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Please
Songs like
Please (feat. The Bulgarian Symphony Orchestra)
by
Pete Murray
Based on a tempo of (+/- 10%) and a similar genre
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Professor Ratbaggy
Love Letter
98 bpm • C Maj • 03:31 • -7.13db
21% Popularity • 70% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Johnny Diesel & The Injectors
Cry In Shame
98 bpm • E Maj • 04:44 • -6.44db
55% Popularity • 56% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Pete Murray
Feeler - Michael Brauer Mix
98 bpm • G Maj • 04:21 • -6.51db
40% Popularity • 43% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
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Hunters & Collectors
Hear No Evil
98 bpm • F# min • 04:20 • -4db
25% Popularity • 60% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Taxiride
How I Got This Way
98 bpm • C# Maj • 03:30 • -5.96db
21% Popularity • 44% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Patrick Doyle
Smuglianka - Instrumental
98 bpm • G# min • 02:36 • -15.47db
2% Popularity • 40% Danceability • 38% Energy • 65% Liveness
0% Instrumentalness • 55% Positiveness
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Cold Chisel
Choirgirl - 2011 Remastered
97 bpm • C Maj • 03:13 • -2.78db
49% Popularity • 66% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Nigel Clarke
The Little Vampire Suite - Closing Title...
97 bpm • D Maj • 08:03 • -18.54db
1% Popularity • 19% Danceability • 18% Energy • 6% Liveness
62% Instrumentalness • 10% Positiveness
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Pete Murray
Please
98 bpm • C Maj • 03:29 • -7.86db
9% Popularity • 20% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Bob Evans
Me & My Friend
97 bpm • F# Maj • 02:42 • -9.83db
16% Popularity • 62% Danceability • 35% Energy • 63% Liveness
0% Instrumentalness • 77% Positiveness
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Taxiride
Nothing in This World
99 bpm • G Maj • 03:27 • -5.53db
13% Popularity • 53% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Jonathan Routh
Camden Town Return
100 bpm • G# Maj • 02:32 • -11db
1% Popularity • 68% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Angus & Julia Stone
My Word For It
99 bpm • A min • 04:14 • -10.26db
13% Popularity • 64% Danceability • 61% Energy • 76% Liveness
6% Instrumentalness • 34% Positiveness
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Wendy Matthews
Love Will Keep Me Alive
100 bpm • A# Maj • 04:14 • -14.07db
17% Popularity • 60% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Pete Murray
Feeler
98 bpm • G Maj • 04:24 • -7.32db
10% Popularity • 40% Danceability • 57% Energy • 10% Liveness
8% Instrumentalness • 32% Positiveness
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Bob Evans
Don't You Think It's Time
96 bpm • G Maj • 03:18 • -11db
37% Popularity • 46% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
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Clare Bowditch
Between the Tea and the Toast
100 bpm • C Maj • 03:42 • -8db
16% Popularity • 44% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Wolfgang Amadeus Mozart
Mozart & De Courson: Al Raqs (After Moza...
100 bpm • G Maj • 03:14 • -9.53db
7% Popularity • 65% Danceability • 43% Energy • 9% Liveness
90% Instrumentalness • 48% Positiveness
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Nigel Clarke
Anna's Theme
100 bpm • C Maj • 02:08 • -29.26db
1% Popularity • 28% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
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Bruno Coulais
Vers la lumière
100 bpm • A min • 02:57 • -12.8db
0% Popularity • 27% Danceability • 18% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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Pete Murray
Fall Your Way
100 bpm • F min • 03:53 • -7.08db
7% Popularity • 48% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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Goodshirt
Fiji Baby
96 bpm • C# Maj • 03:13 • -11.22db
32% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Paul Dempsey
Out The Airlock
96 bpm • C# Maj • 03:35 • -10.82db
31% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Matt Corby
Brother
100 bpm • A Maj • 04:14 • -4.93db
57% Popularity • 66% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Seeker Lover Keeper
Bridges Burned
96 bpm • C# Maj • 04:20 • -9.95db
12% Popularity • 45% Danceability • 40% Energy • 9% Liveness
5% Instrumentalness • 38% Positiveness
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Wendy Matthews
Beloved
96 bpm • E Maj • 04:30 • -8.09db
22% Popularity • 39% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Pete Murray
Bail Me Out
100 bpm • A Maj • 04:03 • -10db
37% Popularity • 58% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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The Finn Brothers
Won't Give In
100 bpm • G Maj • 04:17 • -6.74db
33% Popularity • 61% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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The Black Sorrows
Harley & Rose - Acoustic
100 bpm • G Maj • 03:46 • -6.55db
27% Popularity • 59% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Bulgarian Symphony Orchestra
I Never Dreamed Someone Like You Could L...
95 bpm • G Maj • 03:32 • -13.6db
2% Popularity • 40% Danceability • 22% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
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Clare Bowditch
One Little River
101 bpm • C Maj • 04:23 • -7db
12% Popularity • 52% Danceability • 76% Energy • 8% Liveness
20% Instrumentalness • 17% Positiveness
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Killing Heidi
Kettle
100 bpm • C Maj • 02:55 • -7db
13% Popularity • 32% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Pete Murray
Ten Ft Tall
100 bpm • C Maj • 04:28 • -12db
29% Popularity • 55% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Deborah Conway
Will You Miss Me When You're Sober?
101 bpm • C Maj • 04:01 • -11db
21% Popularity • 62% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Greg Johnson
Looking Out On Monday
95 bpm • G Maj • 03:32 • -6db
12% Popularity • 56% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Hunters & Collectors
Holy Grail
101 bpm • C# min • 03:47 • -3.98db
59% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
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The Screaming Jets
Better
101 bpm • D Maj • 04:37 • -10.16db
51% Popularity • 52% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Killing Heidi
Astral Boy
101 bpm • G Maj • 03:08 • -16db
17% Popularity • 39% Danceability • 15% Energy • 20% Liveness
3% Instrumentalness • 16% Positiveness
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The Finn Brothers
Nothing Wrong with You
94 bpm • A# Maj • 04:10 • -6.56db
19% Popularity • 53% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
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Pete Murray
Bail Me Out
100 bpm • A Maj • 04:02 • -7.6db
9% Popularity • 53% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Ben Lee
We're All In This Together
102 bpm • C# min • 04:39 • -8.94db
34% Popularity • 78% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 66% Positiveness
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Things Of Stone and Wood
Rock This Boat
102 bpm • F min • 03:38 • -7db
11% Popularity • 59% Danceability • 92% Energy • 37% Liveness
1% Instrumentalness • 79% Positiveness
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Hunters & Collectors
True Tears Of Joy
102 bpm • B min • 04:24 • -6.24db
47% Popularity • 65% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The Badloves
In My Garden
102 bpm • G Maj • 03:58 • -11.09db
18% Popularity • 76% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Daryl Braithwaite
The Horses
94 bpm • E Maj • 04:16 • -14.82db
59% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Pete Murray
Fall Your Way - Eric Sarafin Mix
102 bpm • F min • 03:44 • -8.23db
21% Popularity • 51% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Ben Lee
Ripe
102 bpm • F# Maj • 03:11 • -11.89db
6% Popularity • 76% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Jonathan Routh
Taxi Driver's Recipe
94 bpm • A# Maj • 03:33 • -8.52db
1% Popularity • 72% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Leonard Bernstein
Divertimento for Orchestra: II. Waltz
102 bpm • G Maj • 02:04 • -21.84db
0% Popularity • 20% Danceability • 16% Energy • 28% Liveness
78% Instrumentalness • 24% Positiveness
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Georgia Fair
Picture Frames
102 bpm • F# Maj • 02:58 • -5.46db
27% Popularity • 61% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Goldenhorse
I'll Never Know
94 bpm • E Maj • 03:04 • -7.23db
23% Popularity • 53% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Bob Evans
Flame
93 bpm • D# min • 03:15 • -13.69db
11% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Hunters & Collectors
Edge Of Nowhere
93 bpm • C# min • 05:12 • -5.39db
23% Popularity • 57% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Wendy Matthews
Standing Strong
103 bpm • F Maj • 04:54 • -11db
24% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Superjesus
Gravity
93 bpm • F Maj • 03:59 • -5db
49% Popularity • 54% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Killing Heidi
I Am
93 bpm • A# Maj • 03:27 • -2db
36% Popularity • 50% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Paul Dempsey
Iris Black
93 bpm • G Maj • 03:12 • -9.23db
12% Popularity • 49% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Bob Evans
Darlin', Won't You Come?
93 bpm • D Maj • 03:31 • -9.42db
24% Popularity • 35% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Gyroscope
Australia
93 bpm • E Maj • 03:49 • -4.92db
31% Popularity • 42% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Pete Murray
Hold It All For Love
104 bpm • E Maj • 04:48 • -11.03db
7% Popularity • 62% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Patrick Doyle
The Black Sea - Instrumental
92 bpm • C min • 01:51 • -16.6db
0% Popularity • 26% Danceability • 22% Energy • 8% Liveness
89% Instrumentalness • 22% Positiveness
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Taxiride
Get Set
92 bpm • E Maj • 03:13 • -5db
42% Popularity • 51% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Paul Dempsey
Bats
92 bpm • D# Maj • 03:52 • -4.77db
21% Popularity • 21% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Greg Johnson
Save Yourself
92 bpm • A# Maj • 03:33 • -6.28db
20% Popularity • 52% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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The Badloves
What's on Your Mind
92 bpm • D Maj • 04:29 • -16db
20% Popularity • 51% Danceability • 26% Energy • 76% Liveness
0% Instrumentalness • 56% Positiveness
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The Superjesus
So Lonely
105 bpm • F Maj • 03:55 • -11.18db
6% Popularity • 58% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Kate Miller-Heidke
Space They Cannot Touch
92 bpm • C# Maj • 04:08 • -7.55db
25% Popularity • 46% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Cold Chisel
Saturday Night - 2011 Remastered
91 bpm • F Maj • 04:21 • -6db
45% Popularity • 62% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Nigel Clarke
Mysterious New Friend
91 bpm • G# Maj • 02:37 • -32.59db
1% Popularity • 15% Danceability • 1% Energy • 12% Liveness
77% Instrumentalness • 15% Positiveness
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Bernard Fanning
The Strangest Thing
91 bpm • G Maj • 03:14 • -7db
37% Popularity • 76% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
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Mathias Rehfeldt
Decisions in the Fog
91 bpm • D min • 01:58 • -23.23db
3% Popularity • 26% Danceability • 18% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Roachford
Lay Your Love On Me
106 bpm • G min • 04:09 • -7.07db
21% Popularity • 79% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Wendy Matthews
The Day You Went Away
106 bpm • E Maj • 04:42 • -13.71db
43% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Taxiride
Back Again
106 bpm • A Maj • 01:28 • -13db
25% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Nigel Clarke
Enchanted Encounter
106 bpm • G# Maj • 02:07 • -30.19db
0% Popularity • 17% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Bob Evans
Not Fair - triple j Like A Version
107 bpm • D min • 03:45 • -11.82db
24% Popularity • 41% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Mathias Rehfeldt
Travelling
90 bpm • G Maj • 01:28 • -16.48db
4% Popularity • 64% Danceability • 35% Energy • 11% Liveness
84% Instrumentalness • 28% Positiveness
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The Panics
Don't Fight It - Radio Edit
89 bpm • E Maj • 03:57 • -7.5db
10% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Pete Murray
Hold It All For Love
108 bpm • E Maj • 04:44 • -7.25db
20% Popularity • 70% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Taxiride
Rocketship
106 bpm • C Maj • 03:40 • -5.59db
13% Popularity • 56% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Nigel Clarke
Impressions Of Scotland
90 bpm • C Maj • 01:22 • -24.58db
1% Popularity • 15% Danceability • 10% Energy • 18% Liveness
86% Instrumentalness • 9% Positiveness
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The Badloves
Slave
89 bpm • E min • 05:24 • -6.91db
15% Popularity • 47% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Mathias Rehfeldt
Attack on the Road
90 bpm • D Maj • 01:59 • -15.28db
4% Popularity • 43% Danceability • 51% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Busby Marou
Better Be Home Soon
89 bpm • C Maj • 03:49 • -9db
31% Popularity • 56% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Things Of Stone and Wood
Single Perfect Raindrop
89 bpm • F Maj • 04:06 • -9.11db
15% Popularity • 47% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Ben Lee
The Debt Collectors
108 bpm • G Maj • 02:50 • -14.59db
7% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Superjesus
Shut My Eyes
89 bpm • G Maj • 03:50 • -6db
28% Popularity • 40% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Grinspoon
Comeback
108 bpm • E Maj • 03:06 • -4.61db
32% Popularity • 54% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Bernard Fanning
Departures (Blue Toowong Skies)
89 bpm • G Maj • 04:20 • -12db
32% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Motor Ace
Pieces
88 bpm • D Maj • 04:07 • -3.41db
15% Popularity • 46% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Tim Finn
Couldn't Be Done
108 bpm • B Maj • 02:50 • -8.85db
19% Popularity • 70% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Youth Group
Forever Young - Live Acoustic Version
109 bpm • F# min • 03:49 • -7.09db
15% Popularity • 43% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Patrick Doyle
The River - Instrumental
109 bpm • F min • 01:46 • -18.1db
1% Popularity • 28% Danceability • 16% Energy • 9% Liveness
78% Instrumentalness • 18% Positiveness
► Preview
Nigel Clarke
The Stone Of Attamon
87 bpm • C# Maj • 04:42 • -19.71db
0% Popularity • 17% Danceability • 14% Energy • 6% Liveness
72% Instrumentalness • 4% Positiveness
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Bernard Fanning
Isn't It A Pity
88 bpm • A min • 03:42 • -5db
31% Popularity • 50% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Motor Ace
Siamese
88 bpm • G# Maj • 04:56 • -7.28db
16% Popularity • 46% Danceability • 68% Energy • 8% Liveness
1% Instrumentalness • 23% Positiveness
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Clare Bowditch
The Big Happy
87 bpm • G Maj • 03:12 • -9db
17% Popularity • 47% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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The Badloves
Spirit in the Sky
87 bpm • C Maj • 03:37 • -22.48db
14% Popularity • 35% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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The Panics
Ruins
111 bpm • C Maj • 03:41 • -8db
12% Popularity • 58% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Patrick Doyle
Alexei and Olga - Instrumental
86 bpm • G min • 02:12 • -25.19db
0% Popularity • 18% Danceability • 12% Energy • 58% Liveness
84% Instrumentalness • 4% Positiveness
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Please