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Please [Bailey Wiley Vocal Version]
Songs like
Please (feat. Bailey Wiley) [Bailey Wiley Vocal Version]
by
Alae
Based on a tempo of (+/- 10%) and a similar genre
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LA WOMEN
Hurricane Love
142 bpm • F Maj • 03:11 • -7.13db
28% Popularity • 56% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Liam Wright
State Of Mind
141 bpm • G Maj • 02:52 • -7.08db
13% Popularity • 44% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Alae
Please [Bailey Wiley Vocal Version]
142 bpm • E Maj • 03:51 • -10.63db
0% Popularity • 56% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Tom Walker
Play Dead - The 4AM Mix
141 bpm • B min • 03:54 • -6.7db
24% Popularity • 77% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Belle Mt.
Loving You
140 bpm • C Maj • 04:13 • -8.35db
24% Popularity • 54% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
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Mitch James
No Getting Older
140 bpm • A Maj • 03:51 • -8.52db
24% Popularity • 46% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Josh Cashman
Patience
144 bpm • A min • 03:02 • -8db
16% Popularity • 53% Danceability • 64% Energy • 21% Liveness
1% Instrumentalness • 27% Positiveness
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nomad
Oh My My
144 bpm • F# Maj • 03:00 • -5.5db
37% Popularity • 66% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Alae
Things Change
140 bpm • A# Maj • 03:25 • -8.75db
5% Popularity • 69% Danceability • 78% Energy • 22% Liveness
4% Instrumentalness • 54% Positiveness
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Jack Botts
Beauty Below
140 bpm • F# Maj • 03:08 • -9.49db
30% Popularity • 69% Danceability • 60% Energy • 33% Liveness
1% Instrumentalness • 23% Positiveness
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Joel Taylor
Give Myself Away
140 bpm • D Maj • 03:49 • -7.84db
19% Popularity • 74% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Eves Karydas
Wildest Ones
140 bpm • F# Maj • 04:04 • -10.33db
33% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Josh Cashman
Listening
140 bpm • A Maj • 03:23 • -7.7db
10% Popularity • 53% Danceability • 77% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
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Drax Project
So Lost
140 bpm • D min • 03:40 • -7.18db
16% Popularity • 54% Danceability • 52% Energy • 59% Liveness
0% Instrumentalness • 36% Positiveness
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Dan Elliott
Only Ever Been You
140 bpm • F# min • 03:14 • -7.84db
20% Popularity • 63% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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John Butler Trio
Miss Your Love
145 bpm • D Maj • 03:56 • -3.69db
33% Popularity • 38% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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GoldFord
Upside Down
140 bpm • G Maj • 03:35 • -8.05db
45% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Hein Cooper
Invincible
139 bpm • G# Maj • 03:38 • -8.04db
23% Popularity • 40% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Busby Marou
Got Your Back - Piano Version
139 bpm • G Maj • 03:02 • -8.72db
11% Popularity • 54% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Tyne-James Organ
In My Arms
145 bpm • E Maj • 03:47 • -6.81db
26% Popularity • 57% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Jacob Fitzgerald
Adore Ya
139 bpm • G Maj • 03:49 • -7.13db
32% Popularity • 70% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Brandyn Burnette
State I'm In
146 bpm • G# Maj • 03:48 • -8.45db
32% Popularity • 66% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Belle Mt.
Made to Find You
146 bpm • C# Maj • 03:29 • -6.98db
24% Popularity • 54% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Garrett Kato
Arkansas
138 bpm • E Maj • 03:25 • -9.39db
29% Popularity • 57% Danceability • 57% Energy • 12% Liveness
2% Instrumentalness • 50% Positiveness
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KAWALA
Kept in the Dark
137 bpm • D Maj • 03:33 • -10.51db
30% Popularity • 45% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Tay Oskee
Black Smoke
147 bpm • F Maj • 03:35 • -8db
35% Popularity • 59% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Union Moon
This Is How You Know
137 bpm • C Maj • 03:20 • -7.4db
19% Popularity • 68% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Harry Marshall
Nowadays
137 bpm • B Maj • 03:34 • -13.46db
10% Popularity • 65% Danceability • 48% Energy • 10% Liveness
4% Instrumentalness • 20% Positiveness
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Martin Luke Brown
Shadow & Light
147 bpm • C Maj • 03:41 • -8.76db
33% Popularity • 54% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Garrett Kato
Love Is an Advert.
137 bpm • F# Maj • 04:00 • -8.9db
18% Popularity • 62% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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James New
All Eyes on You
137 bpm • D Maj • 03:54 • -8.91db
23% Popularity • 48% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Gretta Ray
Radio Silence
136 bpm • A Maj • 04:18 • -10.12db
32% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Tay Oskee
We Were Young
136 bpm • A Maj • 04:53 • -9.63db
36% Popularity • 31% Danceability • 56% Energy • 10% Liveness
17% Instrumentalness • 8% Positiveness
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John Butler Trio
Tell Me Why
148 bpm • A Maj • 05:24 • -4.38db
29% Popularity • 60% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Matt Corby
Miracle Love
136 bpm • G Maj • 04:22 • -8.05db
52% Popularity • 45% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Garrett Kato
UFOS
148 bpm • E Maj • 03:50 • -9.59db
20% Popularity • 64% Danceability • 62% Energy • 7% Liveness
82% Instrumentalness • 46% Positiveness
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Paul McDonald
New Lovers
148 bpm • B Maj • 04:09 • -9db
28% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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My Brothers And I
Nowhere to Run
136 bpm • A Maj • 03:29 • -5.32db
23% Popularity • 50% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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The Dreggs
Postcards
136 bpm • G Maj • 03:53 • -11.68db
48% Popularity • 73% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Joel Taylor
What Good Is Love
136 bpm • C Maj • 04:16 • -10.37db
11% Popularity • 71% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Jackson Breit
White Iverson
136 bpm • G Maj • 02:49 • -9db
33% Popularity • 74% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Alae
Hell Toupé
136 bpm • B Maj • 03:49 • -9.76db
1% Popularity • 36% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Little Giants
Sex
136 bpm • C Maj • 03:23 • -7.21db
19% Popularity • 44% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Dan Sultan
Reaction
135 bpm • C Maj • 04:38 • -5.25db
28% Popularity • 55% Danceability • 93% Energy • 33% Liveness
5% Instrumentalness • 41% Positiveness
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Jack Vallier
Good For You
135 bpm • F# Maj • 04:08 • -6.49db
25% Popularity • 50% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Hudson Taylor
Run with Me
135 bpm • C Maj • 02:58 • -4.27db
25% Popularity • 50% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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George Taylor
Stay Warm
135 bpm • C Maj • 04:32 • -11db
33% Popularity • 75% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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The Rubens
Freakout
135 bpm • C Maj • 03:22 • -6.99db
27% Popularity • 58% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Joe Marson
1 2 3
135 bpm • C# Maj • 04:43 • -8db
12% Popularity • 64% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Garrett Kato
River Mouth
135 bpm • F# Maj • 03:24 • -7.73db
20% Popularity • 71% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Paul McDonald
Stay Home
150 bpm • A Maj • 03:42 • -9.54db
11% Popularity • 60% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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nomad
Love Will Call
150 bpm • D min • 03:15 • -4.39db
33% Popularity • 56% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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MAALA
Crazy
150 bpm • G Maj • 03:58 • -6.76db
18% Popularity • 67% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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RØMANS
Happy Love
134 bpm • A min • 04:08 • -4.92db
20% Popularity • 68% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Allen Stone
Faithful - Bonus Track
150 bpm • C# min • 03:01 • -5.5db
31% Popularity • 61% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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OUTLYA
Howl - Acoustic
134 bpm • G Maj • 04:00 • -7.22db
13% Popularity • 66% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Nathan Hawes
I Wasn't There
152 bpm • F# Maj • 04:57 • -6.95db
22% Popularity • 37% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Samantha Marq
Bed We Shared
133 bpm • A Maj • 04:31 • -7.39db
13% Popularity • 78% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Hein Cooper
Over Again
133 bpm • B min • 03:20 • -8db
30% Popularity • 46% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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James Bay
Wanderlust
152 bpm • F Maj • 04:16 • -4.23db
43% Popularity • 49% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Sonny Tennet
Ain't Too Proud to Beg
152 bpm • G# Maj • 03:40 • -5.63db
34% Popularity • 49% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Tom Harrington
Before You Go
152 bpm • D Maj • 04:50 • -8.91db
17% Popularity • 65% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Elliot Root
Believe
152 bpm • A# Maj • 04:10 • -9.07db
28% Popularity • 59% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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George Taylor
Give It Up
152 bpm • F# min • 03:44 • -8.9db
28% Popularity • 57% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Gabe James
In the Moment
132 bpm • G Maj • 02:15 • -9.37db
36% Popularity • 75% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Current Swell
The Time and the Weight
132 bpm • D Maj • 04:17 • -4.94db
17% Popularity • 55% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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FIELDS
22:22
132 bpm • C# min • 04:16 • -10.98db
17% Popularity • 77% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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nomad
All of My Heart
132 bpm • F# min • 03:42 • -8.61db
13% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Alae
Super Imposition Projection Boy
132 bpm • C min • 03:59 • -10.19db
2% Popularity • 64% Danceability • 43% Energy • 12% Liveness
6% Instrumentalness • 40% Positiveness
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Zak Abel
Deserve to Be Loved
132 bpm • B Maj • 03:57 • -5.51db
27% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Didirri
I Can't Get Last Night Out Of My Head
154 bpm • C Maj • 03:15 • -12.28db
35% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Josh Cashman
Cigarette
131 bpm • D min • 04:02 • -6.92db
18% Popularity • 51% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Troy Ramey
Forever Wild
154 bpm • E Maj • 03:39 • -6db
25% Popularity • 55% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Lepani
Pocket Full of Love
130 bpm • C Maj • 03:28 • -10.08db
16% Popularity • 72% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Alae
I’m Still Waiting
154 bpm • C# Maj • 04:14 • -10.06db
2% Popularity • 54% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Benny Walker
Oh No You Don't
155 bpm • C min • 03:27 • -6.61db
12% Popularity • 51% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Wild Rivers
A Week Ago
130 bpm • D# Maj • 02:43 • -5.72db
46% Popularity • 78% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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RIVVRS
Don't Wanna Know
130 bpm • D Maj • 03:06 • -10.03db
10% Popularity • 74% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Tim Chadwick
Dreamer
130 bpm • D Maj • 03:30 • -7.46db
9% Popularity • 62% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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My Brothers And I
Fly Away
130 bpm • D Maj • 04:07 • -7.21db
27% Popularity • 63% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Alae
Please
130 bpm • G Maj • 04:04 • -9.5db
3% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Didirri
Bird Sounds
156 bpm • D min • 03:26 • -11.45db
34% Popularity • 43% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Kita Alexander
Hotel
130 bpm • G Maj • 03:47 • -5.86db
43% Popularity • 41% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Alexander Wren
Morning Light
156 bpm • D# Maj • 02:59 • -7.11db
24% Popularity • 62% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Billy Raffoul
Could You Be Mine?
156 bpm • E Maj • 03:30 • -7.41db
39% Popularity • 72% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Marc Scibilia
Believer
156 bpm • C Maj • 03:31 • -5.63db
35% Popularity • 71% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Picture This
95
129 bpm • C# Maj • 03:54 • -6.45db
43% Popularity • 66% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Jack Biilmann
Keya's Song
129 bpm • G# Maj • 03:01 • -9.03db
19% Popularity • 43% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Joel Taylor
Moment's Notice
129 bpm • D Maj • 04:23 • -9.94db
21% Popularity • 64% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Noah Reid
Road Again
157 bpm • G Maj • 04:10 • -11db
33% Popularity • 42% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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James Bay
Just For Tonight
128 bpm • A# Maj • 03:36 • -3.51db
42% Popularity • 55% Danceability • 85% Energy • 64% Liveness
0% Instrumentalness • 62% Positiveness
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Alexander Biggs
Car Ride
157 bpm • G Maj • 03:36 • -12.33db
15% Popularity • 43% Danceability • 35% Energy • 8% Liveness
8% Instrumentalness • 29% Positiveness
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Gareth Dunlop
29 Times
128 bpm • C Maj • 03:43 • -10.89db
14% Popularity • 85% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Matt Corby
All Fired Up
128 bpm • E Maj • 04:30 • -8db
38% Popularity • 56% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Elliot Root
Lost Man Running
128 bpm • F# Maj • 04:10 • -6.56db
17% Popularity • 48% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Tori Forsyth
Broke Machine
128 bpm • A# Maj • 02:48 • -8.04db
25% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The Dreggs
Simple Question
158 bpm • C min • 04:32 • -10.76db
37% Popularity • 57% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Current Swell
When to Talk and When to Listen - Altern...
158 bpm • D Maj • 02:48 • -3.57db
16% Popularity • 48% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 51% Positiveness
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Busby Marou
Best Part of Me
158 bpm • C Maj • 03:05 • -7.62db
37% Popularity • 60% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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nomad
I Won't Stop
158 bpm • D# Maj • 03:24 • -6.68db
23% Popularity • 61% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Please [Bailey Wiley Vocal Version]