive
161 bpm • F Maj • 02:55 • -5.24db
34% Popularity • 58% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Eli Wilson
HOW TO DISAPPEAR
136 bpm • C# Maj • 03:56 • -6.58db
27% Popularity • 44% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Alex Sampson
Play Pretend
136 bpm • G Maj • 03:06 • -7db
53% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Jackson Chant
This Is My Life
162 bpm • E Maj • 02:38 • -8db
16% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Francis Karel
Don’t Talk to Me Again
135 bpm • G Maj • 02:40 • -5.53db
20% Popularity • 73% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Rowan Drake
Abandonment Issues
135 bpm • E min • 02:57 • -10.89db
33% Popularity • 52% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Reagan Beem
Happy
136 bpm • A Maj • 03:15 • -8.13db
32% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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playing yourself