Songs like Police In Helicopter by John Holt
Based on a tempo of (+/- 10%) and a similar genre
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The Chantells
Eva
142 bpm • A# Maj • 02:31 • -5.48db
29% Popularity • 76% Danceability • 73% Energy • 20% Liveness
13% Instrumentalness • 95% Positiveness
29% Popularity • 76% Danceability • 73% Energy • 20% Liveness
13% Instrumentalness • 95% Positiveness
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Slim Smith
Watch This Sound
142 bpm • E Maj • 02:37 • -9.31db
20% Popularity • 83% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
20% Popularity • 83% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
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Lacksley Castell
Government Man
142 bpm • F# min • 04:18 • -14db
28% Popularity • 84% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 84% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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John Holt
Just The Way You Are
142 bpm • C Maj • 03:54 • -16.16db
23% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Aswad
African Children
142 bpm • G min • 05:50 • -13.04db
24% Popularity • 54% Danceability • 76% Energy • 76% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 54% Danceability • 76% Energy • 76% Liveness
0% Instrumentalness • 72% Positiveness
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Triston Palma
Joker Smoker 12" Mix
142 bpm • A# min • 07:11 • -7db
32% Popularity • 59% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 59% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
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Mikey Dread
Break Down the Walls
142 bpm • C# min • 04:30 • -7.14db
16% Popularity • 73% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 73% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Carlton Livingston
100 Weight
141 bpm • C Maj • 04:02 • -11db
35% Popularity • 88% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 88% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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The Heptones
Book Of Rules
142 bpm • F# Maj • 03:31 • -14.15db
53% Popularity • 78% Danceability • 53% Energy • 13% Liveness
16% Instrumentalness • 94% Positiveness
53% Popularity • 78% Danceability • 53% Energy • 13% Liveness
16% Instrumentalness • 94% Positiveness
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John Holt
Sugar And Spice
141 bpm • F Maj • 03:21 • -12.34db
20% Popularity • 74% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 74% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Burning Spear
Slavery Days
143 bpm • A# Maj • 03:33 • -9.43db
45% Popularity • 72% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
45% Popularity • 72% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Lacksley Castell
Doctor Love
143 bpm • C# Maj • 03:10 • -15.1db
29% Popularity • 88% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
29% Popularity • 88% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
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Sister Nancy
One Two
143 bpm • F min • 03:36 • -6.19db
45% Popularity • 78% Danceability • 66% Energy • 60% Liveness
0% Instrumentalness • 90% Positiveness
45% Popularity • 78% Danceability • 66% Energy • 60% Liveness
0% Instrumentalness • 90% Positiveness
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The Gatherers
Words of My Mouth
141 bpm • A min • 03:36 • -7.33db
33% Popularity • 87% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 87% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Ranking Dread
Fattie Boom Boom
143 bpm • B min • 05:18 • -8.02db
25% Popularity • 83% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 83% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 47% Positiveness
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John Holt
The Girl From Ipanema
141 bpm • G Maj • 02:42 • -19db
28% Popularity • 67% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 67% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Pablo Moses
Ready, Aim, Fire
141 bpm • C# Maj • 04:32 • -6db
40% Popularity • 80% Danceability • 53% Energy • 36% Liveness
13% Instrumentalness • 77% Positiveness
40% Popularity • 80% Danceability • 53% Energy • 36% Liveness
13% Instrumentalness • 77% Positiveness
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Hugh Mundell
Run Revolution A Come
141 bpm • E min • 02:30 • -11.4db
31% Popularity • 74% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 74% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Peter Tosh
Brand New Second Hand (Version 1)
141 bpm • F# min • 03:11 • -10.99db
21% Popularity • 90% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 90% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Barrington Levy
Murderer
143 bpm • C Maj • 03:53 • -10.06db
64% Popularity • 87% Danceability • 55% Energy • 8% Liveness
27% Instrumentalness • 58% Positiveness
64% Popularity • 87% Danceability • 55% Energy • 8% Liveness
27% Instrumentalness • 58% Positiveness
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Junior Murvin
Judas And Jesus
143 bpm • D Maj • 03:23 • -8.2db
22% Popularity • 78% Danceability • 50% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 78% Danceability • 50% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
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John Holt
Killing Me Softly (With Her Song) - Jama...
143 bpm • C Maj • 03:54 • -16.59db
33% Popularity • 59% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 59% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Phil Pratt
Strange Things (Extended Mix) – Ronnie...
141 bpm • F Maj • 06:22 • -11db
22% Popularity • 89% Danceability • 42% Energy • 13% Liveness
23% Instrumentalness • 38% Positiveness
22% Popularity • 89% Danceability • 42% Energy • 13% Liveness
23% Instrumentalness • 38% Positiveness
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Sylford Walker
Give Thanks And Praise To Jah
141 bpm • A min • 02:49 • -7.64db
22% Popularity • 84% Danceability • 48% Energy • 23% Liveness
3% Instrumentalness • 56% Positiveness
22% Popularity • 84% Danceability • 48% Energy • 23% Liveness
3% Instrumentalness • 56% Positiveness
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Lacksley Castell
Bound in Bondage
141 bpm • A# min • 03:09 • -13.19db
29% Popularity • 92% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 92% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Anthony Johnson
Natty Dread Come in a Dance
143 bpm • B Maj • 03:18 • -11db
29% Popularity • 70% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
29% Popularity • 70% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Junior Murvin
False Teachin'
143 bpm • B min • 04:06 • -13db
30% Popularity • 76% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 76% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Cocoa Tea
Informer
141 bpm • G# Maj • 03:13 • -14db
29% Popularity • 81% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 81% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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John Holt
A Love I Can Feel
141 bpm • A min • 02:28 • -9.33db
17% Popularity • 92% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 98% Positiveness
17% Popularity • 92% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 98% Positiveness
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The Viceroys
Love Is a Key
141 bpm • F# min • 03:24 • -10.64db
42% Popularity • 88% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 88% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Wailing Souls
Oh What A Feeling
143 bpm • G Maj • 05:01 • -9db
37% Popularity • 88% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 88% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Dillinger
Rizla Skank
143 bpm • A min • 05:08 • -8.34db
32% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Misty In Roots
True Rasta
143 bpm • A min • 05:29 • -6db
28% Popularity • 79% Danceability • 62% Energy • 19% Liveness
1% Instrumentalness • 72% Positiveness
28% Popularity • 79% Danceability • 62% Energy • 19% Liveness
1% Instrumentalness • 72% Positiveness
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Rita Marley
A Jah Jah
141 bpm • G Maj • 05:04 • -14.57db
26% Popularity • 90% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 90% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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John Holt
Last Train
141 bpm • G Maj • 03:41 • -8.18db
18% Popularity • 73% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 73% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Lacksley Castell
Leaving
140 bpm • A# Maj • 04:04 • -13db
31% Popularity • 89% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 89% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Wailing Souls
Jah Jah Give Us Life to Live
143 bpm • F Maj • 03:30 • -10.54db
51% Popularity • 83% Danceability • 55% Energy • 10% Liveness
14% Instrumentalness • 88% Positiveness
51% Popularity • 83% Danceability • 55% Energy • 10% Liveness
14% Instrumentalness • 88% Positiveness
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Aswad
Red Up
140 bpm • E min • 02:56 • -17.11db
25% Popularity • 62% Danceability • 25% Energy • 6% Liveness
8% Instrumentalness • 87% Positiveness
25% Popularity • 62% Danceability • 25% Energy • 6% Liveness
8% Instrumentalness • 87% Positiveness
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Sylford Walker
Burn Babylon
140 bpm • F# min • 03:20 • -12db
40% Popularity • 76% Danceability • 38% Energy • 39% Liveness
22% Instrumentalness • 62% Positiveness
40% Popularity • 76% Danceability • 38% Energy • 39% Liveness
22% Instrumentalness • 62% Positiveness
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Leroy Smart
Pride & Ambition
144 bpm • B min • 02:39 • -6.84db
26% Popularity • 83% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 83% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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John Holt
Police In Helicopter
143 bpm • A min • 03:39 • -7.59db
60% Popularity • 68% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 68% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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The Abyssinians
Declaration of Rights
140 bpm • E Maj • 03:33 • -12.77db
31% Popularity • 76% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 76% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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The Itals
Don't Wake The Lion
144 bpm • C Maj • 02:28 • -5.95db
30% Popularity • 83% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 83% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Aswad
Your Recipe
144 bpm • F min • 04:25 • -15db
29% Popularity • 75% Danceability • 40% Energy • 69% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 75% Danceability • 40% Energy • 69% Liveness
0% Instrumentalness • 78% Positiveness
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Pablo Moses
I Man a Grasshoper
140 bpm • G# Maj • 04:33 • -5db
26% Popularity • 80% Danceability • 73% Energy • 7% Liveness
91% Instrumentalness • 49% Positiveness
26% Popularity • 80% Danceability • 73% Energy • 7% Liveness
91% Instrumentalness • 49% Positiveness
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Bob Andy
Rasta Reggae Music
140 bpm • C# Maj • 04:50 • -7.05db
35% Popularity • 79% Danceability • 54% Energy • 6% Liveness
1% Instrumentalness • 91% Positiveness
35% Popularity • 79% Danceability • 54% Energy • 6% Liveness
1% Instrumentalness • 91% Positiveness
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John Holt
Riding for a Fall
140 bpm • E min • 03:53 • -5.48db
35% Popularity • 78% Danceability • 69% Energy • 21% Liveness
3% Instrumentalness • 67% Positiveness
35% Popularity • 78% Danceability • 69% Energy • 21% Liveness
3% Instrumentalness • 67% Positiveness
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The Abyssinians
This Land Is For Everyone - Remastered 2...
144 bpm • G Maj • 03:55 • -5.93db
25% Popularity • 60% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 60% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Lacksley Castell
Speak Softly
144 bpm • G# Maj • 03:14 • -13.44db
33% Popularity • 83% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 83% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Barry Brown
Best Things In Life
144 bpm • F# min • 06:05 • -6.95db
16% Popularity • 79% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 65% Positiveness
16% Popularity • 79% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 65% Positiveness
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Israel Vibration
My Master's Will
144 bpm • C# Maj • 04:34 • -7db
55% Popularity • 86% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
55% Popularity • 86% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Jacob Miller
Tenement Yard
144 bpm • E Maj • 02:34 • -6.85db
56% Popularity • 88% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 88% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Queen Ifrica
Ghetto Queen
144 bpm • G Maj • 04:00 • -5.38db
13% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Third World
Cool Meditation
140 bpm • B min • 03:34 • -15.15db
31% Popularity • 74% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 74% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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Mikey Dread
Roots and Culture
144 bpm • F# min • 06:08 • -11.17db
46% Popularity • 74% Danceability • 51% Energy • 37% Liveness
2% Instrumentalness • 78% Positiveness
46% Popularity • 74% Danceability • 51% Energy • 37% Liveness
2% Instrumentalness • 78% Positiveness
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Clancy Eccles
Ganja Free
140 bpm • F Maj • 02:56 • -11.29db
19% Popularity • 83% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 83% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Half Pint
Freedom Fighters
144 bpm • A min • 04:16 • -7db
18% Popularity • 77% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 77% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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The Meditations
Carpenter Rebuild
140 bpm • A min • 03:48 • -10.93db
28% Popularity • 84% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 84% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Althea And Donna
Sorry - Remastered 2001
140 bpm • C Maj • 03:57 • -7db
41% Popularity • 91% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 91% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Third World
Feel A Little Better
140 bpm • A min • 03:50 • -13.39db
43% Popularity • 86% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 86% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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The Pioneers
Pusher Man
144 bpm • C Maj • 02:45 • -10.97db
21% Popularity • 73% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 73% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Michael Palmer
Don't Smoke The Seed
144 bpm • F Maj • 03:27 • -7db
32% Popularity • 60% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 60% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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The Paragons
Pack up Your Troubles
140 bpm • C Maj • 03:10 • -5.72db
30% Popularity • 69% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 69% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Half Pint
Greetings
144 bpm • F min • 03:39 • -15db
39% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Peter Tosh
Brand New Second Hand
140 bpm • F# min • 03:56 • -15.09db
40% Popularity • 90% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 90% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Triston Palma
Joker Smoker
140 bpm • A# min • 03:37 • -8.14db
33% Popularity • 70% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 70% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Wailing Souls
Jah Give Us Life
145 bpm • D min • 03:52 • -12.17db
55% Popularity • 76% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 76% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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John Holt
Love I Can Feel
139 bpm • D# min • 03:24 • -8.59db
23% Popularity • 87% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 87% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Junior Delgado
Sons of Slaves - 12" version
139 bpm • G# Maj • 06:40 • -7.63db
36% Popularity • 81% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 81% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Leroy Smart
Balistic Affair
145 bpm • B min • 03:03 • -9.88db
33% Popularity • 86% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 86% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Peter Tosh
Legalize It
145 bpm • C Maj • 04:39 • -12db
60% Popularity • 71% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
60% Popularity • 71% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Hugh Mundell
Jacqueline
139 bpm • G min • 03:07 • -9.21db
33% Popularity • 75% Danceability • 52% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
33% Popularity • 75% Danceability • 52% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
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The Viceroys
Come Closer My Love
145 bpm • C min • 03:20 • -10.79db
31% Popularity • 78% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 78% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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John Holt
Reality
145 bpm • C Maj • 03:49 • -10.02db
16% Popularity • 69% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 69% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Junior Murvin
Bad Man Possee
145 bpm • G Maj • 07:05 • -15db
22% Popularity • 78% Danceability • 30% Energy • 35% Liveness
26% Instrumentalness • 37% Positiveness
22% Popularity • 78% Danceability • 30% Energy • 35% Liveness
26% Instrumentalness • 37% Positiveness
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Desmond Dekker
The First Time for a Long Time
145 bpm • E Maj • 02:29 • -14.3db
31% Popularity • 89% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 89% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Peter Tosh
Get Up, Stand Up
139 bpm • F Maj • 03:35 • -9.95db
51% Popularity • 90% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
51% Popularity • 90% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Bob Andy
Feeling Soul
145 bpm • C Maj • 02:12 • -18.59db
53% Popularity • 71% Danceability • 22% Energy • 13% Liveness
58% Instrumentalness • 84% Positiveness
53% Popularity • 71% Danceability • 22% Energy • 13% Liveness
58% Instrumentalness • 84% Positiveness
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Burning Spear
Black Wa-Da-Da (Invasion)
145 bpm • C# Maj • 03:53 • -13.06db
36% Popularity • 78% Danceability • 41% Energy • 6% Liveness
20% Instrumentalness • 83% Positiveness
36% Popularity • 78% Danceability • 41% Energy • 6% Liveness
20% Instrumentalness • 83% Positiveness
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John Holt
I'm The One to Blame
145 bpm • D min • 02:54 • -10.4db
26% Popularity • 75% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 75% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Joe Higgs
There's A Reward
146 bpm • G Maj • 04:11 • -11.2db
30% Popularity • 81% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 87% Positiveness
30% Popularity • 81% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 87% Positiveness
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Josey Wales
It A Fi Burn
146 bpm • G# Maj • 03:17 • -15db
35% Popularity • 78% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 78% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Peter Tosh
Johnny B. Goode - 2002 Remaster
145 bpm • E min • 04:04 • -5.76db
64% Popularity • 75% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
64% Popularity • 75% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Eek-A-Mouse
Penni-Walli
146 bpm • A# min • 03:51 • -15.17db
39% Popularity • 80% Danceability • 38% Energy • 6% Liveness
9% Instrumentalness • 85% Positiveness
39% Popularity • 80% Danceability • 38% Energy • 6% Liveness
9% Instrumentalness • 85% Positiveness
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Aswad
Not Guilty - Live
138 bpm • D min • 04:50 • -13.79db
24% Popularity • 75% Danceability • 62% Energy • 98% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 75% Danceability • 62% Energy • 98% Liveness
0% Instrumentalness • 71% Positiveness
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Burning Spear
Hail H.I.M - 2002 Remastered Version
138 bpm • E min • 04:15 • -7.88db
50% Popularity • 78% Danceability • 65% Energy • 5% Liveness
18% Instrumentalness • 67% Positiveness
50% Popularity • 78% Danceability • 65% Energy • 5% Liveness
18% Instrumentalness • 67% Positiveness
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John Holt
Fat She Fat
146 bpm • F# Maj • 03:46 • -9.21db
28% Popularity • 88% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
28% Popularity • 88% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Clint Eastwood
Sweet Sweet Matilda
146 bpm • D min • 04:03 • -9.03db
17% Popularity • 63% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 63% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Peter Tosh
I Am That I Am
146 bpm • E Maj • 04:29 • -9.39db
52% Popularity • 79% Danceability • 48% Energy • 2% Liveness
0% Instrumentalness • 93% Positiveness
52% Popularity • 79% Danceability • 48% Energy • 2% Liveness
0% Instrumentalness • 93% Positiveness
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Desmond Dekker & The Aces
(Poor Mi) Israelites
146 bpm • A# Maj • 02:36 • -9.33db
60% Popularity • 80% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
60% Popularity • 80% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Wailing Souls
Act Of Affection
137 bpm • D Maj • 02:44 • -7.01db
54% Popularity • 82% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 82% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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King Tubby
Conversation Dub (Bonus Track)
137 bpm • B min • 03:08 • -6.5db
32% Popularity • 80% Danceability • 82% Energy • 6% Liveness
82% Instrumentalness • 59% Positiveness
32% Popularity • 80% Danceability • 82% Energy • 6% Liveness
82% Instrumentalness • 59% Positiveness
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John Holt
Rainy Night in Georgia
137 bpm • E Maj • 03:52 • -8.18db
4% Popularity • 86% Danceability • 69% Energy • 12% Liveness
4% Instrumentalness • 96% Positiveness
4% Popularity • 86% Danceability • 69% Energy • 12% Liveness
4% Instrumentalness • 96% Positiveness
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Israel Vibration
Rude Boy Shufflin'
137 bpm • F min • 04:45 • -10.83db
42% Popularity • 89% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
42% Popularity • 89% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Earl Zero
Please Officer
137 bpm • E min • 07:06 • -8.83db
18% Popularity • 72% Danceability • 68% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
18% Popularity • 72% Danceability • 68% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
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Prince Far I
Throw Away Your Gun - 1991 Digital Remas...
147 bpm • A# min • 04:23 • -9db
36% Popularity • 79% Danceability • 54% Energy • 16% Liveness
3% Instrumentalness • 78% Positiveness
36% Popularity • 79% Danceability • 54% Energy • 16% Liveness
3% Instrumentalness • 78% Positiveness
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Burning Spear
The Invasion
147 bpm • A min • 03:21 • -9.9db
37% Popularity • 78% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
37% Popularity • 78% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Sylford Walker
Babylonians
137 bpm • F# min • 03:05 • -7.18db
30% Popularity • 89% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 89% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
