Songs like Polaroid - Fitness Version 132 BPM by The Corporation
Based on a tempo of (+/- 10%) and a similar genre
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The Corporation
Polaroid - Fitness Version 132 BPM
132 bpm • G min • 04:07 • -4.42db
1% Popularity • 70% Danceability • 93% Energy • 15% Liveness
6% Instrumentalness • 96% Positiveness
1% Popularity • 70% Danceability • 93% Energy • 15% Liveness
6% Instrumentalness • 96% Positiveness
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The Upsttemians
Stay Free
132 bpm • F Maj • 05:10 • -6.38db
11% Popularity • 79% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 79% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Yes! Fitness Music
Build Me Up
132 bpm • A# Maj • 04:17 • -7.1db
1% Popularity • 60% Danceability • 81% Energy • 33% Liveness
1% Instrumentalness • 70% Positiveness
1% Popularity • 60% Danceability • 81% Energy • 33% Liveness
1% Instrumentalness • 70% Positiveness
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Pat Kelly
Dark End Of The Street
132 bpm • C Maj • 03:19 • -12.38db
19% Popularity • 66% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 66% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Desmond Dekker & The Four Aces
Soldering
132 bpm • C# Maj • 02:32 • -8.35db
12% Popularity • 89% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 89% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Derrick Harriott
Money Ska
132 bpm • F Maj • 02:13 • -8.62db
35% Popularity • 89% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 89% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Hepcat
Hooligans
132 bpm • G Maj • 03:31 • -8db
31% Popularity • 76% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 76% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Tommy McCook
Special Event
131 bpm • F# Maj • 02:44 • -6.81db
11% Popularity • 78% Danceability • 68% Energy • 18% Liveness
66% Instrumentalness • 94% Positiveness
11% Popularity • 78% Danceability • 68% Energy • 18% Liveness
66% Instrumentalness • 94% Positiveness
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Johnny Lover
Nevada Joe
131 bpm • E Maj • 03:06 • -8.69db
9% Popularity • 89% Danceability • 94% Energy • 11% Liveness
55% Instrumentalness • 97% Positiveness
9% Popularity • 89% Danceability • 94% Energy • 11% Liveness
55% Instrumentalness • 97% Positiveness
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The Bodysnatchers
Easy Life
131 bpm • G Maj • 03:11 • -10.51db
32% Popularity • 57% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 57% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Eric Morris
Penny Reel-O
131 bpm • D# Maj • 02:30 • -6.56db
22% Popularity • 85% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
22% Popularity • 85% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Joe The Boss
Teahouse from Emperor Rosko
131 bpm • F min • 03:21 • -8.49db
12% Popularity • 72% Danceability • 66% Energy • 12% Liveness
2% Instrumentalness • 78% Positiveness
12% Popularity • 72% Danceability • 66% Energy • 12% Liveness
2% Instrumentalness • 78% Positiveness
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The Corporation
Polaroid - Fitness Version 131 Bpm
131 bpm • F min • 03:10 • -4.13db
3% Popularity • 72% Danceability • 92% Energy • 25% Liveness
19% Instrumentalness • 97% Positiveness
3% Popularity • 72% Danceability • 92% Energy • 25% Liveness
19% Instrumentalness • 97% Positiveness
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The Kingstonians
Nice Nice
133 bpm • C Maj • 02:45 • -11.06db
18% Popularity • 88% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 99% Positiveness
18% Popularity • 88% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 99% Positiveness
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Tommy McCook
Riverton City
133 bpm • A min • 02:52 • -6.3db
14% Popularity • 44% Danceability • 81% Energy • 19% Liveness
91% Instrumentalness • 57% Positiveness
14% Popularity • 44% Danceability • 81% Energy • 19% Liveness
91% Instrumentalness • 57% Positiveness
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The Kinky Coo Coo's
Something Got a Hold on Me
133 bpm • C# Maj • 03:56 • -9db
27% Popularity • 62% Danceability • 52% Energy • 36% Liveness
3% Instrumentalness • 80% Positiveness
27% Popularity • 62% Danceability • 52% Energy • 36% Liveness
3% Instrumentalness • 80% Positiveness
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Roy Ellis / Mr. Symarip
You Can't Leave Now
131 bpm • F# Maj • 03:58 • -6.34db
16% Popularity • 66% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 66% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Intensified
Morality Panic
133 bpm • E Maj • 03:03 • -7.74db
11% Popularity • 68% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 68% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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The Hippy Boys
Moon Walk
131 bpm • C Maj • 03:35 • -15.47db
15% Popularity • 92% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 88% Positiveness
15% Popularity • 92% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 88% Positiveness
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Phoenix City All-Stars
Under My Thumb
134 bpm • A Maj • 03:09 • -6db
11% Popularity • 72% Danceability • 73% Energy • 23% Liveness
61% Instrumentalness • 96% Positiveness
11% Popularity • 72% Danceability • 73% Energy • 23% Liveness
61% Instrumentalness • 96% Positiveness
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The Corporation
Non Stop (Nyc Mix)
130 bpm • A min • 04:00 • -9.37db
0% Popularity • 80% Danceability • 73% Energy • 6% Liveness
71% Instrumentalness • 6% Positiveness
0% Popularity • 80% Danceability • 73% Energy • 6% Liveness
71% Instrumentalness • 6% Positiveness
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The Dynamites
John Public (Tom Hark)
130 bpm • G Maj • 02:11 • -8.37db
19% Popularity • 68% Danceability • 62% Energy • 62% Liveness
18% Instrumentalness • 96% Positiveness
19% Popularity • 68% Danceability • 62% Energy • 62% Liveness
18% Instrumentalness • 96% Positiveness
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The Delegators
I Didn't Mean to Break Your Heart
130 bpm • F# min • 03:11 • -9.38db
27% Popularity • 50% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 50% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Intensified
Dirty Harry
134 bpm • A min • 03:49 • -8db
14% Popularity • 73% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 95% Positiveness
14% Popularity • 73% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 95% Positiveness
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Rico
Brixton Cat
134 bpm • F Maj • 02:37 • -8.67db
15% Popularity • 80% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 80% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Two Tone Club
Talk About Love
134 bpm • A# Maj • 03:22 • -7.45db
30% Popularity • 63% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 63% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Los Aggrotones
Mexico
130 bpm • G min • 02:57 • -6.32db
24% Popularity • 80% Danceability • 91% Energy • 14% Liveness
90% Instrumentalness • 99% Positiveness
24% Popularity • 80% Danceability • 91% Energy • 14% Liveness
90% Instrumentalness • 99% Positiveness
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Roy Ellis / Mr. Symarip
Pack up Your Troubles
130 bpm • C Maj • 03:56 • -6db
16% Popularity • 92% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
16% Popularity • 92% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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The Corporation
Strong Arm
130 bpm • B min • 03:14 • -16.09db
0% Popularity • 56% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 56% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Tommy McCook
Cotton Tree
130 bpm • D min • 03:04 • -14.86db
17% Popularity • 93% Danceability • 48% Energy • 25% Liveness
85% Instrumentalness • 94% Positiveness
17% Popularity • 93% Danceability • 48% Energy • 25% Liveness
85% Instrumentalness • 94% Positiveness
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Pat Kelly
I Am Coming Home
134 bpm • B min • 03:47 • -7.34db
23% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The Pioneers
Let Your Yeah Be Yeah
130 bpm • A# Maj • 03:07 • -7.03db
44% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Eric Morris
Penny Reel
130 bpm • D# Maj • 02:29 • -11db
18% Popularity • 87% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 87% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Delroy Wilson
I Want Justice
130 bpm • A# Maj • 02:16 • -7db
20% Popularity • 75% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 75% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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The Corporation
Berzerk
134 bpm • F Maj • 03:38 • -16.04db
0% Popularity • 66% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 66% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Tim Timebomb
30 Pieces of Silver
130 bpm • C Maj • 02:36 • -4.58db
27% Popularity • 73% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 73% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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The Ethiopians
Hong Kong Flu
129 bpm • D Maj • 02:18 • -8.98db
27% Popularity • 94% Danceability • 66% Energy • 4% Liveness
4% Instrumentalness • 87% Positiveness
27% Popularity • 94% Danceability • 66% Energy • 4% Liveness
4% Instrumentalness • 87% Positiveness
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The Steady 45's
Anywhere but Here
135 bpm • E min • 02:50 • -6.86db
27% Popularity • 75% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 75% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Lloyd and Claudette
Queen of the World
135 bpm • A# Maj • 02:16 • -7.16db
29% Popularity • 85% Danceability • 68% Energy • 23% Liveness
12% Instrumentalness • 96% Positiveness
29% Popularity • 85% Danceability • 68% Energy • 23% Liveness
12% Instrumentalness • 96% Positiveness
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The Soulmates
Them A Laugh And A Kiki
129 bpm • F Maj • 02:34 • -10.62db
27% Popularity • 82% Danceability • 47% Energy • 15% Liveness
69% Instrumentalness • 92% Positiveness
27% Popularity • 82% Danceability • 47% Energy • 15% Liveness
69% Instrumentalness • 92% Positiveness
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The Blues Busters
Donna
135 bpm • G Maj • 01:49 • -9.47db
25% Popularity • 61% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 61% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Moon Invaders
Baby, I Know
129 bpm • A Maj • 02:08 • -5db
22% Popularity • 76% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 98% Positiveness
22% Popularity • 76% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 98% Positiveness
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Hepcat
Earthquake and Fire
135 bpm • A Maj • 02:26 • -6.08db
27% Popularity • 70% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 70% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Justin Hinds & The Dominoes
Botheration
135 bpm • G Maj • 02:20 • -6.45db
15% Popularity • 77% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 77% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Soul Radics
One Time
135 bpm • A min • 03:02 • -8.22db
28% Popularity • 76% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 76% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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Ken Boothe
Freedom Street
129 bpm • D Maj • 02:47 • -12.2db
35% Popularity • 87% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 87% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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The Pioneers
Give and Take (Give a Little, Take a Lit...
129 bpm • C Maj • 02:20 • -8.95db
30% Popularity • 82% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
30% Popularity • 82% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Roy Panton
We'll Meet
129 bpm • D# min • 02:26 • -7db
37% Popularity • 75% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 75% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Hepcat
I Can't Wait
129 bpm • A Maj • 03:22 • -6.63db
39% Popularity • 82% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 82% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Kingstonians
Singer Man
129 bpm • D Maj • 03:04 • -11.1db
24% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Justin Hinds & The Dominoes
Jump Out of the Frying Pan
129 bpm • C Maj • 02:17 • -8.75db
20% Popularity • 79% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 79% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Ken Boothe
Arte Bella
129 bpm • F min • 02:37 • -8.37db
26% Popularity • 72% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 72% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Bongo Man Byfield
Bongo Man
129 bpm • G Maj • 03:10 • -10.72db
11% Popularity • 82% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 82% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Lyn Taitt
Forty Miles of Bad Road
129 bpm • D# Maj • 02:36 • -7.4db
16% Popularity • 70% Danceability • 82% Energy • 22% Liveness
85% Instrumentalness • 98% Positiveness
16% Popularity • 70% Danceability • 82% Energy • 22% Liveness
85% Instrumentalness • 98% Positiveness
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Hepcat
Together Someday
129 bpm • D# min • 03:50 • -7.48db
28% Popularity • 88% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
28% Popularity • 88% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
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The Pioneers
Poor Rameses
135 bpm • G Maj • 02:33 • -8.11db
18% Popularity • 86% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 86% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Dice the Boss & Joe's All Stars
But Officer
128 bpm • F# min • 02:41 • -11.45db
12% Popularity • 79% Danceability • 53% Energy • 7% Liveness
64% Instrumentalness • 97% Positiveness
12% Popularity • 79% Danceability • 53% Energy • 7% Liveness
64% Instrumentalness • 97% Positiveness
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Des All Stars
Night Food Reggae
136 bpm • C Maj • 02:40 • -6.33db
16% Popularity • 85% Danceability • 60% Energy • 10% Liveness
13% Instrumentalness • 90% Positiveness
16% Popularity • 85% Danceability • 60% Energy • 10% Liveness
13% Instrumentalness • 90% Positiveness
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Jackie Opel
Sit Down Servant
128 bpm • F# Maj • 02:12 • -8.76db
18% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Justin Hinds & The Dominoes
Mother Banner
128 bpm • G Maj • 02:39 • -6.09db
23% Popularity • 88% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 98% Positiveness
23% Popularity • 88% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 98% Positiveness
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The Kinky Coo Coo's
Hunch Beat
128 bpm • G Maj • 03:05 • -5.98db
20% Popularity • 83% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 83% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The Corporation
The Reflex (Fitness Version 128 Bpm / 32...
128 bpm • C Maj • 03:45 • -3.65db
0% Popularity • 63% Danceability • 98% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 63% Danceability • 98% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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The Crashers
Hurry Come Up
128 bpm • F# Maj • 02:15 • -6.34db
11% Popularity • 91% Danceability • 60% Energy • 6% Liveness
58% Instrumentalness • 98% Positiveness
11% Popularity • 91% Danceability • 60% Energy • 6% Liveness
58% Instrumentalness • 98% Positiveness
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Shenley Duffus
Rukumbine
128 bpm • G Maj • 02:43 • -8.15db
9% Popularity • 90% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 90% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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The Survivors
Rawhide
128 bpm • G min • 02:11 • -6.97db
15% Popularity • 74% Danceability • 71% Energy • 18% Liveness
13% Instrumentalness • 80% Positiveness
15% Popularity • 74% Danceability • 71% Energy • 18% Liveness
13% Instrumentalness • 80% Positiveness
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Justin Hinds & The Dominoes
The Ark
128 bpm • F Maj • 02:28 • -8.13db
16% Popularity • 74% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 74% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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The Ethiopians
Hong Kong Flu
128 bpm • D Maj • 02:34 • -11.04db
10% Popularity • 95% Danceability • 60% Energy • 5% Liveness
10% Instrumentalness • 90% Positiveness
10% Popularity • 95% Danceability • 60% Energy • 5% Liveness
10% Instrumentalness • 90% Positiveness
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The Corporation
Satisfied - 128 BPM
128 bpm • F# Maj • 04:15 • -5.08db
0% Popularity • 66% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
0% Popularity • 66% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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The Pioneers
Su Su Su
136 bpm • F# Maj • 02:15 • -10.57db
26% Popularity • 85% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 85% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Shenley Duffus
Rukumbine
128 bpm • G Maj • 02:40 • -4db
27% Popularity • 86% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 86% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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Jackie Opel
You Too Bad
127 bpm • C Maj • 02:34 • -7db
26% Popularity • 72% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 72% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Roy Richards
Contact
127 bpm • C Maj • 02:28 • -7.66db
14% Popularity • 89% Danceability • 81% Energy • 3% Liveness
68% Instrumentalness • 97% Positiveness
14% Popularity • 89% Danceability • 81% Energy • 3% Liveness
68% Instrumentalness • 97% Positiveness
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Hortense Ellis
My Last Date
127 bpm • C Maj • 02:16 • -9.21db
20% Popularity • 73% Danceability • 65% Energy • 14% Liveness
4% Instrumentalness • 84% Positiveness
20% Popularity • 73% Danceability • 65% Energy • 14% Liveness
4% Instrumentalness • 84% Positiveness
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The Corporation
She's a Bad Mama Jama - Fitness Version ...
128 bpm • B min • 04:15 • -4.39db
0% Popularity • 62% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 62% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Baba Brooks
Night Food
127 bpm • C Maj • 02:47 • -8.09db
13% Popularity • 92% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 92% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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The Baba Brooks Band
Girls Town Ska
127 bpm • D min • 02:50 • -4.21db
25% Popularity • 83% Danceability • 78% Energy • 9% Liveness
55% Instrumentalness • 97% Positiveness
25% Popularity • 83% Danceability • 78% Energy • 9% Liveness
55% Instrumentalness • 97% Positiveness
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Baba Brooks & His Band
One Eyed Giant
127 bpm • A min • 03:07 • -5.66db
13% Popularity • 86% Danceability • 75% Energy • 7% Liveness
84% Instrumentalness • 97% Positiveness
13% Popularity • 86% Danceability • 75% Energy • 7% Liveness
84% Instrumentalness • 97% Positiveness
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The Zodiacs
Renegade
127 bpm • F# min • 02:40 • -6.25db
26% Popularity • 62% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 62% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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The Bodysnatchers
Let's Do Rock Steady
127 bpm • F Maj • 02:54 • -13db
42% Popularity • 81% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 99% Positiveness
42% Popularity • 81% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 99% Positiveness
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The Corporation
Satisfied - 128 BPM
128 bpm • G# Maj • 03:15 • -4.85db
3% Popularity • 70% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
3% Popularity • 70% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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The Ethiopians
Woman Capture Man
127 bpm • C Maj • 02:24 • -6.49db
22% Popularity • 88% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 88% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Millie
Honey Hush
126 bpm • C# Maj • 02:46 • -7.63db
10% Popularity • 72% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 72% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Lyn Taitt
Independence Ska (El Pussycat)
126 bpm • D# Maj • 02:35 • -6.15db
18% Popularity • 86% Danceability • 84% Energy • 30% Liveness
65% Instrumentalness • 97% Positiveness
18% Popularity • 86% Danceability • 84% Energy • 30% Liveness
65% Instrumentalness • 97% Positiveness
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Gloria & The Dreamlets
Really Now
126 bpm • G Maj • 02:22 • -7.22db
20% Popularity • 80% Danceability • 52% Energy • 22% Liveness
9% Instrumentalness • 69% Positiveness
20% Popularity • 80% Danceability • 52% Energy • 22% Liveness
9% Instrumentalness • 69% Positiveness
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Cool Sticky
Casa Boo Boo
126 bpm • C# Maj • 02:30 • -7.74db
13% Popularity • 68% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 68% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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The Corporation
Satisfied - 128 BPM
128 bpm • F min • 03:00 • -4.69db
0% Popularity • 68% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 68% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Seven Letters
Flour Dumpling
138 bpm • F Maj • 02:00 • -6.46db
13% Popularity • 86% Danceability • 76% Energy • 29% Liveness
2% Instrumentalness • 88% Positiveness
13% Popularity • 86% Danceability • 76% Energy • 29% Liveness
2% Instrumentalness • 88% Positiveness
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The Melodians
It's My Delight
126 bpm • G Maj • 03:17 • -12.55db
24% Popularity • 83% Danceability • 55% Energy • 29% Liveness
65% Instrumentalness • 93% Positiveness
24% Popularity • 83% Danceability • 55% Energy • 29% Liveness
65% Instrumentalness • 93% Positiveness
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Lyn Taitt
Skalarama (The Magnificent Seven Theme)
126 bpm • F Maj • 02:52 • -6.64db
14% Popularity • 87% Danceability • 74% Energy • 7% Liveness
57% Instrumentalness • 99% Positiveness
14% Popularity • 87% Danceability • 74% Energy • 7% Liveness
57% Instrumentalness • 99% Positiveness
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Tommy McCook & The Supersonics
Tribute to Rameses
139 bpm • C# Maj • 02:18 • -6db
9% Popularity • 78% Danceability • 54% Energy • 4% Liveness
70% Instrumentalness • 81% Positiveness
9% Popularity • 78% Danceability • 54% Energy • 4% Liveness
70% Instrumentalness • 81% Positiveness
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Desmond Dekker & The Four Aces
This Woman
126 bpm • F Maj • 02:33 • -9.13db
24% Popularity • 79% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 79% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The Corporation
Polaroid - Fitness Version 128 Bpm
128 bpm • F min • 04:00 • -3.99db
1% Popularity • 59% Danceability • 96% Energy • 14% Liveness
6% Instrumentalness • 92% Positiveness
1% Popularity • 59% Danceability • 96% Energy • 14% Liveness
6% Instrumentalness • 92% Positiveness
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Chuck Josephs
I Don't Need Your Love
125 bpm • C# Maj • 02:51 • -10.3db
17% Popularity • 84% Danceability • 27% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
17% Popularity • 84% Danceability • 27% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
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The Dynamites
Skokiaan (Mr. Midnight)
126 bpm • C Maj • 02:41 • -10.05db
19% Popularity • 84% Danceability • 58% Energy • 8% Liveness
72% Instrumentalness • 96% Positiveness
19% Popularity • 84% Danceability • 58% Energy • 8% Liveness
72% Instrumentalness • 96% Positiveness
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Desmond Baker
Rude Boy Gone A Jail
125 bpm • G# Maj • 02:45 • -5.92db
12% Popularity • 75% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 75% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Dice The Boss
Your Boss DJ
125 bpm • A min • 02:32 • -9.17db
8% Popularity • 70% Danceability • 60% Energy • 7% Liveness
5% Instrumentalness • 86% Positiveness
8% Popularity • 70% Danceability • 60% Energy • 7% Liveness
5% Instrumentalness • 86% Positiveness
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Maroon Town
Nostalgia
139 bpm • C Maj • 03:54 • -13db
14% Popularity • 86% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 82% Positiveness
14% Popularity • 86% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 82% Positiveness
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The Corporation
Lurker
128 bpm • G# min • 04:07 • -6.62db
0% Popularity • 80% Danceability • 70% Energy • 8% Liveness
79% Instrumentalness • 38% Positiveness
0% Popularity • 80% Danceability • 70% Energy • 8% Liveness
79% Instrumentalness • 38% Positiveness
