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Please Don't Be
Songs like
Please Don't Be
by
Hazlett
Based on a tempo of (+/- 10%) and a similar genre
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Jensen McRae
My Ego Dies At The End
130 bpm • D# Maj • 04:02 • -6.36db
52% Popularity • 70% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Salt Tree
She's The One
130 bpm • C min • 03:51 • -9db
50% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Chance Peña
i am not who i was
130 bpm • C Maj • 02:25 • -13.7db
85% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Ocie Elliott
Fame
130 bpm • D# Maj • 03:10 • -14db
58% Popularity • 72% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Twiceyoung
Stay Right Here Until Morning
130 bpm • F Maj • 03:24 • -12.38db
29% Popularity • 31% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 42% Positiveness
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Hazlett
Please Don't Be
130 bpm • A Maj • 02:55 • -11db
68% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Cordelia
Little Life
131 bpm • B Maj • 04:30 • -15.61db
61% Popularity • 51% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Gregory Alan Isakov
Dark, Dark, Dark
130 bpm • D Maj • 02:59 • -8.19db
64% Popularity • 48% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Hayden Calnin
I Believe in Something More
129 bpm • E Maj • 03:01 • -8.84db
35% Popularity • 55% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Chance Peña
break up song
129 bpm • E Maj • 02:49 • -14.4db
51% Popularity • 64% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Jolé
Still
131 bpm • C# Maj • 03:47 • -13.52db
46% Popularity • 54% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Old Sea Brigade
Stayed Up Late (SCayos & Annie Elise Rem...
131 bpm • C# Maj • 03:00 • -16.64db
41% Popularity • 56% Danceability • 29% Energy • 18% Liveness
59% Instrumentalness • 25% Positiveness
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Ed Patrick
Minute Of Your Love
132 bpm • F Maj • 02:16 • -17.97db
50% Popularity • 51% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 36% Positiveness
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Ryan Beatty
Bruises Off The Peach
132 bpm • B Maj • 03:12 • -8.8db
56% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Luca Fogale
To Run
132 bpm • C Maj • 02:23 • -9.72db
35% Popularity • 33% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Hayden Calnin
Majuy
132 bpm • C Maj • 03:55 • -8.47db
46% Popularity • 31% Danceability • 37% Energy • 7% Liveness
2% Instrumentalness • 9% Positiveness
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Jolé
Seasons Change
131 bpm • A# Maj • 04:40 • -6.03db
37% Popularity • 42% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Hazlett
Part Time Lovers
132 bpm • C Maj • 03:10 • -16.3db
55% Popularity • 54% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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ASKYA
Standing Strong
132 bpm • G Maj • 03:46 • -14.51db
33% Popularity • 63% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Salt Tree
Rising Again
128 bpm • C# Maj • 03:23 • -12db
47% Popularity • 72% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Tors
Miracle
132 bpm • C Maj • 03:02 • -4.24db
54% Popularity • 58% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Medium Build
Crying Over U
132 bpm • F Maj • 03:54 • -8.69db
48% Popularity • 57% Danceability • 58% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
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Edwin Raphael
Will You Think Of Me Later?
128 bpm • D# Maj • 02:15 • -7.33db
56% Popularity • 66% Danceability • 45% Energy • 11% Liveness
42% Instrumentalness • 54% Positiveness
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Chance Peña
Highs & Lows
132 bpm • D# Maj • 03:29 • -10.79db
61% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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John Vincent III
Next to You
132 bpm • G Maj • 04:16 • -7.98db
73% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Holly Humberstone
Deep End
128 bpm • C Maj • 02:51 • -8db
53% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Gregory Alan Isakov
Southern Star
133 bpm • C Maj • 02:19 • -11db
68% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Richy Mitch & The Coal Miners
Solstice
127 bpm • G Maj • 05:06 • -16.8db
47% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Ed Prosek
Let Me Down Easy
133 bpm • C# Maj • 03:05 • -11.44db
36% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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This New Light
could you carry me?
127 bpm • D Maj • 03:23 • -11.42db
28% Popularity • 56% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Jolé
This City
127 bpm • G Maj • 03:20 • -8.68db
34% Popularity • 53% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Boundary Run
Make It Out
134 bpm • D Maj • 03:41 • -11.44db
47% Popularity • 25% Danceability • 29% Energy • 8% Liveness
42% Instrumentalness • 22% Positiveness
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Chance Peña
Sleep Deprivation
134 bpm • D Maj • 02:35 • -11db
75% Popularity • 59% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Noah Kahan
Anyway
134 bpm • G Maj • 05:12 • -10.69db
64% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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David Kushner
Burn
126 bpm • C Maj • 02:59 • -9.73db
77% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Hazlett
Fireworks
134 bpm • A Maj • 04:02 • -11.33db
47% Popularity • 69% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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Steinza
I Know You
126 bpm • E Maj • 02:57 • -10.17db
49% Popularity • 60% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Boundary Run
Fly Away
134 bpm • F# Maj • 02:38 • -10.26db
33% Popularity • 48% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Hans Williams
More Than One Way Home
134 bpm • F# Maj • 04:12 • -12.16db
43% Popularity • 45% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Gregory Alan Isakov
The Fall
135 bpm • A Maj • 03:27 • -10.52db
56% Popularity • 56% Danceability • 55% Energy • 12% Liveness
44% Instrumentalness • 21% Positiveness
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Edwin Raphael
Isle Of Strawberries
135 bpm • C# min • 03:35 • -5.5db
47% Popularity • 62% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Hazlett
Tell Me What You Dream About
126 bpm • G# Maj • 03:17 • -9.41db
50% Popularity • 76% Danceability • 64% Energy • 13% Liveness
5% Instrumentalness • 35% Positiveness
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Salt Tree
Let My Guard Down
135 bpm • F# min • 03:10 • -8.33db
41% Popularity • 67% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Mt. Joy
Bathroom Light
135 bpm • D# Maj • 03:08 • -10.82db
64% Popularity • 65% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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Hayden Calnin
Unfortunate Love
135 bpm • C# min • 03:46 • -11db
44% Popularity • 47% Danceability • 42% Energy • 17% Liveness
25% Instrumentalness • 16% Positiveness
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Israel Cannan
Walking On The Winds
125 bpm • D Maj • 04:00 • -11.09db
30% Popularity • 75% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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The Paper Kites
Featherstone
125 bpm • G# Maj • 03:49 • -13.67db
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Hazlett
To Sleep in a King Alone
125 bpm • A# Maj • 04:00 • -14.2db
38% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Freyr
Lights Out
125 bpm • D Maj • 03:17 • -16.47db
35% Popularity • 66% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Novo Amor
Oh, Round Lake
125 bpm • C# Maj • 02:55 • -15db
61% Popularity • 56% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Mon RovÃŽa
Don't Lose A Good Thing
136 bpm • C Maj • 03:14 • -13.12db
47% Popularity • 51% Danceability • 28% Energy • 12% Liveness
4% Instrumentalness • 33% Positiveness
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Riley Pearce
How Will I Know
136 bpm • F# Maj • 03:26 • -6.92db
40% Popularity • 65% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Searows
End Of The World
136 bpm • G Maj • 03:54 • -12.78db
56% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Hazlett
Missionary Feelings
125 bpm • D Maj • 03:32 • -13.23db
62% Popularity • 58% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Ocie Elliott
Wait for You
136 bpm • C# Maj • 03:13 • -12db
61% Popularity • 65% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Aaron Espe
Only Time
136 bpm • A min • 02:58 • -12.11db
52% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Harrison Storm
My Way Home
124 bpm • G Maj • 03:37 • -11.11db
42% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jolé
Hopes
124 bpm • C# Maj • 03:10 • -5.52db
15% Popularity • 43% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Hailaker
Famous
136 bpm • C# Maj • 03:53 • -12.56db
45% Popularity • 39% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Paper Planes
Soft Sun
124 bpm • A# Maj • 01:47 • -15.94db
43% Popularity • 73% Danceability • 38% Energy • 12% Liveness
95% Instrumentalness • 92% Positiveness
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Michael Marcagi
The Other Side
124 bpm • E Maj • 02:44 • -9.98db
77% Popularity • 70% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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John Vincent III
Back to My Ways
124 bpm • C min • 05:47 • -10.1db
43% Popularity • 33% Danceability • 34% Energy • 38% Liveness
5% Instrumentalness • 10% Positiveness
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Bo Staloch
Your Eyes Tell Stories
124 bpm • D# Maj • 05:20 • -11.05db
50% Popularity • 41% Danceability • 26% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Chance Peña
I'm Enough
137 bpm • B Maj • 03:00 • -12.22db
42% Popularity • 46% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Hunter Metts
Paper Moon
123 bpm • C min • 02:50 • -13db
40% Popularity • 49% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Hazlett
Sugarcane
123 bpm • C min • 03:41 • -13.22db
35% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Michael Marcagi
Scared To Start - Sun Mountain Sessions
137 bpm • G Maj • 02:58 • -10.68db
61% Popularity • 61% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Steinza
The Former (Piano Version)
123 bpm • G Maj • 03:11 • -12db
34% Popularity • 53% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Richy Mitch & The Coal Miners
Lake Missoula
137 bpm • E Maj • 03:24 • -11.62db
55% Popularity • 40% Danceability • 34% Energy • 11% Liveness
12% Instrumentalness • 23% Positiveness
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Lizzy McAlpine
hate to be lame
137 bpm • A# min • 02:36 • -12.63db
68% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Harrison Storm
Breathe Again - Acoustic
123 bpm • A# min • 03:18 • -8db
57% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Hazlett
Lowdown, Lay It On
137 bpm • D Maj • 03:54 • -13db
34% Popularity • 46% Danceability • 27% Energy • 66% Liveness
1% Instrumentalness • 4% Positiveness
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Jonah Kagen
Pollution
138 bpm • F# min • 03:54 • -9.81db
42% Popularity • 43% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Novo Amor
State Lines
137 bpm • A Maj • 03:28 • -10.62db
76% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
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Davis John Patton
Motives
138 bpm • A# Maj • 04:03 • -11.11db
40% Popularity • 51% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Salt Tree
Moving Away
138 bpm • D Maj • 03:40 • -12.02db
28% Popularity • 62% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Woodlock
Settle Down - Acoustic
138 bpm • C Maj • 02:45 • -7db
61% Popularity • 60% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Tors
Tell You
138 bpm • C# Maj • 03:45 • -5.34db
45% Popularity • 56% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Zeph
my fault
138 bpm • G Maj • 01:00 • -14db
65% Popularity • 59% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Novo Amor
Holland
138 bpm • C# Maj • 02:39 • -12db
62% Popularity • 50% Danceability • 17% Energy • 11% Liveness
7% Instrumentalness • 9% Positiveness
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Old Sea Brigade
Day by Day - Acoustic
138 bpm • F# min • 03:29 • -14db
55% Popularity • 60% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
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Richy Mitch & The Coal Miners
Lake Missoula
138 bpm • B min • 01:46 • -13.04db
75% Popularity • 45% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 24% Positiveness
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Myles Smith
Behind
122 bpm • C min • 03:18 • -7.77db
61% Popularity • 59% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Vincent Lima
See Me Too
122 bpm • A# Maj • 02:46 • -8db
41% Popularity • 54% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Salt Tree
Hold You Now
122 bpm • C min • 02:51 • -12.83db
33% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Twin Tacoma
Go Careful
122 bpm • B Maj • 02:52 • -12.52db
43% Popularity • 72% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
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Stephen Sanchez
Hey Girl
122 bpm • F# min • 03:05 • -7.78db
66% Popularity • 39% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Hans Williams
The Trek
139 bpm • G# Maj • 04:42 • -7.55db
43% Popularity • 45% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Paris Paloma
yeti
139 bpm • B min • 04:12 • -11.3db
56% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Noah Kahan
Still
139 bpm • D# Maj • 03:07 • -12.32db
61% Popularity • 61% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Woodlock
We Gotta Go
122 bpm • D# Maj • 04:12 • -10db
47% Popularity • 53% Danceability • 44% Energy • 16% Liveness
6% Instrumentalness • 23% Positiveness
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Ed Patrick
Canyon
121 bpm • D Maj • 02:32 • -16.56db
38% Popularity • 43% Danceability • 22% Energy • 34% Liveness
32% Instrumentalness • 43% Positiveness
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The Paper Kites
For All You Give
139 bpm • B min • 03:11 • -17.14db
51% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Novo Amor
Embody Me
121 bpm • C Maj • 03:10 • -12.04db
59% Popularity • 48% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Boundary Run
Hurt Me
140 bpm • C Maj • 03:54 • -11.85db
33% Popularity • 36% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Hans Williams
Willows
140 bpm • C Maj • 03:41 • -8.3db
58% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Wild Rivers
Don't
121 bpm • C# Maj • 03:02 • -6db
50% Popularity • 79% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Hazlett
Even If It’s Lonely
140 bpm • A Maj • 04:05 • -12db
49% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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The Paper Kites
Till the Flame Turns Blue
139 bpm • E Maj • 04:05 • -11.16db
43% Popularity • 32% Danceability • 42% Energy • 11% Liveness
23% Instrumentalness • 36% Positiveness
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Michael Marcagi
Savannah
140 bpm • E Maj • 03:05 • -11.18db
52% Popularity • 61% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Please Don't Be