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Posers
Songs like
Posers
by
Andy Stott
Based on a tempo of (+/- 10%) and a similar genre
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Andy Stott
Sleepless
106 bpm • E min • 05:49 • -10.49db
25% Popularity • 63% Danceability • 81% Energy • 36% Liveness
4% Instrumentalness • 14% Positiveness
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Eomac
Rainmaker
106 bpm • G# Maj • 05:40 • -15.62db
10% Popularity • 61% Danceability • 42% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Actress
CYN
106 bpm • C# Maj • 03:18 • -10.33db
12% Popularity • 56% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Pye Corner Audio
Ganzfeld Effect
107 bpm • E min • 05:05 • -17db
25% Popularity • 45% Danceability • 32% Energy • 19% Liveness
94% Instrumentalness • 5% Positiveness
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Pale Sketcher
The Rainy Season
105 bpm • C# min • 04:41 • -6.49db
7% Popularity • 26% Danceability • 88% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Thomas Fehlmann
Löwenzahnzimmer
105 bpm • C# Maj • 08:28 • -19db
11% Popularity • 67% Danceability • 44% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Andy Stott
Posers
106 bpm • E min • 05:07 • -15db
21% Popularity • 69% Danceability • 48% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Vatican Shadow
Take Vows
105 bpm • G Maj • 06:07 • -11.39db
13% Popularity • 68% Danceability • 76% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Actress
Birdcage
107 bpm • B Maj • 02:34 • -8.02db
21% Popularity • 83% Danceability • 87% Energy • 24% Liveness
86% Instrumentalness • 92% Positiveness
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Aphex Twin
MARCHROMT30a Edit 2b 96
105 bpm • G# Maj • 07:13 • -11.94db
21% Popularity • 85% Danceability • 69% Energy • 10% Liveness
45% Instrumentalness • 15% Positiveness
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Vril
Anima Mundi
105 bpm • A min • 04:10 • -20.33db
14% Popularity • 24% Danceability • 32% Energy • 13% Liveness
83% Instrumentalness • 13% Positiveness
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Roly Porter
Mass
104 bpm • F# min • 05:47 • -12.47db
10% Popularity • 18% Danceability • 55% Energy • 17% Liveness
92% Instrumentalness • 13% Positiveness
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Andy Stott
Luxury Problems
104 bpm • G Maj • 05:03 • -13db
33% Popularity • 77% Danceability • 53% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
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Porter Ricks
Port of Nuba
108 bpm • B min • 08:04 • -16.49db
10% Popularity • 70% Danceability • 44% Energy • 7% Liveness
90% Instrumentalness • 27% Positiveness
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Forest Swords
Friend, You Will Never Learn
110 bpm • A min • 08:12 • -12db
27% Popularity • 35% Danceability • 82% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
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Blanck Mass
No Lite
110 bpm • B Maj • 09:55 • -10.19db
11% Popularity • 52% Danceability • 90% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Vril
Statera Rerum
110 bpm • A# min • 08:06 • -19.68db
17% Popularity • 51% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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Ninos Du Brasil
Em Que o Rio do Mar Se Torna
110 bpm • A# min • 05:23 • -12.05db
15% Popularity • 71% Danceability • 50% Energy • 34% Liveness
94% Instrumentalness • 8% Positiveness
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Andy Stott
Butterflies
104 bpm • C Maj • 04:23 • -12.66db
24% Popularity • 65% Danceability • 36% Energy • 9% Liveness
72% Instrumentalness • 24% Positiveness
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Phoenecia
Grrl Trrbl
110 bpm • D Maj • 05:24 • -11.75db
15% Popularity • 79% Danceability • 49% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
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Plaid
Meds Fade
110 bpm • F# min • 03:14 • -10.77db
17% Popularity • 54% Danceability • 73% Energy • 8% Liveness
73% Instrumentalness • 14% Positiveness
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Kangding Ray
Serendipity March
102 bpm • G# Maj • 05:43 • -15.03db
24% Popularity • 77% Danceability • 43% Energy • 61% Liveness
90% Instrumentalness • 7% Positiveness
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Helena Hauff
Continuez Mon Enfant Vous Serez Traité...
110 bpm • D Maj • 04:50 • -7.26db
19% Popularity • 78% Danceability • 87% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Legowelt
Svolvaer
101 bpm • A Maj • 04:39 • -6.91db
10% Popularity • 65% Danceability • 95% Energy • 12% Liveness
88% Instrumentalness • 41% Positiveness
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Andy Stott
How It Was
110 bpm • A# min • 06:09 • -10.77db
22% Popularity • 77% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 23% Positiveness
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Memotone
Poison Arrow
111 bpm • D Maj • 03:54 • -14.57db
10% Popularity • 33% Danceability • 57% Energy • 17% Liveness
59% Instrumentalness • 10% Positiveness
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Second Woman
100407jd7
101 bpm • A# min • 04:06 • -7.76db
10% Popularity • 58% Danceability • 88% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
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Kangding Ray
Brume
111 bpm • D Maj • 04:19 • -12.22db
11% Popularity • 78% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Helena Hauff
Barrow Boot Boys
101 bpm • D# min • 06:04 • -8.56db
11% Popularity • 66% Danceability • 74% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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µ-Ziq
Blainville
112 bpm • G# min • 03:41 • -7.77db
29% Popularity • 68% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
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Andy Stott
New Ground
102 bpm • G# Maj • 06:21 • -13.99db
17% Popularity • 63% Danceability • 44% Energy • 15% Liveness
90% Instrumentalness • 12% Positiveness
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Powell
So We Went Electric
112 bpm • B min • 06:39 • -6.8db
8% Popularity • 77% Danceability • 86% Energy • 19% Liveness
81% Instrumentalness • 32% Positiveness
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Roly Porter
In System
112 bpm • A# Maj • 04:52 • -25.66db
11% Popularity • 23% Danceability • 16% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Kangding Ray
Acto
111 bpm • E min • 04:46 • -12.81db
11% Popularity • 64% Danceability • 63% Energy • 15% Liveness
77% Instrumentalness • 14% Positiveness
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The Black Dog
Sleep Deprivation 1
112 bpm • G# Maj • 04:53 • -29.62db
30% Popularity • 35% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Blawan
Close the Cycle
112 bpm • G Maj • 04:05 • -4.24db
17% Popularity • 81% Danceability • 90% Energy • 27% Liveness
83% Instrumentalness • 26% Positiveness
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Andy Stott
Intermittent
102 bpm • C# min • 03:26 • -12.07db
15% Popularity • 70% Danceability • 45% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Demdike Stare
Bardo Thodol
112 bpm • E min • 05:35 • -12.18db
14% Popularity • 60% Danceability • 56% Energy • 19% Liveness
87% Instrumentalness • 9% Positiveness
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Ninos Du Brasil
Aromobates NDB
112 bpm • G Maj • 08:17 • -12.55db
14% Popularity • 50% Danceability • 60% Energy • 10% Liveness
79% Instrumentalness • 16% Positiveness
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Shed
Keep Time
112 bpm • D Maj • 03:01 • -11db
23% Popularity • 70% Danceability • 59% Energy • 26% Liveness
87% Instrumentalness • 12% Positiveness
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Raime
Some Things Can Happen Just Like This
100 bpm • D Maj • 04:33 • -16.62db
10% Popularity • 61% Danceability • 20% Energy • 9% Liveness
73% Instrumentalness • 14% Positiveness
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Two Lone Swordsmen
Ivy and Lead
112 bpm • A# min • 02:48 • -10.58db
21% Popularity • 74% Danceability • 76% Energy • 11% Liveness
27% Instrumentalness • 67% Positiveness
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Andy Stott
North to South
101 bpm • G# Maj • 04:50 • -14.74db
16% Popularity • 74% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Plaid
Do Matter
100 bpm • G# Maj • 03:40 • -16.86db
39% Popularity • 52% Danceability • 29% Energy • 11% Liveness
56% Instrumentalness • 28% Positiveness
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Jega
Phlax
100 bpm • D Maj • 03:37 • -7.82db
15% Popularity • 57% Danceability • 76% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Zaliva-D
Forsaken
100 bpm • A min • 06:07 • -12.2db
13% Popularity • 60% Danceability • 52% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Belief Defect
Deliverance
100 bpm • A# min • 05:44 • -11.18db
10% Popularity • 64% Danceability • 60% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Deena Abdelwahed
Ababab
100 bpm • A Maj • 05:40 • -13.83db
11% Popularity • 64% Danceability • 61% Energy • 7% Liveness
86% Instrumentalness • 11% Positiveness
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Andy Stott
Over
100 bpm • G# Maj • 05:03 • -10.27db
13% Popularity • 72% Danceability • 30% Energy • 10% Liveness
76% Instrumentalness • 10% Positiveness
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Tricky
Valentine - Andy Stott Remix
112 bpm • E min • 06:36 • -12.41db
7% Popularity • 46% Danceability • 68% Energy • 21% Liveness
36% Instrumentalness • 10% Positiveness
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The Field
Is This Power
112 bpm • F# min • 08:39 • -10db
31% Popularity • 59% Danceability • 58% Energy • 20% Liveness
79% Instrumentalness • 50% Positiveness
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Zaliva-D
Can't Go Back
100 bpm • C# min • 04:57 • -9.78db
13% Popularity • 63% Danceability • 67% Energy • 12% Liveness
95% Instrumentalness • 16% Positiveness
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Porter Ricks
Anguilla Electrica
113 bpm • A# min • 07:10 • -14.26db
10% Popularity • 83% Danceability • 73% Energy • 14% Liveness
83% Instrumentalness • 39% Positiveness
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Sky H1
Elysian Heights
113 bpm • F min • 04:06 • -11db
25% Popularity • 34% Danceability • 78% Energy • 10% Liveness
87% Instrumentalness • 53% Positiveness
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Andy Stott
New Romantic
100 bpm • C# Maj • 05:39 • -10db
36% Popularity • 71% Danceability • 62% Energy • 8% Liveness
69% Instrumentalness • 6% Positiveness
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Varg²™
Skaeliptom
114 bpm • F# Maj • 06:26 • -15.47db
8% Popularity • 71% Danceability • 26% Energy • 19% Liveness
86% Instrumentalness • 16% Positiveness
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Aphex Twin
CHEETAHT7b
99 bpm • C# Maj • 06:43 • -10.57db
22% Popularity • 77% Danceability • 46% Energy • 9% Liveness
90% Instrumentalness • 39% Positiveness
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Telefon Tel Aviv
The Means Whereby Lovers Are Waylaid
114 bpm • A# min • 04:21 • -9.79db
19% Popularity • 83% Danceability • 35% Energy • 16% Liveness
84% Instrumentalness • 5% Positiveness
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Shed
The Praetorian
115 bpm • G Maj • 02:22 • -20.34db
35% Popularity • 34% Danceability • 40% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
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Betonkust
24x33
98 bpm • C Maj • 05:28 • -11db
21% Popularity • 64% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Andy Stott
See in Me
113 bpm • G# min • 06:06 • -16.37db
11% Popularity • 81% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Patricia
Liminal States
115 bpm • F Maj • 05:03 • -12.15db
22% Popularity • 66% Danceability • 76% Energy • 9% Liveness
88% Instrumentalness • 38% Positiveness
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Tzusing
4 Floors of Whores
115 bpm • A# min • 05:05 • -6.37db
36% Popularity • 80% Danceability • 78% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Raime
The Last Foundry
115 bpm • C# Maj • 05:52 • -18.9db
22% Popularity • 71% Danceability • 43% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
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Silent Servant
Invocation Of Lust
115 bpm • G Maj • 04:53 • -10.12db
16% Popularity • 66% Danceability • 71% Energy • 88% Liveness
81% Instrumentalness • 4% Positiveness
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Plaid
Baby Step Giant Step
115 bpm • E min • 04:14 • -15.89db
16% Popularity • 81% Danceability • 43% Energy • 7% Liveness
87% Instrumentalness • 25% Positiveness
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Andy Stott
Cherry Eye
99 bpm • C# Maj • 07:32 • -16.01db
17% Popularity • 74% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
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Murcof
Memoria
115 bpm • G# Maj • 05:58 • -15.99db
23% Popularity • 74% Danceability • 62% Energy • 12% Liveness
82% Instrumentalness • 5% Positiveness
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Tzusing
Digital Properties
115 bpm • D Maj • 03:56 • -9.83db
22% Popularity • 55% Danceability • 74% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
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Huerco S.
Plucked from the Ground, Towards the Sun
116 bpm • C# Maj • 06:49 • -16.53db
11% Popularity • 56% Danceability • 41% Energy • 10% Liveness
81% Instrumentalness • 9% Positiveness
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Ø
Scene 1
116 bpm • G Maj • 06:52 • -20.92db
10% Popularity • 71% Danceability • 23% Energy • 6% Liveness
55% Instrumentalness • 70% Positiveness
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Patricia
Four Fingered
116 bpm • C# Maj • 04:28 • -12.1db
10% Popularity • 78% Danceability • 44% Energy • 11% Liveness
82% Instrumentalness • 22% Positiveness
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Andy Stott
0L9
114 bpm • C# Maj • 06:56 • -14db
18% Popularity • 85% Danceability • 56% Energy • 15% Liveness
82% Instrumentalness • 26% Positiveness
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Actress
Hubble
117 bpm • C# min • 04:18 • -10.24db
36% Popularity • 79% Danceability • 57% Energy • 13% Liveness
84% Instrumentalness • 32% Positiveness
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Tzusing
Khi-Tang
115 bpm • E Maj • 05:39 • -7.14db
18% Popularity • 76% Danceability • 73% Energy • 12% Liveness
93% Instrumentalness • 56% Positiveness
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Huerco S.
On The Embankment
117 bpm • C# Maj • 05:56 • -22.35db
20% Popularity • 82% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 70% Positiveness
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Kangding Ray
History of Obscurity
117 bpm • F# min • 04:58 • -14.84db
10% Popularity • 63% Danceability • 55% Energy • 22% Liveness
86% Instrumentalness • 10% Positiveness
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Aphex Twin
2X202-ST5
117 bpm • C# Maj • 04:39 • -11db
21% Popularity • 80% Danceability • 48% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
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Andy Stott
Hatch the Plan
97 bpm • C# min • 08:39 • -10db
22% Popularity • 39% Danceability • 55% Energy • 38% Liveness
68% Instrumentalness • 7% Positiveness
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Shed
Leave Things
117 bpm • D min • 03:51 • -11.32db
10% Popularity • 40% Danceability • 72% Energy • 16% Liveness
87% Instrumentalness • 22% Positiveness
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Hiro Kone
A Desire, Nameless
118 bpm • F# Maj • 04:07 • -9.12db
19% Popularity • 44% Danceability • 89% Energy • 32% Liveness
73% Instrumentalness • 4% Positiveness
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Huerco S.
Quivira
118 bpm • C# Maj • 05:01 • -10db
10% Popularity • 59% Danceability • 79% Energy • 16% Liveness
70% Instrumentalness • 4% Positiveness
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Object Blue
ECSTASY OF ST. TERESA
118 bpm • A# min • 06:40 • -12db
15% Popularity • 69% Danceability • 50% Energy • 10% Liveness
15% Instrumentalness • 7% Positiveness
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Aphex Twin
CIRKLON 1
118 bpm • F# min • 07:17 • -10.66db
22% Popularity • 81% Danceability • 47% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Andy Stott
We Stay Together (Part One)
95 bpm • C# min • 06:36 • -17.61db
16% Popularity • 71% Danceability • 29% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Claro Intelecto
Sunshine
95 bpm • C# Maj • 06:02 • -9.14db
17% Popularity • 66% Danceability • 76% Energy • 19% Liveness
90% Instrumentalness • 16% Positiveness
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The Hundred In The Hands
Keep It Low - Andy Stott Remix
95 bpm • E min • 06:50 • -8.59db
3% Popularity • 56% Danceability • 67% Energy • 8% Liveness
73% Instrumentalness • 11% Positiveness
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Maps
I Heard Them Say (Andy Stott Remix) - mi...
95 bpm • B min • 03:21 • -11db
20% Popularity • 46% Danceability • 78% Energy • 85% Liveness
76% Instrumentalness • 41% Positiveness
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Plaid
Seph
119 bpm • D# min • 01:36 • -12db
31% Popularity • 74% Danceability • 55% Energy • 22% Liveness
84% Instrumentalness • 40% Positiveness
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GAS
Pop 4
119 bpm • G# Maj • 09:51 • -15db
35% Popularity • 48% Danceability • 74% Energy • 16% Liveness
84% Instrumentalness • 71% Positiveness
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Andy Stott
Choke
116 bpm • A# min • 05:19 • -10.74db
9% Popularity • 82% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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TM404
303/303/303/303/707/808
94 bpm • B min • 06:28 • -14.18db
10% Popularity • 72% Danceability • 72% Energy • 19% Liveness
57% Instrumentalness • 55% Positiveness
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Mira Calix
Sparrow
94 bpm • C# Maj • 06:03 • -8.66db
18% Popularity • 72% Danceability • 68% Energy • 14% Liveness
90% Instrumentalness • 34% Positiveness
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Severed Heads
Always Randy - Mixed
120 bpm • C Maj • 02:16 • -7db
29% Popularity • 85% Danceability • 90% Energy • 11% Liveness
58% Instrumentalness • 28% Positiveness
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Actress
Our
120 bpm • D# min • 02:32 • -5db
39% Popularity • 56% Danceability • 71% Energy • 11% Liveness
65% Instrumentalness • 50% Positiveness
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Caterina Barbieri
Scratches on the Readable Surface
120 bpm • C# min • 05:56 • -10.26db
21% Popularity • 49% Danceability • 99% Energy • 11% Liveness
80% Instrumentalness • 81% Positiveness
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Andy Stott
Take
96 bpm • C# Maj • 06:06 • -12.48db
15% Popularity • 75% Danceability • 45% Energy • 8% Liveness
24% Instrumentalness • 41% Positiveness
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Against All Logic
Faith
120 bpm • C min • 06:59 • -8db
23% Popularity • 62% Danceability • 59% Energy • 14% Liveness
90% Instrumentalness • 9% Positiveness
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Seefeel
Fracture
120 bpm • B min • 05:54 • -11db
18% Popularity • 58% Danceability • 95% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
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Tzusing
日出東方 唯我不敗
120 bpm • F# Maj • 05:11 • -10.96db
34% Popularity • 56% Danceability • 73% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Posers