Songs like Please Love Me - Stereo by Reverb LTD
Based on a tempo of (+/- 10%) and a similar genre
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Sonia Ross
Every Now and Then
91 bpm • A min • 02:39 • -8.94db
12% Popularity • 24% Danceability • 42% Energy • 47% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 24% Danceability • 42% Energy • 47% Liveness
0% Instrumentalness • 54% Positiveness
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The Chi-Lites
24 Hours Of Sadness
91 bpm • G# Maj • 02:09 • -8.44db
20% Popularity • 62% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 62% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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The Charmels
Please Uncle Sam (Send Back My Man) - Si...
91 bpm • C Maj • 02:31 • -13.34db
13% Popularity • 71% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 71% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Kaldirons
To Love Someone (That Don't Love You)
91 bpm • F Maj • 03:21 • -9db
22% Popularity • 54% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 54% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Attractions
New Girl in the Neighborhood
92 bpm • F min • 03:07 • -5db
13% Popularity • 38% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 38% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 53% Positiveness
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Elvin Spencer
Lift This Hurt
92 bpm • F min • 02:41 • -9db
21% Popularity • 51% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 51% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Hot Sauce
Bring It Home (And Give It To Me)
92 bpm • D# Maj • 03:20 • -9.19db
9% Popularity • 59% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 59% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Reverb LTD
Please Love Me - Mono
92 bpm • D# min • 02:30 • -8.11db
14% Popularity • 40% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 40% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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The Chapells
You're Acting Kind of Strange
90 bpm • D min • 03:24 • -5db
24% Popularity • 28% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 28% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Charles Brimmer
The Feeling Is in My Heart
92 bpm • A# Maj • 03:34 • -10.45db
14% Popularity • 54% Danceability • 49% Energy • 61% Liveness
1% Instrumentalness • 72% Positiveness
14% Popularity • 54% Danceability • 49% Energy • 61% Liveness
1% Instrumentalness • 72% Positiveness
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Final Solution
Gotta Get Through to You
92 bpm • F# min • 04:44 • -7.43db
18% Popularity • 58% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 58% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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The Lovations
I Keep Singing (La La La Ooh)
92 bpm • D min • 02:58 • -5.58db
25% Popularity • 41% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 41% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Jato Von Del
Just A Few Steps Up The Isle
92 bpm • A Maj • 03:59 • -10.37db
11% Popularity • 46% Danceability • 53% Energy • 17% Liveness
4% Instrumentalness • 43% Positiveness
11% Popularity • 46% Danceability • 53% Energy • 17% Liveness
4% Instrumentalness • 43% Positiveness
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The Mad Lads
Come Closer to Me
92 bpm • A# Maj • 02:39 • -11.22db
25% Popularity • 74% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 74% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
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Rare Gems Odyssey
Touchdown
92 bpm • D# Maj • 03:53 • -8.04db
9% Popularity • 60% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 60% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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Barbara Lynn
Why Can't You Love Me
90 bpm • C Maj • 02:33 • -10.73db
14% Popularity • 73% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 73% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Gene Chandler
What Now
92 bpm • G min • 02:52 • -11.52db
2% Popularity • 62% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
2% Popularity • 62% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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The Festivals
You're Gonna Make It
92 bpm • A min • 02:51 • -15.8db
10% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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The Whatnauts
What's Left to Give
90 bpm • A# Maj • 03:40 • -11.16db
31% Popularity • 36% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 36% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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The Chapells
Are You Ready?
90 bpm • A min • 02:26 • -8.51db
10% Popularity • 46% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 46% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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The East 14th Street Band
Now and Then
90 bpm • F min • 03:06 • -10.17db
15% Popularity • 51% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
15% Popularity • 51% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Ortheia Barnes
Waiting for Joey
90 bpm • C# Maj • 02:26 • -8.59db
10% Popularity • 63% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 63% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Gene Chandler
The Girl Don't Care
90 bpm • A min • 02:48 • -9db
19% Popularity • 51% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 51% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Al Green
A Lover's Hideaway - Digitally Remastere...
93 bpm • G# Maj • 02:36 • -11.19db
12% Popularity • 53% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 53% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Fuller Bros.
Stranger at My Door
92 bpm • C Maj • 02:19 • -10db
44% Popularity • 70% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
44% Popularity • 70% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
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The Ultimates
Why I Love You
93 bpm • C Maj • 03:48 • -5.33db
22% Popularity • 57% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 57% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Carol Hughes
Let's Get Together Again
93 bpm • C Maj • 02:22 • -11.07db
15% Popularity • 43% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 43% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Mike And The Censations
Victim Of Circumstance
93 bpm • G# Maj • 03:05 • -5.1db
12% Popularity • 39% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 39% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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The Dramatics
You Could Become The Very Heart Of Me
93 bpm • A# Maj • 02:46 • -10.33db
13% Popularity • 61% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 61% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Tyrone Davis
All The Waiting Is Not In Vain
89 bpm • A Maj • 02:29 • -5.63db
9% Popularity • 53% Danceability • 75% Energy • 40% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 53% Danceability • 75% Energy • 40% Liveness
0% Instrumentalness • 95% Positiveness
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Jo Ann Garrett
Stay By My Side
93 bpm • E Maj • 02:59 • -4.13db
11% Popularity • 53% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 53% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Barbara Lynn
Unfair
93 bpm • A Maj • 02:29 • -6.79db
5% Popularity • 55% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
5% Popularity • 55% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Dimas III
You’ve Succeeded
88 bpm • C Maj • 03:13 • -5.34db
24% Popularity • 41% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 41% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Entertainers IV
My Garden of Eden
94 bpm • A# Maj • 02:38 • -12.44db
14% Popularity • 58% Danceability • 51% Energy • 63% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 58% Danceability • 51% Energy • 63% Liveness
0% Instrumentalness • 88% Positiveness
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The Steelers
Crying Bitter Tears
94 bpm • C# Maj • 02:40 • -11.01db
11% Popularity • 61% Danceability • 35% Energy • 32% Liveness
10% Instrumentalness • 70% Positiveness
11% Popularity • 61% Danceability • 35% Energy • 32% Liveness
10% Instrumentalness • 70% Positiveness
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The Fantastic Four
The Whole World Is A Stage
88 bpm • C# Maj • 02:55 • -8db
28% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
28% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Bobby Taylor & The Vancouvers
Malinda
94 bpm • A min • 02:47 • -10.03db
28% Popularity • 60% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 60% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Signs of the Time
Hurts So Bad
94 bpm • F# min • 03:51 • -12.14db
13% Popularity • 57% Danceability • 44% Energy • 13% Liveness
27% Instrumentalness • 82% Positiveness
13% Popularity • 57% Danceability • 44% Energy • 13% Liveness
27% Instrumentalness • 82% Positiveness
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Master Plan Inc
Try It (You'll Like It)
94 bpm • D Maj • 02:23 • -9.9db
29% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Al Castana
I Need and Love You
94 bpm • D Maj • 02:41 • -7.02db
10% Popularity • 55% Danceability • 56% Energy • 12% Liveness
18% Instrumentalness • 66% Positiveness
10% Popularity • 55% Danceability • 56% Energy • 12% Liveness
18% Instrumentalness • 66% Positiveness
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Hunts Determination Band
Are We Through
88 bpm • D min • 02:52 • -5.58db
12% Popularity • 49% Danceability • 70% Energy • 35% Liveness
24% Instrumentalness • 72% Positiveness
12% Popularity • 49% Danceability • 70% Energy • 35% Liveness
24% Instrumentalness • 72% Positiveness
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The Emotions
Somebody New
88 bpm • D Maj • 02:43 • -7.13db
10% Popularity • 49% Danceability • 49% Energy • 59% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 49% Danceability • 49% Energy • 59% Liveness
0% Instrumentalness • 81% Positiveness
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La’Fez
This Is The Way That I Am
94 bpm • C Maj • 03:11 • -8.99db
20% Popularity • 48% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 48% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Betty Wright
Paralyzed
88 bpm • B min • 02:41 • -5.57db
16% Popularity • 33% Danceability • 69% Energy • 13% Liveness
3% Instrumentalness • 78% Positiveness
16% Popularity • 33% Danceability • 69% Energy • 13% Liveness
3% Instrumentalness • 78% Positiveness
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The Fantastic Four
I Love You Madly
95 bpm • C Maj • 03:10 • -11db
25% Popularity • 62% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 62% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Willie Cooper & The Webs
I Can't Take No More
94 bpm • C min • 02:07 • -7.88db
13% Popularity • 53% Danceability • 41% Energy • 27% Liveness
4% Instrumentalness • 54% Positiveness
13% Popularity • 53% Danceability • 41% Energy • 27% Liveness
4% Instrumentalness • 54% Positiveness
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The Ethics
Think About Tomorrow
95 bpm • G Maj • 02:59 • -8.39db
14% Popularity • 54% Danceability • 46% Energy • 10% Liveness
33% Instrumentalness • 78% Positiveness
14% Popularity • 54% Danceability • 46% Energy • 10% Liveness
33% Instrumentalness • 78% Positiveness
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The Originals
I've Never Begged Before
95 bpm • C Maj • 02:43 • -10.46db
14% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Hesitations
Is This the Way to Treat a Girl (You Bet...
95 bpm • F# Maj • 02:57 • -9db
11% Popularity • 49% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 49% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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The Charmels
Sea Shell
95 bpm • G# min • 02:39 • -10.16db
10% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Ruby Andrews
Casanova (Your Playing Days Are over)
87 bpm • C min • 02:51 • -6.68db
18% Popularity • 45% Danceability • 49% Energy • 47% Liveness
2% Instrumentalness • 67% Positiveness
18% Popularity • 45% Danceability • 49% Energy • 47% Liveness
2% Instrumentalness • 67% Positiveness
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The Rhythm Rascals
Why Do You Have to Go?
95 bpm • F Maj • 02:42 • -9.63db
12% Popularity • 62% Danceability • 50% Energy • 44% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 62% Danceability • 50% Energy • 44% Liveness
0% Instrumentalness • 91% Positiveness
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Charles Buddy Smith
When You Lose The One You Love
95 bpm • D# Maj • 02:58 • -4.7db
8% Popularity • 70% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 70% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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The Newcomers
Girl, This Boy Loves You
96 bpm • D# Maj • 02:50 • -13db
23% Popularity • 58% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 58% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Holly Maxwell
Only When Your Lonely
95 bpm • D# min • 02:33 • -7db
19% Popularity • 54% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 54% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Sonia Ross
Let Me Be Free
96 bpm • B Maj • 01:49 • -8.09db
17% Popularity • 37% Danceability • 52% Energy • 10% Liveness
17% Instrumentalness • 79% Positiveness
17% Popularity • 37% Danceability • 52% Energy • 10% Liveness
17% Instrumentalness • 79% Positiveness
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The Minits
Still a Part of Me
96 bpm • F Maj • 02:34 • -10db
20% Popularity • 70% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 70% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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The Class Mates
You Can Do Me Some Good
96 bpm • A# Maj • 02:51 • -11.16db
10% Popularity • 68% Danceability • 29% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 68% Danceability • 29% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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The Charmels
Lovin' Feeling
96 bpm • G# Maj • 02:52 • -10.01db
17% Popularity • 67% Danceability • 45% Energy • 7% Liveness
8% Instrumentalness • 64% Positiveness
17% Popularity • 67% Danceability • 45% Energy • 7% Liveness
8% Instrumentalness • 64% Positiveness
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The Hill Sisters
Oh My Love, Sweet Love
96 bpm • D# Maj • 02:36 • -6.67db
20% Popularity • 48% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 59% Positiveness
20% Popularity • 48% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 59% Positiveness
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Roosevelt Matthews
You Got Me Diggin' You
96 bpm • F# min • 01:53 • -11.88db
12% Popularity • 60% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 60% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Chuck Wilder
The Clown
86 bpm • C min • 02:43 • -8.02db
12% Popularity • 33% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 33% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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The Sinceres
Don't Waste My Time
86 bpm • E min • 02:56 • -9.07db
22% Popularity • 42% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 42% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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The Jhamels
Be True To Me
96 bpm • F Maj • 02:57 • -7db
12% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Festivals
You've Got the Makings of a Lover
97 bpm • A# Maj • 02:08 • -7.81db
38% Popularity • 27% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 27% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Theron & Darrell
I Was Made to Love Her
96 bpm • E Maj • 02:54 • -7.5db
15% Popularity • 52% Danceability • 55% Energy • 73% Liveness
1% Instrumentalness • 89% Positiveness
15% Popularity • 52% Danceability • 55% Energy • 73% Liveness
1% Instrumentalness • 89% Positiveness
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Chicago Gangsters
We've Been Together
97 bpm • D# Maj • 03:32 • -1.66db
20% Popularity • 27% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 27% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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The Notations
I Can't Stop
97 bpm • C Maj • 02:47 • -9db
13% Popularity • 53% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 53% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 93% Positiveness
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Barbara Lewis
Just The Way You Are Today
85 bpm • F# Maj • 03:34 • -9.61db
15% Popularity • 44% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 44% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Shades Of Sensation
But Then You Left Me
85 bpm • C Maj • 02:55 • -8.61db
14% Popularity • 46% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 46% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Cornelius Brothers & Sister Rose
Since I Found My Baby
85 bpm • F# min • 03:40 • -12db
30% Popularity • 53% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 53% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Renaldo Domino
Nevermore
97 bpm • B min • 02:35 • -10.42db
11% Popularity • 52% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 52% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 37% Positiveness
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Ernie Marbray
The Stakes Are Too High
97 bpm • C Maj • 02:47 • -7.91db
15% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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The Georgettes
Hard, Hard
85 bpm • G min • 02:00 • -7.74db
10% Popularity • 63% Danceability • 56% Energy • 71% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 63% Danceability • 56% Energy • 71% Liveness
0% Instrumentalness • 90% Positiveness
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The Originals
You're The One
98 bpm • F min • 03:15 • -13db
31% Popularity • 48% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 48% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Jack & The Mods
One Is Enough for One
85 bpm • D min • 02:30 • -9.17db
30% Popularity • 66% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 66% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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The Manhattans
Follow Your Heart
98 bpm • F Maj • 02:59 • -10.79db
24% Popularity • 60% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 60% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Dynamic Tints & Pieces of Peace
Be My Lady
85 bpm • A# min • 02:54 • -9.73db
8% Popularity • 59% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 59% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Sam Baker
Do Right Man
98 bpm • C# Maj • 02:50 • -10.65db
25% Popularity • 71% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 71% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Eddie & Ernie
I Believe She Will
85 bpm • E Maj • 03:00 • -7.03db
10% Popularity • 54% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 54% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Bettye Swann
You Gave Me Love
98 bpm • C# Maj • 02:42 • -7.74db
7% Popularity • 57% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
7% Popularity • 57% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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The Jelly Beans
I'm Hip To You
98 bpm • G Maj • 02:55 • -5.85db
10% Popularity • 57% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 57% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 78% Positiveness
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Arthur Conley
Take a Step
98 bpm • F# min • 02:14 • -9.21db
16% Popularity • 71% Danceability • 41% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 71% Danceability • 41% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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The Summits
It Takes Two
99 bpm • A Maj • 03:00 • -6.37db
9% Popularity • 58% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 58% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Majestees
Let Her Go
99 bpm • D# Maj • 03:18 • -10.38db
9% Popularity • 44% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 44% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Helene Smith
True Love Don't Grow on Trees
99 bpm • C min • 02:34 • -6.59db
21% Popularity • 32% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 32% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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The Dramatics
Now You Got Me Loving You
84 bpm • F# min • 04:23 • -10.17db
24% Popularity • 54% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 54% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Baby Washington
That's How Heartaches Are Made
99 bpm • C# min • 02:41 • -11.22db
32% Popularity • 54% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 54% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Jan Bradley
I'm Over You
99 bpm • E Maj • 02:26 • -12db
11% Popularity • 75% Danceability • 37% Energy • 7% Liveness
49% Instrumentalness • 84% Positiveness
11% Popularity • 75% Danceability • 37% Energy • 7% Liveness
49% Instrumentalness • 84% Positiveness
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Wee Willie Walker
I Don't Want to Take a Chance
99 bpm • D min • 02:08 • -9.53db
8% Popularity • 50% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 50% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Debbie Taylor
Let's Prove Them Wrong
84 bpm • D# min • 02:56 • -6.39db
29% Popularity • 44% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 65% Positiveness
29% Popularity • 44% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 65% Positiveness
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Dontells
Moaning and Crying
84 bpm • C Maj • 02:48 • -10db
10% Popularity • 53% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 53% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Eula Cooper
Try
99 bpm • A# Maj • 02:16 • -6.24db
16% Popularity • 33% Danceability • 80% Energy • 19% Liveness
3% Instrumentalness • 68% Positiveness
16% Popularity • 33% Danceability • 80% Energy • 19% Liveness
3% Instrumentalness • 68% Positiveness
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The Sapphires
How Could I Say Goodbye
99 bpm • A Maj • 02:37 • -12.16db
24% Popularity • 66% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 66% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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The Classics
Looking for a Love (Of My Own)
99 bpm • A# min • 02:50 • -9.83db
16% Popularity • 60% Danceability • 47% Energy • 12% Liveness
30% Instrumentalness • 58% Positiveness
16% Popularity • 60% Danceability • 47% Energy • 12% Liveness
30% Instrumentalness • 58% Positiveness
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The Mad Lads
I Don't Want To Lose Your Love
99 bpm • A# Maj • 02:22 • -14.03db
18% Popularity • 76% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 76% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The Brothers Of Soul
I Guess That Don't Make Me a Loser
83 bpm • G# Maj • 02:55 • -9.55db
36% Popularity • 56% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 56% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Archie Bell & The Drells
Go for What You Know
100 bpm • F Maj • 02:07 • -8.94db
25% Popularity • 61% Danceability • 50% Energy • 20% Liveness
1% Instrumentalness • 76% Positiveness
25% Popularity • 61% Danceability • 50% Energy • 20% Liveness
1% Instrumentalness • 76% Positiveness
