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Please Come Home for Christmas
Songs like
Please Come Home for Christmas
by
Ann Wilson
Based on a tempo of (+/- 10%) and a similar genre
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Disturbed
Don't Tell Me
174 bpm • D# min • 04:31 • -4.25db
62% Popularity • 38% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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My Darkest Days
Come Undone
174 bpm • D# Maj • 04:08 • -4db
54% Popularity • 42% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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No Resolve
UNSTOPPABLE
174 bpm • G# Maj • 03:58 • -3.55db
53% Popularity • 35% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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The Funeral Portrait
Mad World
174 bpm • D# Maj • 03:35 • -4.97db
37% Popularity • 31% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Those Damn Crows
This Time I'm Ready
174 bpm • E Maj • 04:20 • -7.16db
36% Popularity • 36% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Ann Wilson
A Hard Rain's A-Gonna Fall
175 bpm • A Maj • 06:14 • -6.43db
7% Popularity • 39% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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REO Speedwagon
Keep on Loving You
175 bpm • C Maj • 03:20 • -5.96db
77% Popularity • 31% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Heart
Alone
175 bpm • C# Maj • 03:38 • -13.1db
76% Popularity • 42% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Exit Eden
Alone
176 bpm • C# Maj • 03:37 • -6.93db
31% Popularity • 32% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Lost Society
Awake
172 bpm • A# min • 05:12 • -4.78db
50% Popularity • 43% Danceability • 95% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
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Black Stone Cherry
Here’s To The Hopeless
172 bpm • G min • 03:34 • -3.91db
31% Popularity • 40% Danceability • 89% Energy • 34% Liveness
3% Instrumentalness • 43% Positiveness
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Sevendust
Everything
172 bpm • D Maj • 04:18 • -6.2db
45% Popularity • 41% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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The HU
Wolf Totem
172 bpm • G# Maj • 05:17 • -3.86db
60% Popularity • 36% Danceability • 90% Energy • 52% Liveness
0% Instrumentalness • 68% Positiveness
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Never Obey Again
9:45
172 bpm • F# Maj • 03:09 • -4.06db
37% Popularity • 44% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Gunshine
Live Free, Get Wild
172 bpm • A Maj • 04:53 • -3.61db
24% Popularity • 36% Danceability • 95% Energy • 13% Liveness
35% Instrumentalness • 51% Positiveness
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Seether
Fine Again - Acoustic Originals
171 bpm • F min • 04:24 • -4.98db
36% Popularity • 39% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Black Stone Cherry
Not Afraid
172 bpm • A# min • 03:12 • -4db
31% Popularity • 44% Danceability • 96% Energy • 14% Liveness
29% Instrumentalness • 53% Positiveness
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Sick Century
Winter Rain
177 bpm • G Maj • 04:05 • -6db
51% Popularity • 35% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Aerosmith
Angel
171 bpm • D# Maj • 05:08 • -3.58db
64% Popularity • 24% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Saint Asonia
Let Me Live My Life
177 bpm • C# min • 03:11 • -3.54db
54% Popularity • 41% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Theory of a Deadman
Two Of Us (Stuck)
178 bpm • B min • 03:31 • -4.47db
42% Popularity • 47% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Citizen Soldier
Wired for Worthless
170 bpm • C# Maj • 02:56 • -4.72db
47% Popularity • 41% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Black Stone Cherry
Screamin’ At The Sky
176 bpm • G# Maj • 03:24 • -3.33db
42% Popularity • 34% Danceability • 99% Energy • 20% Liveness
88% Instrumentalness • 29% Positiveness
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Within Temptation
Bleed Out
178 bpm • E min • 04:30 • -4.05db
45% Popularity • 36% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Ann Wilson
Forget Her
178 bpm • A# min • 05:02 • -6.85db
9% Popularity • 36% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Saint Asonia
Blinding Lights
170 bpm • A# Maj • 03:03 • -4db
54% Popularity • 20% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Sick Century
End Times
178 bpm • B min • 03:41 • -3.3db
33% Popularity • 34% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Texas Hippie Coalition
I Teach Angels How To Fly
178 bpm • C min • 03:57 • -4.48db
27% Popularity • 39% Danceability • 82% Energy • 9% Liveness
14% Instrumentalness • 9% Positiveness
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Gunshine
Meet You There
178 bpm • C Maj • 05:29 • -4.1db
22% Popularity • 35% Danceability • 97% Energy • 16% Liveness
4% Instrumentalness • 45% Positiveness
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Beyond The Black
Free Me
170 bpm • F# Maj • 04:01 • -4db
41% Popularity • 39% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Stone Broken
Wait For You
170 bpm • C# Maj • 04:36 • -4.85db
36% Popularity • 39% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Shakra
What You See (And What You Don't)
178 bpm • F# Maj • 03:46 • -5.06db
26% Popularity • 42% Danceability • 98% Energy • 22% Liveness
8% Instrumentalness • 54% Positiveness
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Shinedown
Dysfunctional You
170 bpm • A Maj • 03:37 • -3.95db
51% Popularity • 44% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Nita Strauss
Winner Takes All
170 bpm • D Maj • 03:25 • -3.71db
30% Popularity • 41% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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The Broken View
Something Better - Acoustic
170 bpm • E min • 05:37 • -7.49db
37% Popularity • 50% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Kris Barras Band
Savages
170 bpm • C min • 03:54 • -5.89db
26% Popularity • 38% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
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In This Moment
I WOULD DIE FOR YOU (Album Version)
170 bpm • C# min • 04:36 • -5.31db
38% Popularity • 29% Danceability • 94% Energy • 46% Liveness
0% Instrumentalness • 11% Positiveness
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3 Doors Down
Still Alive
170 bpm • B min • 02:41 • -4db
59% Popularity • 43% Danceability • 96% Energy • 16% Liveness
42% Instrumentalness • 57% Positiveness
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Ozzy Osbourne
Patient Number 9
170 bpm • F Maj • 07:21 • -4.25db
52% Popularity • 32% Danceability • 87% Energy • 13% Liveness
19% Instrumentalness • 30% Positiveness
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Bad Company
If You Needed Somebody
168 bpm • G Maj • 04:21 • -13.39db
51% Popularity • 50% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 39% Positiveness
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Corey Taylor
We Are The Rest
178 bpm • F# Maj • 03:02 • -3.11db
49% Popularity • 43% Danceability • 99% Energy • 32% Liveness
12% Instrumentalness • 71% Positiveness
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Ann Wilson
My Thing Is My Own
180 bpm • D Maj • 04:00 • -12.13db
3% Popularity • 47% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Black Stone Cherry
Smile, World
180 bpm • F# Maj • 02:57 • -3.28db
37% Popularity • 40% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Nita Strauss
Victorious
168 bpm • G min • 03:41 • -3.42db
41% Popularity • 38% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Guns N' Roses
Perhaps
180 bpm • B min • 03:48 • -7.23db
55% Popularity • 31% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Those Damn Crows
Fill the Void
168 bpm • F# min • 03:43 • -4.95db
32% Popularity • 38% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 20% Positiveness
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NOAPOLOGY
Defenseless
168 bpm • B min • 04:05 • -3.6db
33% Popularity • 27% Danceability • 96% Energy • 12% Liveness
6% Instrumentalness • 29% Positiveness
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Symphony Of Sweden
EXIT - When There's Nowhere Else To Run
168 bpm • E min • 02:54 • -6.28db
34% Popularity • 32% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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The Violent
People Are Strange
180 bpm • C# Maj • 02:27 • -5.33db
36% Popularity • 24% Danceability • 86% Energy • 17% Liveness
14% Instrumentalness • 39% Positiveness
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Shinedown
Daylight
181 bpm • F Maj • 04:00 • -6db
51% Popularity • 26% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Rev Theory
Voices - Orton 2023
167 bpm • F min • 03:24 • -3.1db
46% Popularity • 37% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Those Damn Crows
Wake Up (Sleepwalker)
182 bpm • E Maj • 03:28 • -5.12db
31% Popularity • 36% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Nita Strauss
Through The Noise
182 bpm • G Maj • 03:20 • -3.18db
33% Popularity • 48% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Winger
Miles Away
182 bpm • F Maj • 04:15 • -7.53db
56% Popularity • 37% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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The Retaliators
The Retaliators Theme (21 Bullets)
166 bpm • E min • 04:02 • -4.73db
53% Popularity • 44% Danceability • 94% Energy • 81% Liveness
0% Instrumentalness • 19% Positiveness
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DIAMANTE
1987
166 bpm • F# Maj • 03:36 • -3.3db
20% Popularity • 41% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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Nickelback
Those Days
166 bpm • C Maj • 03:39 • -5.48db
57% Popularity • 50% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Those Damn Crows
Sick of Me
166 bpm • F# Maj • 04:05 • -5.72db
32% Popularity • 47% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Mammoth WVH
Epiphany
165 bpm • F# min • 04:28 • -4.97db
45% Popularity • 44% Danceability • 89% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
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Judas Priest
Trial By Fire
165 bpm • A# min • 04:21 • -6.45db
54% Popularity • 41% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Atreyu
Gone
165 bpm • C# min • 03:43 • -3.91db
47% Popularity • 32% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Apocalyptica
What We're Up Against Elize Ryd of Amara...
165 bpm • D Maj • 03:40 • -6.15db
46% Popularity • 38% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Trapt
Think Of You
184 bpm • E Maj • 04:13 • -4.53db
31% Popularity • 33% Danceability • 82% Energy • 46% Liveness
0% Instrumentalness • 28% Positiveness
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Staind
Was Any Of It Real?
164 bpm • C# min • 02:51 • -5.52db
41% Popularity • 20% Danceability • 87% Energy • 18% Liveness
4% Instrumentalness • 31% Positiveness
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Plush
Hate
164 bpm • C Maj • 03:41 • -1.66db
38% Popularity • 39% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Black Smoke Trigger
Perfect Torture
164 bpm • F# Maj • 04:34 • -5.18db
28% Popularity • 20% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Those Damn Crows
Takedown
164 bpm • F# Maj • 03:05 • -5.32db
39% Popularity • 44% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Ann Wilson
Tripsitter
164 bpm • A min • 04:55 • -8.66db
16% Popularity • 50% Danceability • 54% Energy • 36% Liveness
50% Instrumentalness • 14% Positiveness
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Less Than Hollow
How Can I Live?
185 bpm • C# min • 02:23 • -5.53db
38% Popularity • 43% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Staind
In This Condition
164 bpm • E Maj • 03:29 • -4.29db
47% Popularity • 43% Danceability • 90% Energy • 10% Liveness
22% Instrumentalness • 56% Positiveness
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Shinedown
How Did You Love
186 bpm • F Maj • 03:07 • -5.2db
60% Popularity • 33% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Alter Bridge
Open Your Eyes
162 bpm • D Maj • 04:58 • -4db
57% Popularity • 36% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Those Damn Crows
Man on Fire
186 bpm • F min • 03:48 • -5.84db
37% Popularity • 38% Danceability • 97% Energy • 62% Liveness
0% Instrumentalness • 51% Positiveness
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John Bonham
Stairway to Heaven (British Rock Symphon...
161 bpm • A min • 08:38 • -8.99db
29% Popularity • 26% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Saving Abel
Fire
162 bpm • C# Maj • 03:21 • -6.26db
37% Popularity • 51% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Staind
Confessions Of The Fallen
164 bpm • G Maj • 03:50 • -4.65db
43% Popularity • 31% Danceability • 78% Energy • 15% Liveness
27% Instrumentalness • 11% Positiveness
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Heart
What About Love?
161 bpm • D min • 03:41 • -7.07db
62% Popularity • 25% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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Mick Mars
Loyal to the Lie
160 bpm • C# Maj • 03:52 • -4.26db
39% Popularity • 42% Danceability • 96% Energy • 13% Liveness
26% Instrumentalness • 21% Positiveness
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Ann Wilson
I'm Afraid of Americans
160 bpm • E min • 04:36 • -6.29db
3% Popularity • 73% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Black Stone Cherry
Nervous
160 bpm • F# Maj • 03:15 • -2.97db
46% Popularity • 36% Danceability • 96% Energy • 29% Liveness
64% Instrumentalness • 61% Positiveness
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Gunshine
Loud
160 bpm • G min • 04:03 • -3.5db
28% Popularity • 38% Danceability • 97% Energy • 8% Liveness
43% Instrumentalness • 53% Positiveness
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Through Fire
Jar Of Hearts
160 bpm • G# Maj • 04:06 • -4.82db
45% Popularity • 41% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Mammoth WVH
Another Celebration at the End of the Wo...
190 bpm • D Maj • 04:35 • -5.69db
50% Popularity • 43% Danceability • 95% Energy • 15% Liveness
79% Instrumentalness • 39% Positiveness
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Reach
Mama Mama
159 bpm • F# min • 03:14 • -5.92db
27% Popularity • 43% Danceability • 84% Energy • 17% Liveness
4% Instrumentalness • 53% Positiveness
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Lansdowne
Safeword
158 bpm • F# Maj • 03:33 • -0.93db
34% Popularity • 54% Danceability • 97% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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Ann Wilson
Danger Zone
158 bpm • A Maj • 02:56 • -8.58db
1% Popularity • 34% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 31% Positiveness
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In This Moment
We Will Rock You
157 bpm • B min • 03:05 • -4.66db
50% Popularity • 36% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Thundermother
Speaking of the Devil
158 bpm • E min • 03:45 • -3.48db
41% Popularity • 40% Danceability • 97% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Scott Stapp
Deadman's Trigger
157 bpm • A# Maj • 03:27 • -4.35db
37% Popularity • 32% Danceability • 92% Energy • 13% Liveness
42% Instrumentalness • 38% Positiveness
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REO Speedwagon
Can't Fight This Feeling
156 bpm • A Maj • 04:54 • -11.02db
74% Popularity • 41% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Seether
Nobody Praying For Me
156 bpm • G min • 03:17 • -5.96db
66% Popularity • 54% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Nickelback
Saturday Night's Alright (For Fighting)
156 bpm • D Maj • 03:43 • -4db
43% Popularity • 54% Danceability • 96% Energy • 8% Liveness
24% Instrumentalness • 74% Positiveness
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Creed
Overcome
195 bpm • A Maj • 03:46 • -3.19db
59% Popularity • 33% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Asking Alexandria
Dark Void
155 bpm • F min • 03:52 • -4.27db
58% Popularity • 42% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Kissin' Dynamite
Raise Your Glass
155 bpm • G Maj • 03:37 • -3.95db
42% Popularity • 44% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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DIAMANTE
Iris
155 bpm • C# min • 03:44 • -5.81db
47% Popularity • 37% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
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Breaking Benjamin
Angels Fall
196 bpm • G Maj • 03:48 • -5.08db
67% Popularity • 40% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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NOAPOLOGY
Deadhearted
154 bpm • G min • 04:09 • -4db
30% Popularity • 46% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Creed
Higher
156 bpm • D Maj • 05:16 • -6.25db
77% Popularity • 46% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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Plush
Run
153 bpm • A min • 03:27 • -2.92db
32% Popularity • 39% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Please Come Home for Christmas